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‘We refuse_d’: rehearsing refusal as method, memory, and possibility.

Marking the fifteenth anniversary of Mathaf: Arab Museum of Modern Art, the traveling exhibition ‘we refuse_d’ has opened at M HKA in Antwerp. Curated by Nadia Radwan and Vasif Kortun, the project draws on the intellectual lineage of Hannah Arendt’s reflections on displacement and the historical precedent of the Salon des Refusés. The exhibition features a constellation of works by artists including Khalil Rabah, Barış Doğrusöz, and Nour Shantout, exploring refusal not as a simple negation, but as a complex strategy for survival, dignity, and the preservation of memory.

Un grand dessin de Beckmann pour Stuttgart

The Staatsgalerie Stuttgart has acquired a monumental drawing by Max Beckmann titled *Resurrection*, measuring nearly five meters long and three and a half meters high. Executed between 1916 and 1918, it is the largest painting by the artist and a key work in his oeuvre, created after his traumatic experience as a volunteer medical orderly in World War I. Beckmann described the piece as expressing 'the terrifying cry of pain of deceived poor humanity,' marking a shift toward a new formal vocabulary influenced by the war.

UK’s Palestinian Ambassador Calls on Government to Have British Museum Reinstate the Word ‘Palestinian’

The Palestinian ambassador to the UK, Husam Zomlot, has called on the British government to intervene in a dispute with the British Museum over the removal of the word “Palestinian” from wall texts in its Middle East galleries. Zomlot raised the complaint with the Foreign & Commonwealth Office after reports that the museum had stripped the term from maps and didactics, following lobbying by UK Lawyers for Israel. The museum denies removing the word entirely, stating it still appears elsewhere, but photographic evidence suggests otherwise. Zomlot declined a tour with director Nicholas Cullinan, calling the issue “existential.”

Venice Biennale Jury Resigns En Masse, Organizers to Award “Visitors’ Lions” in November

The jury for the 2026 Venice Biennale has resigned en masse, announcing the decision via e-flux's Instagram account on April 30 without providing a reason. The five-member jury, including president Solange Oliveira Farks, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, had previously stated they would not consider national pavilions from countries charged with crimes against humanity by the International Criminal Court, directly affecting Israel and Russia. In response, the Biennale postponed the awards ceremony from May to November 22 and replaced the Golden Lions with two "Visitors' Lions" voted on by the public.

Russian Pavilion Will Be Closed to the Public During Venice Biennale: Report

The Russian Pavilion will be closed to the public for most of the 2025 Venice Biennale, opening only during the pre-opening vernissage (May 5–8) for live performances tied to the exhibition “The Tree Is Rooted in the Sky.” After May 9, the pavilion will remain closed, with digital documentation displayed in the windows. The compromise follows weeks of pressure from European cultural and political figures—including Italy’s culture minister—to shutter the pavilion due to Russia’s ongoing war in Ukraine. Plans were confirmed via email correspondence between Biennale Foundation president Pietrangelo Buttafuoco, general director Andrea Del Mercato, and Russian Pavilion commissioner Anastasia Karneeva, as reported by Italian outlets Open and La Repubblica.

Turkey Notches Another Successful Restitution After Denver Art Museum Returns 1500-Year-Old Marble Head

The Denver Art Museum has repatriated a 1,500-year-old marble head of a bearded man to Turkey, following a successful restitution claim. The sculpture, which dates back to the fifth century BCE, was originally unearthed in the agora of the ancient city of Smyrna (modern-day Izmir) and was likely trafficked illicitly before entering the museum's collection. The artifact is now on public display at the İzmir Archaeology Museum.

In 2026, DeviantArt Is Helping Artists Cut Through The Noise and Fuel Sustainable Careers

DeviantArt has undergone a significant resurgence, reaching over 108 million users by 2026 following a multi-year modernization effort. The platform has pivoted away from traditional advertising models to a creator-centric ecosystem that prioritizes artist monetization through subscriptions, digital tip jars, and low-fee sales. By removing third-party ads and implementing advanced image protection technology, the site has positioned itself as a secure alternative to mainstream social media for digital creators.

