Hyperallergic profiles the work of South Korean textile artist Lee ShinJa, whose handwoven artworks are described as 'portals' that bridge traditional craft and contemporary abstraction. The article highlights her use of traditional Korean weaving techniques to create layered, ethereal pieces that evoke both physical and metaphysical spaces.
Shamnoski Gallery, a new brick-and-mortar space focused on postwar abstraction, opened on New York's Upper East Side in November 2025. Founded by Matthew Shamnoski, the gallery evolved from his online platform Projects 28 and champions mid- to late-20th-century artists and estates, particularly those historically overlooked. The gallery's inaugural exhibition, "John Grillo: Collages 1952–1962," reflects its mission to provide sustained presentation and scholarship for artists within this lineage.
Artist Gail Morris presents "Blue Note," a solo exhibition at Bonner David Galleries in New York, featuring bold abstract paintings that explore the emotional and psychological experience of light, space, and music. The show's title references the musical concept of a "blue note," which Morris reinterprets as a compositional strategy to create tension and balance in her works. While starting from physical landscapes—such as natural sites, urban parks, or islands—Morris obscures specific details, using titles like "Down By the River" (2025) and "Bird of Paradise" (2025) to evoke universal moods rather than literal scenes. The exhibition runs through November 29, 2025.
Lumin Wakoa, a rising painter known for her hazy, memory-based works that blurred abstraction and figuration, has died at 43 after battling brain cancer. Her death was announced by her gallery, Harper’s, on Monday. Wakoa had solo shows last year at Various Small Fires in Seoul and Harper’s in New York, and her work was featured at Frieze art fair. She studied at the North Carolina School of the Arts, the University of Florida, and earned an MFA from the Rhode Island School of Design.
A survey exhibition titled "Françoise Sullivan: Le temps du geste" is on view at Galerie Simon Blais in Montreal, showcasing the multidisciplinary career of French Canadian artist Françoise Sullivan. The show spans works from the 1940s to the present, including painting, sculpture, photography, and choreography, and highlights dialogues between different phases of her practice. Sullivan, who signed the Refus Global manifesto in 1948, is the only active member of that group, and the exhibition features pieces such as the watercolor "Sans titre – Turquie, Ruines de Commagène à Nemrut Dağ" (1996) and the geometric abstraction "Les damiers no. 4" (2018). The exhibition runs through June 14, 2025.
Pamela Joyner, a prominent art collector and patron, shares a first look inside her Lake Tahoe home in Reno, Nevada, which houses her formidable collection of 20th- and 21st-century abstraction by Black artists. The collection, co-owned with her husband Fred Giuffrida, includes works by Mark Bradford, Jack Whitten, Frank Bowling, and Charles Gaines, and was shaped by Joyner's childhood visits to the Art Institute of Chicago. Joyner, a Harvard Business School graduate and founder of Avid Partners, discusses her collecting philosophy, the strategic approach she applies from her business career, and her advice for new collectors.
The Metropolitan Museum of Art has unveiled its 2025 Roof Garden Commission, titled *Ensemble*, by artist Jennie C. Jones. The installation features three upright sculptures made from concrete travertine and powder-coated steel, whose angular forms are inspired by musical instruments—a zither, an Aeolian harp, and a one-string instrument. A fourth red floor piece acts as a "conductor." The works are equipped with frets and strings that vibrate in the wind, inviting viewers to engage with them as both visual and sonic objects. The exhibition also includes collaborative programming, performances, and a publication with contributions from curator Lauren Rosati and artist Glenn Ligon.
Cultured magazine highlights several fall gallery shows in Los Angeles, featuring solo exhibitions by Mire Lee at Sprüth Magers, Rebecca Morris at Regen Projects, Lukas Geronimas at Parker Gallery, Christina Kimeze at Hauser & Wirth, and Herman Cherry at Sebastian Gladstone. The shows run through October and November 2025, showcasing a range of media from Lee's industrial paintings and Morris's abstract compositions to Geronimas's architectural sculptures, Kimeze's mystical figurative works, and Cherry's abstract expressionist paintings.
Marat Guelman's exhibition at Ethan Cohen Gallery in New York (April 23–May 30, 2026) features AI-generated monoprints created in collaboration with the Montenegrin digital art group + - Komma. None of the works were painted by Guelman himself; instead, he programmed AI outputs based on historical models by artists like Picasso, Gauguin, Monet, Warhol, Lichtenstein, Turner, Matisse, and Richter. Every piece in the show incorporates an image of an atomic mushroom cloud, a motif Guelman uses to respond to Vladimir Putin's nuclear threats during the Ukraine war.
