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One of England’s greatest art galleries is set for a £90 million transformation

The Sainsbury Centre in Norwich, one of England's greatest art galleries, has received a £91.2 million donation from the Gatsby Charitable Foundation, created by David Sainsbury. The funds will finance a major refurbishment of the Grade II-listed building, originally designed by Norman Foster in 1978, including structural repairs, energy efficiency upgrades, and enhanced visitor amenities. The centre houses a renowned collection featuring works by Picasso, Degas, Bacon, Moore, and Lalique.

Isamu Noguchi was never a designer, affirms High Museum of Art, Atlanta

The High Museum of Art in Atlanta presents "Isamu Noguchi: 'I am not a designer'," the first design retrospective of the Japanese-American sculptor in 25 years. Co-curated by Monica Obniski and Marin R. Sullivan, the exhibition features nearly 200 objects, including sculptural models, furniture for Herman Miller and Knoll, Akari light fixtures, and large-scale installations like Martha Graham's stage set for "Seraphic Dialogue" (1955). The show challenges Noguchi's own resistance to categorization by framing his multidisciplinary practice—spanning sculpture, design, architecture, and public art—through a design lens.

'It keeps me in touch with life': The London artist still working at 103

London painter Anthony Eyton, who turned 103, is preparing to exhibit new works at the 258th Royal Academy Summer Exhibition, the world's oldest open-submission exhibition. A figurative painter and Royal Academician since 1976, Eyton has shown at Tate Modern, Tate Britain, and the Imperial War Museum. He continues to paint daily, finding satisfaction in the act of creation, and has embraced social media with his daughter Sarah, posting regularly on Instagram to reach a global audience.

Dallas Contemporary Appoints Interim Director & New Strategic Advisor

Dallas Contemporary has appointed John McBride as Interim Director and Jeremy Strick as Strategic Advisor. McBride, formerly Deputy Director of the Nasher Sculpture Center, will oversee daily operations, programming, and financial stewardship during a multiyear planning period. Strick, former Director of the Nasher and the Museum of Contemporary Art, Los Angeles, will advise on mission, governance, and curatorial programming. The appointments follow recent leadership turnover, including the departure of Executive Director Lucia Simek in December 2025.

BmoreArt’s Picks: May 12-18

BmoreArt's Picks for May 12-18 highlights a range of visual art events in Baltimore, including an exhibition of video works by Martha Rosler and Pipilotti Rist at the Elizabeth Myers Mitchell Museum, the Sondheim Art Prize 2026 Semifinalist Exhibition at the Reginald F. Lewis Museum, a conversation with artist Louis Fratino at the Baltimore Museum of Art, and the Scout Art Fair. Other events include a monologue workshop inspired by the 'Shoes at the Door' exhibit at SNF Parkway Theatre, a talk with artists Christine Stiver and Dominic Terlizzi at SBM Gallery, and the CPM 5th anniversary show. The article also notes open submissions for BAD's Creative Placemaking RFQ and other opportunities.

Modern Art + Design Draw Active Bidders At Eldred’s

Eldred’s auction house held its Modern Art + Design sale on May 7, featuring 245 lots of art, furniture, decorative arts, rugs and collectibles. The sale achieved a total of $221,740 with an 81% sell-through rate, driven by active phone, online, and absentee bidding. Top lots included a Tiffany Studios Nautilus table lamp that sold for $23,040 (more than three times its estimate), a Handel reverse-painted glass table lamp that reached $10,880 against a $800–$1,200 estimate, and Frank Stella’s “Aiolio” from his “Imaginary Places III” series, which fetched $17,920. An abstract oil on canvas by Manabu Mabe also performed strongly, selling for $14,080.

Helen Frankenthaler at Kunstmuseum Basel

Kunstmuseum Basel has opened a major exhibition of Helen Frankenthaler's work, running from April 18 to August 23, 2026, featuring over 50 large-format pieces spanning six decades. The Helen Frankenthaler Foundation loaned 37 works for the show. The article also notes recent auction results, including Christie's offering of 'The Last Minute in April' (1974) for an estimated $2–3 million, and Sotheby's sales of 'St. John' (1971) for $2.1085 million and 'Perseus' (1983) for $2.804 million. Previous European exhibitions of Frankenthaler's work are listed, including shows at Museo di Palazzo Grimani, Museum Folkwang, Palazzo Strozzi, and Museum Reinhard Ernst.

Kimball Art Center dives into sound experiences with new exhibit

The Kimball Art Center in Park City, Utah, has opened a new exhibition titled (Re)sounding, running from May 15 to September 13. The show features 15 artists—including Jon Bernson, Janet Cardiff & George Bures Miller, Maria Chávez, Spencer Finch, Jónsi, Christine Sun Kim, Jacob Kirkegaard, Tuomas A. Laitinen, Christian Marclay, Milad Mozari, Andy Rappaport, Yuri Suzuki, and Mary Toscano & Andrew Rease Shaw—who create immersive audio-visual and interactive works that encourage visitors to think more intentionally about sound. Highlights include Bernson's installations addressing climate change through wetlands and glacial melt, and Cardiff & Miller's major installation from the acclaimed duo known for their immersive audio-visual pieces.

