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rosalind fox solomon photographer dead 1234746058

Rosalind Fox Solomon, a photographer known for her piercing black-and-white images of alienation, racism, and marginalization, died in New York at age 95. Her representative, Stephen Bulger Gallery, confirmed her passing. Over nearly six decades, she documented marginalized individuals—from Black Americans in the South to people with AIDS in New York to Palestinians in the West Bank—using a Hasselblad camera. Her work was marked by an empathetic yet distant approach, capturing the inner and outer realities of her subjects without close connection.

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Rosemarie Beck, a once-promising abstract painter celebrated in the 1940s and 1950s by the Whitney Museum and mentored by Robert Motherwell, abandoned abstraction in 1958 to pursue figuration. Despite early success and shows at prestigious venues like the Stable Gallery, her shift to mythological and literary themes caused her to fade from art historical memory. A new exhibition, "Rosemarie Beck: Earthly Paradise," at Van Doren Waxter in New York, showcases over 25 figurative works from 1959 to 2000, marking a major reappraisal of her career.

el greco paint drippings art industry news jun 20 2659116

This week's art industry roundup covers a range of developments: a new wave of younger, deliberate collectors is reshaping the art market, as reported from Art Basel; the Independent art fair will relocate to Pier 36 in New York in 2026; Riga Contemporary, a new fair, launches in Latvia; and the inaugural Arrival art fair took place in North Adams, Massachusetts. In auctions, seven never-before-seen Picasso ceramic plates sold in Geneva for nearly double their estimate, while a Giacometti sculpture made the top 10 sales list. Galleries news includes Nara Roesler now representing Asuka Anastasia Ogawa, a new gallery called Open Studio opening in New York, and Andrew Edlin Gallery relocating. In museums, a government watchdog found the Trump Administration broke the law by withholding funding for the Institute of Museum and Library Services, and UC Irvine and the Orange County Museum of Art plan to merge. A legal battle over an El Greco painting withdrawn from Christie's auction is advancing, with the owner revealed as Russian billionaire Dmitry Rybolovlev.

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A new art fair called Arrival made its debut at the Tourists hotel in North Adams, Massachusetts, featuring 36 exhibitors and attracting curators, collectors, and artists from across the country. The fair, which closed June 15, offered an intimate format with world-class art, deep conversation, and a relaxed atmosphere that included swimming between sales, set against the backdrop of cultural attractions like Mass MOCA, the Clark Art Institute, and the Williams College Museum of Art.

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Playboy founder Hugh Hefner died at age 91, and this article highlights seven visual artworks inspired by Hefner and his magazine empire. Featured artists include Andy Warhol, who designed a 1986 Playboy anniversary cover; Marisol Escobar, who created a 1966 sculpture of Hefner with two pipes; Sigmar Polke, whose 1966 painting 'Bunnies' uses benday dots to depict a Playboy Bunny; and Richard Hamilton, whose 1961 work 'Pin-up' references Playboy's centerfold. The list also includes Burt Glinn's photograph of Hefner at the Playboy Mansion, Simon Claridge's 2016 series of Playboy covers, and Richard Phillips's 2013 painting 'Playboy Marfa.'

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Art Busan wrapped its 14th edition on a high note, with over 100 galleries participating and a special exhibition titled “CONNECT” curated by Wonseok Koh under the theme Territories and Boundaries. The fair, part of Busan Art Week, saw strong engagement from international galleries such as Société (Berlin) and Canada (New York), with directors noting maturing visitors and serious local collectors. A new partnership with Tokyo Gendai will bring 10 Korean galleries to Japan this September, and the fair debuted a Future Art Award for emerging galleries.

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Art advisor Naomi Baigell recalls that when she managed Prudential's corporate art collection in the late 1980s and 1990s, executives refused to hang textile works by Colombian-born artist Olga de Amaral, preferring abstract paintings instead. Now 93 and still working, Amaral is experiencing a major market and institutional renaissance: the Institute of Contemporary Art in Miami is hosting a solo show of her work (through October 12), her pieces are included in MoMA's "Woven Histories" exhibition, and she has been represented by Lisson Gallery since 2019. In 2025, her auction performance has been stellar, with a new record of $1.16 million set in May for *Imagen perdida 27* (1996) at Phillips New York, and total sales of $4.07 million as of June.

