“Feeling Color” at The Modern Art Museum of Fort Worth

The article reviews "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth, an exhibition that pairs works by two artists from Guyana who worked in London in the late 20th century. Both explore abstraction, materials, and sociopolitical themes, with Bowling's color field paintings and Williams' geometric, Pre-Columbian-inspired works displayed in alternating galleries. The reviewer describes the show as dense and vibrant, noting the sensory experience of the paintings and the subtle dialogue between the artists.

Home of murdered Pakistani artist Ismail Gulgee becomes a museum

The home and studio of murdered Pakistani Modernist artist Ismail Gulgee has been transformed into a museum by his son, installation artist Amin Gulgee. Opened in February 2025 in central Karachi, the museum preserves the late artist's work, including his Expressionist calligraphic paintings and later abstract canvases, which had been locked away since Gulgee, his wife, and a maid were killed in 2007 by their driver and an accomplice. The building, designed by architect Nayyar Ali Dada, now houses a carefully curated collection that traces Gulgee's evolution from formal calligraphy to vibrant abstraction.

Fort Worth’s 7 Must-See Museum Exhibits This Summer

Fort Worth's top museums are presenting seven must-see exhibitions this summer, ranging from a deep dive into the life of primatologist Jane Goodall at the Fort Worth Museum of Science and History to a joint survey of abstract painters Aubrey Williams and Frank Bowling at the Modern Art Museum of Fort Worth. Other highlights include a hands-on exploration of indigenous knowledge in 'Roots of Wisdom,' a survey of pop-culture-infused paintings by Alex Da Corte, and a behind-the-scenes look at photographer Richard Avedon's process at the Amon Carter Museum of American Art.

Albuquerque Museum Presents German Modernism Amid Empire, Democracy, and Dictatorship

The Albuquerque Museum will present "Modern Art and Politics in Germany 1910-1945: Masterworks from the Neue Nationalgalerie, Berlin" from August 23, 2025, to January 4, 2026. The exhibition features over 70 paintings and sculptures tracing German modern art from the early 20th-century avant-garde through the Weimar Republic to the Nazi dictatorship, including works by Max Beckmann, Otto Dix, George Grosz, Hannah Höch, Wassily Kandinsky, Paul Klee, and Salvador Dalí, many rarely shown in the U.S.

Katharina Grosse: ‘Imagination doesn’t have a scale’

Katharina Grosse has created a monumental site-specific commission titled CHOIR (2025) for the Messeplatz at Art Basel, covering the entire square and the Messe building with her signature spray-painted veils of high color. In an interview with The Art Newspaper, Grosse discusses how she tackled the vast urban space, emphasizing the immediacy of entering the square without any transitional experience, and describes her process of painting over roofs, facades, a fountain, and even a clock, using only magenta and white to create luminous effects. The work is part of a busy summer for the artist, who also has exhibitions at the Deichtorhallen in Hamburg and the Staatsgalerie Stuttgart.

The Denver Art Museum celebrates A Century of Art in Latin America

The Denver Art Museum (DAM) has announced its upcoming Fox Gallery exhibition, *A Century of Art in Latin America*, opening June 15, 2025, and running through June 15, 2027. The exhibition will be held in the Latin American Art galleries on level four of the museum’s Martin Building and is included in general admission, which is free for visitors 18 and under and for museum members. Featuring works exclusively from the John and Sandy Fox Collection, the show includes sculptures, paintings, textiles, prints, and mixed media pieces spanning the 20th and 21st centuries, offering a broad survey of artistic movements across the region.

An UES carriage home from a celebrity architect opens up for a public art show

Art dealer and collector Adam Lindemann is presenting a free public exhibition titled "Urhobo + Abstraction" in his East 77th Street carriage house on Manhattan's Upper East Side. The show features five life-size 19th- and early-20th-century sculptures carved by the Urhobo people of southern Nigeria, paired with works by contemporary artists of African descent including El Anatsui, Alma Thomas, and Jack Whitten. The carriage house is the first Manhattan building designed by Ghanaian-British architect David Adjaye, whose renovation was completed in the late 2000s. The exhibition runs through June 13, open Mondays through Thursdays, and the sculptures are not for sale.

