The Walters Art Museum is showcasing the intricate jewelry designs of Douriean Fletcher, the specialty jeweler responsible for the iconic adornments in the 'Black Panther' film franchise. The exhibition highlights Fletcher's craftsmanship and her ability to blend Afrofuturist aesthetics with traditional African metalworking techniques, bringing cinematic artifacts into a fine art museum context.
The Walters Art Museum in Baltimore is launching "Douriean Fletcher: Jewelry of the Afrofuture," an exhibition featuring the intricate metalwork and costume designs from the Marvel Cinematic Universe’s Black Panther franchise. The show highlights the work of self-taught artist and metalsmith Douriean Fletcher, whose collaboration with Oscar-winning costume designer Ruth Carter helped define the visual identity of Wakanda. On display are iconic pieces such as Nakia’s gold-plated brass necklace and Queen Ramonda’s silver bodice cage, alongside new works created specifically for the museum.
Seoul-based painter Choe Vio has launched a new solo exhibition titled “Time Interface” at Page Gallery in Seongsu-dong. The show, which marks the artist's first solo presentation in four years, features new paintings and a central interactive installation titled “137 Silent Observers.” This centerpiece invites visitors to move stones on an aluminum plate, triggering a process where the changes are recorded at specific intervals and eventually translated into video and painting.
The Rowan University Museum of Contemporary Art is hosting "The Spectrum of Resilience," a solo exhibition by New Jersey-based artist and educator Jazlyne Sabree. The showcase features works that explore the tenacity and authenticity of the African Diaspora, drawing from Sabree’s extensive research and residencies in West Africa, Brazil, and Liberia. The exhibition highlights everyday moments—such as washing hair or embracing children—elevating them into profound artistic statements on ancestral lineage and survival.
The Charles H. MacNider Art Museum in Mason City has opened a solo exhibition titled "Ray Colby: Nature Photographer" in its Kinney-Lindstrom Gallery. The show features digital photographs printed on canvas, focusing on three specific themes: backyard insects and arachnids of the Midwest, urban birds from Minneapolis, and migrating Sandhill Cranes in Wisconsin. The works on display will be sold via auction to benefit the museum's programming.
Atlanta’s cultural landscape is undergoing a significant transformation as its major museums spearhead ambitious expansions and programming shifts. Institutions like the High Museum of Art, the Spelman College Museum of Fine Art, and the Atlanta Contemporary are leveraging the city's economic growth and its status as a hub for Black culture to redefine their roles within the community. These developments include physical renovations, record-breaking acquisitions, and a renewed focus on local and diverse artistic voices.
The Taft Museum of Art has named Cincinnati-based painter Ayana Ross as the 2026 Robert S. Duncanson Artist-in-Residence, marking the 40th anniversary of the prestigious program. Ross, known for her figurative realism and traditional oil painting techniques, will be featured in a solo exhibition titled "Beyond the Picturesque: The American Landscape as a Site of Memory, Identity and Continuity." The showcase includes seven paintings integrated into the Taft’s historic house and Sinton Gallery, with a specific installation placed alongside the museum's famous 19th-century murals by Robert S. Duncanson.
The UK government has announced a £6.6 million investment in arts and culture venues across the East of England to support essential infrastructure upgrades and renovations. Key beneficiaries include Firstsite in Colchester and Snape Maltings in Suffolk, which are receiving significant grants for building repairs and environmental control systems. Other recipients range from the Natural History Museum in Colchester to the Wysing Arts Centre, with funds earmarked for everything from HVAC improvements to restoring Grade II listed structures.
Hailey Becker, a Master of Fine Arts candidate at Michigan State University, has debuted a large-scale ecological sound sculpture at the Eli and Edythe Broad Art Museum. The installation features over 10,000 hand-cracked walnut shells suspended in a human-sized chime, which are struck by a mechanical arm to mimic the sound of water hitting a coastline. The project is the culmination of Becker’s interdisciplinary research, blending her background in engineering and material science with her current studies in forestry and fine arts.
Japanese artist Etsu Egami is set to debut a solo exhibition titled "Blessings from Afar" at Tang Contemporary Art’s Wong Chuk Hang space in Hong Kong on March 21, 2026. The showcase features over ten recent works that bridge the artist's cross-cultural background with her evolving visual language of rainbow hues and rhythmic line work. The exhibition specifically explores themes of miscommunication and sonic perception, drawing from Egami's experiences living between Japan, China, Germany, and the United States.