‘Monochrome’ at the Seattle Art Museum bridges contemporary art between decades

The Seattle Art Museum's new exhibition, 'Monochrome: Calder and Tara Donovan,' opened May 13, pairing works by mid-20th-century American artist Alexander Calder with newly developed pieces by contemporary artist Tara Donovan. Curated by Catharina Manchanda, the show features Calder's iconic mobile 'Jacaranda' and his massive 'Mountains' stabiles alongside Donovan's site-specific works like 'Transplanted,' a slab of layered roofing tiles, and other pieces made from slinkys, mylar, and stir sticks. Donovan's process emphasizes letting materials dictate form, creating contrasts in mass and movement while engaging with the gallery space.

Memorial Art Gallery admission will become free starting in 2027

The Memorial Art Gallery (MAG) in Rochester, New York, announced on May 13 that admission will become free for all visitors starting in 2027, eliminating its current $20 entry fee permanently. The museum, part of the University of Rochester, raised over $9 million through its "Free for All, Forever" campaign, surpassing its original target faster than expected. Key donations included a $1 million gift from Dr. Alexander A. Levitan and his wife Lucy K. Levitan, a $3 million donation from UR trustee Doug Bennett, his wife Abby, and the Sands Family Foundation, and $2 million from Mary Ellen Burris. Additional support came from anonymous donors, Kitty and Nick Jospé, and Sandy Hawks Lloyd and Justin Hawks Lloyd.

Peter Frankopan unveils BRUSK museum's inaugural exhibition exploring Bruges history

Historian and author Peter Frankopan has curated the inaugural exhibition at BRUSK, a new museum in Bruges, Belgium. Titled "Bigger Picture: Connected worlds of Bruges 900-1550," the show explores the city's medieval role as a global hub for trade, culture, and politics, featuring over 250 objects from 90 lenders worldwide. A rare loan from the Vatican Library—a portrait of Byzantine Emperor Alexios I—is a highlight. The exhibition opens alongside a digital work by Refik Anadol and a fresco by Laure Prouvost.

Arshile Gorky Exhibition at Armenian Museum of America Extended through September

The Armenian Museum of America in Watertown has extended the exhibition “Arshile Gorky: Redrawing Community and Connections” through September 27 due to overwhelming interest and positive reviews from publications including Boston Art Review and Artscope magazine. Curated by Kim S. Theriault and sponsored by the JHM Charitable Foundation, the show brings together works from private collectors and institutions such as the Whitney Museum of American Art, the Housatonic Museum of Art, and Yale University Art Gallery, and was highlighted as a top pick by the Boston Globe and GBH Arts Editor Jared Bowen.

Landmark Gorky Exhibit Extended at Armenian Museum

The Armenian Museum of America has extended its landmark exhibition "Arshile Gorky: Redrawing Community and Connections" through September 27, 2026, due to overwhelming interest and positive reviews. This is the first exhibition of Arshile Gorky's work in an Armenian museum, featuring paintings and drawings on loan from the Whitney Museum of American Art, the Housatonic Museum of Art, Yale University Art Gallery, private collectors, and other lenders. Curated by Kim S. Theriault and sponsored by the JHM Charitable Foundation, the show opened to coincide with the 100 Years of Arshile Gorky programming in Watertown, Massachusetts.

Interview. Max Goelitz

In an interview marking the sixth anniversary of his gallery, Max Goelitz reflects on the founding and evolution of his two-location operation in Munich and Berlin. He discusses how his decade at Häusler Contemporary, where he served as director, prepared him for the unpredictable nature of running his own gallery. The COVID-19 pandemic forced a strategic pivot from international ambitions to a focus on the local German market, which proved unexpectedly sustainable. Goelitz also addresses the current challenges facing galleries, including generational shifts and a more difficult art market, while advocating for an "old-school" reconsideration of what defines a gallery in times of transition.

WeWork (oralmoral)

The article reviews "WeWork (oralmoral)," a temporary exhibition at The Gallery in Crown Heights, Brooklyn, curated by artist-turned-curator Florian Meisenberg. The show transforms a former office space into a free-form, non-hierarchical environment where works by over a dozen artists are placed unpredictably—in trash bins, closets, ventilation shafts, and on whiteboards left by the previous tenant. Artists span three generations, from Post-Minimal figures like B. Wurtz and David Humphrey to younger digital-savvy artists such as Lucas Blalock and Anna K.E., whose sound piece "Tamada" greets visitors. The exhibition runs from April 10 to May 18, 2026.

