Monet to Matisse exhibition coming to Birmingham Museum of Art in 2026

The Birmingham Museum of Art (BMA) will premiere "Monet to Matisse: French Moderns, 1850–1950" on January 30, 2026, featuring over 100 masterworks from the Brooklyn Museum's European collection and supplemented by 50 works from BMA's own holdings. The exhibition includes paintings, sculptures, and works on paper by artists such as Monet, Matisse, Chagall, Degas, and Renoir, and will run through May 24, 2026, with accompanying public programs like lectures, guided tours, and workshops.

Mbare Art Space: a colonial beer hall in Zimbabwe has become a vibrant arts centre

Moffat Takadiwa, a leading figure in Zimbabwe's artist-run spaces movement, has transformed a former colonial-era beer hall in the Mbare township of Harare into the Mbare Art Space. Opened in 2019 under a long lease from the Harare City Council, the nonprofit hub now houses studios, an exhibition hall, a digital hub, and office space, serving as a vibrant center for artistic and community revival. The beer hall was originally built by British colonial authorities as a tool of social control and segregation, but Takadiwa has repurposed it into a site of creative freedom and empowerment, inspired by global precedents like Theaster Gates' Stony Island Arts Bank in Chicago.

In The Mastermind, an art heist’s aftermath unfolds against the backdrop of Vietnam War-era America

Kelly Reichardt's new film *The Mastermind* premiered at the Cannes Film Festival, following J.B. Mooney (Josh O'Connor), a carpenter who orchestrates an art heist targeting four Arthur Dove paintings from a fictional Massachusetts museum. The heist is inspired by a real 1972 robbery at the Worcester Art Museum, and the film explores the tension between artistic value and monetary worth against the backdrop of Vietnam War-era America.

London’s Tate Modern Art Gallery Will Soon Start Opening Earlier For Special Tours

Tate Modern in London is launching exclusive 'Before Hours' tours in partnership with GetYourGuide, allowing visitors to explore the gallery before it opens to the public. Starting over the upcoming bank holiday weekend, the hour-long small-group tours will be led by expert guides or curators and cost £69 per person. The initiative is part of GetYourGuide's 'All Art, No Crowds' campaign, which also includes similar early-access programs at MoMA in New York and the Vatican Museums, responding to growing traveler concerns about crowding and overtourism.

Summer Shows Coming to South & West Texas

Museums and art venues across South and West Texas have announced a series of summer exhibitions opening between May and September 2025. Highlights include "The Wyeths: Three Generations" at the Art Museum of South Texas in Corpus Christi (May 23–Aug 24), featuring works by N.C., Andrew, Henriette, and Jamie Wyeth; "PAINT: Rachelle Thiewes" at the El Paso Museum of Art (May 30–Sep 21), showcasing jewelry and sculpture inspired by lowrider culture and the Chihuahuan desert; "Midland Collects" at the Museum of the Southwest (Jun 3–Sep 21), displaying private and foundation collections; a solo show by Doylene H. Land at the Ellen Noël Art Museum in Odessa (Jun 6–Aug 24); "Visions of the West" at the International Museum of Art & Science in McAllen (Jun 21–Sep 28); and "Los Encuentros" at Ballroom Marfa (July), a group exhibition centered on Latinx culture and community collaboration.

$70m Giacometti bombs at patchy Sotheby’s Modern art auction

Sotheby's Modern evening sale in New York on May 13 brought in $152 million ($186.4 million with fees), falling short of its presale estimate of $170 million to $248 million. Four lots were withdrawn before bidding began, including works by Winslow Homer, Wassily Kandinsky, Candido Portinari, and Pierre-Auguste Renoir. The sale's star lot, Alberto Giacometti's bronze bust 'Grande tête mince' (1954/55), estimated at over $70 million, failed to sell when bidding stalled around $64 million. Other notable results included strong sales for Jean Arp, František Kupka, and Robert Delaunay, but several high-profile works by Henri Matisse, Pablo Picasso, Edgar Degas, Pierre Soulages, and David Smith also failed to find buyers.

Why is the art market turning Gulf-wards?

The art market is shifting its focus toward the Gulf region, particularly Saudi Arabia and the United Arab Emirates, following a sharp decline in Chinese luxury goods sales (18–20% drop in 2024) and a 31% slump in Chinese art sales. Auction houses like Sotheby’s and Christie’s have established outposts in Saudi Arabia, with Sotheby’s first auction in Diriyah generating $17.3 million and attracting 35% new buyers. The UAE’s tax-haven status and lack of sanctions on Russians have drawn wealthy residents, while Saudi Arabia’s Vision 2030 campaign, led by Mohammed bin Salman, is pouring money into cultural projects such as AlUla, Art Week Riyadh, the Islamic Arts Biennale, and a new teamLab Borderless museum in Jeddah.