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P·P·O·W gallery in New York has opened a group exhibition titled "Hope is a Dangerous Thing," running from June 6 to July 12, 2025. Curated by director Eden Deering, the show features artists including Robin F. Williams, Marianna Simnett, Kyle Dunn, Kayode Ojo, Raque Ford, and Diane Severin Nguyen, all united by their devotion to singer Lana Del Rey. The exhibition explores themes of art and artifice, sincerity and spectacle, with works that reference Del Rey's persona and millennial nostalgia, incorporating elements like AI, pop culture, and fast fashion.

grace hartigan gift of attention exhibition nc museum of art 1234744621

The article details the career of artist Grace Hartigan, who by 1954 had overcome self-doubt and gained critical and commercial success with her bold, figurative-abstraction paintings. It recounts her solo exhibitions at Tibor de Nagy, acquisitions by MoMA and the Whitney, and her defiance of critic Clement Greenberg. The piece then focuses on a new exhibition at the North Carolina Museum of Art, "Grace Hartigan: The Gift of Attention," curated by Jared Ledesma, which explores how her relationships with avant-garde poets like Frank O'Hara and Barbara Guest shaped her work and provided a sense of belonging in the downtown New York scene.

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Kat O’Neill and Andrea McCafferty, founders of the White Room Gallery, moved their business from Bridgehampton to East Hampton in late 2023. The gallery, known for showcasing contemporary art from Pop icons like Andy Warhol to street artists like Banksy, has a busy exhibition calendar year-round, with summer being especially active. Ahead of peak season, O’Neill and McCafferty discussed upcoming shows including “La Femme,” “Every Picture Tells A Story,” and solo exhibits by Nelson De La Nuez and Russell Young, as well as the gallery’s integration into the East Hampton community.

influential french gallerist daniel lelong dies 92 1234744325

Daniel Lelong, the influential French gallerist who cultivated deep relationships with 20th-century modern artists, died at age 92. Lelong began his career drafting statutes for the Marguerite and Aimé Maeght Foundation before working at Galerie Maeght, where he organized exhibitions for icons like Joan Miró, Alexander Calder, and Alberto Giacometti. After Maeght's death in 1981, Lelong became director of Galerie Maeght-Lelong alongside Jean Frémon and Jacques Dupin, and the gallery was renamed Galerie Lelong & Co. in 1987, with locations in New York and Zurich. He showed at the first Art Basel in 1970 and maintained close ties with artists such as Jaume Plensa, Jannis Kounellis, and Sean Scully.

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The article profiles Bona de Mandiargues, an overlooked Italian Surrealist artist whose work is finally gaining international recognition. Her major debut occurred at the 2024 Venice Biennale, and her first U.K. solo show is now on view at Alison Jacques gallery in London through June 28. The exhibition focuses on her mature period (1975–1995), featuring dark, erotic, and occult-inspired collages and assemblages that challenge gender norms.

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Actor Robert De Niro announced that artist R.H. Quaytman has won the 2016 Robert De Niro Sr. Prize, awarded to a mid-career painter for excellence and innovation. Quaytman, represented by Gladstone Gallery and Miguel Abreu Gallery, is known for mixed-media works on wood panels that blend photography, printmaking, and technology, often organized into series called "chapters." She will receive a $25,000 prize at a ceremony in New York on December 14. The selection committee included curators from the Metropolitan Museum of Art, the Guggenheim Museum, and the Whitney Museum.

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Artist Chase Hall discusses his new solo exhibition “Momma’s Baby, Daddy’s Maybe” at Galerie Eva Presenhuber in Vienna, which takes its title from a phrase his father told him in childhood. The show explores themes of race, mixed-race identity, fatherhood, and family dynamics, using coffee as a signature medium—Hall layers espresso on raw cotton canvas to create symbolic and formal depth. The exhibition follows his rise from photojournalism to a buzzy painting career, with works acquired by major institutions and auction records at Christie’s.

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Thaddeus Mosley, a 98-year-old sculptor based in Pittsburgh, creates monumental wood sculptures that weigh hundreds of pounds and rise high into the air. Working alone in a cavernous studio, he carves cherry and walnut using gouges, comparing his process to judo. Despite his long career spanning seven decades, Mosley remained largely unknown outside Pittsburgh until recently. He has now gained wider recognition following his inclusion in the 2018 Carnegie International, and his work is currently featured in a major exhibition at New York's City Hall Park, where he shows giant bronze versions of his wood creations.

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The article reviews the Independent art fair, highlighting its curated approach that results in a visually cohesive and easeful experience compared to other fairs. It notes the prevalence of neo-bucolic landscapes and animal paintings by artists like Sameen Agha, Tim Braden, and Lisa Sanditz, as well as delicate abstractions and small ceramic works. Standout pieces include Pope.L's provocative paint-scribbled underwear at Mitchell-Innes and Nash, Rosa Barba's kinetic painting at Vistamare, Ibrahim El-Salahi's silkscreen painting at Vigo Gallery, and works by emerging artists such as Constanza Camila Kramer Garfias and Ada Friedman at Kendra Jayne Patrick Gallery.

