Galleries and museums across the United States are presenting a diverse range of exhibitions featuring Black artists during Black History Month. These shows highlight artists working in various mediums, from painting and drawing to installation and tapestry, and are on view in cities including Miami, Los Angeles, New York, San Francisco, and Chicago.
FOG Design + Art opened its 2026 edition on January 21 with a gala benefit for SFMOMA's education initiatives, drawing strong attendance and sales. The fair, which blends contemporary art and collectible design, featured 85 works acquired by SFMOMA, including pieces by Ruth Asawa, Michael Armitage, Firelei Báez, Dorothea Lange, Gabriel Orozco, and Indigenous artists such as Jaune Quick-to-See Smith and Kay WalkingStick. Galleries like Wendi Norris presented ambitious, institution-worthy works, with a focus on visionary artists and the intersection of art, science, and spirituality.
Hyperallergic's editors and contributors have compiled their favorite art exhibitions of 2025, spanning cities across the United States, Europe, and Asia. Highlights include shows by Nan Goldin, Noah Davis, Stan Douglas, Yoko Ono, Tishan Hsu, Felix Gonzalez-Torres, and a group exhibition on Japanese American women artists at the Smithsonian American Art Museum. The list also features the Louvre's presentation of Cimabue, Fra Angelico's frescos in Florence, a durational performance by Pussy Riot founder Nadya Tolokonnikova in Los Angeles, and works by Cara Romero, Ruth Asawa, Huguette Caland, and H. C. Westermann.
Irving Stone's 1934 novel *Lust for Life*, a fictionalized biography of Vincent van Gogh, was published as an Armed Services Edition during World War II for U.S. soldiers. These pocket-sized books, measuring 11cm by 17cm, were designed to fit in uniform pockets and withstand harsh conditions. Over 123 million copies of various titles were printed from 1943 to 1947, with distribution including parachute drops to troops on Pacific islands and handouts to soldiers before the Normandy Landings. The surviving copies are scarce and often damaged, with browned pages and covers marked as U.S. government property, not to be resold.
Nora Lawrence, executive director of Storm King Art Center, curated a selection of her favorite three-dimensional works at Art Basel Miami Beach, highlighting sculptures by Thaddeus Mosley, Rashid Johnson, Mary Ann Unger, Paloma Varga Weisz, and Claes Oldenburg, as well as a painting by Saif Azzuz. The tour, published by The Art Newspaper, showcases works from galleries including Karma, Hauser & Wirth, Berry Campbell, Nicelle Beauchene Gallery, Konrad Fischer Galerie, and Paula Cooper.
A researcher at the Van Gogh Museum, Joost van der Hoeven, has revealed that Paul Gauguin's erotic ceramic, the Cleopatra Pot (winter 1887-88), was used as a flower vase by Vincent van Gogh's family. Gauguin brought the pot to Arles when he stayed with Van Gogh in 1888, and after Van Gogh's ear incident, Gauguin gave the pot to Vincent's brother Theo as a gift. The pot later remained with Theo's widow, Jo Bonger, and a photograph from 1925-26 shows it on her piano holding flowers, surrounded by still-life paintings.
The Philadelphia Museum of Art will host a major exhibition titled *Van Gogh’s Sunflowers: A Symphony in Blue and Yellow* from June 6 to October 11, 2026, bringing together two iconic Sunflower paintings: the museum’s own turquoise-background version (January 1889) and the original yellow-background version (August 1888) from London’s National Gallery. This marks a rare international loan for the London painting, which has only traveled abroad four times since 1924. The exhibition will explore Van Gogh’s use of color and brushwork, and will reunite the two canvases in a triptych arrangement with *La Berceuse* (January 1889, Museum of Fine Arts, Boston), as originally envisioned by the artist in a letter to his brother Theo.
Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for November, highlighting exhibitions from New York to Los Angeles. Featured artists include Robert Storr, whose return to painting is showcased at Vito Schnabel Gallery in New York with a series of geometric canvases titled "Fits and Starts"; Katherine Bradford, whose figurative works are on view at CANADA in New York; and the late Robert Kobayashi, whose bricolage pieces are displayed at Susan Inglett Gallery in New York, curated by his daughter. Other notable shows include Flora Yukhnovich at Hauser & Wirth in Downtown Los Angeles.
