Underground Railroad stop in New York threatened by real-estate development

A hidden chute within the Merchant's House Museum in Manhattan, identified as a rare surviving stop on the Underground Railroad, is threatened by a planned real-estate development next door. The two-foot-square vertical passage, concealed behind a built-in dresser, was built in 1832 by abolitionists Joseph and Susanna Brewster to shelter Black fugitives escaping slavery. The museum's western wall, which contains the hideaway, adjoins a one-story garage slated for demolition to make way for a commercial building, prompting the museum team to oppose the development due to risk of structural damage.

craft as protest

Craft-based activism is surging in the U.S. as a form of protest against Immigration and Customs Enforcement (ICE) policies and operations under President Trump's second term. Projects include the "Melt the ICE" hat, a red beanie pattern that has sold over 65,000 copies and raised over $600,000 for immigrant-support nonprofits, and origami rabbits for a detained five-year-old boy, drawing direct parallels to historical craft-as-resistance movements like the Norwegian topplue worn against Nazi occupation.

national museum of puerto rican arts and culture homeland security

Agents from the Department of Homeland Security (DHS) arrived at the National Museum of Puerto Rican Arts & Culture in Chicago on Tuesday, with at least 15 DHS vehicles occupying the museum's parking lot for nearly two hours. Museum staff reported that an agent entered the building under the pretense of using the bathroom but instead looked around and refused to leave when asked. Museum president Billy Ocasio described the incident as intimidating, comparing it to "Gestapo-style" tactics, and staff expressed fear. DHS later denied targeting the museum, stating the vehicles were staging for a narcotics investigation, but museum officials and local Representative Delia Ramirez criticized the lack of identification and the intimidating show of force.

in venice, ukrainian artists reclaim joy with tender force

The article reports on 'Still Joy — From Ukraine Into the World,' a collateral exhibition at the 61st Venice Biennale presented by the Victor Pinchuk Foundation and PinchukArtCentre. The show features works by Ukrainian artists including Malashchuk & Khimei, Simone Post, and Zhanna Kadyrova, exploring themes of joy, survival, and resilience amid war. Highlights include a two-channel video juxtaposing a Kyiv rave before and after Russia's full-scale invasion, letters from Ukrainian soldiers printed on foam panels, and installations that transform everyday objects into meditations on sweetness and endurance.

Sonoma Valley Museum of Art opens two new exhibits celebrating the queer identity

The Sonoma Valley Museum of Art has opened two new exhibitions celebrating queer identity, memory, and community. "John Paul Morabito: Dancing in the Night" features large-scale woven works by transdisciplinary artist John Paul Morabito, using linen, cotton, gold-leaf threads, and beadwork inspired by queer history, resistance, and celebration. The second exhibition, "Norma I. Quintana: Paradise of Memory / Paraíso de la Memoria," presents a portrait series by photographer Norma I. Quintana that examines memory, identity, and cultural heritage, recreating hand-painted backdrops from her family's photographs to honor her community. Both exhibitions run through September 6.

Artworks by Palestinian artists killed in war displayed in Scottish exhibition

An exhibition at POD! community art gallery in Dundee, Scotland, features works by three Palestinian artists: Maysa Yousef, who is alive and exhibiting, and two others—Dorgham Qreaiqea and Heba Zaqout—who were killed in Israel's military campaign in Gaza. The display also includes artwork by children in Gaza who participated in art therapy workshops led by Yousef, who describes art as a means of survival and resistance amid ongoing violence and trauma.

ARTS at King Street Station 2026 Exhibition Calendar

The ARTS at King Street Station in Seattle has announced its 2026 exhibition calendar, featuring a diverse lineup of 13 shows from November 2025 through February 2027. Highlights include "Welcome to Paradise: ¡Viva Puerto Rico Libre!" by Jo Cosme, which critiques colonial narratives of Puerto Rico; "Living and Loving Under the Carceral State" by Alison Bremner; a South Indian kolam exhibition by Anuradha Samrat; and "Tết In Diaspora" by Nhi Vo celebrating Vietnamese New Year. Other exhibitions explore Afrofuturism, Black figuration, animation, augmented reality, the legacy of Black Arts West Theater, and themes of mothering and gender-based violence.

‘People didn’t believe it was real’: Indigenous artists push to shut the Everglades migrant-detention facility Alligator Alcatraz

Miccosukee and Seminole artists, culture-bearers, and youth organizers are protesting the opening of a migrant-detention facility nicknamed Alligator Alcatraz at the Dade-Collier Training and Transition Airport in Big Cypress National Preserve, Florida. In July, a communal action coordinated with the collective Unidos Immokalee included ceremony, dance, sign-making, and distribution of supplies, with participants like Kendal Osceola and Maeanna Osceola speaking out against the facility, which they see as colonial violence on ancestral lands. The facility, run by Florida’s Division of Emergency Management in partnership with the US Department of Homeland Security, opened on 3 July and has faced legal challenges, including a temporary halt to construction by a federal judge in August, though a September appeals panel stayed the shutdown order.