Walker Art Center Severs Ties with Restaurant for Laying Off Workers in Favor of QR Codes

The Walker Art Center in Minneapolis has announced it is severing ties with its on-site restaurant, Cardamom, following the establishment's sudden decision to lay off its front-of-house staff. The restaurant, operated by chef Daniel del Prado, intended to replace 16 servers and hosts with a QR code ordering system to combat financial losses. Museum director Mary Ceruti stated that the move caught the institution by surprise and does not align with the museum's commitment to providing a welcoming, full-service environment for its visitors.

Louvre Museum Jewel Heist Inspires Latest ‘Law & Order’ Episode

The long-running television series Law & Order has adapted the recent high-profile Louvre Museum jewel heist into a new episode titled "Beyond Measure." Filmed at the Brooklyn Museum—serving as the fictional Atlas Museum of Art—the plot follows detectives investigating the theft of the bejeweled Crown of Popoyan, a fictionalized version of the real-world $102 million heist involving a cherry picker escape. The episode weaves in a complex subplot regarding the repatriation of Indigenous Colombian artifacts held by the Vatican.

Brendan Fernandes animates a century-old Chicago auditorium through dance

Brendan Fernandes, a Chicago-based visual and performing artist, has created an evolving dance work titled *Score for the Murphy Auditorium* as part of his nearly year-long exhibition *In the Round* at the Driehaus Museum's newly acquired Murphy Auditorium. The piece features seven dancers moving around a 12-sided mirrored bench, with choreography inspired by the 1960s Judson Dance Theater, and includes textile works from the Fabric Workshop and Museum and a sound installation by Alex Inglizian. The auditorium, built in 1926 and designated a Chicago landmark in 2024, underwent renovation after being acquired by the Driehaus Museum in 2022.

Polish pavilion at Venice Biennale explores fluidity of language with film recorded underwater

Poland's entry for the 2024 Venice Biennale, titled *Liquid Tongues*, is an audio-video installation by artists Bogna Burska and Daniel Kotowski. The work centers on a performance by the Chór w Ruchu (Choir in Motion), which includes both hearing and deaf performers, with much of the content filmed underwater in a Warsaw swimming pool. Presented across two screens in the Polish pavilion, the installation draws inspiration from whale song to explore alternative modes of communication, using spoken English and International Sign. The project builds on a previous performance at Warsaw's Zachęta National Gallery of Art and was developed in close collaboration with curators Ewa Chomicka and Jolanta Woszczenko.

US National Gallery of Art receives $116m gift to continue nationwide lending programme

The National Gallery of Art (NGA) in Washington, DC, has received a landmark $116 million donation from the Mitchell P. Rales Family Foundation to permanently endow its Across the Nation lending programme. Launched in spring 2025, the initiative has already reached around 900,000 visitors at ten partner institutions, including the Anchorage Museum and the Mint Museum, by loaning works from the NGA's collection at no cost—covering transport, installation, insurance, and marketing. The next cycle will run from autumn 2027 to 2029, with new partners to be announced.

From intimate still lives to shadowed saints: the many sides of Spanish painter Francisco de Zurbarán go on show at London’s National Gallery

The National Gallery in London is opening a major survey exhibition of Spanish painter Francisco de Zurbarán (1598-1664), the first on this scale since 1987. The show expands beyond his famous austere saints to include intimate still-lifes, late private devotional works, and large-scale altarpiece reconstructions. Curator Daniel Sobrino Ralston highlights two newly discovered paintings, including *Alcarraza on a Plate*, and a rare reconstruction of the second tier of the Charterhouse of Jerez de la Frontera altarpiece, reuniting works from museums in Grenoble and Poznań.

Art Basel's solution to PDF pre-sales? Ask galleries to reserve works until opening day

Art Basel has announced a new initiative called Basel Exclusive for its flagship Swiss fair in June 2025, asking participating galleries to withhold their most important or expensive works from all pre-fair previews, online viewing rooms, and publicity. Instead, these "marquee works" will be unveiled for the first time during the First Choice VIP preview on 16 June. The initiative aims to restore a sense of surprise and urgency, countering the trend of galleries pre-selling works to clients before the fair opens. Around 170 galleries have already signed up, including major names like Gagosian, David Zwirner, Hauser & Wirth, Pace Gallery, and Sadie Coles HQ.

How did a 16th-century European basin end up as a sacred object in West Africa?

