churchill painting hudsons bay company auction 2700846

The Hudson's Bay Company, a historic Canadian department store chain that declared bankruptcy in March, began selling off its art collection. On November 19, 27 paintings from the retailer's trove were auctioned by Canadian auction house Heffel, all selling well above estimate. The top lot was an impressionistic painting of a Marrakech street by Winston Churchill, which sold for $1.5 million, more than tripling its low estimate. Other notable sales included Frederic Marlett Bell-Smith's 'Lights of a City Street' at $691,250 and works by William von Moll Berczy and Charles Pachter.

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A 1969 Fender Competition Mustang guitar owned by Nirvana frontman Kurt Cobain is being auctioned by Christie's in March, with an estimated price of $2.5–$5 million. The guitar was used on the albums *Nevermind* and *In Utero*, as well as in the music video for "Smells Like Teen Spirit" and numerous live performances. It is part of the Jim Irsay Collection, assembled by the late Indianapolis Colts owner, which includes instruments from John Lennon, Jimi Hendrix, Prince, and others.

preservationists petition to save wilbur building the sistine chapel of new deal art 1234761320

Preservationists are petitioning to save Washington, D.C.'s Wilbur J. Cohen Federal Building, known as the 'Sistine Chapel of New Deal Art' for its 20th-century murals by Philip Guston and Ben Shahn. The Trump administration has listed the building for sale under an 'accelerated disposal' program, raising fears it could be demolished. The nonprofit Living New Deal launched a petition demanding transparency and public participation, as the building is one of 45 federal properties slated for swift sale. The structure, completed in 1940, houses ten New Deal-era artworks including frescoes, relief sculptures, and murals, and has been home to Voice of America since 1954.

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Indian officials have released a charge sheet in an ongoing investigation into the sale of forged paintings attributed to major modern Indian artists M. F. Husain, S. H. Raza, Manjit Bawa, and F. N. Souza. The alleged scheme involved a poor farmer, Raghavendra Parmar, who posed as a maharaja to sell fake works, aided by lawyer Vishwang Desai, who presented himself as a collector to persuade investment banker Puneet Bhatia to purchase the pieces. The paintings, collectively valued at around ₹17.9 crore ($2 million), were allegedly funneled through Mumbai's Rare Art Gallery, run by Rajesh Rajpal, and the related firm Art India International. A former IAS officer, Subroto Banerjee, is also implicated but denies involvement.

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The Kochi-Muziris Biennial, South Asia's largest contemporary art biennial, has announced the 66 artists from over 20 countries participating in its 2025 edition, titled “For The Time Being.” Running from December 12 to March 31 across venues including Aspinwall House and Pepper House in Kochi, India, the event features around 50 new commissions and a theme centered on the body, memory, and temporality. The announcement comes after the 2023 edition was marred by controversy, with more than half of its 90 artists signing a public letter alleging communication breakdowns, unpaid fees, and production issues, as well as the Kerala government reportedly pulling out of a deal to acquire the main venue.

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Artist Nan Goldin and Palestinian activist Mahmoud Khalil discussed Khalil's 104-day ICE detention, the 'Palestine Exception' to free speech, and the backlash faced by pro-Palestinian activists in a conversation published in Dazed magazine. Khalil was arrested in March 2024 after serving as a negotiator during Columbia University protests, with the Trump administration alleging he undermined foreign policy and later claiming he failed to disclose information on his green card application. Goldin compared her own experience leading the activist group PAIN, which successfully pressured museums to cut ties with the Sackler family over the opioid crisis, noting that pro-Palestinian activism has faced far greater criminal and professional repercussions.

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The Hepworth Wakefield and Art Fund have successfully raised £3.8 million to acquire Barbara Hepworth’s sculpture *Sculpture with Colour (Oval Form) Pale Blue and Red* (1943). The wood and string artwork, previously in private hands and rarely seen publicly, was sold at Christie’s in London last March for £3.5 million. A temporary export bar imposed by the UK government gave the museum time to raise funds, with the deadline set for August 27. The funding came from over 2,800 donations and major grants, including £1.89 million from the National Lottery Heritage Fund and £750,000 from the Art Fund, along with private support.