The Bascom: A Center for the Visual Arts is set to debut a new exhibition by photography resident Dean Kessmann titled "realism succumbing to abstraction or is it the other way around" on April 18, 2026. The show features medium-format digital photographs captured during Kessmann’s sabbatical residency, focusing on the overlooked textures of urban landscapes such as sidewalks, graffiti, and signage. The exhibition includes unique physical presentations, with some works mounted on oriented strand board to mirror the industrial surfaces depicted in the images.
Pyper Jacobson, a student at Woodlawn Elementary, has been selected to feature her artwork in the 65th Young Arkansas Artists Competition and Exhibition. Her piece, titled "Black Bear in Winter," emerged from a school-wide thematic study of bears and was the only submission from her school chosen for the prestigious statewide showcase at the Arkansas Museum of Fine Arts.
Florida Atlantic University’s Center for Autism and Related Disabilities (CARD) partnered with the City of Boynton Beach to host the fifth annual 'Art and Autism' exposition. Held at the Boynton Beach Arts & Cultural Center in honor of Autism Awareness Month, the event featured approximately 50 artists—a significant increase from the three or four participants at its inception in 2021. The showcase included a diverse array of media, from graphic illustrations and children's books by artists like Kiora Slate to live musical performances by Patrick Fahely, providing a public platform for neurodivergent creators to sell their work and share their personal stories.
The Evanston History Center has launched "Unveiling Evanston Women Artists," a new exhibition dedicated to the historical contributions of female creators in the Illinois city. The show was sparked by a recent donation of works by the late artist Blanche Gildin, who rarely exhibited during her lifetime, and features approximately a dozen local artists including Lucile Roebuck Keeler and Rosemary Zwick. Spanning the early 20th century through the 1970s, the collection includes paintings, sculptures, and commercial illustrations that reflect the creative shifts of the civil rights era.
Chicago artist Brian Sykes is debuting a multidisciplinary exhibition titled “I Heard the City Breathe” at the Beverly Arts Center, running from April 6 through May 1. The project, which includes a short film and gallery-style visual art, serves as a collaborative reflection on the Black experience in Chicago. By blending music, storytelling, and intergenerational community input, Sykes explores themes of identity, memory, and the cultural realities of the city’s South Side.
The village of Croton-on-Hudson experienced a surge of artistic activity throughout March, highlighted by a series of events celebrating Women’s History Month. Key highlights included the "Women’s Viewpoints" exhibition at the Black Cow and the Croton Free Library, a retrospective of the late architect Ricardo Scofidio at the Artisans’ Gallery, and a sold-out performance by Denise Bessette. These events drew significant local crowds, showcasing a vibrant ecosystem of student artists, professional creators, and community supporters.
The Art Sonje Centre in Seoul has launched "Spectrosynthesis Seoul," the first large-scale exhibition in South Korea dedicated to LGBTQ themes and queer artists. Featuring works by 74 artists and artist groups, the project was initiated by Patrick Sun of the Sunpride Foundation and curated by Sun-jung Kim and Yong-woo Lee. The exhibition marks a significant cultural milestone in a country often characterized by its rigid social traditions and conservative values.
The Memorial Art Gallery has officially opened a major exhibition dedicated to the work of the late American sculptor John Rhoden. The opening reception, held on March 28, 2026, welcomed patrons and community members to explore a collection that highlights Rhoden’s unique ability to blend modernist sculpture with rhythmic, global influences.
The Museum of Contemporary Art San Diego (MCASD) in La Jolla is preparing to host a major celebratory event for the opening of "Giants: Art from the Dean Collection of Alicia Keys and Swizz Beatz." The exhibition showcases a significant selection of works from the world-class private collection of the musical power couple, featuring monumental pieces by influential Black artists.
A major investigation has revealed that UK museums, universities, and local authorities hold more than 263,000 human remains, including mummies, skeletons, and skulls. Of these, approximately 37,000 originate from overseas, largely from former British colonies, often acquired without consent. The findings have sparked intense criticism from scholars and curators who argue that the sheer scale of these collections reflects a distressing colonial legacy and necessitates a systemic shift toward repatriation and more ethical storage practices.
The Brooklyn Museum has announced a landmark exhibition titled "Hopi Kachina Dolls: Blessings for a Balanced World," scheduled to open in October 2026. Featuring over 120 objects ranging from the 19th century to the present, the show draws from the museum's extensive Indigenous art collection alongside contemporary loans of ceramics, textiles, and jewelry. The presentation is uniquely structured around the life stages of Hopi women—from infancy to marriage—and includes newly commissioned video interviews with community members.
