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Winnipeg exhibition traces the revival of Red River Métis beadwork

The exhibition 'Beading Métis Resurgence' at the University of Winnipeg's Gallery 1C03 showcases the work of renowned Métis artist Jennine Krauchi alongside four emerging Red River Métis beadworkers she has mentored. Curated by gallery director Jennifer Gibson and history professor Cathy Mattes, the show features Krauchi's centerpiece work 'The Lady'—a beaded coat, muff, hat, and boots—and explores beadwork as contemporary art, cultural knowledge, and intergenerational practice. The exhibition runs until July 10 and includes a table and chairs evoking the kitchen-table lessons where Krauchi passed down her skills.

The Met’s much-anticipated spring 2026 exhibit puts fashion on a fine art level

The Metropolitan Museum of Art's Costume Institute will open its spring 2026 exhibition, "Costume Art," on May 10, 2026, running through January 10, 2027. The show features nearly 400 objects from the Met's collection, pairing couture garments with paintings, sculptures, and decorative works across centuries. Organized by "body types" such as "Classical Body" and "Mortal Body," the exhibition will be housed in the new 12,000-square-foot Condé Nast Galleries. The Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, will kick off the exhibition with a dress code of "Fashion is Art."

Met Gala theme is Costume Art, celebrating fashion as fine art

The 2026 Met Gala, held on May 4, 2026, is co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with honorary chairs Jeff Bezos and Lauren Sánchez. The theme, "Costume Art," celebrates fashion as an embodied art form, with guests interpreting the dress code "Fashion is Art" through sculptural, architectural silhouettes. The accompanying exhibition, also titled "Costume Art," opens at The Met Fifth Avenue on May 10, 2026, and runs through January 10, 2027, pairing garments with artworks from the museum's collection to highlight the connection between fashion and fine art.

Here's when the 2026 Met Gala red carpet arrivals start and end

The 2026 Met Gala will take place on Monday, May 4, at the Metropolitan Museum of Art in New York City, with red carpet arrivals officially beginning at 5:30 p.m. and continuing for several hours as celebrities trickle in. The event raises funds for the museum's Costume Institute and celebrates the new spring exhibition "Costume Art," with a dress code of "Fashion is Art." Co-chairs include Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with a host committee chaired by Anthony Vaccarello and Zoë Kravitz, and the event is made possible by Jeff Bezos and Lauren Sánchez Bezos.

Iberdrola Celebrates 125th Anniversary With Major Art Exhibition At The Reopened Bilbao Fine Arts Museum

Iberdrola has opened the exhibition "Parallels and Meridians" at the Bilbao Fine Arts Museum to celebrate its 125th anniversary. The show features over one hundred works from the company's corporate art collection and coincides with the museum's reopening after a major expansion and refurbishment. The opening ceremony was led by Iberdrola Executive Chairman Ignacio Galán and Lehendakari Imanol Pradales, with attendance from regional officials including Ibone Bengoetxea, Amaia Arregi, Elixabete Etxanobe, Ana Otadui, and museum director Miguel Zugaza. The exhibition runs until 30 August.

Beyoncé, Bezos, baubles and bustiers: What to know about the 2026 Met Gala

The 2026 Met Gala, scheduled for May 4, will serve as the fundraiser for the Metropolitan Museum of Art's Costume Institute, with a theme inspired by the new exhibition "Costume Art." The event is co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with lead sponsorship from Jeff Bezos and Lauren Sánchez Bezos, and will inaugurate the museum's new Conde M. Nast Galleries.

Thompsons to exhibit together at Stover Mill Gallery

Artists Emily and George Thompson are set to debut a joint exhibition titled “Double Feature: A Two-Person Show” at the historic Stover Mill Gallery in Erwinna, Pennsylvania. The exhibition juxtaposes Emily’s contemporary urban landscapes and architectural forms with George’s traditional landscape paintings, showcasing the creative dialogue between the couple who share a studio.