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A legal dispute has erupted over a Banksy mural, *Yellow Lines Flower Painter* (2007), painted on the Bethnal Green Working Man’s Club in east London. The club’s trustees have filed a lawsuit against employee Warren Dent and others, alleging the work was illegally removed and put up for sale in the US. The mural, depicting a workman and a giant flower emerging from double-yellow lines, is currently in Colorado. The club’s former accountant claims secretary Stephen Smorthit agreed to sell the piece to Dent for £20,000 in 2019, after which art restorer Chris Bull removed it and later loaned it to his father’s gallery in Aspen. The trustees argue they never authorized the sale and are demanding the work’s return.

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A 77-year-old Pennsylvania man, Carter Reese, pleaded guilty on May 29 to wire fraud and mail fraud for selling artworks falsely attributed to major modern and contemporary artists including Joan Miró, Pablo Picasso, Andy Warhol, Jean-Michel Basquiat, Roy Lichtenstein, Keith Haring, Fernand Léger, and Francis Bacon. The scheme ran from February 2019 to March 2021, and was uncovered by the FBI's Art Crime Team in Philadelphia and Miami. Reese, a former teacher and admissions director at Pottstown's Hill School, also claimed a personal collection of 17,000 antiques valued at over $6 million.

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A rediscovered Gustav Klimt painting of a West African prince, shown at TEFAF Maastricht in March, has sparked a dispute over its export legality. The Hungarian publication HVG reported that the work was "smuggled" into Austria, while the Austrian outlet Der Standard countered that the Viennese gallery Wienerroither and Kohlbacher obtained the necessary export permit. The gallery denies any wrongdoing, calling HVG's claims an insinuation. The painting, made in 1897 and depicting Prince William Nii Nortey Dowuona, was priced at €15 million and appeared at TEFAF following a restitution settlement with the heirs of Jewish collector Ernestine Klein.

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Two lenders to the National Museum of African American History and Culture (NMAAHC) reported that their objects were removed from the museum’s galleries earlier than expected, raising concerns about the influence of President Trump’s recent executive order targeting “anti-American content” in Smithsonian museums. Amos C. Brown, a civil rights activist and pastor, lent a 1880 book on Black history and his father’s Bible, which Martin Luther King Jr. carried during protests; the museum cited the loan’s May expiration as the reason for removal. Liz Brazelton, who lent the diary of her great-great-grandfather—a lawyer who worked on behalf of Solomon Northup—said the diary was returned in March, six months before a 10-year loan agreement was set to end in September, with the museum citing an “internal gallery rotation schedule.” At least 32 objects have reportedly been removed, though the museum denied planned removals.

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Artist Natalie White was arrested and charged with a misdemeanor for vandalizing federal property after painting “ERA NOW” in red letters on the pavement of the US Capitol building in Washington, DC. The protest followed a 16-day, 250-mile Equal Rights Amendment march from New York to DC. White surrendered to Capitol Police earlier this month and spent 14 hours in jail. Her lawyer, Ronald Kuby, arranged the surrender and noted that because the cleanup cost was under $1,000, the charge remained a misdemeanor. White faces up to a year in prison.

Dark clouds, protests and resignations dampen start of 61st Venice Biennale

The 61st Venice Biennale opened under grey skies and rain, with political tensions overshadowing the art world's premier event. The Russian pavilion, absent for two editions due to the Ukraine war, reappeared with a party atmosphere, though the Italian ministry of culture confirmed it would not be open to the public. The Ukrainian culture minister called Russia's symbolic presence powerful. The Iranian pavilion withdrew without explanation, and a protest by 60 artists from the In Minor Keys show marched through the Giardini humming in solidarity against Israel's participation. Over 200 artists, including Lubaina Himid and Alfredo Jaar, signed an open letter demanding the Israeli pavilion's cancellation. The event also proceeded without its curator, Koyo Kouoh, who died in May 2025; her curatorial team delivered the exhibition following her plans.

