Exhibition | Naomi Rincón Gallardo, 'Sonnet of Vermin' at Hayward Gallery, London, United Kingdom

Naomi Rincón Gallardo presents her first solo exhibition in London, 'Sonnet of Vermin,' at the Hayward Gallery. The show features her 2022 film following a group of animals from Mesoamerican myths—Bat, Snake, Scorpion, and a choir of frogs—as they navigate dystopian landscapes in Oaxaca, communicating via radio signals and calling for solidarity amid social and ecological devastation. Rincón Gallardo works across video, performance, drawing, and sculpture, weaving cuir/queer resistance, pre-colonial folklore, DIY aesthetics, music, and dance into surreal narratives that critique colonialism and exploitation.

Hear! Hear! Kimball Art Center’s (Re)sounding

The Kimball Art Center in Park City, Utah, is preparing to open its upcoming exhibition "(Re)sounding" on May 15, curated by Nancy Stoaks. The show explores the relationship between sound and visual art through immersive installations, interactive systems, and soundscape sculptures by artists including Jon Bernson, Christine Sun Kim, Janet Cardiff & George Bures Miller, Yuri Suzuki, Mary Toscano, and Andrew Rease Shaw. The exhibition coincides with the center's 50th anniversary and its ongoing mission to make contemporary art accessible and personal.

"She's Like the Wind"

The article reviews "She's Like the Wind," an annual all-female group exhibition at Deep Space gallery in Jersey City, featuring works by artists Delilah Ray Miske, Leigh Cunningham, and SarahGrace. Miske's painting "Lemon Lime Toe of God" shows only a woman's leg and foot, while Cunningham's oil paintings present figures as blurred forms seen through a translucent curtain, and SarahGrace's textile works depict headless female nudes with suggestive titles like "Provoke" and "Dominate." The show marks a departure from the gallery's typically family-friendly, sex-averse programming.

Nathaniel Mary Quinn's Museum Show | Herbie Hancock Returns Home | The Lake Plans Opening

Nathaniel Mary Quinn, a Chicago-born artist who grew up in the Robert Taylor Homes, will present his first solo museum exhibition in his hometown at the National Public Housing Museum. The show, titled "Nathaniel Mary Quinn: A Love Letter To My Mother," features ten works on canvas and paper, a recreated living room from his family's apartment circa 1984, and a reading room with historical materials about the housing project. Separately, Mariane Ibrahim gallery now represents Chicago-based artist Leasho Johnson, whose work draws on Jamaican mythology and appeared on the cover of Newcity's April 2026 issue. In other local news, a new social club called The Lake is set to open in River North this fall, designed by Robert A. M. Stern Architects, and construction has begun on the next phase of the Southbridge development on the site of the former Harold Ickes Homes.

Troublemakers and Prophets: Elizabeth Allen and Other Visionary Artists

Compton Verney in Warwickshire is staging a major exhibition titled "Troublemakers and Prophets: Elizabeth Allen and Other Visionary Artists," running from 28 March to 31 August 2026. The show reintroduces Elizabeth "Queen" Allen (1883–1967), a self-taught British artist who created intricate patchwork artworks inspired by the Apocrypha and biblical visions, using scraps of fabric, buttons, and sequins. Despite achieving success in her lifetime, Allen fell into obscurity; the exhibition pairs her work with thematically related contemporary artists to contextualize her legacy.

In Washington, the Women's Museum will not see the light of day

À Washington, le Musée des femmes ne verra pas le jour

The U.S. House of Representatives has rejected a bill to establish the Smithsonian American Women's History Museum on the National Mall in Washington, D.C., after a bipartisan consensus collapsed. The original bill, introduced by Republican Representative Nicole Malliotakis in February 2025, had over 230 co-sponsors and aimed to allocate a site opposite the National Museum of African American History and Culture. However, an amendment by Representative Mary Miller redefined the museum's mission as dedicated to "biological women," explicitly excluding transgender women, and removed references to diversity. The committee approved the amendment along party lines (7-4), leading to the bill's failure to secure the necessary votes.

A Whole Lot of Nothing at the US Pavilion

The US Pavilion at the 2026 Venice Biennale features sculptor Alma Allen's exhibition "Call Me the Breeze," curated by Jeffrey Uslip. The show presents untitled, amorphous sculptures in bronze, wood, and stone, including Colorado Yule marble. The selection process was controversial: after the Trump administration excluded the National Endowment for the Arts, the State Department initially picked artist Robert Lazzarini and curator John Ravenal, but that plan collapsed. The American Arts Conservancy, a new nonprofit led by Jenni Parido (a former pet food store operator with Mar-a-Lago ties), then took over, hiring Uslip, who approached Barbara Chase-Riboud and William Eggleston before settling on Allen. Donors include businessman John Phelan and fashion designer Tommy Hilfiger.