Historic Attendance Elevates Korean Cultural Legacy as ‘Korean Treasures’ Exhibition Draws to a Close in Washington

The 'Korean Treasures: Collected, Cherished, Shared' exhibition at the Smithsonian's National Museum of Asian Art in Washington D.C. concluded on February 1st after drawing an estimated 65,000 visitors. The show featured over 200 works from the vast personal art collection of the late Samsung Chairman Lee Kun-hee and was celebrated with a gala event hosted by Samsung Electronics and the museum, attended by the Lee family, U.S. politicians, and business leaders.

Philadelphia Art Museum Announces Daniel H. Weiss as Director and CEO

The Philadelphia Art Museum has appointed Daniel H. Weiss as its George D. Widener Director and CEO, effective December 1, 2025. Weiss, former President and CEO of The Metropolitan Museum of Art (2015–2023), brings decades of leadership experience from major cultural and educational institutions, including presidencies at Haverford College and Lafayette College, and a recent role as Homewood Professor of the Humanities at Johns Hopkins University. The Board of Trustees, led by Chair Ellen Caplan, selected Weiss to guide the museum through at least 2028, providing stability during a transitional period.

Louvre’s €666m plans for new entrance ‘financially unsound’—and security should come first—auditor says

A report from the Cour des comptes, France's state auditing body, has deemed the Louvre's €666 million plan for a new entrance and subterranean complex around the Mona Lisa as "financially unsound." The report, released on November 6 by chairman Pierre Moscovici, criticizes the museum's management under director Laurence des Cars, highlighting severe delays in security upgrades—only 4% of an €83 million infrastructure budget has been spent since 2018. The audit follows an audacious heist of French crown jewels on October 19, which the report says was enabled by inadequate security. It urges the Louvre to prioritize a €450 million infrastructure plan over the grand renovation project, which has already seen a 45% cost overrun from its initial €450 million estimate.

Straight-line storytelling: how will the British Museum display the Bayeux Tapestry?

The British Museum (BM) is planning to display the Bayeux Tapestry from September 2026 to July 2027, following a loan agreement with the French government. The tapestry, owned by the French state, will return to England for the first time in nearly a thousand years after its dedicated museum in Bayeux closed for renovations. The BM's Sainsbury Exhibitions Gallery is long enough to accommodate the 70-meter embroidered strip in a single straight line, a key factor in securing the loan over other contenders like the Victoria and Albert Museum. Conservators will display the tapestry at a 60-degree angle with low lighting to minimize fading, and visitors will likely follow an audio-guided tour with 25 minutes to view the 58 scenes.

Newly designed gallery for Applied Arts of Europe opening at Art Institute of Chicago

The Art Institute of Chicago will open the newly designed Eloise W. Martin Galleries for the Applied Arts of Europe on July 11, 2025. The 4,500-square-foot space will display over 300 objects from the museum's collections of furniture, silver, ceramics, and glass dating from 1600 to 1900, with 40% more objects on view than previously. Highlights include a carved chair made by Indian artisans for a European merchant, rare Chinese porcelain vases mounted in gilded bronze, and a neo-Gothic sideboard by William Burges. The galleries, designed by Barcelona-based architects Barozzi Veiga, follow a chronological narrative exploring design, craftsmanship, and commerce amid geopolitical shifts and colonialism.

Shellburne Thurber: Full Circle

Shellburne Thurber's retrospective exhibition "Full Circle" runs from October 24, 2025 to March 21, 2026 at the Bates Museum of Art. The show surveys Thurber's decades-long photographic investigation of interior spaces—from her grandmother's home in southern Indiana in the 1970s to psychoanalytic offices published as a book in 2023 by Kehrer Verlag. Curated by Bates curator Samantha Sigmon, the exhibition traces how Thurber has consistently explored the relationship between constructed space and human energy, focusing on private, domestic, and psychological interiors that blur the line between public and private.