Statue with Banksy signature of man blinded by flag appears in London

A new statue bearing Banksy's signature has appeared in Waterloo Place, central London, depicting a man marching forward with a large flag obscuring his face. The elusive artist has not yet confirmed the work, though he typically posts confirmation on his website after public discovery. The statue stands near monuments to Edward VII and Florence Nightingale, and follows Banksy's previous sculptural works like *The Drinker* (2004) and recent murals addressing homelessness and protest.

Walter Price at David Zwirner

Artist Walter Price is presenting a solo exhibition titled "Pearl Lines" at David Zwirner’s Hong Kong gallery. Running from March 24 through May 9, 2026, the show features a new body of work that continues Price’s exploration of the boundaries between figuration and abstraction through his signature use of vibrant color and psychological depth.

March Book Bag: from a Modigliani catalogue raisonné to a career guide for artists

This month’s selection of art publications features a landmark six-volume catalogue raisonné of Amedeo Modigliani’s oil paintings, which utilizes advanced scientific imaging to authenticate 100 previously unlisted works while de-attributing 15 others. Other notable releases include a comprehensive study of arms and armor from the Wallace Collection, an exhibition catalogue exploring three generations of women artists from the Nicholson family, and a practical career guide for artists published by Delphian Gallery.

13 modern chair designs that remain utterly timeless

A recent Christie's online auction, 'Modern Collector: Design and Tiffany,' featured a range of iconic 20th-century chair designs that achieved significant sale prices. Highlights included Gaetano Pesce's 'Nobody's Perfect' series chair selling for $6,350, Hans J. Wegner's 'Valet' Chair for $8,255, and a set of four Ludwig Mies van der Rohe MR10 chairs for $5,334.

First-ever oil painting depicting an artist at work to star in female Old Master exhibition

The first-ever exhibition dedicated to Catharina van Hemessen, Europe's most important early female painter, will open at the Snijders&Rockox House in Antwerp (15 October 2026 – 31 January 2027) before traveling to the National Gallery in London (4 March – 30 May 2027). The show will reunite most of her surviving works for the first time in nearly 500 years, including her groundbreaking 1548 self-portrait at the Kunstmuseum Basel, which is the earliest known self-portrait by a female artist and the earliest surviving oil painting depicting an artist at work. Archival research on her family is underway, and the exhibition will also feature works by her father, Jan Sanders van Hemessen.

The 25th Biennale of Sydney: “Rememory”

The 25th Biennale of Sydney, titled "Rememory," opened in March 2026 across multiple venues in Sydney, including the prominent White Bay Power Station. Curated by Hoor Al-Qasimi, the exhibition features 83 artists and collectives from around the world, presenting works that demand slow, immersive engagement rather than spectacle, with highlights including large-scale textile installations by Edgar Calel and Nikesha Breeze.

Art Gallery Shows to See in March

Sharjah Biennial announces theme and artists

Strike Rocks Venice Biennale Ahead of Public Opening as Pavilions Close

Thousands of protesters marched through Venice to demonstrate against Israel's presence at the Venice Biennale, leading many national pavilions to close in solidarity. Pavilions from Austria, Belgium, Egypt, Japan, the Netherlands, South Korea, and over a dozen other countries shut fully or partially, with some displaying signs reading "We Stand with Palestine." The Israeli pavilion remained closed for its exhibition opening, and armed police clashed with protesters. The main exhibition, curated by Koyo Kouoh, stayed open initially but the Arsenale closed by late afternoon with riot police outside. The 24-hour strike, organized by Art Not Genocide Alliance (ANGA) and Italian activist groups, was described as the largest protest in Biennale history.

