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Review: “Canvas to Clay” at the San Antonio Museum of Art

The San Antonio Museum of Art (SAMA) has launched "Canvas to Clay," an exhibition that pairs the modernist paintings of Georgia O’Keeffe with the black-on-black pottery of Maria Martinez. While these two icons of the American Southwest are frequently exhibited together, this show distinguishes itself by expanding the conversation southward. It integrates Mexican earthenware from Mata Ortiz and Tonalá, highlighting the work of Juan Quezada and Hector Gallegos to showcase a broader regional tradition of abstraction and indigenous revival.

Ellsworth Kelly: Eight Decades at Parrish Art Museum

The Parrish Art Museum is hosting "Ellsworth Kelly: Eight Decades," a comprehensive retrospective celebrating the centennial of the legendary American abstractionist. The exhibition spans Kelly’s prolific career, featuring a diverse array of works including his signature shaped canvases, wood sculptures, and precise drawings. By bringing together pieces from various stages of his life, the show highlights Kelly's unwavering commitment to exploring the relationships between color, form, and space.

Princeton University Art Museum show focuses on de Kooning's explosive 'Breakthrough Years'

The Princeton University Art Museum has opened "Willem de Kooning: The Breakthrough Years, 1945-50," an exhibition featuring 22 pivotal works from a transformative period in the artist's career. The show highlights de Kooning’s unique ability to balance abstraction with representational elements, showcasing masterpieces like "Gansevoort Street" and "Dark Pond." Unlike his contemporaries who moved toward pure abstraction, de Kooning’s work from this era remains anchored in the physical world, capturing the energy of mid-century Manhattan and the natural landscape through a radical use of line and gesture.

Mark Rothko’s Historic Painting Sold at Auction for $8.5 Million -

Mark Rothko’s 1949 painting 'No. 10' sold for $8.5 million at Sotheby’s Modern and Contemporary Evening Auction in Hong Kong, establishing a new auction record for the artist’s 'Multiforms' series. The sale was part of a high-profile event that also saw Joan Mitchell’s 'La Grande Vallée VI' become the most expensive work by a female artist ever sold at auction in Asia.

In Memoriam: Melvin Edwards (1937–2026)

Renowned sculptor Melvin Edwards, a pioneer of the Black Art Movement who transformed welded steel into powerful explorations of African American identity, has passed away at the age of 88. Edwards was best known for his "Lynch Fragments," a series of over 300 compact, wall-mounted assemblages that utilized industrial materials like chains, meathooks, and barbed wire to evoke the history of racial violence and the struggle for civil rights. His career spanned over six decades, beginning with a breakout solo show at the Santa Barbara Museum of Art in 1965 and a landmark exhibition at the Whitney Museum of American Art in 1970.

Blanton show reimagines American modernism through private collection of H-E-B chairman Charles Butt

The Blanton Museum of Art has unveiled a new exhibition featuring approximately 80 works of American modernism drawn from the private collection of H-E-B chairman Charles Butt. Curated by Carter Foster, the show eschews a "trophy collection" approach in favor of intimate, transitional works by canonical artists such as Edward Hopper, Alice Neel, and Alma Thomas. The exhibition is organized thematically, focusing on urban life, precisionism, and the evolution toward abstraction, presenting these works together in a single gallery for the first time.

‘In Her Place’: Female artists fill the Frist for its 25th anniversary

The Frist Art Museum in Nashville is celebrating its 25th anniversary with a major exhibition titled “In Her Place: Nashville Artists in the Twenty-First Century.” Occupying the museum's largest gallery space through April 26, the show features nearly 100 works including paintings, sculptures, and textiles by women artists based in the city. The exhibition is organized into three thematic sections—“Materiality and Memory,” “Scenes and Dreams,” and “Patterns and Abstraction”—highlighting the diverse generations, ethnicities, and styles that define Nashville's contemporary art scene.

The Met to Present a Major Exhibition Dedicated to the Careers of Lee Krasner and Jackson Pollock

The Metropolitan Museum of Art has announced a major exhibition titled "Krasner and Pollock: Past Continuous," scheduled to run from October 2026 to January 2027. This landmark show will trace the parallel careers of Lee Krasner and Jackson Pollock, marking the first significant New York presentation for either artist in over two decades. The exhibition aims to examine their distinct yet interconnected practices as artistic peers and life partners, featuring galleries that both juxtapose their works and present them independently to highlight their individual evolutions in abstraction.