Italy-based Chinese artist shares cross-cultural art journey in Beijing

The Italian Cultural Institute in Beijing hosted a lecture on May 12, 2026, featuring Zhou Zhiwei, a Chinese painter based in Italy, who shared his four-decade artistic journey. Zhou, born in Shanghai in 1954, studied under renowned oil painters Yu Yunjie and Liu Kemin before entering the Academy of Fine Arts in Venice in 1980, where he learned from masters like Bruno Saetti and Emilio Vedova. He also trained with Pietro Annigoni and Riccardo Tommasi Ferroni, mastering fresco and tempera grassa techniques. The event was chaired by Federico Antonelli, cultural counselor of the Italian Embassy in China, who recalled Zhou's first exhibition at the institute in 1984. Zhou discussed his solo exhibition 'Notes along the Way,' which explores the Mediterranean through an Eastern lens, blending classical Italian painting with Chinese tradition.

Anti-Russia Protests Spread Beyond the Biennale and Into Venice

Protests against the reopening of the Russian pavilion erupted at the Venice Biennale and spread across the city on the second day of the 61st edition. Visual artist Shalva Nikvashvili, who grew up in post-Soviet Georgia, began a silent performance wearing a muzzle-style mask and carrying a chair, holding a sign reading “La Biennale di Venezia” and “violence.” Shortly after, a group of about 20 protesters led by Pussy Riot co-founder Nadya Tolokonnikova gathered outside the Russian pavilion, chanting against Vladimir Putin, waving Ukrainian flags, and releasing a pink smoke flare. The protests followed the Biennale's decision to allow Russia to participate for the first time since its 2022 invasion of Ukraine, despite calls from artists and politicians to exclude the country.

St. Gregory’s College unveils inaugural art exhibition in Lagos

St. Gregory's College in Lagos, Nigeria, launched its inaugural Gregorian Art Exhibition on April 25, 2026, at Jubilee Hall. Organized by the St. Gregory's College Old Boys Association in honor of legendary artist Bruce Onobrakpeya, the three-day event features established and emerging artists under the theme “Celebrating Legacy, Excellence and Continuity.” Speakers included former association chairman Dr. Michael Omolayole and current president Francis Kudayah, who announced plans for an annual art clinic and a digital platform called the “Gregorian Art Mart.” Onobrakpeya, who could not attend in person, delivered a vote of thanks reflecting on his career and the school's role in his development.

Kruso Art in the former Cinema De Amicis and advance lending on auction lots

Kruso Art has inaugurated its new Milan headquarters within the historic former Cinema De Amicis, following a six-million-euro redevelopment by Banca Sistema. The multifunctional space will host its first auction on April 15 during Milano Art Week, featuring 57 contemporary works from a private collection, including pieces by Rémy Zaugg, Giuseppe Stampone, and Darren Almond.

Raja Ravi Varma Becomes The Highest Value Modern Indian Artwork At Auction

Raja Ravi Varma’s 1890s masterpiece "Yashoda and Krishna" has set a new record for the most expensive Indian artwork ever sold at auction. During Saffronart’s Spring Live Auction, the painting fetched Rs 167.2 crore (approximately $18 million), far exceeding its pre-sale estimate of Rs 80–120 crore. The work was acquired by billionaire Dr. Cyrus S. Poonawalla, chairman of the Serum Institute of India, who has pledged to make the national treasure available for periodic public viewing.

Cristina Chacón & Diego Uribe on the art they collect and why

Cristina Chacón and Diego Uribe, a Colombian couple who have been together since their teens, discuss their art collection and philanthropic work. They serve on the chairman’s council of the Institute of Contemporary Art Miami and founded the DC Art Foundation in 2021, which supports mid-career and established artists through exhibitions and residencies. Their collection spans Miami, Bogotá, and Madrid, focusing on Modern and contemporary art from Latin America, with additional works by artists like Christian Boltanski, Ugo Rondinone, and Chiharu Shiota. In an interview, they share their first purchase (a still-life by Alberto Nuño from 1992), a recent acquisition (Gabriel Orozco’s 1999 painted-plywood construction), and regret over not buying a Ruth Asawa piece earlier.