The article examines the growing threat of censorship in the visual arts, focusing on two key incidents. In the US, the Trump administration pressured the Smithsonian Institution to review its holdings for content that contradicts "American exceptionalism," leading artist Amy Sherald to withdraw her entire solo exhibition from the National Portrait Gallery after the museum considered removing her painting *Trans Forming Liberty* (2024), which depicts a transgender person as the Statue of Liberty. Meanwhile, in France, Dutch street artist Judith de Leeuw unveiled a monumental mural in Roubaix showing the Statue of Liberty covering its eyes in shame, protesting global migrant injustice, which went viral online.
Artnet News has published the latest installment of its '25 of 2025' series, spotlighting five sculptors to watch. The article profiles Lotus L. Kang, a Canadian artist who had a solo show at 52 Walker in New York, was recently picked up by Esther Schipper, and has appeared in group exhibitions at MoMA, Jeffrey Deitch, and the Hessel Museum. It also features Raven Halfmoon, a Caddo Nation artist whose totemic ceramic works draw on Indigenous traditions and folklore, and who had her major institutional debut at the Aldrich Contemporary Art Museum in 2023. The series aims to highlight emerging talents shaping contemporary art.
The article lists 15 women-led art shows to see in New York this fall, highlighting exhibitions at venues such as the Alice Austen House, David Zwirner, NYU's Grey Art Museum, and others. Featured artists include Meryl Meisler, Sasha Gordon, June Edmonds, June Leaf, Karen Barbour, María Berrío, and Sissi Farassat, with shows running from September through February.
The Van Gogh Museum in Amsterdam has published 103 letters from Dutch Impressionist painter Isaac Israëls to Jo Bonger, Vincent van Gogh's sister-in-law, revealing a previously secret romantic relationship between them. The museum is also presenting an exhibition titled "Captivated by Vincent: The Intimate Friendship of Jo van Gogh-Bonger and Isaac Israëls" (through January 25, 2026), which explores their brief physical relationship in the 1890s and its aftermath, including how Israëls incorporated Van Gogh's paintings into his own portraits—a practice he called "Vincenting." Twelve of these portraits are on display for the first time.
The National Gallery in London opens 'Radical Harmony: Helene Kröller-Müller’s Neo-Impressionists' tomorrow, running until 8 February 2026. The exhibition features works by Van Gogh’s Parisian colleagues, including Georges Seurat and Paul Signac, and highlights Van Gogh’s brief experimentation with Neo-Impressionist dot-like technique. A key work on display is Van Gogh's 'The Sower' (June 1888), which also recently received a papal mention by Pope Leo XIV, who referenced the painting in his first general audience at the Vatican, interpreting its sun as a symbol of God.
The article highlights a curated selection of must-see gallery shows opening in New York City this fall, coinciding with The Armory Show and the overlapping Frieze Seoul fair. Featured exhibitions include Ambera Wellmann's "Darkling" at Hauser & Wirth, Caleb Hahne Quintana's "A Boy That Don't Bleed" at Anat Ebgi, and shows by Sasha Gordon, Dew Kim & Filippo Cegani, Elizabeth Glaessner, Yuan Fang, Bernardo Pacquing, Celeste Rapone, and Omara Mara Oláh, among others. The piece also notes the group exhibition "Downtown/Uptown: New York in the Eighties."
Adventures with Van Gogh, a weekly blog launched in 2018, has published its 300th post. To mark the milestone, the blog compiled a list of its most-read posts since the 200th edition in February 2023, updated with new information. Topics range from the ten most expensive Van Gogh paintings at auction (led by *Orchard with Cypresses* at $117m) to a geological feature near Saint-Rémy-de-Provence that appears in *The Olive Trees*, a defense of the suicide theory over murder, the real-life view behind *Starry Night over the Rhône*, Picasso’s granddaughter Marina Picasso quietly buying and selling a Van Gogh watercolour, and the artist’s preference for simple wooden frames over ornate gold ones.