Kim Gordon Was Never Just the “Girl in the Band”

Kim Gordon, best known as co-founder of the influential indie rock band Sonic Youth, is the subject of a new exhibition titled "Count Your Chickens" at Amant in New York. Curated by Patricia Margarita Hernández, the show surveys Gordon’s visual art from 2007 to the present, including paintings, drawings, ceramics, and video works such as "Jeanetta and Alex" (2026). The exhibition explores themes of celebrity, gender, electricity, and the tension between public image and private reality, featuring pieces like "Paris, Paris" (2025) and the "Airbnb Series" (2019).

Wer vertritt wen in Venedig?

May First Friday 2026: 20+ events, exhibition openings in Lancaster city this Friday

Lancaster city's May First Friday 2026 features over 20 events, including exhibition openings, concerts, and performances. Highlights include a new exhibition 'Hybrids' by artist Jeremy Waak at Curio Gallery & Creative Supply, the Demuth Museum's 'Demuth Invitational: American Reflections' tied to the U.S. 250th anniversary, and the Lancaster Living Poetry Museum II with performers embodying poets at venues like the Lancaster Public Library and Lancaster Art Vault. Other offerings include salsa dancing at Binns Park, works by York County painters at The Framing Concept, and a show inspired by Yayoi Kusama at Friendship Heart Gallery + Market.

US SCULPTURES AMID CONTROVERSY AT THE VENICE BIENNALE

The United States Pavilion at the 61st Venice Biennale features sculptor Alma Allen's exhibition "Call Me the Breeze," which opened with no clear funding just ten days prior. Unlike previous pavilions supported by major foundations like Ford and Mellon, Allen's show relies on a $375,000 US government contribution and public donations via the American Arts Conservancy. The selection process was unconventional: the State Department, which took over after Trump's NEA budget cuts, imposed restrictions on DEI policies and required proposals promoting "American exceptionalism." Curator Jeffrey Uslip directly approached Allen without a formal proposal, leading the artist's two galleries—Olney Gleason and Mendes Wood DM—to drop him when he accepted the commission.

In a Year of Remarkable Filmmaker Debuts, Here’s How Aleshea Harris Set ‘Is God Is’ Apart

Aleshea Harris has adapted her award-winning 2016 play 'Is God Is' into a feature film, marking her directorial debut. The story follows twin sisters with burn scars who, summoned to their mother's deathbed, learn their father caused their disfigurement and are urged to seek revenge. The film stars Kara Young, Mallori Johnson, Vivica A. Fox, Sterling K. Brown, and Janelle Monáe. Harris brings her playwright's precision to the screen, using avant-garde typography and captions inspired by a 1964 edition of Eugène Ionesco's 'The Bald Soprano' designed by Robert Massin, with title design by Teddy Blanks.

Major new Jean-Michel Basquiat collector’s book, priced at $1,400, released from Assouline.

Assouline has released a new collector's book titled "Basquiat: The World of Jean-Michel," a 348-page volume featuring over 200 artworks and archival photographs of Jean-Michel Basquiat. Priced at $1,400, the book is part of the publisher's Ultimate Collection of large-format, hand-bound volumes, and is organized thematically into six chapters covering Basquiat's depictions of heads, New York City's influence on his work, his use of silkscreens, and spiritual themes.

6 Artworks That Define the 2026 Venice Biennale’s Main Exhibition

The 2026 Venice Biennale's main exhibition opens this week, curated by Koyo Kouoh—the first African woman to hold the role—who was announced in 2024 but passed away suddenly in 2025. The article highlights six artworks that define her curatorial vision, which connected the international art world to artists and institutions from Africa and the Global South.

Thomas Hart Benton, Jessie Wlicox Smith announced for shows at Lucas Museum of Narrative Art.

The Lucas Museum of Narrative Art in Los Angeles, co-founded by filmmaker George Lucas and businesswoman Mellody Hobson, has announced its inaugural exhibitions. The ambitious survey will feature over 1,200 works from a founding collection of more than 40,000 objects, including pieces by Thomas Hart Benton and Jessie Wilcox Smith. The museum is housed in a 300,000-square-foot building designed by Ma Yansong of MAD Architects with Stantec.

Are You a Queer Artist Heading to Fire Island This Summer? Pack This Book.