The most beautiful artwork at Frieze London? My newborn

A new mother recounts her chaotic experience attending Frieze London with her three-month-old baby. She struggles to find a private space to breastfeed, is directed away from a stack of chairs reserved for an art installation, and ultimately feeds her baby on a crowded bench near the entrance. After a diaper change, she finally joins a tour of the fair's curated section "Echoes in the Present" and connects with works by artists like Bunmi Agusto.

Aichi Triennale confronts war, memory and environmental collapse

The sixth edition of the Aichi Triennale, titled "A Time Between Ashes and Roses," opened in Japan in September and runs until 30 November. Curated by Hoor Al Qasimi, the first non-Japanese artistic director of the triennial, the exhibition confronts themes of war, displacement, memory, and environmental collapse. Works include Kubo Hiroko's tapestry marking the 80th anniversary of the Hiroshima atomic bombing and a video installation by Palestinian duo Basel Abbas and Ruanne Abou-Rahme. Al Qasimi explicitly linked the triennial to the situation in Gaza, stating, "Free Palestine," during a press conference. Controversy erupted over the Aichi-Israel Matching Program, a separate prefectural initiative pairing Israeli startups with local companies, leading to protests and the resignation of vice chairman Hideyuki Tomita from the organizing committee.

The art market bites back as estimates fail to score

Sotheby’s, Christie’s and Phillips raised a combined $1.27bn from their May 2025 marquee auctions of Modern and contemporary art in New York, an 8% decline from the same period last year, according to data from London-based auction analysts Pi-eX. The highest-priced lot, Alberto Giacometti’s 1955 bronze bust *Grande tête mince (Grande tête de Diego)*, estimated at $70m, failed to sell, while Andy Warhol’s *Big Electric Chair* (1967), valued at $30m, was withdrawn before Christie’s auction to avoid a similar fate. The downturn is attributed to geopolitical uncertainty under Donald Trump’s presidency, including tariffs announced on April 2, which have unsettled buyer confidence.

Elmhurst Art Museum highlights permanent collection in new exhibit

The Elmhurst Art Museum is presenting "Legacies: Selections from the Elmhurst Art Museum Permanent Collection," an exhibition running through August 17 that highlights works from its permanent collection. Founded in 1981 by teachers, artists, and art lovers, the museum has grown to hold around 1,000 works focused on 20th-century art and design by Midwestern artists. The show explores how collections are built, featuring donations from over 200 donors and including pieces such as a Barcelona Chair attributed to Mies van der Rohe but designed by Lily Wright, a large painting by Michelle Grabner, and Joseph Burlini's sculpture "Circus Wagon." The museum also acquired the Mies van der Rohe-designed McCormick House in 1992, which set its path integrating art, architecture, and education.

Everything to Know About Christie’s Modern Middle Eastern Art Auction

Christie’s has opened an online auction of Modern and Contemporary Middle Eastern Art, running through May 8th and featuring 69 works from across the Gulf, Levant, North Africa, Iraq, and Iran. The sale is led by pioneering artist Samia Halaby’s 2013 painting 'Water Lilies', estimated at $100,000–$150,000, and includes a dedicated 'Saudi Now!' section with 12 pieces by Saudi artists such as Ahmed Mater and Manal AlDowayan. Over a third of the lots are by women artists, including Etel Adnan, Helen Khal, Huguette Caland, Tala Madani, and Tagreed Darghouth, alongside North African figures like Mohamed Melehi and Hassan Hajjaj.

