A major solo exhibition of work by the celebrated artist and activist Tourmaline has opened at the Australian Centre for Contemporary Art in Melbourne. Titled "Transcendent," the show is curated by Sophie Prince and runs from December 12, 2025, through March 15, 2026. It features new and existing works, including film, photography, and archival installations that explore themes of Black trans history, joy, and liberation.
The Vatican has announced a star-studded lineup of musicians and artists for its pavilion at the 2026 Venice Biennale, titled "The Ear Is the Eye of the Soul." Curated by Hans Ulrich Obrist and Ben Vickers in collaboration with Soundwalk Collective, the exhibition features commissioned sound works from figures including Brian Eno, FKA Twigs, Patti Smith, and the late Alexander Kluge. The project is inspired by the 12th-century mystic Saint Hildegard of Bingen and will be staged across two historic Venetian locations: the Mystical Garden of the Discalced Carmelites and the Complesso di Santa Maria Ausiliatrice.
Architect Kengo Kuma has unveiled a monumental site-specific installation titled "Earth / Tree" at Copenhagen Contemporary. The structure features a suspended canopy of curved wooden slats designed to evoke the Japanese concept of 'komorebi,' or the dappled light that filters through trees. Positioned over a brick platform and rubble, the installation serves as a material bridge between Nordic and Japanese architectural traditions.
The article previews the spring 2026 visual arts season in San Diego County, highlighting a diverse range of exhibitions and events. It announces the return of Art Gallery Month, a collaborative effort involving 11 local galleries aimed at boosting the visibility of the commercial gallery ecosystem and encouraging local art collecting. Key exhibitions featured include Ruben Ulises Rodriguez Montoya's first California solo museum show, 'In the Garden of Earthly Delights: I Bend to Paradise,' at the Institute of Contemporary Art, San Diego, and the La Jolla Historical Society's 'Space Maker,' which explores the intersection of art and architecture. The preview also notes Richard Allen Morris's work at R.B. Stevenson Gallery and lists numerous participating commercial galleries.
This article is a listing for Cy Twombly's artwork "Untitled" (1960-61), a graphite and wax crayon on paper piece offered at Christie's. It provides a detailed biography of the artist, noting his birth in Lexington, Virginia, his studies at the School of the Museum of Fine Arts, Boston, the Art Students League of New York, and Black Mountain College, and his permanent move to Rome in 1957. The listing includes his major exhibitions, such as retrospectives at MoMA and the Whitney Museum, and highlights his high auction record of $70.5 million for "Untitled" (1970) at Sotheby's in 2015.
Biennale d’art de Venise : le temps des nuances
The 61st Venice Biennale, titled "In Minor Keys," opened under the artistic direction of the late Swiss-Cameroonian curator Koyo Kouoh. The exhibition features 111 artists and collectives, presenting a more subdued, poetic, and experiential approach compared to the previous edition's explicit decolonial program. It navigates contemporary political tensions, including the participation of Israel and the reopening of the Russian pavilion, while aiming for a radical return to art's own environment and its place in society.
Une IA suggère qu’El Greco pourrait être l’unique auteur du Baptême du Christ
A new scientific study published in the journal Science Advances challenges the long-held belief that El Greco's monumental painting 'The Baptism of Christ' was completed by his workshop. Using a deep-learning tool called PATCH to analyze the painting's surface topography, researchers from Case Western Reserve University found a technical consistency suggesting the work was executed by a single hand, likely El Greco himself, despite visible variations in execution.
De l’art de paraître
The Musée Cognacq-Jay in Paris is hosting an exhibition titled "Révéler le féminin," which explores the intersection of 18th-century fashion and portraiture. Curated in collaboration with the Palais Galliera and the Musée d’arts de Nantes, the show features works by prominent portraitists like Élisabeth Louise Vigée Le Brun and Maurice Quentin de La Tour alongside rare period textiles. The exhibition examines how the rising bourgeoisie used clothing as a visual language of prestige and social standing during the Enlightenment.
L’art baroque hispanique en majesté
The Musée Jacquemart-André in Paris is hosting an exhibition of masterpieces from the Hispanic Society of America, marking the first time this specific selection has been shown to the French public. The show features approximately forty works, including iconic paintings by El Greco and Diego Velázquez, alongside recently acquired studies and colonial-era pieces that have rarely traveled due to previous legal restrictions and the New York institution's ongoing renovations.
Musée Postal
The Musée de la Poste in Paris is currently hosting a series of diverse exhibitions and cultural programs, ranging from a focused look at Henri Matisse's vibrant painterly style to an exploration of how design has integrated into national heritage. The institution is also featuring the chaotic architectural installations of Tadashi Kawamata and a deep dive into the historical and cultural construction of the 'witch' archetype.