Tate Modern, the ‘cathedral to contemporary art’, celebrates 25 years

Tate Modern in London celebrates its 25th anniversary this month, marking the transformation of a derelict Bankside power station into a landmark contemporary art museum. Designed by Herzog & de Meuron, the museum opened on 11 May 2000 and quickly reshaped London's art landscape, catalyzing the launch of the Frieze London art fair in 2003 and attracting international commercial galleries. Artist Michael Craig-Martin, a former trustee, recalls how the project was driven by then-director Nicholas Serota's ambitious vision to elevate modern art from its status as 'art's poor cousin.' The museum pioneered free-admission thematic collection displays and a global curatorial approach, though its inaugural exhibition 'Century City' was widely criticized as overambitious.

Turner vs Constable: is it time for art historians to choose?

Art historian and author James Hall, writing in The Art Newspaper, reviews Nicola Moorby's new book "Turner and Constable: Art, Life, Landscape" and uses it as a springboard to argue that art historians should not shy away from making value judgments about artists. He compares the legacies of J.M.W. Turner and John Constable, noting that Turner currently dominates popular and institutional esteem—appearing on banknotes, celebrated by Tate Britain as the greatest British artist, and fitting modern conceptions of the artist as a rebellious, eccentric genius. Hall contrasts this with Constable's more conservative image and declining presence in commercial culture.

The story of the Met’s ‘missing’ Banksy

John Barelli, head of security at the Metropolitan Museum of Art from 2001 to 2016, revealed that Banksy illicitly installed a painting at the museum in 2005 with the help of three accomplices who distracted guards. The work, titled 'Last Breath' and depicting a woman in a gas mask, was affixed to a wall with a placard claiming it was a donation. Banksy later requested its return, but Barelli told The New Yorker that the museum had thrown it out—though he admitted to taking it himself upon retirement, saying he might sell it if he needs money.

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Full extent of Stephen Friedman Gallery's £7.8m debt revealed in filings

Administrators' filings for Stephen Friedman Gallery reveal a total debt of £7.8 million following its closure in February. Three prominent artists—Alexandre Diop, Deborah Roberts, and Kehinde Wiley—are among the unsecured creditors owed a combined £795,000, expected to recover only eight to nine pence per pound. The largest secured creditor is Coutts & Company, owed £3.1 million, followed by Pentland Group with £1.4 million outstanding. The gallery also owes £505,113 to the Pollen Estate for its Cork Street lease, £550,000 to HMRC, and significant sums to shipping and storage firms, including Crozier (£256,470) and Gander & White (£86,772). Art fairs Frieze and Art Basel Qatar are owed £71,227 and £18,763 respectively.

Nathaniel Mary Quinn's Museum Show | Herbie Hancock Returns Home | The Lake Plans Opening

Nathaniel Mary Quinn, a Chicago-born artist who grew up in the Robert Taylor Homes, will present his first solo museum exhibition in his hometown at the National Public Housing Museum. The show, titled "Nathaniel Mary Quinn: A Love Letter To My Mother," features ten works on canvas and paper, a recreated living room from his family's apartment circa 1984, and a reading room with historical materials about the housing project. Separately, Mariane Ibrahim gallery now represents Chicago-based artist Leasho Johnson, whose work draws on Jamaican mythology and appeared on the cover of Newcity's April 2026 issue. In other local news, a new social club called The Lake is set to open in River North this fall, designed by Robert A. M. Stern Architects, and construction has begun on the next phase of the Southbridge development on the site of the former Harold Ickes Homes.

Historic Istanbul exhibition reveals century of growth and creative vision

Yapı Kredi Culture Arts and Publishing has opened a landmark exhibition in Istanbul titled "Imprints on the Century: The Koç Group and the Arts," running until November 29, 2026, at the Yapı Kredi Culture Center in Galatasaray. Curated by YKYM Gallery Director Didem Yazıcı over two years, the show commemorates the 100th anniversary of the Koç Group, tracing its evolution from a small business registered by Vehbi Koç in 1926 to a global industrial conglomerate. The exhibition draws on archives from the Sadberk Hanım Museum, Arter, and the Rahmi M. Koç Museums, highlighting the group's contributions to archaeology, museology, contemporary art, publishing, and theater, including milestones like the first color film in Turkey and the Bauhaus-inspired Küçük Sahne theater.

The Third Line presents Anuar Khalifi's Remember the Future solo show

The Third Line gallery in Dubai is presenting 'Remember the Future', the third solo exhibition by Spanish-Moroccan artist Anuar Khalifi, running from January 17 to March 1. The show features large-scale paintings and works on paper that blend reality and imagination, drawing on magical realism, art history, and poetry. Khalifi’s works incorporate recurring symbols like chairs, vessels, and flora, and explore themes such as identity, diaspora, orientalism, and consumerism, often with ironic and humorous undertones.