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Photo London's 10th edition opened with a buoyant mood despite co-founder Michael Benson acknowledging a difficult economic climate. The fair features classics by pioneers like Henri Cartier-Bresson and Brassaï, alongside emerging artists through its Discovery section and Positions platform. Standouts include Palestinian-American artist Adam Rouhana's poignant images of joy and resistance, the special exhibition "London Lives" curated by Francis Hodgson featuring 30 photographers, and a notable booth by Guerin Projects showcasing Robin Hunter Blake's chronophotographic works paired with Rodin's The Kiss.

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Gallery Weekend Berlin took place during the city's spring bloom, featuring exhibitions like Alvaro Urbano's melancholic installation "September and Lions" at ChertLüdde and Pamela Rosenkranz's flesh-toned water bottles at KaDeWe. The event kicked off on May Day and included expanded public tours, artist talks at the Neue Nationalgalerie, and a 24-hour window project. Notable attendees included collector Frédéric de Goldschmidt and celebrity Usher, who collected art. The weekend was marked by a mood of resilience despite political turmoil.

dara birnbaum video artist dead wonder woman 1234740430

Dara Birnbaum, a pioneering video artist known for subverting mainstream media through her re-edited television clips, has died at age 78. Her longtime representative, Marian Goodman Gallery, confirmed her death but did not disclose a cause. Birnbaum rose to prominence in the late 1970s and 1980s by pirating TV programs and resequencing their images to disrupt passive viewing. Her most famous work, *Technology/Transformation: Wonder Woman* (1978–79), loops clips of Lynda Carter as the superhero, exposing hidden politics and questioning the show's brand of feminism. The piece is now regarded as a landmark in both feminist art and video art.

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Artist Harry Gould Harvey IV and others are reclaiming the frame as an integral part of the artwork, using found wood and elaborate designs to embed narrative, memory, and place. Harvey, represented by P.P.O.W., began making frames from a fallen black walnut tree, while artists like Jenna Rothstein create ceramic frames with spiky thorns. The New Museum Los Gatos recently honored Holly Lane, a pioneer who milled Renaissance-style frames in the 1980s, challenging the minimalist norm.

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This week's art industry roundup covers major developments across art fairs, auction houses, galleries, and museums. At Expo Chicago, emerging artist Auudi Dorsey sold her painting *Rumble* (2025) for $14,000 on opening day at Palo Gallery, while the fair featured 170 exhibitors including 20 from South Korea amid tariff concerns. Vienna Contemporary appointed Abaseh Mirvali as artistic advisor for 2025-2026. Sotheby's was selected by Barbara Gladstone's estate trustees to sell her collection, starting with a May 15 single-owner sale of 12 works estimated at over $12 million. Nine artworks from the Anne and Sid Bass collection head to Christie's New York, and Sotheby's secured a $70 million Alberto Giacometti sculpture for its May 13 evening sale. Philipp Kaiser departed Marian Goodman Gallery after six years. Customs backlogs from President Trump's import policy changes are causing shipping headaches, with DHL halting business-to-consumer shipments over $800 to the U.S. Air de Paris withdrew from Art Basel. Mexico City gallery OMR hired Agustina Ferreyra as director. Angelica Jopling is expanding her London gallery Incubator to New York. Alexander Gray Associates now represents Donald Moffett. In museums, the National Endowment for the Humanities, following DOGE staff cuts, is offering grants up to $600,000 for statues for Trump's National Garden of American Heroes. CCS Bard appointed Lauren Cornell as artistic director and Mariano Lopez Seoane as graduate program director. The New York Academy of Art named Paul R. Provost president. The Artists' Legacy Foundation appointed Daisy Murray Holman executive director. The Speed Art Museum named Diallo Simon-Ponte assistant curator. The Garage Museum of Contemporary Art in Moscow appointed Daria Kotova director. The Nasher Sculpture Center named Carlos Basualdo director. The Cultural Infrastructure Index reported a 17% drop in completed cultural projects in 2024.

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US artists Spencer Finch and Lindsay Adams have been commissioned to create new installations for the Obama Presidential Center in Chicago, which is set to open in early 2026. Finch will produce a 70-foot-long tiled mural for the Forum building's lobby, inspired by Barack Obama's memoir *Dreams from My Father*, while Adams will adapt a 2024 painting into fabric panels for the center's public café. The commissions are led by museum director Louise Bernard and curator Virginia Shore, who are building a collection of approximately 20 public artworks for the campus, including pieces by Julie Mehretu, Richard Hunt, and Maya Lin.