Richmond Artists Unite for ‘Fall of Freedom’ at Antennae Gallery

Richmond artists have come together for a group exhibition titled 'Fall of Freedom' at Antennae Gallery. The show features works by multiple local artists responding to themes of political and social change, reflecting on the concept of freedom in contemporary America. The exhibition is organized as a collective response to current events, with participating artists contributing paintings, sculptures, and mixed-media works that explore loss, resistance, and resilience.

‘Proof that life goes on’: meet some of the people working to rescue—and re-energise—Ukrainian culture

Ukrainian cultural institutions and artists are actively restoring and creating art despite ongoing Russian attacks targeting the country's cultural identity. The Nahirna 22 arts collective in Kyiv, which runs 30 artist studios, was hit by air strikes in August that killed at least 23 people, damaging studios and forcing relocations. Meanwhile, the Mykhailo Boychuk State Academy of Decorative Applied Arts and Design in Kyiv, named after a Modernist executed in 1937, was struck by a Russian missile in 2024. Contractors in July 2025 recovered surviving works from the academy's archives, including paintings, textiles, ceramics, and student pieces, with support from UNESCO, the Japanese government, and Ukraine's culture ministry. A new conservation training program and exhibitions like Body/Fragility demonstrate ongoing cultural resilience.

‘I want to haunt people’: Palestinian artist's London exhibition interrogates myth, history and the erasure of heritage

Palestinian artist Dima Srouji's exhibition *A Cosmogram of Holy Views* opens at London's Ab Anbar Gallery, presenting a decade of research into the built heritage of Palestinian Christians. The show juxtaposes European Renaissance depictions of the Holy Land with the reality of life under Israeli occupation, using media such as tinted glass collages, blown glass, carved stone, and mother-of-pearl objects. Works like *Return to Nazareth* overlay biblical scenes with personal childhood memories, while *Phantom Votives* offers wax votive forms as a response to the destruction in Gaza.

Q&A: How does UVA’s ‘Fuego Eterno’ exhibit explore indigenous sovereignty?

The article is a Q&A with an artist and co-director of the Global Spanish Initiative at the University of Virginia (UVA), discussing the exhibition 'Fuego Eterno.' The show, which opened August 29, features artists from indigenous and Afro-descended communities across the Americas and its diasporas, exploring themes of indigenous sovereignty, Nahua cosmologies, border resistance, and diaspora. The exhibition includes the co-director's own artworks and is accompanied by a symposium, a workshop with Peruvian artist Venuca Evanán Vivanco, a film screening, and a closing party.

'Rhino World Order' to open Tyler Art Gallery season

SUNY Oswego's Tyler Art Gallery opens its fall season with 'Rhino World Order,' an exhibition of large-scale ceramic and plaster sculptures by Buffalo-based artist Richard Tomasello. The show runs from September 2 to October 8, with an opening reception on September 5. Tomasello's work draws inspiration from Eugène Ionesco's 1959 absurdist play 'Rhinoceros,' using the rhinoceros as a metaphor for fascism and conformity. His sculptures address themes of physical assault, school shootings, mob mentality, toxic masculinity, and systemic violence, emphasizing the power of individual resistance. Related events include a panel discussion with the artist and gallery director Davana Robedee, and a student reading of the play.

Schroeder hall gallery exhibit & opening reception, September 17

Schroeder Hall Gallery at Illinois State University is hosting the photography exhibition "PUNKROCKER: Music and Activism in the Heartland" for the 2025-2026 school year. The show features black-and-white photographs by Sonny Garcia, capturing local resistance against the rise of an American fascist regime, inspired by punk culture and community solidarity. An opening reception will be held on September 17 at 5:00 p.m.

New In Town: Elliði, RÝMD, La Boutique Design Gallery, Starbucks

The Reykjavík Grapevine highlights four new establishments in Reykjavík: Elliði, a coffeehouse with a gallery space in Elliðaárdalur; RÝMD, an artist-run space in Breiðholt reopening with a new team; La Boutique Design Gallery, a design store that has transformed its first floor into an exhibition space; and a new Starbucks on Laugavegur, which the article criticizes as part of the city's commercialization.