Hyperallergic has published its comprehensive Fall 2025 New York Art Guide, recommending over 80 exhibitions across all five boroughs. Major highlights include the reopening of the Studio Museum in Harlem after a seven-year renovation, the debut of the new New Museum on the Bowery, and multiple exhibitions marking the 100th anniversary of Robert Rauschenberg's birth at the Guggenheim and the Museum of the City of New York. The guide also features shows by Monet at the Brooklyn Museum, Renoir at the Morgan, and Ruth Asawa and Wifredo Lam at MoMA, along with public art installations by Mika Rottenberg and Lady Pink on the High Line and MoMA PS1 facade.
Artnet Auctions has launched "Contemporary Icons: Part II," a summer auction now live for bidding through August 20, 2025. The sale features over 100 lots from a single private collection, including works by blue-chip artists such as Rashid Johnson, Jean-Michel Basquiat, Shara Hughes, Marilyn Minter, Tunji Adeniyi-Jones, and Jean-Baptiste Bernadet. Highlights include Johnson's "Write me In" (est. $120,000–$180,000) and Adeniyi-Jones's "ESHU" (est. $60,000–$80,000). Head of post-war and contemporary art Johannes Vogt noted the rarity of an online auction offering so many lots from one cohesive collection, with most pieces acquired in the last 15 to 20 years.
This article lists 20 art galleries in Sydney that are recommended for art enthusiasts. It highlights major institutions like the Art Gallery of New South Wales and the Museum of Contemporary Art, as well as smaller spaces such as China Heights, STATION, Cement Fondu, Abstract Thoughts, Campbelltown Arts Centre, and Jerico Contemporary. Each gallery is described with its unique focus, from modern and Aboriginal art to performance and emerging artists.
The article provides a roundup of current and upcoming exhibitions at San Francisco museums and galleries in July 2025. Highlights include 'People Make This Place: SFAI Stories' opening July 26 at SFMOMA, 'Jess Young: Return' at 500 Capp Street, and 'Ferlinghetti for San Francisco' at the Legion of Honor. Shows closing soon include 'Yuan Goang-Ming: Everyday War' at the Asian Art Museum and 'Wayne Thiebaud: Art Comes from Art' at the Legion of Honor. The gallery scene is covered with mentions of Voss Gallery, Incline Gallery, and Hosfelt Gallery, along with ongoing exhibitions like 'Kunié Sugiura: Photopainting' and 'Ruth Asawa: Retrospective' at SFMOMA.
Art Basel returned to Basel for its 55th edition in June 2025, featuring 289 top international galleries from 42 countries and territories. The fair attracted 88,000 visitors, including collectors, curators, and representatives from over 250 museums and foundations. Highlights included Arturo Kameya's storytelling installation at GRIMM in the Statements section and Lothar Hempel's series of painted aluminum works at Anton Kern Gallery in the Kabinett sector, alongside large-scale installations in Unlimited and public projects in Parcours.
Art Basel 2025 will feature a large-scale public artwork by Katharina Grosse transforming Basel's Messeplatz, along with a new sector called Premiere for mid-career galleries, the inaugural Art Basel Awards, and 20 first-time exhibitors. Director Maike Cruse highlights major works on offer, including a late-career Pablo Picasso painting at Pace, a Joan Mitchell abstract at Pace, Helen Frankenthaler's 'Swan Lake I' at Yares Art, Leonora Carrington's rare triptych at Di Donna Galleries, and a Heidi Bucher latex imprint at Lehmann Maupin. The Unlimited sector will present 67 monumental works, including Martin Kippenberger's 'Transportable Subway Entrance' and daily performances by Cairo-based dance collective nasa4nasa.
Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for June, featuring artists from New York to Los Angeles. Highlights include Will Cotton's fantasy paintings of cowboys and mermaids at Templon in New York, Salman Toor's narrative works depicting gay South Asian diaspora life at Luhring Augustine, and Beverly Fishman's hybrid sculptural paintings addressing the pharmaceutical industry at Miles McEnery Gallery.
The Goodwood Art Foundation, a new non-profit contemporary art center, has opened on the Goodwood Estate in West Sussex, UK, launched by Charles Richmond, 11th Duke of Richmond. The 70-acre site, reimagined by landscape designer Dan Pearson, features refurbished pavilions, a new restaurant by Studio Downie Architects, and a launch season curated by Ann Gallagher. The headline exhibition includes sculptures and photography by Turner Prize-winning artist Rachel Whiteread, alongside works by Rose Wylie, Veronica Ryan, Susan Philipsz, Amie Siegel, Lubna Chowdhary, Isamu Noguchi, and Hélio Oiticica. The foundation opened on 31 May.