The Aya Kese, a massive 16th-century northern European brass basin, is currently on display at the British Museum while its complex history remains under scrutiny. Looted by British officer Robert Baden-Powell in 1896 from the Asante kingdom’s royal mausoleum in present-day Ghana, the object was long sensationalized by colonial accounts as a vessel for human sacrifice. Recent scholarship and historical records from Asante King Prempeh I contest these claims, asserting the basin’s sacred role as a spiritual repository for the souls of the Asante people.

1,000-year-old Toltec altar with four human skulls found in Mexico

Archaeologists from Mexico’s National Institute of Anthropology and History (INAH) have discovered a 1,000-year-old Toltec altar during salvage work for a new high-speed rail line between Mexico City and Querétaro. The stone structure, known as a momoztli, dates back to AD 900-1150 and was found with four human skulls and leg bones arranged at its base, suggesting ritual or sacrificial use. Located near the ancient site of Tula Chico, the find also included ceramic objects and obsidian artifacts within a compound likely belonging to the local elite.

Louisiana State Museum reaccreditation decision delayed until June 2027

The American Alliance of Museums (AAM) has tabled the reaccreditation decision for the Louisiana State Museum (LSM) system until June 2027. While the system’s ten sites remain accredited during this period, the delay indicates that the AAM requires the institution to address specific concerns regarding its governance and operational structure. The LSM, which oversees significant cultural assets like the New Orleans Jazz Museum and the Louisiana Civil Rights Museum, has recently navigated a period marked by lawsuits, public controversy, and unfavorable audits.

Rosy Simas on Creating a Space for Peace in Minneapolis

Minnesota-based interdisciplinary artist Rosy Simas opened a contemplative installation titled "A:gajë:gwah dësa’nigöëwë:nye:' (i hope it will stir your mind)" at the Walker Art Center on the same day that Trump-appointed border czar Tom Homan announced the end of Operation Metro Surge, a federal immigration enforcement operation in the Twin Cities. The installation features salt bottles made from woven corn husks, each honoring one of Simas's relatives, and is inspired by the teachings of Handsome Lake (Ganyodaiyo’), her fifth great-grandfather’s half-brother, who promoted the Seneca concept of a "good mind." The exhibition, on view through July 5, is part of a two-part project that also includes performances in May. Simas, known primarily for choreography, has increasingly gained recognition as a visual artist, recently receiving a Creative Capital Award.

Venice Biennale Jury Resigns in the Wake of Controversial Prize Ban

The jury for the 2026 Venice Biennale has resigned just days before the public opening on May 9, after announcing on April 22 that it would not consider artists from countries accused of crimes against humanity for the Golden and Silver Lion prizes. The jury, consisting of Solange Oliveira Farks (president), Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, cited its earlier statement of intention in its resignation, which directly impacted the participation of Russia and Israel—both subject to International Criminal Court warrants. In response, the Biennale postponed the awards ceremony from May 9 to November 22 and replaced the traditional jury with a public vote for best participant and best national participation, framing the move as upholding openness and rejecting censorship.

Parallax(e): Perspectives on the Canada–US Border

The exhibition "Parallax(e): Perspectives on the Canada–US Border" at The Reach Gallery Museum in Abbotsford, British Columbia, brings together archival materials from the Northwest Boundary Survey (1857–62) with new works by five Indigenous artists. The show features photographs, maps, and watercolors from British and American surveyors alongside commissions by Dr. Shawn Brigman, Dr. Michelle Jack, Deb Silver, Xémóntalot Carrielynn Victor, and Dr. T’uy’t’tanat Cease Wyss, who respond to the legacy of the border's creation through canoe culture, transboundary identity, and place-based knowledge.

What We Loved (And Didn’t) in “Greater New York”

The article presents a critical review of the 2026 "Greater New York" exhibition at MoMA PS1, a massive survey featuring over 150 works by more than 50 artists. The Hyperallergic editorial team highlights specific artists and works they loved, disliked, or found puzzling, offering a curated list of around 20 standout pieces. The review includes detailed commentary on individual works by artists like Dean Millien, the collective Red Canary Song, and Kameron Neal, capturing the diverse and often contentious reactions the show provokes.