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The Cooper Hewitt, Smithsonian Design Museum has opened "Making Home," the seventh installment of its Triennial, featuring 25 newly commissioned projects that explore the concept of home through memory, construction, and rupture. Co-curated by Alexandra Cunningham Cameron, Christina L. De León, and Michelle Joan Wilkinson, the exhibition is organized across three themes—Going Home, Seeking Home, and Building Home—and marks the first partnership between Cooper Hewitt and another Smithsonian museum, the National Museum of African American History and Culture. The show is on view through August 10.

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The San Francisco Museum of Modern Art (SFMOMA) will host "KAWS: Family," the first West Coast museum solo exhibition for the artist KAWS (Brian Donnelly). The traveling show, organized by the Art Gallery of Ontario, is currently on view at Crystal Bridges Museum of American Art in Bentonville, Arkansas, and will bring KAWS's signature cartoon-like characters—including Companion, BFF, and Chum—to the Bay Area.

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Pacita Abad, a Filipino artist who fled political persecution in 1970 and went on to create over 5,000 works, is finally receiving her first career retrospective. Organized by the Walker Art Center in Minneapolis, the exhibition is now on view at the San Francisco Museum of Modern Art (SFMOMA), featuring roughly 40 pieces that showcase her vibrant trapunto paintings—quilted canvases embellished with materials like buttons, beads, and shells. The show will travel to MoMA PS1 in New York and the Art Gallery of Ontario in Toronto next year.

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Isaac Julien’s retrospective at the de Young Museum in San Francisco features 13 multiscreen video installations, including works like *Baltimore* (2003) and *Ten Thousand Waves* (2010). The exhibition blends Renaissance art, Black cinema, science fiction, and documentary, with Julien’s signature use of multiple screens to create an overwhelming visual experience. Curated by Claudia Schmuckli, the show is billed as Julien’s largest in the US, requiring about four and a half hours to view in full.

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Alserkal Avenue in Dubai's Al Quoz Industrial district has transformed from a cluster of warehouses and auto shops into a major cultural hub, now housing around 90 creative businesses including 17 contemporary art galleries. Founded in 2008 by Emirati patron Abdelmonem Bin Eisa Alserkal, the Avenue began with a single gallery, Ayyam, and has since expanded through a $13.6 million investment to replace a marble factory with purpose-built spaces. Key galleries include Carbon 12, The Third Line, and Green Art Gallery. The centerpiece is Concrete, an exhibition hall designed by Rem Koolhaas's OMA, currently hosting Imran Qureshi's solo show 'Vanishing Points,' curated by Nada Raza. Other notable exhibitions include Michael Sailstorfer's 'Air Electric' series at Carbon 12.

‘This is mine, I own it’: how Tracey Emin and Frida Kahlo inspired me to make meaning out of pain

The article is a personal essay by a writer who, after undergoing a colectomy in 2023, found inspiration in Tracey Emin's unflinching self-portraiture following her 2020 cancer diagnosis. The author describes taking her own post-surgery photographs, echoing Emin's mantra "This is mine, I own it," and reflects on Emin's current work, including the Tate Modern exhibition and paintings like "I watched Myself die and come alive" (2023) and "Barbed Wire Stitches" (2024). The essay also connects Emin's approach to that of Frida Kahlo, whose retrospective is upcoming at Tate.

From Normal to Ania Magliano: your complete entertainment guide to the week ahead

The Guardian's weekly entertainment guide includes a section on art exhibitions, highlighting two shows opening in the UK. Godfried Donkor's solo exhibition at Firstsite in Colchester runs from 22 May to 30 August, weaving stories of resistance from Boudicca to Yaa Asantewaa through collage, painting, and textile. Delcy Morelos's installation at the Barbican in London, running until 31 July, fills the space with huge mounds of earth, clay, and spices to create immersive environments based on Andean and Amazonian knowledge. The guide also mentions Phantasmagoria at the Henry Moore Institute in Leeds, exploring video games and digital art.

‘I couldn’t believe we weren’t falling over ourselves for it’: Asia-Pacific art finally conquers Britain

The Victoria and Albert Museum (V&A) in London has opened "Rising Voices: Contemporary Art from Asia, Australia and the Pacific," a major exhibition produced in partnership with the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) in Brisbane. Featuring over 70 works never before exhibited in the UK, the show draws from QAGOMA's Asia Pacific Triennial of Contemporary Art (APT), which began in 1993. Highlights include Michael Parekōwhai's sculpture of a Māori bouncer, Montien Boonma's terracotta bell installation, and Takahiro Iwasaki's intricate wooden model. The exhibition is the first APT survey to be held outside Australia and Chile, arriving after years of planning by V&A exhibitions director Daniel Slater.