Art and politics clash at Venice Biennale, as world conflicts upstage exhibition's opening

The 61st Venice Biennale, the world's most prestigious art exhibition, opens under unprecedented turmoil. For the first time, its vision was shaped by the late Cameroonian curator Koyo Kouoh, who centered artists from Africa and its diaspora. However, political conflicts over Russia and Israel have overshadowed the art. All five jurors resigned after the Italian culture minister investigated their decision to withhold prizes from Russia and Israel over alleged crimes against humanity. Protests erupted at the Russian pavilion, with Pussy Riot activists denouncing Russia's participation, while the Israeli pavilion artist threatened legal action over the jury's snub. The Biennale will proceed without a jury, with visitors voting for two awards, and the fate of the Golden Lion remains uncertain.

A Tribute to Asher Remy-Toledo

Asher Remy-Toledo, a visionary gallerist, curator, and collector, has passed away after a career spanning over three decades. He founded influential initiatives including Remy Toledo Gallery in Chelsea (2004), Hyphen Hub (2013), No Longer Empty (2009), and Yuanfen Gallery in Beijing, the first new media gallery in mainland China. Remy-Toledo was a tireless champion of women artists, supporting figures such as Carolee Schneemann, Judy Chicago, Mary Beth Edelson, and Ana Mendieta, as well as emerging international artists. He also amassed significant private collections, including works by the article's author and Schneemann's Infinity Kisses series.

Ten Out Of London Exhibitions Spring 2026 – Artlyst Guide

Artlyst has published a guide to ten major exhibitions opening across UK museums and galleries outside London in Spring 2026. Highlights include a year-long programme for the 250th anniversary of John Constable in Suffolk, the Gwen John exhibition 'Strange Beauties' at National Museum Cardiff celebrating her 150th birthday, a Frank Bowling survey at The Fitzwilliam Museum in Cambridge, a Joan Eardley show in Edinburgh, and Paula Rego at Newlands House & Gallery. Other featured exhibitions include Andy Hollingworth's photography of comedians at Birmingham Museum & Art Gallery and a Vivienne Westwood retrospective at the Bowes Museum.

Islamophobia, motherhood, war and immigration: Indy artists get political

Four Indianapolis-based artists—Salma Taman, Alejandra Carrillo, Bailey Jörk, and Iryna Bondar—are creating work that directly responds to contemporary political and social crises, including the war in Gaza, immigration, and political division. Their art, ranging from Taman's Arabic calligraphy painting promoting forgiveness to Carrillo's digital drawing protesting a migrant detention center, serves as a form of personal and communal expression in a fraught global climate.

Thai pharma dynasty opens doors to 1,000-piece contemporary collection

The Dib Bangkok museum, housing a 1,000-piece contemporary art collection amassed by the late Thai businessman and musician Petch Osathanugrah, opened this month in a converted 1980s warehouse in Bangkok. The project was completed by his son Purat 'Chang' Osathanugrah, president of Bangkok University and CEO of Zipcode, with inaugural director Miwako Tezuka (formerly of Asia Society Museum) leading the institution. The 7,000 sq. m space, designed by architect Kulapat Yantrasast of WHY Architecture, features 11 galleries, a courtyard, sculpture garden, and a satellite project space called Dib26.

London’s Hayward Gallery director Ralph Rugoff to step down after 20 years in role

Ralph Rugoff, director of London's Hayward Gallery for nearly 20 years, will step down in spring 2026. The gallery declined to provide a reason for his departure, but Rugoff, 68, plans to continue working as an independent curator and writer. During his tenure, he curated 23 major exhibitions, commissioned public works by artists including Tracey Emin, Yinka Shonibare, and Phyllida Barlow, and oversaw the Hayward Gallery Touring program, which produced exhibitions like the British Art Show across the UK. He also served as artistic director of the 58th Venice Biennale in 2019 and received an OBE for services to the arts.

How Sacramento artists are turning away from traditional markets to sell their work

Veteran Sacramento artist Tony Natsoulas, whose ceramic sculptures are held in 18 museum collections including SFMOMA, has shifted away from traditional commercial galleries to sell directly through his mailing list, newsletter, and biannual open studios. The article examines Sacramento's shrinking commercial gallery scene, where only a handful of spaces like Barry Sakata's b. sakata garo remain after 27 years, while venues such as Kennedy Gallery, Jay Jay, and Brickhouse Gallery have closed. Sakata reports declining sales due to political uncertainty, though a city grant of $10,000 has helped sustain his gallery.