Smithsonian’s American Art Museum Appoints New Director Amid Turbulent Moment

The Smithsonian American Art Museum (SAAM) has appointed Lynda Roscoe Hartigan as its new director, concluding a 17-month search. Hartigan, who is leaving her position as executive director and CEO of the Peabody Essex Museum, will begin her role in September, succeeding acting director Jane Carpenter-Rock. She previously worked at SAAM as a curator in the 1970s and has held senior leadership roles at the Peabody Essex Museum and the Royal Ontario Museum.

MoMA PS1’s “Greater New York” Is Gritty, Stunning, and Gutting

MoMA PS1 has launched the sixth edition of "Greater New York," a quinquennial survey featuring over 50 artists living and working in the city. Coinciding with the museum’s 50th anniversary, the 2026 iteration focuses on artists in the formative stages of their careers, emphasizing a gritty, raw aesthetic over the polished, market-driven surfaces often found in major biennials. The exhibition highlights photography and installation work that reflects the city's complex immigrant narratives and evolving urban identity.

Mystery 17th-Century Portrait Sparks Search for Identity of Black Sitter

Researchers at the National Portrait Gallery in London have launched a landmark investigation into a rare 17th-century double portrait featuring a Black boy and a white boy standing side-by-side. The painting, which has hung at the historic Penshurst Place in Kent for centuries, is undergoing extensive restoration and technical analysis to identify the sitters. Experts are particularly struck by the composition, which depicts the Black figure at the same scale and status as the white figure, a significant departure from the era's typical portrayal of Black individuals as marginal attendants.

Rare Medieval Seal Rediscovered After 40-Year Disappearance

A rare 11th-century wax seal belonging to the Anglo-Saxon king Edward the Confessor has been rediscovered in France’s National Archives after being missing for over 40 years. The artifact, known as the Saint-Denis seal, was not stolen but rather misplaced due to a clerical error during a conservation transfer decades ago. It was identified by doctoral student Guilhem Dorandeu, who noticed the misfiled item while conducting research.

Versailles Restores Royal Bedroom to Its 1789 Splendor

The Palace of Versailles has completed a multi-decade restoration of the King’s Private Bedroom, meticulously recreating the space as it appeared on October 6, 1789, the day the royal family fled the French Revolution. The project involved an intergenerational team of curators and master craftspeople who utilized archival descriptions and surviving fabric scraps to reconstruct the room's ornate Rocaille embellishments, silk tapestries from Lyon, and a central gilded bed carved from linden wood.

Lost-Lost Film by French Cinema Pioneer Turns Up in Michigan

A long-lost film by French cinema pioneer Georges Méliès has been discovered in a garage in Grand Rapids, Michigan, after sitting in a trunk for two decades. The 45-second silent short, titled 'Gugusse and the Automaton' (1897), was identified by specialists at the Library of Congress after the owner, Bill McFarland, donated a collection of nitrate reels that had belonged to his showman great-grandfather.

Large Roman Villa Uncovered in the U.K. During Wind Farm Survey

Archaeologists conducting surveys for an offshore wind farm project in Norfolk, England, have discovered a significant Roman villa dating back to the 1st through 3rd centuries C.E. The expansive estate, which measures over 100 feet in length, featured a bathhouse, a covered porch, and ancillary buildings for crop processing. Excavations also yielded high-status artifacts including an ornate bronze door handle, a lion-headed furniture foot, and imported pottery, alongside evidence of a Roman road and two lost medieval villages.

can the art industry close its gender equity gap 2623633

Artnet News and the Association of Women in the Arts (AWITA) recently launched "Hardwiring Change," an inaugural survey investigating structural barriers for women in the art industry. The report, unveiled at Deutsche Bank’s London headquarters, reveals significant gender disparities in pay and leadership, particularly within larger organizations. Key industry figures, including gallerist Sadie Coles and Bonhams UK Managing Director India Phillips, discussed the data, which shows that over 93% of respondents feel family planning has impacted their professional decisions.

One Last Chance to See Dürer's Monumental Print in NYC

Albrecht Dürer’s monumental "Triumphal Arch," a 13-foot-tall woodcut commissioned by Holy Roman Emperor Maximilian I in 1512, is entering long-term storage at the New York Public Library this fall. The work has been a centerpiece of the library’s Polonsky Treasures exhibition since 2021, but its extreme fragility and age necessitate its removal from public view on October 18.