One Fine Show: “In Creative Harmony, Three Artistic Partnerships” at the Blanton Museum of Art

Observer's "One Fine Show" column highlights "In Creative Harmony: Three Artistic Partnerships" at the Blanton Museum of Art in Austin, Texas. The exhibition examines three distinct artistic duos: José Guadalupe Posada and Artemio Rodríguez, Arshile Gorky and Isamu Noguchi, and mother-daughter team Nora Naranjo Morse and Eliza Naranjo Morse. Spanning different eras, geographies, and mediums, the show explores how creative kinship and mutual influence shape artistic output, from Posada's Day of the Dead imagery to Gorky and Noguchi's Surrealist-inspired abstraction and the Morses' work in Pueblo ceramic and graphic traditions.

The nonconformist: Ben Shahn is honoured in a ‘homecoming’ show at New York's Jewish Museum

A major retrospective titled "Ben Shahn, On Nonconformity" opens this month at New York's Jewish Museum, honoring the American artist's lifelong activism. The exhibition includes 175 artworks and objects from the 1930s to the 1960s, organized into sections covering Shahn's Social Realism, New Deal-era work, responses to McCarthyism and the Atomic Age, and support for the civil rights movement. Co-curated by Laura Katzman and Stephen Brown, the show is adapted from a 2023 retrospective at the Museo Nacional Centro de Arte Reina Sofía in Madrid, which was a surprise hit.

Surprised by Jack: A Review of “Jack Whitten: The Messenger” at MoMA in New York

The Museum of Modern Art in New York is hosting "Jack Whitten: The Messenger," the largest survey ever mounted of the late abstract artist Jack Whitten, who died in 2018. The exhibition features 175 works spanning his sixty-year career, from early quasi-representational pieces to his innovative "slab" paintings made with a custom squeegee device and his later "tesserae" works that mimic glass tiles using acrylic paint. The show includes archival audio of Whitten discussing his creative process, which blended philosophy, craft, and science, and is curated by MoMA's Michelle Kuo, who knew Whitten personally.

Review: Gorgeous, exuberant Kim Chong Hak at the High

The High Museum of Art in Atlanta is hosting "Kim Chong Hak: Painter of Seoraksan," the first American museum exhibition dedicated to the Korean artist, running through November 2. The show features over 60 works spanning Kim's career, from early abstract pieces influenced by Western artists like Rothko and Tàpies to vibrant, large-scale landscapes inspired by his decades-long retreat to Mount Seorak in eastern South Korea. The exhibition includes paintings, folk art, and a catalog with essays that contextualize Kim's life and work.

In ‘Life Forms,’ Janny Baek Imagines a Speculative Landscape

In ‘Life Forms,’ Janny Baek Imagines a Speculative Landscape

Sculptor Janny Baek is presenting her solo exhibition *Life Forms* at Chicago's Joy Machine gallery from March 20 to May 9, 2026. The exhibition features her speculative ceramic sculptures, which blend recognizable natural forms like blossoms and creatures with unexpected, abstract elements to create imagined landscapes and primordial organisms. Using techniques like hand-building and the Japanese *nerikomi* method of patterning colored clay, Baek's work captures beings in a state of playful mutation and transformation.

Where to see artworks in Marin

A comprehensive listing of art exhibitions and gallery shows across Marin County, California, for spring 2025. The article highlights dozens of venues including Robert Green Fine Arts in Mill Valley, which will display John Grillo's works from the 1940s beginning in May, alongside shows at Anthony Meier, Art Works Downtown, Bolinas Museum, and many local libraries and cultural centers. Exhibits range from abstract works and pop art to photography, ceramics, and sculptures by artists such as Saif Azzuz, Drew Frazier, Lenore Golub, and Sonny Smith.

f v t ccucu gall art

Emerging artist F V T, the alias of American artist Alexandra Wallery (b. 2000), is set to present her abstract works at the 2026 edition of Art Palm Beach with Ccucu Gall-Art of Miami. Wallery, who holds a master's degree from Vanderbilt University and a background in biological science from the University of Miami, creates highly experimental paintings and sculptures that blend gestural abstraction, scientific curiosity, and humor. Notable works include the large-scale canvas *Busy Night in the City – Lightning* (2025) and the monumental sculpture *MIA CHEESE* (2025), a playful nod to Miami.

tom price radical material experimentation

Artist Tom Price discusses his material-driven practice in an interview with Artnet News. Based in Mallorca, Spain, and a Royal College of Art graduate, Price explores how materials like coal, resin, and tar carry symbolic weight and drive conceptual narratives in his sculptures. His "Meltdown" series and works such as "The Presence of Absence" (2014) demonstrate his focus on material transformation, figuration, and abstraction.