Michael Asher at Artists Space review

Artists Space in New York is hosting a posthumous survey of Michael Asher, the influential conceptual artist who died in 2012. Curated by Jay Sanders and Stella Cilman, the exhibition focuses not on Asher's well-known site-specific interventions—which by their nature cannot be recreated—but on the material residues they left behind: magazines, advertisements, radio works, postcards, T-shirts, and other ephemera. A key artifact is a copy of Tom Marioni's 1975 magazine *Vision*, in which Asher glued two facing pages together, effectively making himself disappear between contributions by Doug Wheeler and Bruce Nauman. The show spans forty-five years of projects, presenting these objects as physical remainders of Asher's practice.

Art from the Bass House by Paul Rudolph

Christie's will offer exceptional works from the Bass House in Fort Worth, Texas, designed by architect Paul Rudolph for Anne and Sid Bass in 1970. The single-owner sale, titled "Art from the Bass House," will be held on 12 May 2025, headlined by a rare Mark Rothko painting from 1950-1951, along with works by Ellsworth Kelly, Alexander Calder, and Frank Stella. The collection will be presented within the 20th Century Evening Sale and the Post-War & Contemporary Art Day Sale, continuing the Bass collection's presence at Christie's after the record-breaking 2022 sale of The Collection of Anne H. Bass.

Derrick Adams to Install Monumental Portrait of Koyo Kouoh in Venice During the Biennale

Artist Derrick Adams will install a monumental banner version of his collage "Heavy is the head that wears the crown" (2026) on the facade of the Palazzetto dello sport Giobatta Gianquinto in Venice, near the Arsenale, during the Venice Biennale. The work features a portrait of the late curator Koyo Kouoh, artistic director of the 2026 Venice Biennale, with the word "JOY" radiating golden rays above her head. The tribute was conceived by curator Francesco Bonami, who had invited Kouoh to serve on the Golden Lion jury for his 2003 Biennale, and developed after a studio visit with Adams.

Diego Rivera’s grandson donates more than 150,000 objects to Mexico City’s Museo Anahuacalli

Juan Rafael Coronel Rivera, grandson of Diego Rivera, has donated his private collection of 157,300 objects to Mexico City's Museo Anahuacalli. The vast donation spans ceramics, textiles, prints, photographs, archives, and a research library, with works dating from the 16th century to the present. It will be transferred in stages and is expected to be fully integrated by the end of the year.

Manifesta 16 Ruhr announces list of artists

Manifesta 16, the nomadic European biennial, has revealed the full list of 106 artists from 30 countries who will participate in its 2026 edition. The event will open on 21 June and take place across 12 decommissioned modernist churches in four cities in Germany's Ruhr region: Bochum, Essen, Duisburg, and Gelsenkirchen. The program includes 64 new commissions.

"Transformations" Art Exhibit at Wilton's browngrotta arts Explores Inventive Uses of Materials in Art

Wilton gallery browngrotta arts will present "Transformations: Dialogues in Art and Material" from May 9-17, 2026, a Spring exhibition exploring how artists transform materials such as clay, silk, steel, bark, seaweed, bamboo, and horsehair. The show features nearly three dozen international artists, including Kiyomi Iwata, John McQueen, Marian Bijlenga, Toshiko Takaezu, and Kay Sekimachi, whose works demonstrate what curator Glenn Adamson calls "material intelligence"—a deep understanding of material properties and possibilities. Co-curator Tom Grotta notes that artists often start with the same material yet arrive at remarkably distinct outcomes, revealing how artistic vision reshapes substance itself.

Art Top 5: May 2026

The article presents a curated list of five notable art exhibitions in the Chicago area for May 2026. Highlights include a solo show of monumental sculptures by Dr. Charles Smith at the Intuit Art Museum, exploring anti-monumentalism and African American historical representation; a 50th-anniversary group exhibition at Zolla/Lieberman Gallery featuring over 140 artists; and a two-part cosmic-themed group show at the Renaissance Society. Other featured shows include drawings by late Imagist Suellen Rocca at Corbett vs. Dempsey and a waterscape-themed group exhibition at Grove Gallery in Evanston.

First UK Ken Price solo exhibition in nearly 10 years to open at Lisson.