An exhibition titled 'A Renewal of Passion: The Impact of Van Gogh' opens at the Pola Museum of Art in Hakone, Japan, running from May 31 to November 30. It explores Van Gogh's influence on Japanese art, featuring three Van Gogh paintings from the museum's own collection—acquired by founder Suzuki Tsuneshi—alongside loans from other Japanese institutions, including the Morohashi Museum of Modern Art and the Kuboso Memorial Museum of Arts. The show highlights works by Japanese artists like Kishida Ryusei, Maeta Kanji, and Nakamura Tsune, who were inspired by Van Gogh, as well as contemporary pieces such as Fiona Tan's photographic series 'Ascent' (2016).
Sotheby’s closed its May marquee auction week with $186.1 million in combined contemporary sales across three sessions on May 16. The evening began with a white-glove sale of 12 works from Barbara Gladstone’s personal collection, fetching $18.8 million, followed by a $40.4 million sale from Daniella Luxembourg’s collection, which signaled revived appetite for Italian postwar art. The main Contemporary Evening Auction saw strong bidding for emerging artists like Danielle Mckinney and Mohammed Sami, though some high-profile lots like Richard Prince’s Man Crazy Nurse fell short of estimates.
Photo London's tenth edition, under new director Sophie Parker, opened at Somerset House with a deliberate shift away from its traditional focus on established male photographers and celebrity subjects like Kate Moss. The fair eliminated its 'Master of Photography' award and revived the Positions section for unrepresented artists, featuring Palestinian-American Adam Rouhana and British Indian photographer Kavi Pujara. While the main pavilion still showcased familiar names like Sebastião Salgado, newer galleries reported strong early sales, including a £10,000–£15,000 portrait by Chou Ching Hui sold to a Norwegian museum via Taipei's Chini Gallery, and multiple sales at Amsterdam's Hungry Eye Gallery and Paris's Galerie XII.
Sophia Penske, founder of Penske Projects and an art advisor at Gagosian Art Advisory, provides an insider guide to New York Art Week 2025, running May 5–12. She highlights three main fairs: Frieze New York at The Shed (May 7–11), Independent Art Fair at Spring Studios (May 8–11), and TEFAF. The guide includes notable artists to see—such as Daisuke Fukunaga at Tomio Koyama Gallery, Doron Langberg at Victoria Miro, Moka Lee at Carlos/Ishikawa, Julia Jo at Charles Moffett, Laura Footes at SHRINE, and Nicole Economides at Callirrhoe—along with nearby dining, spa, and gallery recommendations.
New York's Rachel Uffner Gallery, founded in 2008, has appointed director Lucy Liu as its first business partner, prompting a rebrand to Uffner & Liu. Liu, 25, joined the gallery as a sales assistant in 2023 and was promoted to director in 2024. The partnership aims to expand the gallery's international presence, particularly in Asia, and to introduce more artists from the Asian American Pacific Islander community into its programming.
British artist Thomas J Price has installed a 12-foot-tall bronze sculpture titled *Grounded in the Stars* (2023) in New York’s Times Square, on view until 17 June. The work depicts a fictionalized woman in a contemplative contrapposto pose, finished in matte black, and is placed at street level rather than on a pedestal. Concurrently, Price’s *Man Series* (2005–present) will be shown on the square’s 95 giant screens every night in May as part of Times Square Arts’ *Midnight Moments* series. The sculpture was previously featured in Price’s 2023 solo exhibition at Hauser & Wirth’s Downtown Los Angeles location, and his New York gallery show *Resilience of Scale* runs until 14 June.
The article highlights six under-the-radar art shows currently on view in New York, including Lotus L. Kang's solo presentation "Already" at 52 Walker, featuring light-sensitive film installations and greenhouses; Silät, a collective of Indigenous Wichí weavers from Argentina, showing at James Cohan; and a major solo exhibition of pioneering Korean artist Kim Yun Shin at Lehmann Maupin. It also previews three upcoming shows to look forward to, as the city prepares for a burst of art fairs next month.