New York Galleries: Openings and Closings (02/09-02/15)

A comprehensive list of gallery exhibitions opening and closing in New York City for the week of February 9-15, 2026, has been published. The schedule includes openings at major galleries like Gagosian, Hauser & Wirth, and Matthew Marks, featuring artists such as Michael Heizer, Felix Gonzalez-Torres, and Anish Kapoor, alongside shows at smaller spaces. The list also notes the final weekend to see exhibitions at venues including Tanya Bonakdar Gallery and Alexander Gray Associates.

5 Art Openings in London this week.

London galleries are launching a packed week of late-January exhibitions, featuring solo shows by Jessica Rankin at White Cube (embroidered paintings and works on paper), R. Crumb at David Zwirner (a survey of his six-decade career in countercultural drawing), Alexandra Christou at Sadie Coles HQ (rarely seen 1990s paintings of Greek life), Christina Mackie at Goldsmiths CCA (interdisciplinary installation), and a group show 'Geometry in Motion' at Stephen Friedman Gallery (exploring geometry and seriality).

Women of Abstract Expressionism Featured in Muscarelle Museum of Art Exhibition

The Muscarelle Museum of Art in Williamsburg, VA, has opened “Abstract Expressionists: The Women,” an exhibition featuring nearly 50 paintings by 32 women artists who were pivotal to the Abstract Expressionist movement. Running from January 23 through April 26, 2026, the show draws from the Christian Levett Collection and the FAMM (Female Artists of the Mougins Museum), France, and is organized by the American Federation of Arts. It spans the movement’s development from the late 1930s to 1977, with works by artists such as Lee Krasner, Joan Mitchell, Helen Frankenthaler, and Grace Hartigan, and is structured around four thematic sections covering New York, San Francisco, Paris, and the artists’ own voices.

Abundance of botanical forms and monumental paintings reflects optimism at San Francisco’s Fog Design+Art fair

The 12th edition of Fog Design+Art in San Francisco opened with a record-breaking preview gala on January 21, drawing over 2,700 guests. The fair features 65 presentations from local and international dealers, with standout booths including Jessica Silverman's blue-hued works and Hauser & Wirth's $1m sale of Jack Whitten's 'Solar Space' (1971). Large-scale paintings dominate, alongside a notable abundance of botanical imagery, while geometric abstractions outnumber representational works. The fair's director, Sydney Blumenkranz, noted a particularly buoyant mood and strong attendance from tech industry leaders.

Art Notes: Hood Museum's exhibitions reflect on America's 250 years

The Hood Museum of Art in Hanover, New Hampshire, has mounted a dozen exhibitions drawn entirely from its own collection to mark the 250th anniversary of American independence. Curators began planning in 2022, opting for a series of smaller, collaborative shows rather than a single large exhibition. Highlights include "Always Already: Abstraction in the United States," featuring works by Frank Stella and Nampeyo; "American Pop," with Ed Ruscha's "Standard Station, Amarillo, Texas" and Jaune Quick-to-See Smith's "The Rancher"; and "Art Histories/Art Futures," which pairs May Stevens' "Big Daddy Paper Doll" with Michael Naranjo's "He's my brother." The exhibitions reflect the museum's ongoing effort to include art and artists historically left out of the art-historical canon.

7 Shows to See During Miami Art Week 2025

Frieze has published a guide to seven must-see exhibitions during Miami Art Week 2025, highlighting a diverse range of shows across the city. Featured presentations include a solo exhibition of new works by artist Tschabalala Self at the Bass Museum of Art, a survey of Afro-Cuban abstraction at the Pérez Art Museum Miami, and a group show of emerging Latin American artists at the Rubell Museum. Other notable exhibitions include a site-specific installation by Olafur Eliasson at the Institute of Contemporary Art, Miami, and a retrospective of the late painter Purvis Young at the Museum of Contemporary Art, North Miami.

These 16 Miami Art Week 2025 Exhibitions Are Already Creating Buzz Among Collectors

Miami Art Week 2025 is set to take place December 3–7, headlined by Art Basel Miami Beach (public days December 5–7) and concurrent fairs including Design Miami (20th anniversary) and NADA Miami. The article highlights 16 must-see exhibitions across venues such as the Miami Beach Convention Center, Wynwood, and the Miami Design District. Featured galleries include Pace Gallery (presenting Alexander Calder, Elmgreen & Dragset, James Turrell), Locks Gallery (Louise Bourgeois, Isamu Noguchi), Southern Guild (debuting at Art Basel with Zizipho Poswa and others), and Leon Tovar Gallery (focusing on Latin American women modernists).