Lisson Gallery, in collaboration with Matthew Marks Gallery, will present the first solo exhibition of Ken Price's work in the UK in nearly a decade. The show brings together sculptures and drawings, several shown in London for the first time, spanning the late American artist's five-decade career. Best known for expanding the possibilities of ceramics, Price created intimate yet monumental works that blend abstraction and figuration, with richly layered surfaces achieved through painstaking pigment and sanding processes. The exhibition includes iconic pieces such as 'Prone' (1997), 'Itself' (2003), 'Yin' (2009), and 'Amazon' (2003), alongside rarely seen works on paper that reveal his imaginative, dreamlike landscapes.

Bridges of Belonging: Cinco de Mayo Art Reception

A free reception for the exhibition “Bridges of Belonging: Cinco de Mayo, Bi-National Identity, and the Spirit of Chignahuapan” will be held on May 1 at the Clark County Government Center Rotunda Gallery in Las Vegas. The event, themed “Puentes de Pertenencia,” features live music, cultural performances, visual arts, and food, with the exhibit on display through May 28.

Mojave Shadows: Reception and Curator's Talk

The Nevada Humanities Program Gallery is hosting a reception and curator's talk for the exhibition "Mojave Shadows." The event, scheduled for Tuesday, April 14, offers the public an opportunity to engage directly with the curatorial vision behind the show, which explores regional themes through a specific lens of light and landscape.

Ronny Quevedo Connects Sites of Cosmovisions at Krannert Art Museum

Ronny Quevedo's first institutional solo exhibition in the Midwest, "a l l s t a r s," has opened at the Krannert Art Museum in Champaign-Urbana. The show features works from the Ecuadorian-born, New York-based artist's recent past alongside a new site-driven installation, "a mother's hand" (2025), which incorporates objects from the museum's reinstalled Andean art collection. Using materials like wax, drywall, muslin, carbon paper, and gold-silver leaves, Quevedo creates abstract fields that evoke cartographies, constellations, dressmaking diagrams, and sports playbooks, weaving together autobiographical references to his seamstress mother and soccer-playing father with broader themes of cultural inheritance, duality, and cosmovisions.

Fashion figure Jordan Roth wows in collage at the Venice Biennale

Multi-disciplinary artist Jordan Roth staged a performance on May 7 at Palazzo dei Fiori in Venice during the Biennale preview week, where he tore apart vinyl prints of Renaissance painter Irene di Spilimbergo and reassembled them into collages within a gilt frame. The event, presented with Performance Space New York’s Visionaries Circle, was attended by Whitney Museum director Scott Rothkopf and dealer Kristin Hjellegjerde, following Roth's earlier appearance as a "living sculpture" at the Met Gala.

Louvre Museum Jewel Heist Inspires Latest ‘Law & Order’ Episode

The long-running television series Law & Order has adapted the recent high-profile Louvre Museum jewel heist into a new episode titled "Beyond Measure." Filmed at the Brooklyn Museum—serving as the fictional Atlas Museum of Art—the plot follows detectives investigating the theft of the bejeweled Crown of Popoyan, a fictionalized version of the real-world $102 million heist involving a cherry picker escape. The episode weaves in a complex subplot regarding the repatriation of Indigenous Colombian artifacts held by the Vatican.

How Mumok’s New Director Plans to Make Museums Feel Alive Again

Fatima Hellberg, the newly appointed director of Vienna's mumok (Museum Moderner Kunst Stiftung Ludwig), has outlined her inaugural exhibition program and curatorial philosophy. Her first season, launching in June, will feature Kate Millett's newly acquired 1972 installation 'Terminal Piece,' an installation by scenographer Anna Viebrock, and a project by artist Tolia Astakhishvili.

Ancient Egyptian Papyrus Reveals 3,300-Year-Old White-Out Fluid

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Researchers at the Fitzwilliam Museum have discovered evidence of 3,300-year-old "white-out" used to correct an artistic error on an ancient Egyptian papyrus. While preparing for an upcoming exhibition, curators identified a modification on a copy of the Book of the Dead belonging to the royal scribe Ramose, where a mixture of calcite and huntite was applied to slim down the figure of a jackal deity.