Les dessins hantés par la Shoah de Chaïm Kaliski se révèlent dans une expo au mahJ
The Musée d’Art et d’Histoire du Judaïsme (mahJ) in Paris is hosting the first monographic exhibition dedicated to Chaïm Kaliski, a Belgian artist who began drawing at the age of 60 to process the trauma of the Holocaust. After his death in 2015, thousands of drawings were discovered in his Brussels apartment, documenting his family's history and the fate of Polish Jews in Belgium. The exhibition features 120 works that blend childlike aesthetics with haunting historical narratives, including poignant depictions of his parents' final moments at Auschwitz.
David Zwirner’s New York gallery is hosting "VACATION," a solo exhibition by the influential German artist Isa Genzken. Curated by Ebony L. Haynes, the show features a series of new works that continue Genzken’s career-long exploration of urban architecture, consumer culture, and the complexities of modern life. The presentation is supported by Galerie Daniel Buchholz, the artist's long-time representative in Cologne.
La belle renaissance du [mac] à Marseille
The [mac] (Musée d’Art Contemporain) in Marseille is undergoing a significant revival following years of stagnation and underfunding. Under the new leadership of Stéphanie Airaud, who was appointed in 2023, the museum has completed major renovations including updated storage facilities, a new rooftop terrace, and a reorganized gallery layout. The institution is leveraging its impressive but previously underutilized collection of over 1,000 works—featuring masters like Basquiat, Klein, and Saint Phalle—while actively working to correct historical gender imbalances and strengthen ties to Mediterranean contemporary art.
La « Tavolo con ruote » de Gae Aulenti : une icône radicale comme sur des roulettes
Gae Aulenti’s 1980 'Tavolo con ruote' (Table with wheels) remains a definitive icon of postmodern design, characterized by its radical simplicity. Created during Aulenti's tenure as artistic director of FontanaArte, the piece features a thick glass slab bolted to four industrial trolley wheels, a concept inspired by the factory carts used to transport glass. The table's enduring popularity is highlighted by its recent corporate history, as FontanaArte was acquired by Nemo Lighting in 2024 and subsequently integrated into the Spanish group Kettal in early 2026.
Swedish artist Klara Lidén has opened a major solo exhibition, "Kunstwerke," at the KW Institute for Contemporary Art in Berlin. The show features a new, site-specific architectural installation that reconfigures the gallery's main hall, alongside a selection of her existing video and sculptural works that explore urban space and the body's relationship to it.
Isa Genzken's monumental 16-meter-tall sculpture 'Vollmond' has been installed in front of Den Frie in Copenhagen for nearly a year. The venue is now hosting the exhibition 'World Receiver,' which gathers significant works from the German artist's career spanning several decades.
The Peabody Essex Museum is hosting "Said in Stone," the first-ever comprehensive retrospective dedicated to Edmonia Lewis, a pioneering 19th-century sculptor of Black and Ojibwe heritage. The exhibition assembles a significant body of her marble works, including the landmark sculpture "Forever Free" (1867), which is recognized as the first formal visual representation of emancipation by a Black American artist. The show traces her journey from her upbringing with her Ojibwe family and her traumatic years at Oberlin College to her eventual success as an expatriate artist in Rome.
The South African pavilion at the Venice Biennale will remain empty after Gabrielle Goliath’s performance artwork, which commemorates Palestinian poet Hiba Abu Nada, was banned for its "divisive" content. The work will now be staged as a video installation at the Chiesa di Sant’Antonin in Venice starting May 4, in partnership with the London arts center Ibraaz. Meanwhile, researchers at the Art Gallery of Ontario have successfully identified the subject and artist of a 1775 portrait; the painting depicts an enslaved woman named Eleonora Susette and was painted by Jeremias Schultz.
The sentencing hearing for Jeff Cowan, convicted in a massive art fraud scheme involving forged Norval Morrisseau paintings, was abruptly halted in an Ontario court. The delay followed explosive allegations from the defense suggesting that members of the artist’s own estate and long-time representatives may have been complicit in the creation or authentication of the fakes. A lawyer for the estate intervened, threatening civil action for defamation, which led the judge to pause proceedings until April.
Buckminster Fuller’s iconic 'Fly’s Eye Dome' (1976) sculpture at LongHouse Reserve in East Hampton has collapsed after a severe blizzard. The fiberglass structure, one of only five existing prototypes of its kind, buckled under the weight of heavy snow, leaving its custom-made modular components crumpled and in need of extensive restoration.
A new catalogue raisonné by scholar Christof Metzger argues that a painting in London's National Gallery, long considered a copy, is an authentic work by Albrecht Dürer. Metzger, a curator at Vienna's Albertina Museum, contends that the 1497 portrait of Dürer's father shows masterful technique that distinguishes it from known copies.