Tobias Pils “Shh” mumok / Vienna by Frank Wasser

Tobias Pils has opened a major exhibition titled "Shh" at mumok in Vienna, presenting a decade-spanning survey of his work. The show, which follows his 2013 presentation at Secession, occupies three spaces and charts his evolution from abstraction to figuration and a more expansive color palette, while focusing on recurring motifs and the structure of pictorial language.

In Medias Res. Sofia Defino Leiby by Gabriela Acha

Berlin-based artist Sofia Defino Leiby is currently transitioning her practice between her Alt-Treptow studio and a residency at Defet House in Nürnberg. Her multidisciplinary approach integrates painting, collage, and performance, drawing heavily from a 'running narrative' of personal notes, found ephemera, and high-end materials like Schmincke paints. The work often features visceral, layered compositions that utilize everything from vintage packaging to Swiss Aura-Soma bottle imagery.

Julie Mehretu — Perceptual Infrastructure and the Post-Retrospective Condition

Julie Mehretu's latest exhibition, "Our Days, Like a Shadow (a non-abiding hauntology)," is on view at Marian Goodman Gallery in New York from April 14 to June 6, 2026. The show presents paintings that push beyond traditional representation, creating immersive perceptual environments through dense layers of abstraction, cartographic traces, and architectural fragments. The works, including the TRANSpaintings series created with Nairy Baghramian, extend Mehretu's practice into spatial expansion, where painting behaves like infrastructure without becoming literal architecture.

Where to see artworks in Marin

This article is a comprehensive listing of art exhibitions and events across Marin County, California, from May through August 2025. It includes details on dozens of shows at venues such as the Belvedere Tiburon Library, Anthony Meier, Blunk Space, Bolinas Museum, Gallery Route One, and many others, featuring works by artists like Carol Thomas, Saif Azzuz, Ian Collings, and Drew Frazier. The listings cover photography, painting, sculpture, and mixed-media exhibits, with opening receptions, artist talks, and benefit events noted.

Hamed Abdalla | Untitled (1972) | For Sale

Hamed Abdalla's 1972 painting "Untitled" is being offered for sale through Mark Hachem Gallery, listed on Artsy. The work is an acrylic on canvas measuring 92 × 65 cm, hand-signed by the artist, and includes a certificate of authenticity. Abdalla (1917–1985) was a pioneering Egyptian modernist who developed the concept of the "Creative Word," blending abstraction with human forms. His career included exhibitions at Cairo's Museum of Modern Art, the Louvre in Paris, and the Metropolitan Museum of Art in New York, and his works are held in major institutions such as the Tate Modern, the Barjeel Art Collection, and Mathaf: Arab Museum of Modern Art.

Hamed Abdalla | Al Beous, Misery (1961) | For Sale

Hamed Abdalla's 1961 work "Al Beous, Misery" is being offered for sale through Mark Hachem Gallery, listed on Artsy. The piece is an ink on paper from glue relief, measuring 33 × 46 cm, hand-signed, and includes a certificate of authenticity. Abdalla (1917–1985) was a pioneering Egyptian and Arab modernist, known for his "Creative Word" concept blending abstraction and human forms. His career included exhibitions at Cairo's Museum of Modern Art, the Louvre, the Metropolitan Museum of Art, and the Tate Modern, among others.

Exhibition | Daniel Crews-Chubb, 'The Belt of Venus' at Patricia Low Contemporary, Venezia, Venice, Italy

Daniel Crews-Chubb presents 'The Belt of Venus,' an exhibition of six new monumental paintings at Patricia Low Contemporary in Venice. The works draw inspiration from the atmospheric phenomenon of the same name, using its ethereal pinkish glow as a color palette. Crews-Chubb explores pareidolia—the brain's tendency to see faces in abstract forms—pushing his long-standing interrogation of the human figure into increasingly abstract territory. The paintings reference classical mythology, including the Roman goddess Venus, and incorporate fragmented forms reminiscent of ancient statuary, serving as memento mori.