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Researchers at the Fitzwilliam Museum have discovered that ancient Egyptian scribes used a primitive form of correction fluid to amend errors on papyrus scrolls. While preparing a 3,300-year-old copy of the Book of the Dead for the tomb of the scribe Ramose, conservators noticed white lines of huntite and calcite mixed with yellow orpiment used to slim down a painted jackal. This 'ancient Wite-Out' was specifically blended to match the cream-colored tone of fresh papyrus, concealing revisions made during the artistic process.

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Ulysses Jenkins, a pioneering video artist, muralist, and performer, has died at the age of 79. His passing was confirmed by the Hammer Museum in Los Angeles, the institution that hosted his major 2022 retrospective, "Without Your Interpretation." Born and raised in Los Angeles, Jenkins dedicated his career to using the camera as a tool for social commentary, famously documenting the Watts Festival to counter negative media stereotypes and exploring the complex relationship between mass media and Black American identity.

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Isaiah Zagar, the visionary mosaic artist behind the landmark Philadelphia’s Magic Gardens, died on February 19 at age 86 due to complications from heart failure and Parkinson’s Disease. A Pratt Institute graduate and former Peace Corps volunteer, Zagar transformed Philadelphia’s South Street neighborhood over five decades, creating more than 200 public murals and a sprawling, immersive environment of tunnels and grottos made from glass, tile, and found objects.

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French broadcaster France Télévisions aired previously unseen footage of the October 2025 robbery at the Louvre Museum, in which thieves stole crown jewels worth approximately €88 million ($102 million). The four-minute video, shown on the investigative program Complément d'enquête, captures the thieves smashing display cases with their fists and an angle grinder while security guards remain largely motionless nearby. One guard briefly confronts the thieves with a rope stanchion before backing down, and another makes a phone call. The footage corroborates findings from a security audit that deemed the museum's system "outdated and inadequate," with a severe lack of functioning cameras. Louvre director Laurence des Cars had previously stated that the sole camera covering the gallery was facing the wrong direction, and it took guards eight minutes to access the correct feed during the break-in.

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New research by Tudor historian Owen Emmerson suggests that the most famous portrait of Anne Boleyn, displayed at London’s National Portrait Gallery, actually depicts her daughter Queen Elizabeth I. Emmerson argues the late-16th-century painting was deliberately made to resemble Elizabeth I, reinforcing a legitimate Tudor succession. The theory is supported by comparisons with another portrait of Elizabeth at Compton Verney and by Lawrence Hendra of Philip Mould gallery. An upcoming exhibition at Hever Castle, "Capturing a Queen: The Image of Anne Boleyn," will present this and other evidence, alongside newly identified contemporaneous images of Boleyn, including a miniature from the British Museum and a drawing by Hans Holbein the Younger.

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The ABC television series *High Potential* aired a midseason finale episode titled “The One that Got Away,” in which protagonist Morgan Gillory, a cleaning lady turned police consultant, investigates a museum heist involving a $20 million Rembrandt painting, *Young Girl Leaning on a Windowsill*. The fictional theft—executed via a skylight rope descent, laser security disabling, and smoke bomb—eerily mirrored a real-life Louvre heist that occurred just a week after the episode was written, where thieves used a cherry picker and angle grinder to break through a window. The episode also touches on Nazi-looted art and a possible serial art thief named John Baptist.

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Sylvain Amic, an art historian who became director of the Musée d’Orsay in Paris just 16 months ago, died suddenly at age 58 on Sunday in southern France due to heart failure. His death has shocked the French and international art world. Amic previously led the Musée Fabre in Montpellier, oversaw a consortium of 11 museums in Rouen, and served as an adviser to former French culture minister Rima Abdul Malak. He was in the midst of planning a permanent collection rehang and a new research center at the Orsay, and had recently organized a traveling exhibition of masterworks that visited Shanghai's Pudong Art Museum.

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The Louvre Museum in Paris will return 258 works from the bequest of collector Adèle de Rothschild to the Fondation des Artistes after a 2019 cross-inventory revealed the objects were improperly inventoried in the Louvre's collection. Rothschild, who died in 1922, bequeathed her private mansion and its contents to the French government with the stipulation that her cabinet of curiosities remain intact, but the Louvre held works from the cabinet—including objets d'art and Islamic art—in violation of her wishes. The foundation's director, Laurence Maynier, described the surrender as a "just return," noting that the objects were all in storage and invisible to the public. Some 30 other objects will remain at the Louvre for five years to allow curators to find replacements, and the museum will receive 104 pieces from the foundation's inventory as compensation. The cabinet is set to reopen in September.