Taiwanese Video Artist, Asian Art Museum Curator Collaborate

Taiwanese video artist Yuan Goang-Ming has brought his exhibition "Everyday War" to San Francisco's Asian Art Museum, where it will be on view through August 4. The show, which explores the anxiety of daily life under the constant threat of invasion by China, was originally presented at Taiwan's pavilion during the 60th Venice Biennale in 2024. It was curated for the Biennale by Abby Chen, the contemporary curator at the Asian Art Museum, who then arranged for the exhibition to travel to San Francisco. The exhibition features video installations such as "Dwelling," "Everyday War," "Everyday Maneuver," and "Prophecy," all of which capture a sense of dread and unease in domestic and public spaces.

Local feminist art coalition tackles censorship in current exhibition at San Diego Central Library

The Feminist Image Group (FIG), a local feminist art coalition, is opening a new exhibition titled "In the Land of…" at the San Diego Central Library on Sunday, running through Oct. 12. Originally invited to exhibit before the pandemic, the group shifted focus to address censorship after facing criticism directed at libraries and books. The show features 15 members' works in various media, including paintings, sculpture, fabric art, embroidery, and collage, confronting banned books, silenced histories, and the fight for free expression. Member Jennifer Spencer, a local photographer and painter, helped organize the exhibition and contributed an accordion-fold book piece inspired by Project 2025.

There Is Still A Tomorrow, Mother: An Imelda Cajipe Endaya Exhibition

Imelda Cajipe Endaya, a pioneering Filipino feminist artist, will hold her first U.S. solo exhibition in nearly two decades at Silverlens New York, opening May 8, 2025. Titled "There is Still a Tomorrow, Mother" and curated by Eugenie Tsai, the show spans works from 1982 to 2023, highlighting the overlooked roles of Filipino women through colonialism, war, and dictatorship. The exhibition features mixed-media pieces incorporating materials like cloth gloves, woven bamboo, and crocheted textiles, alongside paintings such as "Tutol ni Dolorosa" and the installation "The Wife is a DH," which address themes of erasure, migration, and resistance.

JEZIK AND COSTA EXPLORE MEMORY AND EXILE IN A GROUP EXHIBITION

The Miguel Hernández University in Elche, Spain, presents "Vientos del pueblo. Voices of Exile and Resistance," a group exhibition curated by Mónica Sotos. Inspired by Miguel Hernández's poem "Vientos del pueblo," the show features Argentine artists Ježik and Costa alongside Eugenio Merino, Gloria Oyarzábal, Ricardo Calero, Óscar Seco, Pierre Valls, and María Rosa Aránega. Through photography, video, installation, drawing, and archival works, the exhibition examines violence, borders, exile, and colonial legacies, challenging dominant power narratives.

CUBA PRESENTS FREE MEN AT THE VENICE BIENNALE

Cuba presents Roberto Diago's installation "Hombres Libres (Free Men)" at the 61st Venice Biennale, curated by Nelson Ramirez de Arellano Conde and commissioned by Daneisy García Roque. The work, on view from May 9 to November 22, 2025, features a group of sculpted heads made from oxidized metals, wood, plastics, and reclaimed materials that advance toward viewers, bearing scars that evoke a history of pain and resistance.

Creating Variety in Contemporary Rome: The Story of the Conventicola degli Ultramoderni on Sky Arte

Fare varietà nella Roma contemporanea: la storia della Conventicola degli Ultramoderni su Sky Arte

On Sunday, May 3, Sky Arte will premiere the documentary "Ultramoderni," which chronicles the rise of the Conventicola degli Ultramoderni, a unique artistic collective in Rome. Founded by Sior Mirkaccio and Madame de Freitas, who met in 2011, the group operates from a small hidden venue in the San Lorenzo district, blending music, cabaret, burlesque, and contemporary variety shows with a retro-futuristic aesthetic. The documentary, filmed in their Roman space, features interviews with the duo and excerpts from their performances, tracing how they built a diverse community of enthusiasts around their reinvention of past traditions.

Jaya Ganguly’s art on feminism, pain & resistance. Watch the video

Jaya Ganguly, one of India's most prominent contemporary feminist artists, is the subject of a video feature exploring her exhibition at CIMA in Kolkata. Curated by Rakhi Sarkar, the show presents Ganguly's deeply emotional and thought-provoking artworks that address themes of feminism, pain, and resistance. The exhibition runs until June 13.

Art of resistance: Immigrant children share pain and strength in Tucson exhibit

An exhibition titled "Arte de la Resistencia" (Art of Resistance) was held from May 13 to May 17 at Free Associates gallery in Tucson, Arizona. Curated by a psychologist who uses the pseudonym Rosa for safety reasons, the show featured artwork created by immigrant children aged 7 to 19, many of whom are affected by deportation, family separation, and ICE enforcement. The pieces, including works like "Adiós Tucson" and "Silencio," express pain, grief, and resilience, with identities kept anonymous to protect the young artists. Proceeds from sales of original works and prints directly benefit the children's families.