Exhibition | Shota Nakamura, 'Apple' at Karma, Los Angeles

Shota Nakamura's exhibition 'Apple' at Karma in Los Angeles presents a series of new paintings that explore familiar subjects—fruit, shells, sailboats, landscapes—through a dreamlike, tonally nuanced lens. The Berlin-based Japanese artist focuses on the tonality of light, using closely-valued hues to investigate relationships between color, luminosity, and illusion. Works such as 'Landscape with Apples' (2026), 'A Black Dog', and 'Violin Player' demonstrate his method of combining personal photographs, memory, and art historical references into compositions that balance representation with formal abstraction, often referencing modern Japanese painters like Zenzaburo Kojima and Morikazu Kumagai as well as Mark Rothko.

Exhibition | Fahrelnissa Zeid, 'Immersion' at Dirimart, London, United Kingdom

Dirimart London has opened 'Immersion,' the first UK gallery exhibition this century dedicated to Turkish-Arab modernist Fahrelnissa Zeid. Curated by Adila Laïdi-Hanieh, the show focuses on her most innovative decades from the 1940s to 1960s, featuring works from Istanbul, London, Paris, and Ischia, with several pieces on public view for the first time.

Exhibition | Trishla Jain, 'In Equilibrium' at Sundaram Tagore Gallery, New York, New York, United States

California-based artist Trishla Jain presents her first solo exhibition at Sundaram Tagore Gallery in New York, featuring abstract canvases from her 'Yantra' and 'Tantra' series. The works are deeply rooted in the artist’s lifelong meditation practice and spiritual study, utilizing intricate patterns of dots, dashes, and grids to represent the intangible process of breath awareness. While the 'Yantra' series focuses on mathematical precision and geometric focus, the 'Tantra' series explores fluid, organic arrangements that evoke celestial or topographical forms.

At Perrotin Paris, Bernard Frize Pushes Against His Own Self-Imposed Constraints

Bernard Frize’s latest exhibition, "Les 26," at Perrotin Paris marks his 21st show with the gallery and a continued exploration of his rigorous, process-driven abstraction. The exhibition features his signature interlocking grids and geometric latticework, created using wet-on-wet brushstrokes locked in resin, alongside tempera paintings on glass that follow strict linear rules. By utilizing utilitarian titles and avoiding representational forms, Frize seeks to decenter his own subjectivity, allowing the physical act of painting and the resulting optical tension to lead the viewer’s experience.

Review: Thomias Radin, Echoes of KA at Esther Schipper, Berlin

Thomias Radin’s fourth solo exhibition at Esther Schipper in Berlin, titled "Echoes of Ka," presents a multidisciplinary environment blending painting, woodwork, and installation. The Guadeloupe-born artist draws heavily from Caribbean embodied knowledge, dance philosophy, and the ancient Egyptian concept of 'Ka'—a vital life force—to transform the gallery into a choreographed 'secret garden.' The works, characterized by vibrant colors and gestural oil paintings on raw linen, are informed by Radin’s collaboration with dance scholar Léna Blou and his own practice of improvisation.

Odili Donald Odita - Shadowland - Exhibitions

Odili Donald Odita presents a new body of work in the exhibition "Shadowland," featuring a series of acrylic paintings and manipulated photographs. The collection includes recent 2025 canvases such as "Protector," "Camouflage," and "RIOT," which showcase the artist's signature use of geometric abstraction and vibrant color theory. Notably, the exhibition also incorporates historical works by Okechukwu Emmanuel Odita, including the 1970s series "Njikoka: Nigerian Unity," creating a cross-generational dialogue.

Karma gallery debuts representation of Yvonne Jacquette in Miami

Karma gallery has taken over representation of the estate of Yvonne Jacquette (1934-2023), the American painter known for her aerial nighttime cityscapes and unconventional perspectives. The gallery, with locations in New York, Los Angeles, and Maine, is already showing Jacquette's work in a Manhattan group exhibition and at Art Basel Miami Beach, with a solo show planned for 2026 at its Chelsea space. The decision follows nearly three decades of representation by DC Moore Gallery.

In Ho Chi Minh City, Art Feels Urgent Again

The article reports on a vibrant season of exhibitions in Ho Chi Minh City, where artists are turning to abstraction, faith, and innovation to question perception and belief. Key shows include Bùi Thanh Tâm's "Christ, Buddha, and the Jigsaw" at Gate Gate Gallery, which fuses religious iconography, folk traditions, and pop media, and Trần Văn Thảo's "New Moon" at Galerie Quynh, reimagining darkness as creative space. The scene reflects a lineage of defiance dating back to post-war restrictions on artistic expression.