ArtReview Podcast | Episode 3: Noémie Goudal
The ArtReview Podcast released its third episode featuring an interview with artist Noémie Goudal. Hosted by ArtReview editor J.J. Charlesworth, the conversation explores Goudal's practice through three selected artworks, touching on VR technology, the representation of time in photography, and the concept of 'immersiveness' in contemporary art.
Georg Baselitz, the influential German Neo-Expressionist painter, printmaker, and sculptor, died on April 30 at age 88. His death was announced by Thaddaeus Ropac gallery, his longtime representative. Born Hans-Georg Kern in 1938 in Saxony, Baselitz was profoundly shaped by his childhood experience of war and the destruction of Nazi Germany. He was expelled from art school in East Berlin for "socio-political immaturity," moved to West Berlin, and adopted his pseudonym from his hometown. His first solo exhibition in 1963 was raided by police for obscenity, cementing his reputation as a provocateur. Known for his upside-down figures and fierce brushwork, he created series such as "Heroes" and "Fracture" that addressed trauma, violence, and the psychic toll of postwar life.
A Manhattan jury has ordered art publisher Michael McKenzie to pay $102.2 million in damages for creating unauthorized or adulterated versions of works by the late Pop artist Robert Indiana. The lawsuit, brought by Indiana’s former business partner the Morgan Art Foundation, alleged that McKenzie produced Indiana-related junk products that infringed trademark and copyright, including reproductions of Indiana’s iconic “LOVE” design and the artworks *The Ninth American Dream* (2001) and *USA FUN* (1965). The jury found McKenzie liable for exploiting Indiana in the final years of his life, after the artist granted power of attorney to his caretaker, Jamie Thomas.
L.S. Lowry's painting *Going to the Mill* (1925) sold for just over £800,000 ($1 million) at Mall Galleries in London on May 2, after being acquired in 1926 for only £10. The sale underscores Lowry's enduring market appeal, though it falls short of his auction record of £5.6 million set in 2011 for *The Football Match*. The article profiles Lowry, a 20th-century British painter known for his bleak industrial cityscapes filled with anonymous figures, and explores why he remains a beloved but often overlooked figure in the art world.
The Los Angeles County Museum of Art (LACMA) has announced that its highly anticipated David Geffen Galleries will officially open to the public on April 19, 2026. Designed by Pritzker Prize–winning architect Peter Zumthor in collaboration with director Michael Govan, the new facility features a horizontal, elevated design that spans Wilshire Boulevard. The structure will house 26 galleries on a single level, representing the culmination of a nearly two-decade redevelopment project.
Hyperallergic has published a curated list of 15 gallery and independent art exhibitions to see in New York City during April. The guide highlights shows that might be overshadowed by major institutional blockbusters, featuring artists like E. Jane, Robert Bergman, Kamrooz Aram, and Chris "DAZE" Ellis across venues in Chinatown, Chelsea, Tribeca, and Queens.
The Barclays Center arena in Brooklyn has launched a multi-year public art initiative called 'Brooklyn Art Encounters.' The program includes a new artist-in-residence component, with Paul Pfeiffer as the inaugural resident, and will feature digital art broadcasts, major new commissions by artists like Sarah Sze, Rashid Johnson, Mark Bradford, and Kambui Olujimi, and a series of public installations on the arena's plaza and in its entrances.
Artist Jordan Wolfson has directed a new advertising campaign for Prada's Spring/Summer 2026 collection. The campaign, titled "I, I, I, I AM… PRADA," features unsettling, computer-generated birds and a bird-man hybrid alongside models including actors Carey Mulligan, Nicholas Hoult, Damson Idris, and Hunter Schafer, continuing Wolfson's signature style of disturbing digital avatars.
The article previews a major new video installation by artist and filmmaker Isaac Julien, titled "Once Again... (Statues Never Die)," which will be presented at the Barnes Foundation in Philadelphia. The work engages in a complex dialogue with the museum's founder, Albert C. Barnes, and his historic collection of African sculptures, exploring themes of colonialism, modernism, and representation.
The Los Angeles County Museum of Art (LACMA) has unveiled the David Geffen Galleries, a $724 million architectural feat designed by Peter Zumthor. This massive, horizontal structure spans over Wilshire Boulevard, replacing several older buildings with a single, elevated concrete form. The new space abandons traditional chronological and geographical silos in favor of rotating, thematic displays that integrate the museum’s diverse encyclopedic collections.