Failed auction of $70M bronze bust stuns Sotheby’s bidders into silence

Sotheby's high-stakes Modern evening sale on Tuesday night ended in shock when Alberto Giacometti's bronze bust "Grand tête mince (Grand tête de Diego)," estimated at $70 million, failed to sell. Bidding stalled at $64.25 million, well below the reserve, and auctioneer Oliver Barker withdrew the lot. The consignment came from the Soloviev Foundation, the nonprofit arm of the late real estate mogul Sheldon Solow, who had declined an auction guarantee. The sale ultimately brought in only $152 million, far short of the $240 million low estimate, with the Giacometti representing nearly 30% of that target.

Record-breaking female Surrealists spice up underwhelming Christie’s New York sales

Christie’s New York spring sales brought in a combined $489 million across two evening auctions, including the Leonard and Louise Riggio collection ($272 million) and a 20th-century evening sale ($216 million). While sell-through rates were high at 94%, bidding was shallow and several high-profile lots underperformed: a Mondrian estimated at $50 million sold for $47.6 million, a Magritte from the Empire of Light series matched its 2023 price at $34.9 million, and a Lucio Fontana canvas that sold for $14 million in 2017 fetched just $7.5 million. Andy Warhol’s Big Electric Chair was withdrawn last minute amid a reported $10 million gap between seller and buyer expectations. The sales were bolstered by third-party guarantees and came hours after news of a temporary US-China tariff détente.

Exhibition, student art contest fosters 'a culture of positivity' - Innisfil News

The Colour Inspired Academy's 'I Can Change the World' Exhibition and Student Art Contest opens tomorrow at the Lakeshore branch of the Innisfil ideaLAB and Library in Innisfil, Ontario. Thirty-nine artists aged eight to sixteen will showcase paintings and sculptures, with awards presented in four categories (Junior, Intermediate, Senior, and Community Choice). Judges include Mayor Lynn Dollin, Innisfil Arts, Culture and Heritage Council vice chair Jeanette Luchese-Jacobs, and Community 4 Kids representatives Debra Harrison and Charlotte Hamilton. Winners receive Van Gogh Immersive Experience tickets donated by Lighthouse Immersive and Eugenia Protsko. Proceeds from sales benefit Community 4 Kids, a local charity supporting families in need.

Basquiat Work Expected To Fetch Up To $525M At Sotheby’s Auction

A recently discovered early painting by Jean-Michel Basquiat, created in 1981 when he was 20, will be sold at Sotheby’s Contemporary Evening Auction in New York on May 13. The untitled work, unseen publicly for over 30 years, carries an estimate of $10 million to $15 million. Sotheby’s chairman Grégoire Billault highlighted the piece as a highlight of the Modern Evening Auction, with exhibitions opening May 2 through May 15. The auction also features top lots from Lucio Fontana, Robert Rauschenberg, and the collections of Sally and Victor Ganz and Barbara Gladstone.

Basquiat masterpiece expected to fetch $15m at Sotheby’s auction

A rare, untitled 1981 Jean-Michel Basquiat painting, unseen for over three decades, will headline Sotheby’s Contemporary Evening Auction in New York this May, with an estimate of $10–15 million. The work, created when Basquiat was 20, captures his transition from street art to international fame and has been held in the same private collection since 1989. The auction also features pieces from Barbara Gladstone’s collection, the Roy Lichtenstein Foundation, and works by Lucio Fontana, Robert Rauschenberg, and Pablo Picasso.

Commentary: This year's Met Gala proved one thing: The real devil who wears Prada is Jeff Bezos

Jeff Bezos and his wife Lauren Sánchez Bezos served as honorary co-chairs and sponsors of this year's Met Gala, sparking widespread protests and calls for boycotts. Guerrilla activist group Everyone Hates Elon plastered New York with anti-Bezos signage, and activists placed 300 bottles filled with fake urine inside the Metropolitan Museum of Art to highlight Amazon workers' bathroom break complaints. New York Mayor Zohran Mamdani declined his invitation, and the absence of celebrities like Meryl Streep and Zendaya fueled speculation about a boycott, though representatives denied any coordinated protest. Despite the controversy, the gala proceeded with many attendees and is expected to raise more than last year's $31 million for the Costume Institute.