Marianna Simnett has opened a new multimedia exhibition titled "Circus" at the Secession in Vienna. The show features a combination of light, sound, and sculptural works that delve into her Yugoslav heritage, weaving together personal family history with folklore.
An exhibition titled “Seri: Woman Perspective – Voice of Our Time” at 22Hale Street Heritage Gallery in Ipoh, Perak, brings together 10 women artists showcasing 24 paintings and six ceramic- and clay-based sculptural works. The show explores the psychology of art, emotional expression, identity, and social reflection. A parallel talk, “From Pain to Healing: The Art of Emotional Recovery,” was given by Health Ministry psychology officer Rahilah Abdul Rahim, who introduced the Art Drawing House-Tree-Person (ADHTP) technique and color-based exercises as therapeutic tools for accessing and understanding emotions.
Cambodian artists are celebrating Khmer New Year with the free exhibit “My Soul of Gold” at Xia Gallery & Cafe in St. Paul, Minnesota, running through April 27, 2025. The show features portraits of cyclo drivers and elders by photographer Hao Taing, paintings by Cambodian American artist Sara Gregor, and traditional wedding dresses, all exploring themes of heritage, war, and displacement. Inspired by kintsugi, the exhibit uses art to “fill in the cracks” left by the Khmer Rouge regime and historical erasure. Separately, documentary photographer Drew Arrieta is debuting “Infinite Bonds” at Resource gallery in Minneapolis, blending photography, audio, and personal objects to explore intimate relationships.
Da prigione a spazio per la cultura: nuova vita per le ex carceri austriache di Busto Arsizio
The city of Busto Arsizio has officially inaugurated the transformation of its mid-19th-century Austrian prison into a vibrant cultural hub. Following a €2.35 million restoration project largely funded by the EU’s PNRR (NextGenerationEU), the historic structure on Via Borroni now serves as an extension of the "G.B. Roggia" Civic Library. The facility features three levels of study rooms, multi-purpose exhibition spaces, and a literary café, all while preserving original architectural elements like cell doors and prisoner graffiti.
A documentary screening in Whippany, New Jersey, featured artwork created by Ukrainian children affected by the ongoing war. The event, organized by local community groups, aimed to share these personal expressions of trauma and resilience with an American audience, fostering cross-cultural understanding and highlighting the human impact of the conflict. The artwork served as a poignant centerpiece, transforming the children's experiences of displacement and fear into a visual dialogue accessible to the Whippany community.
Kentucky-based painter Samuel Baltes will be featured in a solo exhibition opening May 8 at Yes Arts in Frankfort. The showcase highlights Baltes’ plein air landscape paintings, which draw heavily from Realist and Impressionist traditions to capture the subtle shifts of light and atmosphere in everyday environments.
Local artist Claire Vaughan has launched a solo exhibition at Colchester General Hospital, showcasing a series of works inspired by her personal journey of recovery and the loss of her lifelong friend, Debbie Cuthbert. The exhibition serves as a tribute to Cuthbert, who passed away from ovarian cancer, with proceeds from art sales being donated to the Cancer Wellbeing Centre.
The National Museum “Kyiv Art Gallery” has launched a major exhibition titled “Andriy Chebykin. MASTER AND WORKSHOP” to celebrate the 80th birthday of the renowned Ukrainian graphic artist and educator. The show features a comprehensive range of Chebykin’s work, from his classic 1970s etchings and 1990s nudes to recent pieces created during the full-scale invasion of Ukraine, such as “The Enemy Was Shot Down Over Tatarka.” Uniquely, the exhibition also includes works by his former students, highlighting his 55-year legacy at the National Academy of Fine Arts and Architecture.
Kansas City artist Michelle Pond is debuting a new solo exhibition titled "The Journey Back," which chronicles her grueling two-year recovery from a severe case of COVID-19. The collection features a series of paintings that transition from dark, chaotic imagery representing her time on a ventilator to bright, hopeful compositions symbolizing her physical and emotional rehabilitation.
A new art collective called Sussex Cancer Art and Research (S.C.A.R.) launches with an exhibition titled "Drawn Out: Lines Beyond the Limen" at Dorset Place Gallery in Brighton. Curated by University of Brighton graduate Markus Taylor, who was diagnosed with Chronic Lymphocytic Leukaemia in 2021, the show features works by local artists living with or affected by cancer. Taylor incorporates his own cancerous blood as a medium in one piece, symbolizing his diagnosis and the emotional realities of the disease.
The New York Times profiles a painter in her 90s who has finally begun to address the trauma she experienced during the Nazi era through her artwork. The article details how she survived persecution and displacement as a child under Nazi rule, and how for decades she avoided directly depicting those experiences in her paintings. Now, late in life, she is creating works that confront her past, using art as a means of processing long-suppressed memories and emotions.
The Postal Museum in London has launched a collaborative project with victims of the Post Office Horizon scandal, working with a group of current and former sub-postmasters to create a lasting legacy documenting the impact of the faulty Horizon IT system. Over 900 sub-postmasters were prosecuted between 1999 and 2015 based on incorrect data from the software, leading to wrongful convictions, imprisonment, and financial ruin. The museum is partnering with the Post Office Horizon IT Inquiry, led by high court judge Wyn Williams, and has held initial meetings with twelve sub-postmasters to discuss how to mark the scandal in history.
Asheville artist Jenny Pickens has opened a new downtown exhibit featuring her acrylic paintings, including a piece titled "Blueprint" that depicts a woman with blue skin and ginkgo leaves, exploring themes of divine design and identity. The exhibit is housed in a sunlit gallery in the city's historic Black business district, and Pickens describes her work as a form of personal healing through art.
The National Museum of Modern and Contemporary Art, Korea (NMCA) has opened an exhibition titled 'Surrealism and Korean Modern Arts' at its Deoksugung Palace branch in Seoul, running from April 17 to July 6. The show features six overlooked Korean surrealist artists—Kim Chongnam (Hideo Manabe), Kim Ukkyu, Kim Chongha, Park Gwangho, Kim Younghwan, and Shin Youngheon—displaying some 230 works by 50 surrealist artists. These painters explored surrealism despite the movement's limited adoption in Korea due to colonialism, war, and national division, expressing inner landscapes through unique contemplative styles.
Nereida Apaza Mamani presents a solo exhibition at ICPNA Cultural in Miraflores, Lima, featuring 150 works across watercolor, painting, printmaking, photography, sculpture, embroidery, and installation. The show traces stories of migration and displacement through cartographies, maps, and family trees, drawing on embroidery techniques inherited from her mother and grandmother. Curated by Miguel López, the exhibition explores belonging in a country marked by discrimination and centralism, incorporating the artist's notebooks begun in 2009 and works that address political violence and memory.