A feature-length documentary about Baroque painter Caravaggio, directed by Phil Grabsky and David Bickerstaff, will premiere on the streaming platform Marquee TV on April 6. The film, part of the "Exhibition on Screen" series, was previously released in theaters last fall and focuses on the artist's innovative painting style rather than his notorious personal life.
At Frieze London, emerging galleries in the Focus section face high financial pressure, with booth costs reaching £6,750 ($9,000). While some dealers reported strong sales—such as London's Ginny on Frederick, which sold out both works by Alex Margo Arden, and Brunette Coleman, which also sold out—others were reluctant to disclose results. Several unnamed dealers admitted to selling nothing or only a single work, highlighting a stark divide between success and struggle among smaller exhibitors.
The French mega-gallery Perrotin has added sculptor Alma Allen to its roster. Allen previously caused controversy by accepting a nomination to represent the United States at the Venice Biennale under the Trump administration's State Department, a decision that led his former galleries to drop him. The article also notes other industry news, including Keisha Scarville winning the Brooklyn Museum's UOVO Prize and Marina Abramović creating an inflatable installation for New York's Balloon Museum.
Joel-Peter Witkin, the controversial photographer known for his macabre and surreal imagery, is the subject of a new exhibition titled “Joel-Peter Witkin: The World Is Not Enough” at A Gallery for Fine Photography in New Orleans. The show features a wide cross-section of his work, from early pieces like the cadaver-based still life *The Kiss* (1982) to recent works such as *The Soul Has No Gender* (2016), a portrait of a transsexual woman posed as Mary Magdalene. Witkin, a mainstay on artnet’s Top 300 list, personally prints each photograph and continues to explore themes of death, beauty, and the marginalized in society.
An anonymous whistleblower has filed a complaint alleging misconduct by leadership at the Palm Springs Art Museum, including improper movement of funds between accounts to address cash shortages, the forced resignation of a former director based on fabricated staff complaints, and a failure to properly interview external candidates for the director position. The complaint, forwarded to ARTnews, also references a $3 million discrepancy in the reported endowment value and the departure of several trustees, leaving the board below its required size. The museum has formed a special committee to investigate the allegations, which were first reported by the Los Angeles Times in November 2025.
Christie’s will offer Roy Lichtenstein’s 1964 painting *Anxious Girl* from the collection of legendary New York collector-dealer Holly Solomon and her husband Horace, with an estimate of $40–60 million. If it reaches its high estimate, it will become the artist’s second-priciest work at auction, trailing only *Nurse* (1964), which sold for $95.4 million in 2015. The work leads Christie’s 20th-century evening sale on May 18, amid a flurry of high-value consignments as both Christie’s and Sotheby’s aim to sustain momentum after posting improved 2025 results.
Marina Abramović has opened a major solo exhibition, "Balkan Erotic Epic. The Exhibition," at Berlin's Gropius Bau, marking her first solo show in the city since the 1990s. The expansive presentation features historical and recent works across film, installation, sculpture, and live performance, focusing on themes of ritual, eroticism, death, and the body as a site of political and spiritual intensity. The opening included a live performance by Svetlana Spajić and a video work, Tito’s Funeral (2025).
This article explores a critical reevaluation of Alberto Giacometti’s career, specifically focusing on the decade between 1935 and 1945. While Giacometti is globally recognized for his spindly, post-war 'Existentialist' figures, art historian Joanna Fiduccia’s new book, *Figures of Crisis*, argues that his mid-career departure from Surrealism to study human likeness was not a mere transition but a profound response to the political crises and nationalism of interwar France.
The Bodleian Libraries at the University of Oxford has acquired a rare photographic "daybook" compiled by Roland Haupt, a former darkroom assistant at British Vogue. Created between 1943 and 1949, the annotated scrapbook contains hundreds of original photographs and clippings by legendary photographers Lee Miller and Cecil Beaton. The acquisition, brokered by dealer Michael Hoppen, ensures that the album—which includes iconic images of Miller in Hitler’s bathtub and portraits of Picasso—remains intact as a singular historical record rather than being sold piecemeal at auction.
The Black Gold Museum has officially opened in Riyadh, Saudi Arabia, as a flagship project of the nation’s Vision 2030 initiative. Housed in a Zaha Hadid-designed complex and directed by Jack Persekian, the institution features over 350 artworks by 170 international and local artists, including Manal AlDowayan and Doug Aitken. The museum explores the history and cultural impact of oil through four thematic sections—Encounter, Dreams, Doubts, and Visions—blending historical narrative with contemporary artistic reflection.