This article reviews several Chelsea gallery exhibitions, focusing on Mary Ann Unger's monumental sculpture show 'Across the Bering Strait' at Berry Campbell, which features her hydrocal-over-steel works exploring themes of feminism, anthropology, and the natural world. It also covers 'En Route' at Rosebud Contemporary, a group exhibition of abstract painters Rifka Milder, Meg Hitchcock, and Ketta Ioannidou, each reflecting on artistic journeys through their work.
Poly Auction Hong Kong has announced its Spring 2026 auction series, scheduled to take place from April 6 to April 8 at the Shun Tak Centre. The sales feature a diverse array of categories including Modern and Contemporary Art, Chinese Ceramics, Chinese Paintings, and High Jewelry and Watches. Highlighting the contemporary selection is Liu Wei’s 1995 masterpiece "You Like Pork?", a rare work previously exhibited at the Venice Biennale, alongside a significant 1960s "White period" abstract canvas by Zao Wou-Ki.
Americas Society in New York has opened "Lilia Carrillo: Ruptures and Premonitions," curated by Tobias Ostrander. The exhibition presents 24 paintings by Mexican artist Lilia Carrillo (1930–1974), created between 1961 and 1974, alongside archival materials. It introduces Carrillo to New York audiences as a key figure of the Generación de la Ruptura, a postwar movement that broke with Mexican muralism in favor of abstraction. The show highlights her experimental techniques—carving and scraping paint, embedding fabric and paper—and her engagement with mortality, Surrealism, and political turmoil, including the 1968 Tlatelolco massacre.
The Milton Resnick and Pat Passlof Foundation in New York is hosting the exhibition "How Asian Is It?", featuring 12 pioneering East Asian American abstractionists born between 1928 and 1955. Curated by Lilly Wei, the show includes works by Barbara Takenaga, Emily Cheng, Charles Yuen, and David Diao, among others. These artists navigated an art world where downplaying their Asian identities often felt necessary for survival, especially after the 1965 Immigration and Nationality Act reshaped US immigration policy. The exhibition explores how their abstraction—marked by attention to interval, pause, and what remains unsaid—reflects a disciplined negotiation with space rather than a shared style or manifesto.
A new exhibition of Frank Bowling's work traces the artist's early struggle to find his voice within the rigid artistic categories of the 1960s. The show features paintings from his student days in London, where he grappled with expectations to be either a political 'Black artist' or a formalist 'artist' free from identity constraints, resulting in works that felt derivative of figures like Francis Bacon.
American artist Peter Halley is presenting his first solo show in Austria in two decades at Galerie Nikolus Ruzicska in Salzburg. The exhibition, titled 'Peter Halley: Six Paintings for Salzburg,' features six new works created specifically for the occasion, showcasing his mature exploration of geometric abstraction using his signature 'Cells,' 'Prisons,' and 'Conduits.'
vera molnar venice biennale
Vera Molnár, a 98-year-old pioneer of computer art, is receiving renewed international attention as her work is featured in a dedicated gallery at the Venice Biennale's main exhibition, "The Milk of Dreams." The article profiles Molnár at her Paris home, tracing her journey from childhood experiments with systematic pastel drawings in Hungary to her 1947 move to Paris, where she transitioned from classical training to geometric abstraction and co-founded the influential GRAV collective.
Artist Christina Zimpel has released a new limited-edition print titled CLAP (2025) through a collaboration between Artspace and Lincoln Center Editions. The work, an edition of 36 with unique hand-embellishments in gouache, features a female figure clapping against a vibrant pink field, exploring themes of gesture, sound, and individuality.
Dorothy Waugh, a pioneering Modernist designer who created the U.S. government's first in-house National Parks poster campaign during the Great Depression, is the subject of her first-ever solo exhibition at New York's Poster House. Titled "Blazing a Trail: Dorothy Waugh's National Parks Posters," the show reunites all 17 posters Waugh designed for the National Park Service between 1934 and 1936, bold experimental works that helped define a new visual language for federal design. Guest curator Mark Resnick spent three decades tracking down Waugh's story, locating documents across the National Archives, the Library of Congress, the School of the Art Institute of Chicago, and the Jones Library in Amherst, Massachusetts.
Croatian artist Edita Schubert (1947–2001), a contemporary of Marina Abramović, is the subject of a major retrospective at Muzeum Susch in Switzerland. Titled "Edita Schubert: Profusion," the exhibition is the first comprehensive survey of her work outside Croatia, spanning twelve galleries and covering her evolution from early anatomical realism to abstraction, collage, sculpture, and performance. Curated by historian David Crowley, the show draws its name from a description by critic Ješa Denegri, who called Schubert a pioneer of Yugoslav art and her practice a "profusion." The exhibition highlights Schubert's conceptual rigor and her engagement with the human body, influenced by her work as a draftswoman at the University of Zagreb's Institute of Anatomy.