Cultured magazine highlights a new book, *Fire Island Art: 100 Years*, edited by John Dempsey, president of the Fire Island Pines Historical Society. The volume surveys queer artmaking on Fire Island from the 1930s to the present, featuring canonical figures like Richard Avedon, David Hockney, and Andy Warhol alongside overlooked artists, and includes contemporary voices such as TM Davy, Nicole Eisenman, and Salman Toor. It draws on archival material, newly unearthed pieces, essays, interviews, and primary texts to reframe the island as a cornerstone of queer modernism.

The Christophers review – Ian McKellen and Michaela Coel are the double act of the year

Steven Soderbergh's new film "The Christophers" is a London-set movie about contemporary art, starring Ian McKellen as Julian Sklar, a once-dominant but now outmoded English painter, and Michaela Coel as Lori Butler, a former art student hired as his assistant. The plot revolves around a series of hidden paintings called "The Christophers" that Julian's grasping adult children want to find and potentially forge for profit. The film is described as fast, literate, and funny, with McKellen and Coel delivering a compelling double act.

‘It takes an entire museum to do it justice’: the Smithsonian celebrates America in 250 objects

The Smithsonian National Museum of American History in Washington DC is marking the 250th anniversary of US independence with a major exhibition titled "In Pursuit of Life, Liberty & Happiness," opening on 14 May. The show displays 250 objects spanning all three floors of the museum, ranging from a Revolutionary War-era gunboat (the Philadelphia) to a Donald Trump "Make America great again" hat. Seventy-six rarely seen objects are concentrated in entry hall cases, while the rest are embedded throughout existing galleries, connected by a "ribbon" design. Director Anthea Hartig frames the exhibition as a commemoration of moments where individuals and communities fought for recognition and identity, pairing each object with an action verb to emphasize democracy as participatory.

The Bahamian Pavilion Brings Junkanoo to Venice in a Biennale Standout

After a thirteen-year hiatus, the Bahamian Pavilion has returned to the Venice Biennale with an exhibition titled "In Another Man's Yard," featuring the late master John Beadle and his former student Lavar Munroe. The pavilion, housed in the San Trovaso Art Space in Dorsoduro, centers on Junkanoo—the vibrant, crepe-costumed procession that is a defining cultural tradition of the Bahamas. Munroe's large-scale sculptural works incorporate strips of discarded Junkanoo costumes, while paintings and installations commemorate Beadle, who died in 2024. The presentation was revived with support from Baha Mar, a resort company, after government funding was withdrawn in 2014.

Comment | Degenerate art all over again? Nazi attack on Modern art is not far away from trends in today’s world

The article draws a provocative parallel between the Nazi regime's attack on modern art—epitomized by the 1937 "Degenerate Art" (Entartete Kunst) exhibition—and contemporary political aesthetics, particularly around President Donald Trump. It traces the Nazi party's early use of visual spectacle, mass rallies, and monumental art to forge a national identity, contrasting this with Trump's proposed National Garden for American Heroes and stalled White House Ballroom, which the author dismisses as kitsch but lacking the cohesive fascist aesthetic of Albert Speer's masterplans.

In new play, Norval Morrisseau forgery scandal prompts questions about authenticity and Indigenous identity

A new play by Ojibway playwright Drew Hayden Taylor, *The Undeniable Accusations of Red Cadmium Light*, dramatizes the massive Norval Morrisseau art forgery scandal in Canada. The story follows an Indigenous art expert named Nazhi, her adopted daughter Beverly, and a journalist whose investigation into Morrisseau forgeries unravels Nazhi’s own identity and status. The play uses Morrisseau’s iconic imagery and the forensic analysis of paint colors to explore the blurred lines between authentic and fake, both in art and in personal identity. It concluded its run at Vancouver’s Firehall Arts Centre on 3 May.

Family of Nonagenarian Sculptor Is Fighting to Halt Demolition of Iconic Brutalist Fountain in Downtown San Francisco

The family of 96-year-old Quebecois sculptor Armand Vaillancourt is fighting to halt the demolition of his 710-ton concrete fountain, known as Québec Libre! or the Vaillancourt Fountain, in San Francisco’s Embarcadero Plaza. The city began dismantling the 1971 public artwork this week, citing a planned plaza renovation, and the disassembly is expected to cost $4 million. Vaillancourt’s son Alexis and the group Friends of the Plaza have filed an appellate petition challenging the city’s use of an emergency exemption under the California Environmental Quality Act, arguing that the fountain’s disrepair does not constitute a sudden emergency requiring immediate action.