Artist Gisela Colón is currently the subject of a major retrospective at the Museo de Arte Contemporáneo de Puerto Rico (MAC), showcasing her signature "monoliths" and iridescent obelisks. These monumental sculptures, which have appeared in global locations ranging from the Great Pyramids of Giza to the Saudi Arabian desert, utilize advanced aerospace carbon fiber and site-specific minerals to create shifting, phenomenological experiences. The exhibition tracks her evolution from 1996 to the present, highlighting her unique ability to blend high-tech materials with ancient totemic forms.
The United States government transformed the role of the artist during the Great Depression by treating art as a vital public resource rather than a private luxury. Between 1933 and 1943, New Deal programs like the Public Works of Art Project (PWAP) commissioned hundreds of thousands of works for schools, libraries, and hospitals, providing 'plumbers' wages' to struggling creators. This federal patronage supported a generation of then-unknown figures, including Jackson Pollock, Mark Rothko, and Alice Neel, while focusing on the 'American scene' to make culture accessible to the general public.
South Seas, a resort on Florida's Captiva Island, has purchased Robert Rauschenberg's 22-acre property, including his studio and beachfront, for $45 million. The Robert Rauschenberg Foundation sold the estate, citing unsustainable maintenance costs and the need to focus on its core mission, despite the property having survived Hurricane Ian.
The 2025 edition of TEFAF Maastricht has opened with 277 dealers from 24 countries, showcasing 7,000 years of art history despite significant geopolitical instability in the Middle East. While the fair remains a premier destination for Old Masters and high-end antiques, exhibitors are navigating logistical hurdles caused by regional conflicts and airport closures in major transit hubs like Dubai.
Senators Whitehouse and Schumer Call for ‘Proactive Measures’ to Protect Philip Guston and Ben Shahn Murals
Senators Sheldon Whitehouse and Chuck Schumer have publicly called on the General Services Administration (GSA) to take immediate steps to protect significant New Deal-era murals by artists Philip Guston and Ben Shahn. Their letter expresses urgent concern over the potential sale or demolition of the Wilbur J. Cohen Federal Building in Washington, D.C., which houses these artworks, and questions the GSA's ability to safeguard the pieces once the building transfers to private ownership.
The Metropolitan Museum of Art is reportedly planning a major retrospective of the American artist Cy Twombly, scheduled for 2029. Evidence of the exhibition surfaced through a job posting for a researcher, which describes a comprehensive show featuring paintings, sculptures, and drawings that explore Twombly’s career across two continents and the influence of ancient myths and literature on his work. While the Met and the Cy Twombly Foundation have not yet officially confirmed the exhibition, the listing remains active on several professional platforms.
Tracey Emin’s major retrospective, "A Second Life," has opened at Tate Modern, marking a significant milestone in the artist's career following her recovery from bladder cancer. The exhibition surveys her evolution from the provocative "Young British Artist" era—featuring iconic works like the 1998 installation 'My Bed' and her early quilted blankets—to her more recent, expressive oil paintings and bronze sculptures. The show specifically highlights her 1996 film 'How it feels,' positioning her early 1990s abortion as the central, transformative event of her life and artistic practice.
The Rijksmuseum in Amsterdam has officially authenticated a long-lost painting, 'Vision of Zacharias in the Temple' (1633), as a genuine work by Rembrandt van Rijn. The painting had been dismissed by scholars in the 1960s and remained in a private collection for over six decades until the owner approached the museum for a technical analysis. Using advanced imaging and material studies similar to those used on 'The Night Watch', experts confirmed that the pigments, signature, and date align perfectly with Rembrandt’s early Amsterdam period.
A large-scale sculpture by Korean American artist Michael Joo collapsed during the opening reception of his solo exhibition at Space ZeroOne in Tribeca, New York. The artwork, titled 'Saltiness of Greatness' (1992) and composed of compressed salt blocks, reportedly fell after being disturbed by a visitor, resulting in minor injuries to four attendees including a curator, a gallerist, and a foundation board member. The gallery, operated by the Hanwha Foundation of Culture, has temporarily closed to review safety procedures following the incident.
The Museo de Arte Moderno de Bogota (MAMBO) has fired its artistic director, Italian curator Eugenio Viola, who held the position since 2019. Viola stated his dismissal followed his decision to raise concerns with the board about deteriorating working conditions, while the museum called the move part of a "comprehensive review." Separately, German sculptor Henrike Naumann, who was set to represent Germany at the upcoming Venice Biennale, has died at age 41 after a short, serious illness.