The National Labor Relations Board has accused Snøhetta, a prominent New York-based architecture firm, of illegally firing eight employees who supported a 2023 unionization campaign. The NLRB complaint alleges that managers tracked union supporters and improperly questioned staff about their sympathies, while Snøhetta denies the claims, attributing layoffs to business pressures predating the union drive. Separately, Singapore Art Week is spotlighting women artists from Southeast Asia, with the launch of Krystina Lyon's book "You Are Seen" and the National Gallery Singapore exhibition "Fear No Power: Women Imagining Otherwise." Other news includes the death of Artforum founding editor Philip Leider at 96, LANZA chosen for the Serpentine Pavilion, and a Louvre heist caught on newly released footage.
The Philadelphia Art Commission has voted to relocate the popular bronze statue of Rocky Balboa from its current position at the bottom of the steps of the Philadelphia Museum of Art to the top of those steps. The move, budgeted between $150,000 and $250,000, includes the creation of a new 14-foot-tall pedestal. The statue, a fictional boxer played by Sylvester Stallone, has long been a tourist attraction and local icon, though a second casting already exists at the top. The project will be overseen by Creative Philadelphia.
MoMA PS1 in New York will eliminate admission fees for all visitors starting in 2026, funded by a gift from collector and creative strategist Sonya Yu. The three-year initiative coincides with the museum's 50th anniversary and expands its existing free admission for New Yorkers to everyone. Director Connie Butler said the goal is to remove barriers and welcome broader audiences, including families with strollers, while Yu cited her own experience as a Chinese immigrant to explain her motivation.
Hauser & Wirth has announced plans to open its first Italian location in Palermo, Sicily, housed in the historic Palazzo Forcella De Seta. The gallery purchased roughly 20,000 square feet of the neo-Gothic palace, which previously served as a venue for Manifesta 12 in 2018 and was once home to Galleria Mediterranea, the city’s first private art gallery. The deal closed in November, but the local government and Italy’s Ministry of Culture retain a 60-day right of public pre-emption due to the building’s status as a historic monument. If that right is not exercised, work could begin in 2026, with completion expected by 2030.
The article reflects on the #MeToo movement's failure to achieve lasting change, using the case of architect David Adjaye as a central example. Adjaye was accused in 2023 by three women of sexual exploitation, harassment, and creating a hostile work environment at his firm, Adjaye Associates, allegations he denied. Despite initial backlash—including termination from projects like Westminster's Holocaust Memorial—many clients quietly resumed working with him, illustrating a broader pattern of institutional cowardice.
Glenn Lowry, who stepped down last month after 30 years as director of the Museum of Modern Art, has given a wide-ranging interview on the podcast *The Art World: What If…?!* with Charlotte Burns. He discusses the Trump administration’s threats to museums’ tax-exempt status, his upcoming advisory roles for the Islamic Arts Biennale in Jeddah and the Kiran Nadar Museum of Art in Delhi, a prospective leadership campaign for Alice Walton’s Art Bridges Foundation, and a series of talks at the Louvre titled “I Want a Museum. I Need a Museum. I Imagine a Museum.”
Yale University’s Beinecke Rare Book and Manuscript Library is hosting a new exhibition titled "'Beauties of My Style,'" which explores 500 years of printed errors and errata sheets. Curated by Rachel Churner and Geoff Kaplan, the show features approximately 30 artifacts ranging from James Joyce’s error-riddled first edition of Ulysses to the infamous 1631 "Wicked Bible," which accidentally commanded readers to commit adultery. The exhibition highlights how these slips of paper serve as more than just corrections, acting as sites of humor, legal maneuvering, and poetic reinterpretation.
The Kosciusko, Mississippi, home of self-taught African American artist L.V. Hull has been added to the National Register of Historic Places. Hull transformed her property into a vibrant art environment over decades, using found objects and her signature dot paintings, attracting international visitors. This marks the first home-studio of an African American woman visual artist, and the first such environment by any African American artist, to be listed at the national significance level.
Seven museums in Florence have merged to form the Galleria dell'Accademia di Firenze e Musei del Bargello, creating the world's largest collection of works by Michelangelo. The new complex includes the Bargello National Museum, the Medici Chapels, Palazzo Davanzati, Orsanmichele, Casa Martelli, the former Church of San Procolo, and the Accademia, home to Michelangelo's David. Starting March 15, joint tickets will be available, with a system-wide pass costing €38 for 72 hours. Ticket prices at individual museums will rise on February 1, and three themed tours will launch in May, including one focused on Michelangelo's innovations.