Tania Willard wins Canada’s top contemporary art prize

Tania Willard, a member of the Secwépemc First Nation, has won the 2025 Sobey Art Award, Canada’s top contemporary art prize, at a ceremony at the National Gallery of Canada in Ottawa. The award, announced by last year’s winner Nico Williams, comes with C$100,000 ($71,200). Willard’s multidisciplinary practice spans basketry, sculpture, public art, and land-based projects, and she is also a prominent curator. The five other finalists each received C$25,000. Works by all finalists are on view at the NGC until February 2026.

Across The Block

A series of regional auctions across the United States and the UK saw figural artworks and antique furniture achieve top prices. Highlights include Demétre Chiparus's bronze "Shimmer" selling for $33,275 at Ahlers & Ogletree, Andy Warhol's "Marilyn" screenprint reaching $425,000 at Heritage Auctions, and a Mission oak stand attributed to Gustave Stickley surprising at $87,600 at Kaminski Auctions. Other notable sales include a Ken Howard painting at Sworders, a Donald Roller Wilson chimpanzee painting pair at Brunk Auctions, and a Sorel Etrog bronze at Clarke Auction Gallery.

Amid government intervention, Slovak artists and curators call for EU law to protect freedoms

On 25 August, the Slovak National Gallery (SNG) removed a large permanent installation by artist Denisa Lehocká, allegedly without her permission and in violation of contract terms. The removal, which Lehocká calls a "gross violation," occurred amid a broader crisis at the institution, which has seen multiple directors fired and mass employee resignations under the country's populist government. The incident is part of a pattern of government intervention in the arts, including the firing of museum directors by Culture Minister Martina Šimkovičová, who has targeted "progressive art." In response, Slovak artists and organizations like Otvorená Kultúra! have issued the Bratislava Declaration for Artistic Freedom, calling on the EU to adopt a European Artistic Freedom Act to protect creative expression.

Local artists transform waste into striking art at the Melrose Gallery

The Melrose Gallery in Johannesburg is hosting "Junkyard Dogs," an exhibition featuring South African artists Dr. Willie Bester and Prof Pitika Ntuli, running until October 31. The show transforms discarded materials into sculptures, paintings, and installations that address social and political issues, including apartheid and post-colonial identity. Curated by Ashraf Jamal and Tumelo 'Tumi' Moloi, the exhibition includes a soundscape, children's workshops, poetry sessions, and guided walkabouts, all free to the public.

Korean galleries took part in Tokyo Gendai as part of collaboration with Art Busan

Art Busan and Tokyo Gendai have partnered on a project called Connect, bringing nine Korean and two Chinese galleries to the 2024 edition of Tokyo Gendai, held September 11-14 at Pacifico Yokohama. The initiative, supported by the Korean Ministry of Culture, Sports and Tourism and the Korea Arts Management Service (KAMS), also included a collaborative exhibition at Terrada Art Complex during Tennoz Art Week, featuring artists such as Kim Hongjoo, Lee Bae, and Kim Taek Sang. Fair directors Eri Takane and Seokho Jeong, alongside ArtSG director Shuyin Yang, participated in talks about expanding regional collaboration.

British Art Show names Ekow Eshun as curator for upcoming 10th edition

Ekow Eshun has been named curator of the 10th edition of the British Art Show, the UK's largest recurring contemporary art exhibition. The show will open in Coventry in September 2026 and travel to four other cities—Swansea, Bristol, Sheffield, and Newcastle/Gateshead—until March 2028. Eshun, former director of the Institute of Contemporary Arts in London and curator of the acclaimed exhibition *In the Black Fantastic* at the Hayward Gallery, will select artists and works over the next year, with new commissions expected.

Art’s new hybrid economy: who is making creative waves in a sector where analogue and digital media exist together?

The article examines how contemporary artists are navigating a hybrid art economy where analogue and digital media converge, particularly in the age of AI. It profiles Simon Denny, recently appointed a Member of the New Zealand Order of Merit, whose machine-assisted paintings at Kraupa-Tuskany Zeidler in Berlin address the illegibility of AI-generated images and the militarized rhetoric of Italian Futurism. Other artists featured include Sara Ludy, whose postdigital paintings at Smart Objects, Los Angeles, reflect screen-based perception, and Chris Dorland, whose exhibition at Nicoletti Contemporary, London, exposes the limits of technical systems through glitch aesthetics. Hito Steyerl's new book *Medium Hot: Images in the Age of Heat* (2025) is also discussed, questioning the role of images in an era of operational, nonhuman vision.