Arshile Gorky exhibition at AMA extended through September 2026

The Armenian Museum of America (AMA) in Watertown, Massachusetts, has extended its exhibition "Arshile Gorky: Redrawing Community and Connections" through September 27, 2026, due to overwhelming interest and positive reviews from publications such as Boston Art Review and Artscope magazine. Curated by Kim S. Theriault and sponsored by the JHM Charitable Foundation, the show is the first exhibition of Gorky’s work in an Armenian museum, featuring loans from the Whitney Museum of American Art, the Housatonic Museum of Art, Yale University Art Gallery, private collectors, and the Armenian diaspora.

‘Drift’ Invites Reverie at the Parrish

Sanford Biggers's first major solo exhibition on the East End, "Drift," opens at the Parrish Art Museum on Sunday and runs through September 13. The show features new works and site-responsive installations, including the monumental "Unsui (Cloud Forest)" (2025), a series of illuminated cloud sculptures suspended from the museum's arched ceiling. Co-curated by Corinne Erni and Scout Hutchinson, the exhibition spans Biggers's multidisciplinary practice—painting, sculpture, video, performance, and textile works—drawing on influences from Buddhism to graffiti culture and Gee's Bend quilts. Highlights include examples from his "Codex" series, made from repurposed antique quilts with spray-painted cloud forms, and a new sand installation inspired by prayer rugs and Japanese Buddhist mandalas.

Glasgow-based artist's explosive work earns place in major UK exhibition

Frank To, an award-winning Glasgow-based artist known for using gunpowder to create explosive artworks, has been selected to exhibit at the Royal Cambrian Academy’s 2026 Annual Exhibition in Conwy, Wales. He is one of only four Scottish artists chosen from 148 applicants. To's recent London exhibitions at the Stafford Gallery, Wimbledon, and the Mall Galleries sold out, and his collectors include actor Sir Patrick Stewart and art patron Michel Witmer, who displays To's work alongside pieces by Picasso and Warhol.

Sandra Gamarra: “Réplica” Is Not a Copy

Sandra Gamarra Heshiki's exhibition "Réplica" at MASP in São Paulo opens with an unplanned replica of Francisco Laso's "Habitante de las cordilleras del Perú" (1855), which could not travel from Lima due to bureaucracy. Gamarra produced an inverted, altered version, establishing a critical distinction between copying and responding. The exhibition is organized into sections that parody the classical chronology of encyclopedic museums—"Pre-colonial," "Colonial," "Post-independence," "Modern," and "Contemporary"—transforming the museum into an object of analysis. Gamarra's paintings engage with colonial iconographies, such as the pinturas de castas, by inscribing racial classifications directly onto the figures, making the colonial verdict inseparable from the bodies depicted.

Ten Political Statements By Artists At The 2026 Venice Biennale

The 61st Venice Biennale opened with unprecedented political tension, set against the backdrop of the international jury's mass resignation, the death of curator Koyo Kouoh, Russia's closed pavilion, threats from the European Commission to withdraw funding, and Italy's culture minister boycotting the opening. The article highlights ten works and moments where art and power intersected most explicitly, including Alfredo Jaar's 'Red Room' installation in the Chilean pavilion confronting humanitarian crisis, and Ukraine's collateral event 'Still Joy' at Palazzo Contarini Polignac, which frames joy as an act of resistance amid war.

5 exhibitions across the globe celebrating women who shaped art and culture

Five museums across the globe are opening exhibitions this month that celebrate women who have shaped art and culture. The shows include Björk's multidisciplinary "Echolalia" at the National Gallery of Iceland in Reykjavík, Iris van Herpen's New York exhibition, Marina Abramović's historic showing at Venice's Gallerie dell'Accademia, the Tate Modern's first major Frida Kahlo retrospective, and centenary tributes to Marilyn Monroe. The article notes that despite women making up 51% of visual artists worldwide, their work remains underrepresented in public institutions, with 78% of London galleries showing more male than female artists.

WA’s Maryhill Museum of Art has ties to royalty, celebrates milestone

The Maryhill Museum of Art in Goldendale, Washington, is celebrating the 100th anniversary of its dedication by Queen Marie of Romania. Founded by entrepreneur Samuel Hill in 1907, the museum houses an eclectic collection including over 80 works by Auguste Rodin, French haute couture fashions, and thousands of Indigenous art objects. To mark the centennial, the museum has opened three new exhibitions highlighting Queen Marie's contributions: Russian icons, Romanian embroidery, and folk pottery, alongside her personal items like coronation gowns and gilded furniture.