Groundbreaking Art Takes Spotlight at O’Donnell Athenaeum Exhibit

A new exhibition titled “Groundbreakers: Post-War Japan and Korea from the Dallas Museum of Art and The Rachofsky Collection” has opened at the Edith and Peter O’Donnell Jr. Athenaeum at The University of Texas at Dallas, running through July 2026. Curated by Dr. Natalia Di Pietrantonio of the Crow Museum of Asian Art, the show features works from three major postwar movements—Mono-ha, Dansaekhwa, and Gutai—using unconventional materials like white glue, bells, wires, tin, and rocks. Highlights include Kazuo Shiraga’s foot-painted canvases, Takesada Matsutani’s vinyl glue sculptures, Atsuko Tanaka’s interactive wire installation, and Do Ho Suh’s translucent polyester corridor inspired by homesickness.

The Interview: Thelma Golden

Thelma Golden, director and chief curator of the Studio Museum in Harlem, is interviewed ahead of the museum's reopening in a new Adjaye Associates-designed building following a $300 million capital campaign. Golden reflects on her career, including curating the politically charged 1993 Whitney Biennial and the landmark exhibition "Black Male: Representations of Masculinity in Contemporary American Art" (1994–95), as well as her influential 2001 show "Freestyle," which introduced the concept of "post-Black" art. The article also highlights the museum's first exhibition in the new building, focusing on artist Tom Lloyd, whose work was featured in the museum's inaugural show in 1968.

Exhibition Celebrating Abstract Painter Joan Mitchell Features Work on Loan from the Hofstra Museum

Joan Mitchell's painting "Metro" (1965) from the Hofstra University Museum of Art's permanent collection is on loan to David Zwirner gallery in New York for the exhibition "To define a feeling: Joan Mitchell, 1960-1965," running from November 6 to December 13, 2025. The exhibition focuses on a transformative period in Mitchell's career, showcasing paintings and works on paper from public and private collections, including the Joan Mitchell Foundation, that trace her shift from structured abstractions to centralized, swirling forms inspired by travels along France's Côte d'Azur.

Ojibwe artist George Morrison’s family relishes his first solo exhibit at The Met

The Metropolitan Museum of Art in New York is hosting the first solo exhibition of Ojibwe artist George Morrison, titled "George Morrison: An Ojibwe Artist in the Modernist World." The show features over 50 works spanning his career, including paintings, drawings, and sculptures, and is drawn from public and private collections. Morrison's family, including his son and grandchildren, have been deeply involved in organizing the exhibition and have expressed pride in seeing his work recognized at such a prestigious institution.

Artist Lindsay Adams explores Black experience and artistry in her latest exhibition

The Frary Gallery at the Johns Hopkins University Bloomberg Center in Washington, D.C., will host its first solo exhibition, titled "Ceremony," by award-winning painter Lindsay Adams, opening October 29. The show features paintings and drawings that explore Black histories, movement, and world-building, including a large diptych titled "Kind of Blue (1959)" inspired by Miles Davis' iconic album. Archival materials by Billie Holiday, Josephine Baker, and other Black artists from the Johns Hopkins Sheridan Libraries will also be on view to provide historical context.

The first US solo exhibition of late Japanese artist Yoshida Chizuko comes to Portland Art Museum - Oregon Public Broadcasting

The Portland Art Museum has opened the first solo U.S. exhibition of late Japanese artist Yoshida Chizuko (1924-2017), featuring over 100 woodblock prints and paintings, many never before displayed publicly. The exhibition, curated by Asian art curator Jeannie Kenmotsu, highlights Yoshida's avant-garde work that pushed the boundaries of painting and printmaking within Japan's male-dominated postwar art world.

Ackland’s new exhibit adds splash of ‘Color’

The Ackland Art Museum at UNC-Chapel Hill has opened a new exhibition titled "Color Triumphant," featuring 54 modern paintings, sculptures, and works on paper from the collection of Julian and Josie Robertson. The show spans from the 1870s to the present, highlighting the liberation of color in modern art with works by Claude Monet, Camille Pissarro, Pablo Picasso, Frank Stella, and André Derain, whose painting "The Jetty at L'Estaque" serves as the flagship piece. Curated by deputy director Peter Nisbet, the exhibition was developed in collaboration with the Robertson Foundation after Julian Robertson's death in 2022, and includes student research support. It runs through January 4, with related lectures and film screenings, and a second iteration, "Color Concentrated: A Salon-Style Hang from the Robertson Collection," opening January 30.

Ben Millett Explores Queer Identity in Solo Quilted Art Exhibition in Des Moines

Ben Millett, a quilt maker based in Des Moines, Iowa, is presenting his first solo exhibition of quilts at the Des Moines Art Center as part of the Iowa Artists 2025 series. The show, on view through November 2, features approximately 20 quilts that explore themes of queer identity, pop culture, and the practice of quilting itself. Millett draws on Abstract Expressionism, Color Field painting, and queer abstraction, using solid-color fabrics inspired by the Progress Pride flag to create works that navigate transitions and nuance.