Esther fair brings global galleries to Manhattan’s Estonian House

The Esther art fair, founded by Estonian dealers Olga Temnikova and Margot Samel, is holding its second edition at the Beaux-Arts Estonian House in Manhattan through May 10. The boutique fair features 25 galleries from the US, Europe, and Asia, including James Fuentes, Sargent’s Daughters, Pangée Gallery, Kogo Gallery, Ivan Gallery, Sophie Tappeiner, and Bank. New additions include on-site fashion designers Julia Heuer and Laivi creating custom t-shirts. Participation fees have risen from $1,500 to $2,500, allowing the founders to hire staff, but the fair remains vulnerable to global shifts such as US trade policies and immigration crackdowns that affect art shipping and artist travel.

Banksy Erects Anti-Imperialist Monument in Central London

Banksy has installed a new sculpture in Waterloo Place, central London, depicting a suited man with his face covered by a flag walking off a plinth toward his demise. The artist confirmed his authorship via an Instagram video and left his signature on the base. The statue was covertly placed in the early hours of April 29, among existing monuments celebrating the British Empire, including King Edward VII, Florence Nightingale, and the Crimean War Memorial.

Meet the Art Market’s Most Bankable Artists

The article, part of the Artnet Intelligence Report 'The Year Ahead 2025,' identifies the most bankable artists across five market categories based on auction results. It highlights Jean-Siméon Chardin's *Le Melon entamé* (1760) as the top-priced European Old Masters work, Pablo Picasso's *La Statuaire* (1925) as third-highest in Impressionist and Modern, David Hockney's *A Lawn Being Sprinkled* (1967) as third-highest in Postwar, Yoshitomo Nara's *I Want to See the Bright Lights Tonight* (2017) as second-highest in Contemporary, and Jonas Wood's *Still Life with Cat and Fruit* (2020) as fifth-highest in Ultra-Contemporary.

Possible new Banksy appears in London

Möglicherweise neuer Banksy in London aufgetaucht

A life-sized statue has suddenly appeared on Waterloo Place in central London, depicting a figure stepping off a pedestal into the void with a flag blowing in its face. The base bears the signature "Banksy," leading to speculation that the anonymous street artist is behind the work. However, as of the morning, Banksy had not posted the piece on Instagram as he typically does, leaving its authenticity unconfirmed.

Comment un père et sa fille ont dupé le marché de l’art avec de faux Picasso et Banksy

A Polish father-daughter duo, Erwin Bankowski (50) and Karolina Bankowska (26), orchestrated a major art forgery scheme between 2020 and 2025, selling over 200 fake artworks attributed to Andy Warhol, Banksy, Pablo Picasso, Andrew Wyeth, and others through top auction houses and galleries in New York and across the United States. They pleaded guilty in federal court in Brooklyn to conspiracy to commit wire fraud and misrepresentation of Native American goods, facing up to 20 years in prison, with sentencing set for August 5. The fakes, produced by an unidentified Polish artist, were sold for at least $2 million, with the highest known sale being a fake Richard Mayhew landscape that fetched $160,000 at DuMouchelles in Detroit.

Fake Warhol, Haring and Banksy works seized in Italy

Des faux Warhol, Haring et Banksy saisis en Italie

Italian authorities have seized 143 counterfeit artworks attributed to Andy Warhol, Keith Haring, and Banksy. The works were on display in the exhibition "Pop to Street Art: Influences" in Reggio Calabria, Italy, and were provided on loan by a Belgian company. The carabinieri, in a transnational investigation extending to Liège, Belgium, identified the operation as part of a larger forgery network known as "Operation Cariatide." Eleven works remain under expert examination.

Une grande statue signée Banksy apparaît à Waterloo Place à Londres

On April 29, a large statue attributed to Banksy appeared on a plinth at Waterloo Place in London's St James's district. The work depicts a man in a suit stepping forward with a flag covering his face, bearing the artist's signature. Banksy later claimed the piece on Instagram, sparking crowds and speculation.

A phenomenal urban art exhibition with graffiti legends arrives at La Villette: tickets are now on sale!

Une phénoménale expo d’art urbain avec des légendes du graffiti arrive à La Villette : la billetterie est ouverte !

A major exhibition of graffiti and street art, "Beyond the Streets," is opening at the Grande Halle de la Villette in Paris. The show features monumental sculptures, architectural interventions, archival photos, videos, and murals by legendary artists including Futura 2000, Fab Five Freddy, Shepard Fairey (Obey), Invader, André Saraiva, Fuzi, Felipe Pantone, Lady Pink, and Vhils. The exhibition, which has already drawn over 650,000 visitors worldwide, runs from late May to early September 2026, and ticket sales have just opened.