Recent US-Israeli strikes in the Iranian city of Isfahan have caused significant damage to several UNESCO World Heritage sites and historic landmarks. Reports indicate that the 17th-century Chehel Sotoun Palace suffered shattered windows, broken doors, and a large crack in a major fresco depicting Shah Tahmasp and the Mughal Emperor Humayun. Nearby, in the historic Naqsh-e-Jahan Square, the Ali Qapu Palace and the Jame Abbasi Mosque also sustained damage, including the destruction of iconic turquoise tiles and intricate fretwork.
Researchers at the Fitzwilliam Museum in Cambridge have discovered a 3,300-year-old form of corrective fluid on an Ancient Egyptian papyrus. Analysis of a 'Book of the Dead' created for a royal archivist named Ramose revealed that a mixture of huntite, calcite, and yellow orpiment was used to paint over a jackal figure to make it appear slimmer. This 'ancient Tipp-Ex' was specifically tinted to match the cream-colored papyrus, demonstrating a sophisticated level of aesthetic correction and attention to detail by Egyptian craftspeople.
London-based artist Slawn has released a collaborative album titled 'Not An Artist' following a month-long residency at Saatchi Yates gallery. From January to February, the gallery was transformed into a live studio environment where Slawn created paintings and recorded music simultaneously. The project featured a wide array of musical collaborators, including Unknown T and Blackhaine, and was executive produced by Arthur Bean.
New Orleans is set to host several major art exhibitions this March, highlighting the city's diverse cultural landscape. Key openings include Alexis McGrigg’s "In the Beloved" at the Ogden Museum, which explores Blackness and spirituality through fluid abstraction, and an augmented reality exhibition on the American Revolution at The Historic New Orleans Collection. Additionally, the New Orleans Museum of Art will debut a significant collection of 18th-century French Sèvres porcelain.
The Turkish government has enacted a new law allowing the central state to seize historic properties from local municipalities, specifically targeting sites originally endowed to Ottoman-era foundations. This legislation directly impacts Istanbul, where Mayor Ekrem İmamoğlu’s administration has spent years restoring nearly 1,000 heritage sites and converting neglected spaces into vibrant museums, libraries, and contemporary art venues. Critics argue that the state-run General Directorate of Foundations lacks the expertise to manage these cultural hubs and may instead lease them out or close them entirely.
The Weatherspoon Art Museum has launched two concurrent exhibitions centered on the legacy of Southern Black quilters. "Of Salt and Spirit: Black Quilters in the American South," curated by Dr. Sharbreon Plummer, showcases 24 quilts from the collection of folklorist Roland L. Freeman, including works by UNCG alumna Gwendolyn Magee. Complementing this is "Harriet’s Powers," a site-specific immersive installation by artist Precious D. Lovell that pays homage to Harriet Powers, a 19th-century quilter born into slavery whose work is now held by the Smithsonian and the MFA Boston.
The Museum of Contemporary Art San Diego (MCASD) in La Jolla is set to host "Giants: Art from the Dean Collection of Alicia Keys and Swizz Beatz." This major exhibition features a selection of world-class works from the private holdings of the musical power couple, highlighting their significant contributions as patrons of contemporary art.
The Philadelphia Museum of Art has appointed Katherine Anne Paul as the Stella Kramrisch Curator of Indian and Himalayan Art, a role named after the pioneering scholar and curator. Paul previously served as Assistant and Associate Curator of Indian and Himalayan Art at the PMA from 2002 to 2008, and most recently held the Virginia and William M. Spencer III Curator of Asian Art position at the Birmingham Museum of Art, where she also served as Lead Curator. She holds a PhD from the University of Wisconsin–Madison and has curated notable exhibitions including "Silver & Ceremony from Southern Asia 1830–1930" and "Expanding Darshan: Manjari Sharma, To See and Be Seen."
The Columbus Arts Council in Mississippi hosted the opening reception of its second Black Excellence Art Exhibition, featuring fiber artist Stephany Brown reading from 'Of Salt and Spirit: Black Quilters in the American South' and a poem by Alabama Poet Laureate Ashley M. Jones. The exhibition showcased a diverse range of works including Brittany Horne's luminous portrait of her daughter, Brown's hand-sewn quilts, Kenneth Smith's stained glass mosaics, and live music by vocalist-pianist Kyia King. Culinary arts students from East Mississippi Community College contributed food honoring Black chefs and agricultural scientists, creating a multisensory celebration of Black artistry and heritage.