Neo-Impressionism makes its thoroughly Modernist point at National Gallery in London

The National Gallery in London is presenting 'Radical Harmony: Helene Kröller-Müller’s Neo-Impressionists,' an exhibition that brings together 58 works from the Kröller-Müller Museum in the Netherlands. The show centers on Georges Seurat’s 'Le Chahut' (1889-90) and features artists such as Paul Signac, Anna Boch, Jan Toorop, and Théo Van Rysselberghe, highlighting the movement's radical, dot-based pointillist technique and its ties to anarchism. Co-curator Julien Domercq frames Neo-Impressionism as the first international Modern art movement, a precursor to abstraction and Fauvism.

Teiger Foundation gives grants totalling $7m to 85 curators

The Teiger Foundation, a US-based nonprofit supporting art curators, has announced its 2025 grantees, awarding a total of $7 million to 85 curators at institutions across the country. This nearly doubles last year’s grants as the foundation transitions to a biennial model, with individual grants ranging from $50,000 to $150,000 for exhibitions, research, touring shows, and three years of programming. Notable projects include a major survey of the late artist L.V. Hull organized by curators Ryan N. Dennis, Annalise Flynn, and Yaphet Smith, and a Theresa Hak Kyung Cha retrospective curated by Victoria Sung and Tausif Noor.

Allegory and Abstraction: Selections from the Department of Drawings and Prints

The Metropolitan Museum of Art's Department of Drawings and Prints has installed a new rotation in the Robert Wood Johnson, Jr. Gallery titled "Allegory and Abstraction." The exhibition features up to 100 works on paper, including Henri Matisse's 1947 series "Jazz," Louise Bourgeois's "He Disappeared into Complete Silence" (1947), and watercolors by J.M.W. Turner and Thomas Girtin marking the 250th anniversary of their births. The show explores how artists embed complex meanings through symbols (allegory) or through line, color, and pattern (abstraction).

‘Fearless exploration’: visionary Australian artist Janet Dawson gets her first retrospective aged 90

The Art Gallery of New South Wales (AGNSW) has opened 'Janet Dawson: Far Away, So Close,' the first-ever retrospective for Australian artist Janet Dawson, now aged 90. The exhibition spans over six decades of her career, from her teenage years at the National Gallery of Victoria Art School—where she was the only child student accepted by realist painter H. Septimus Power—through her abstract period in Europe, her defiant practice in conservative 1960s Melbourne, and her later retreat to rural NSW. The show includes major works, photos, and ephemera, arranged chronologically across four rooms, highlighting Dawson's evolution from tonal realism to abstraction and her 1973 Archibald Prize win for a portrait of her husband, theatre director Michael Boddy.

“She’s a Real 20th Century Figure”: Thelma Golden on the ICA’s Mavis Pusey Retrospective

The Institute of Contemporary Art Philadelphia, in collaboration with the Studio Museum in Harlem, has opened "Mavis Pusey: Mobile Images," a retrospective of the Jamaican-born abstract artist Mavis Pusey (1928–2019). The exhibition spans two floors of Pusey's paintings and archival materials, showcasing her geometric abstractions that translate urban construction and gentrification into fractured planes and rhythmic blocks of color. The show was sparked by Studio Museum director Thelma Golden's discovery of Pusey's work in an online auction catalog a decade ago, leading to a collaboration with curator Hallie Ringle.

“Feeling Color” at The Modern Art Museum of Fort Worth

The article reviews "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth, an exhibition that pairs works by two artists from Guyana who worked in London in the late 20th century. Both explore abstraction, materials, and sociopolitical themes, with Bowling's color field paintings and Williams' geometric, Pre-Columbian-inspired works displayed in alternating galleries. The reviewer describes the show as dense and vibrant, noting the sensory experience of the paintings and the subtle dialogue between the artists.

Home of murdered Pakistani artist Ismail Gulgee becomes a museum

The home and studio of murdered Pakistani Modernist artist Ismail Gulgee has been transformed into a museum by his son, installation artist Amin Gulgee. Opened in February 2025 in central Karachi, the museum preserves the late artist's work, including his Expressionist calligraphic paintings and later abstract canvases, which had been locked away since Gulgee, his wife, and a maid were killed in 2007 by their driver and an accomplice. The building, designed by architect Nayyar Ali Dada, now houses a carefully curated collection that traces Gulgee's evolution from formal calligraphy to vibrant abstraction.