Artnet News spotlights Italian artist Armando Marrocco (b. 1939), whose early career was shaped by Lucio Fontana. After moving to Milan in 1962, Marrocco developed his "Intrecci" series—vibrant monochromatic enamel-on-cardboard works that layer and weave humble materials into substantial objects. The exhibition "Marrocco Twist" at Robilant and Voena in Paris showcases these earliest works, on view through July 22.
Artnet Auctions is offering five works by Venezuelan kinetic and Op art pioneer Jesús Rafael Soto (1923–2005) in its Contemporary Editions sale, open for bidding through May 29, 2025. The lots include *Multiple #4 (from Jai Alai)* (1969, est. $8,000–$12,000), *Permutación (from Serie Sintesis)* (1979, est. $6,000–$8,000), and *Tes Azules y Negras (from Serie Sintesis)* (1979, est. $7,000–$10,000), each exemplifying Soto's signature blend of optical illusion, physical layering, and kinetic elements.
Cowley Abbott's spring live auction, 'Select Masterworks of Canadian and International Art,' will take place on May 28, 2025, featuring over 90 lots. Highlights include works by Marcelle Ferron (Sans titre, 1964, est. $300,000–$400,000), Andy Warhol (Ladies and Gentlemen (Ivette and Lurdes), 1975, est. $70,000–$90,000), Emily Carr (Fir Trees, ca. 1935, est. $275,000–$375,000), Henri Le Sidaner (L’Escalier, Beauvais, ca. 1900, est. $100,000–$150,000), and Fernand Léger (Composition, 1950, est. $30,000–$50,000). The sale spans Pop art, Canadian Modernism, Post-Impressionism, and abstraction.
Artist Walter Price is presenting a solo exhibition titled "Pearl Lines" at David Zwirner’s Hong Kong gallery. Running from March 24 through May 9, 2026, the show features a new body of work that continues Price’s exploration of the boundaries between figuration and abstraction through his signature use of vibrant color and psychological depth.
Southwest Florida museums are hosting 39 exhibitions throughout February, with four new openings, three closings, and 32 continuing shows. The lineup includes 'Art Deco: The Golden Age of Illustration' at the Sarasota Art Museum, featuring 100 rare posters from the 1920s and 1930s, as well as solo exhibitions by artists Selina Román and Molly Hatch at the same venue.
ArtsATL editors selected nine standout stories from Atlanta's 2025 visual arts scene, highlighting the Beltline's transformation into one of America's largest outdoor art projects, Kim Chong Hak's exuberant American debut at the High Museum, and exhibitions such as 'Innervisions' at Clark Atlanta University Art Museum and Jessica Blinkhorn's 'Two Decades of Atrophy' at End Project Space. The roundup also covers Sergio Suárez's solo show at MOCA GA, reflecting the city's diverse and innovative artistic output.
Southwest Florida museums are hosting 31 exhibitions in December, including three new openings and two closings. Highlights include "Art Deco: The Golden Age of Illustration" at Sarasota Art Museum, featuring 100 rare posters from the Crouse Collection celebrating the Art Deco centennial; "Selina Roman: Abstract Corpulence," a photo-based installation exploring body politics and femininity; and Molly Hatch's site-specific ceramic installation "Amalgam" (2023-24), commissioned for the museum's "Inside Out" program. Other venues from Sarasota to Naples continue ongoing shows from their permanent collections and traveling exhibitions.
Southwest Florida museums are hosting a busy month of exhibitions in November, with four new shows opening, two closing, and 23 continuing. At the Sarasota Art Museum, highlights include "Art Deco: The Golden Age of Illustration," featuring 100 rare posters from the Crouse Collection by master graphic designers of the 1920s and 1930s, alongside sculptural works and Art Deco furniture. Also on view is "Selina Roman: Abstract Corpulence," a photography and abstraction series exploring beauty and body politics, and "Molly Hatch: Amalgam," a site-specific installation of over 450 hand-painted earthenware plates commissioned through the museum's Inside Out Program. The Museum of Whimsy is also set to reopen during this period.
Artist Madeline Jiménez Santil has opened a solo exhibition at the Arróniz gallery in Mexico City. The show features her signature graphite drawings that create swivelling, geometric grids, which she describes as visual representations of dance and movement.
A major retrospective of Alexander Calder’s work has opened in Paris, offering a comprehensive look at the sculptor’s career-long obsession with movement and balance. The exhibition invites visitors to engage directly with his iconic mobiles and wire sculptures, emphasizing the physical and temporal experience of art that shifts with the surrounding air and light.
The Addison Gallery of American Art at Phillips Academy has launched its spring exhibition season, featuring a diverse range of shows that draw from its 29,000-object permanent collection and visiting loans. Key highlights include an exploration of Parasol Press and its founder Robert Feldman, a showcase of geometric abstraction by Carmen Herrera and Leon Polk Smith, and a thematic survey of American Modernism featuring works by Edward Hopper and Charles Sheeler.