Sharjah Art Foundation Announces 2027 Biennial Programming

Philadelphia Museum of Art 'Rising Up: Rocky and the Making of Monuments (4/25-8/2)'

필라델피아미술관 '라이징업: 록키와 기념비 제작(Rising Up: Rocky and the Making of Monuments, 4/25-8/2)' - Lounge

The Philadelphia Museum of Art has announced a major exhibition titled "Rising Up: Rocky and the Making of Monuments," scheduled to open in April 2026. Curated by Paul Farber of Monument Lab, the show will feature over 150 works by more than 50 artists, including Keith Haring, Kara Walker, and Andy Warhol. The exhibition uses the iconic Rocky statue—a fictional character that has become one of the city's most visited landmarks—as a focal point to explore the history, mythology, and evolving role of public monuments from antiquity to the present day.

Amy Sherald exhibit sets 21st century visitor record at BMA

The Baltimore Museum of Art (BMA) has achieved a historic milestone with its exhibition 'Amy Sherald: American Sublime,' which drew 84,000 visitors between October 2025 and March 2026. This figure more than doubled the museum's initial projections and set a new record for the highest attendance of any exhibition at the institution in the 21st century. The show featured 45 large-scale portraits by the Baltimore-born artist, focusing on themes of identity and representation.

White House launches review of Smithsonian museums and exhibitions

The White House has launched a comprehensive internal review of the Smithsonian Institution, targeting eight of its museums including the National Museum of American History, National Museum of African American History and Culture, and the Hirshhorn Museum. A letter signed by senior White House officials Lindsey Halligan, Vince Haley, and Russ Vought demands extensive documentation, curatorial materials, and exhibition schedules within 30-, 75-, and 120-day deadlines, with the stated goal of aligning programming with President Donald Trump's directive to "celebrate American exceptionalism" and remove "divisive or partisan narratives." The review follows Trump's March executive order reshaping the Smithsonian, which had already led to the resignation of National Portrait Gallery director Kim Sajet and the cancellation of artist Amy Sherald's traveling exhibition after the museum allegedly sought to remove her painting of a non-binary transgender person.

Michaela Eichwald at Maureen Paley

Michaela Eichwald has opened a solo exhibition titled "MÄR" at Maureen Paley gallery in London. The show runs from March 28 to May 23, 2026, and is documented with 27 images on the Contemporary Art Daily website.

Nick Goss: Interview of the Month, March 2026 – Paul Carey-Kent

Anglo-Dutch painter Nick Goss has opened a new exhibition at Josh Lilley Gallery, featuring eleven paintings inspired by Eel Pie Island, a private marshy area on the Thames in Twickenham with a bohemian past—including 1960s rock concerts by The Rolling Stones, The Who, and Pink Floyd, a hippie commune, and a 1972 fire. In an interview with Paul Carey-Kent, Goss discusses how he blends fact and fiction, combining sources from hotel corridors, Pompeii, and the Sergeant Pepper album cover to create ambiguous, layered works that evoke half-remembered histories.

Hurvin Anderson and Caroline Walker to show new works on London Underground

London's Art on the Underground programme has announced its 2026 lineup, featuring new public artworks by Hurvin Anderson, Caroline Walker, Phoebe Boswell, and Ain Bailey. Anderson will create a commission for Brixton station tied to his long-standing studio in the area, while Walker will depict women working night shifts on the Jubilee line. Boswell will install photographic assemblages at Bethnal Green and Notting Hill Gate stations focusing on Black swimming communities, and Bailey will produce an audio piece for Waterloo station highlighting closed London venues.

The waves that disappeared—Art duo Cooking Sections track lost tides in new installation

Art duo Cooking Sections, comprising Daniel Fernández Pascual and Alon Schwabe, have opened a new immersive installation titled "Waves Lost at Sea" at Centro Botín in Santander, Spain. The exhibition explores the disappearance of waves due to human activities such as sea dredging, port construction, and coastal development. Working with biologists and engineers from the University of Cantabria's GeoOcean project, the duo researched eleven lost waves globally. The installation features a white fabric structure, 11 slinky-like forms, and a soundscape composed by musician Duval Timothy, with 30-minute looped pieces for each lost wave. The show runs until March 1 and is part of Centro Botín's 30-year program that has previously supported artists like Tacita Dean and Mona Hatoum.