Portland’s Converge 45 Reveals Theme and Artists, Including Trisha Baga, Rose Salane, and Srijon Chowdhury

Converge 45, a citywide triennial in Portland, Oregon, has announced the theme and 28 participating artists for its upcoming edition, launching August 27. Curated by New York–based Lumi Tan, the exhibition is titled “Here, To you, Now,” borrowing a phrase from Ursula K. Le Guin’s 1985 novel *Always Coming Home*. More than half of the artists are based in Portland, including Srijon Chowdhury, Aaron Cunningham, and keyon gaskin, while out-of-state participants include Trisha Baga, Rose Salane, and Jacqueline Kiyomi Gork. The triennial will take place across 16 venues, including the Portland Institute of Contemporary Art and Oregon Contemporary.

Read a book, flip off a Nazi: when reading meant resistance – in pictures

A new exhibition at Poster House in New York, titled "Reading Under Fire: Arming Minds & Hearts During Wartime," showcases vintage posters from World War I and World War II that promoted reading and book donations to support troops. The posters, drawn from the collections of the American Library Association, the YMCA, and other organizations, encouraged the public to supply soldiers with reading material as a form of morale-boosting and education. The exhibition runs until 1 November and is curated by Molly Guptill Manning.

Mary Lovelace O’Neal, painter and activist, 1942–2026

Mary Lovelace O’Neal, the American painter, professor, and civil rights activist, has died at age 84. Born in Jackson, Mississippi, she was a co-founder of the Non-Violent Action Group while a student at Howard University, later earning an MFA from Columbia University. Known for monumental abstract works on soot-black surfaces, she developed her signature technique through the Lampblack series (1960s–70s) and continued evolving her practice through series such as Whales Fucking (1970s–80s) and Panthers In My Father’s Palace (1980s–90s). In 1985, she became the first African American woman to receive tenure in the Department of Art Practice at the University of California, Berkeley, where she taught for nearly three decades and served as chair from 1999 until her retirement in 2006.

Converge 45 announces list of artists for 2026 edition

Converge 45, a city-wide triennial based in Portland, Oregon, has announced the title and list of participating artists for its 2026 edition. The 10th edition, titled 'Here, To you, Now,' will take place from August 27–30 across 16 venues. Curated by Lumi Tan, the event draws inspiration from Ursula K. Le Guin's 1985 novel 'Always Coming Home,' emphasizing impermanence and spontaneous dialogue. The exhibition will feature works by 28 artists, including Trisha Baga, Gerald Clarke, and Rose Salane, among others.

A Blade of Grass Names 2026 “In Fellowship” Cohort

New York-based arts nonprofit A Blade of Grass (ABoG) has announced the three members of its 2026 In Fellowship cohort: Emily Johnson / Catalyst, The Projects/Space, and UNDOC+Collective. Each fellow receives $25,000 in support and a $25,000 honorarium for their socially engaged practices. The fellowship, established in 2025, focuses this year on gathering as a form of movement building and resource distribution.

International encaustic art conference comes to Truro

The 19th International Encaustic Conference will take place May 29-31 at Edgewood Farm in Truro, Massachusetts, produced by the Truro Center for the Arts at Castle Hill. The three-day event brings together artists from around the world to celebrate encaustic painting, an ancient medium using pigmented wax, with technical demonstrations, educational programming, networking, juried exhibitions, and extended gallery hours in Wellfleet and Truro. Keynote speaker is artist Portia Munson, known for her maximalist installations exploring consumerism and identity. Pre- and post-conference workshops run May 26 to June 4.

This illustrator is the best Nova Scotian folk artist you’ve never heard of

The Art Gallery of Nova Scotia (AGNS) has opened "On the Matter of Memory: The Drawings of Harold Cromwell," the first solo exhibition dedicated to the late African Nova Scotian folk artist. Cromwell (1919–2008) created intricate ballpoint-pen drawings on everyday surfaces like cupboard doors and paper plates, chronicling working-class rural life. His works were sold for a few dollars at the Annapolis Farmer’s Market and were largely overlooked during his lifetime, despite his regional popularity. The exhibition runs until September 13, 2026, and aims to elevate his legacy alongside better-known Nova Scotian folk artists like Maud Lewis.

John Riepenhoff at Cooper Cole

John Riepenhoff's solo exhibition "Out of Mind" is on view at Cooper Cole in Toronto from March 28 to May 2, 2026. The presentation includes 80 images documenting the show, with press release, checklist, and venue details available through the gallery's website and the Contemporary Art Library.