Bruges’s new city art gallery BRUSK opens on Friday

Bruges' new city art gallery, BRUSK, opens on Friday in a substantial new building designed by architects Robbrecht and Daem and Olivier Salens. Located in the museum quarter, the gallery features two enormous first-floor exhibition spaces and a light, open ground floor. It debuts with two simultaneous exhibitions: 'Breedbeeld' ('Wide Angle'), a historical show curated by Oxford professor Peter Frankopan and Sibylla Goegebuer, exploring Bruges' medieval global connections through 250 objects including Hans Memling's 'The Passion of Christ'; and 'Latent City', a data-driven installation by Turkish-American artist Refik Anadol that delves beneath the city's surface.

City of the Arts? Costa Mesa called out for not having official arts budget

Costa Mesa’s Arts Commission delivered a report to the City Council on Tuesday, calling for a significant increase in arts funding as the city updates its arts and culture master plan. Currently, arts programs are primarily funded by a portion of cannabis tax revenue—about $230,000 annually—but actual expenditures are nearly double that, forcing the city to use general fund revenue to cover the gap. Commissioners recommended establishing a public art fund, increasing the cannabis tax allocation, imposing a 1% public art fee on capital projects over $500,000, and potentially using hotel-stay tax revenue to support the arts. They also proposed expanding the arts grants program, funding a consultant to update the master plan, and creating a dedicated arts specialist position.

MoMA Curatorial Eye Comes to Greenwich Art Society

Caitlin Chaisson, a curatorial assistant in the Department of Painting and Sculpture at The Museum of Modern Art, will serve as juror for the Greenwich Art Society’s 109th Annual Juried Exhibition. The show runs from May 14 through June 11 at the Bendheim Gallery in the Greenwich Arts Council’s space at 299 Greenwich Avenue, featuring selected works by local artists competing for a place in one of the town’s established juried art events.

An exhibition of an artist who brought post-impressionism to England

The Museum of Somerset is hosting "A Life in Art: Roger Fry," an exhibition dedicated to the painter, critic, and curator Roger Fry, who introduced post-impressionism to England. The show features nearly 40 of Fry's paintings from a recent Charleston exhibition, alongside works by his wife, Arts & Crafts artist Helen Coombe, whose career and life have been largely overlooked. Through artwork, archival photos, and a film, the exhibition explores Fry's complex personal life, including Coombe's institutionalization for mental illness, and his role within the Bloomsbury Group.

Venice, the island of San Giacomo becomes the new home of the Sandretto Foundation

Fondazione Sandretto Re Rebaudengo opens a new headquarters on the island of San Giacomo in the northern lagoon of Venice on May 7, 2026. The project combines contemporary art, historic rehabilitation, environmental sustainability, and research, featuring exhibitions, permanent installations, and public programs. The island was purchased in 2018 by Patrizia Sandretto Re Rebaudengo and Agostino Re Rebaudengo from Cassa Depositi e Prestiti and transformed into a center for cultural production and ecological experimentation, with free admission and universal accessibility.

Woody De Othello Celebrates First Major Solo Public Exhibition in New York with Public Art Fund

Woody De Othello's first major solo public exhibition in New York, titled "Guardian Spirit," has opened at Brooklyn Bridge Park, presented by Public Art Fund. The exhibition features monumental redwood totems standing 20 to 22 feet tall, carved with chainsaws and grinders, alongside bronze sculptures created between 2021 and 2025. The works explore themes of ritual, spirituality, and the elemental forces of wind and water, drawing inspiration from nkisi, ritual objects from Western and Central Africa. The exhibition runs from May 5, 2026, to March 8, 2027, with sculptures installed at Pier 1 and the Manhattan Bridge View.

Paris Diary 1

The article is a first-person diary entry from an unnamed narrator visiting Paris and Brussels. The narrator recounts working in the studio of painter Camila Oliveira Fairclough, attending a public dialogue at Almine Rech gallery in Brussels with artist Erik Lindman, and viewing an exhibition pairing Lindman's paintings with works by Robert Motherwell and two Picassos chosen by Bernard Picasso. The narrator also visits a posthumous exhibition of Didier Demozay at Galerie Bernard Jordan and sees a temporary mural by Marielle Paul in a Paris housing complex, later visiting her studio in a historic 19th-century artist building once occupied by Eugène Carrière.

ICOM Exhibitions opens registrations and call for proposals for Momentum 2026

ICOM Exhibitions has opened registrations and a call for proposals for its 2026 annual conference, Momentum 2026, titled "Museums, Exhibitions, and Disruptions – How Far Dare We Go?" The event will take place from October 4 to 8 at the Musée de la civilisation in Québec City, Canada, and will gather around 150 museum professionals globally. The programme includes keynote presentations, workshops, visits to local cultural institutions such as the Monastère des Augustines and the Musée national des beaux-arts du Québec, and a behind-the-scenes look at a new pavilion dedicated to artist Jean Paul Riopelle. Proposals are due by May 22, with formats ranging from roundtables to lightning presentations.