In Dim Light, New Histories Emerge

Museo Afro Casa Silvana in Humacao, Puerto Rico, is hosting 'Dim Light: Afro-Puerto Rican Photography,' the first collective exhibition dedicated exclusively to Afro-Puerto Rican photographers. Featuring ten artists from the island and its diaspora, the show explores themes of spirituality, family, and resistance through a lens of self-representation. The works were previously debuted at the 3rd Black Brazil Art Biennial before returning to Puerto Rico for this landmark presentation.

MAFOLOFOLO: Sonic Cartographies of Return

The South African artist collective MADEYOULOOK has unveiled 'Mafolofolo' at Hangar – Centro de Investigação Artística in Lisbon. Curated by Margarida Mendes, the installation utilizes sound, oral histories, and liberation songs to map the complex relationships between land, memory, and dispossession in northern South Africa. The work, which originally debuted at documenta fifteen, has been reconfigured for this specific research-driven setting to explore themes of extraction and survival.

KÜTRAL VARGAS HUAIQUIMILLA: PERFORMING BLOOD, INHABITING ITS FLOW, DIMENSIONING THE WOUND

KÜTRAL VARGAS HUAIQUIMILLA: PERFORMAR LA SANGRE, HABITAR SU FLUJO, DIMENSIONAR LA HERIDA

Mapuche visual artist and performer Kütral Vargas Huaiquimilla presents "Performance de la sangre" (Performance of Blood) at Galería Gabriela Mistral in Santiago, Chile. Based on the artist's 2024 novel of the same name, the exhibition utilizes video-performance, sculpture, and clinical materials like medication vials to explore the intimate and collective experience of living with HIV. The project marks a significant interdisciplinary intersection of Mapuche identity, pharmacology, and contemporary medicalization.

Chilean textiles showcasing women’s stories of heritage on view at Krannert Art Museum

The Krannert Art Museum has opened "Memorias de la Mujer Lotina: Arpilleras, Women, and Coal in Chile," an exhibition featuring 23 arpilleras created by women from the coal-mining community of Lota. These colorful, hand-stitched textiles, which rose to prominence as a form of resistance during the Pinochet dictatorship, document the daily lives, heritage, and struggles of marginalized communities. The show features a centerpiece 16-foot-long collective textile created by 52 women ranging in age from 14 to 92, depicting scenes of labor, domestic life, and social activism.

Huntington Debuts Major Chicano Art Exhibition Celebrating Six Decades of Printmaking as Activism

The Huntington Library, Art Museum, and Botanical Gardens in San Marino, California, will host the West Coast debut of “Radical Histories: Chicano Prints from the Smithsonian American Art Museum” on November 16. The exhibition features 60 works by some 40 artists and collectives from the Smithsonian American Art Museum, spanning over six decades of Chicano printmaking as a form of resistance, community building, and cultural reclamation. It traces key moments from the late 1960s Delano Grape Strike to the present, using silkscreens, posters, and offset prints. The Huntington has also commissioned a mural by Los Angeles–based artist Melissa Govea in partnership with Self Help Graphics & Art.

Fowler Museum at UCLA presents ‘Construction, Occupation,’ exploring art, activism and housing justice

The Fowler Museum at UCLA has opened 'Construction, Occupation,' an exhibition exploring the intersection of art, activism, and housing justice. The show revisits the 2016–17 occupation of the abandoned Cambridge Hotel in São Paulo, Brazil, by low-wage workers, refugees, and artists—a project known as the Cambridge Artistic Residency (CARe)—which led to the building's transformation into government-funded social housing and a cultural hub. Curated by Alex Ungprateeb Flynn, Juliana Caffé, and Yudi Rafael, the exhibition features 24 artists and collectives, primarily from Brazil, with photography, video, installations from the original residency, and newly commissioned works. It runs through January 11, 2026.

Tutte le ‘Sicilie’ di Armando Rotoletti all’Antiquarium di Centuripe in un viaggio tra memoria e visione

The article reports on the exhibition "Sicilia. Un’isola, tante Sicilie. Fotografia, memoria e patrimonio culturale nell’opera di Armando Rotoletti" at the Antiquarium Comunale di Centuripe in Sicily, running until September 27, 2026. The show features over thirty years of black-and-white photographic research by Armando Rotoletti (born 1958 in Messina), a photojournalist who left Sicily for London and Milan but maintained a deep connection to his homeland. His work captures the island's plural, complex identity through rituals, daily gestures, and cultural resistance to standardization, with images that blur past and present.