Artist Yasmine Robinson has opened her first solo exhibition, titled 'Glimmers,' at the Centre for Contemporary Art (CCA) in Derry. The exhibition features abstract works inspired by the North West landscape, capturing moments of optimistic feeling she describes as 'glimmers,' a term from psychotherapy.
Trapezium Gallery, a volunteer-run art space in Bradford city centre, is closing on June 18 after nearly eight years. Its closure is a direct result of the redevelopment of the Kirkgate Shopping Centre, where it has occupied three different shop units since its founding in 2018.
The Ucross Art Gallery hosted an artists’ reception for its latest exhibition, "Resilience," which showcases the work of the 2025 Ucross Fellowship for Native American Artists recipients. Curated by Marwin Begaye, the show features a diverse range of media including sculpture by Gina Herrera, mixed-media works by Wade Patton, and visual and performance art by Sarah Ortegon HighWalking, alongside photography and poetry by writer Annette Saunooke Clapsaddle. The event was highlighted by a collaborative performance involving the Jingle Dress Dance and live woodblock printing.
The Heron Marsh Gallery, located at the Paul Smith’s College Visitor Interpretive Center (VIC), has issued an open call for artists to participate in an upcoming exhibition. The gallery is seeking submissions that align with the natural themes of the Adirondack region, specifically highlighting the "Fiddleheads and Ferns" feature scheduled for May at the Adirondack Artists Guild.
The Leominster Public Library recently hosted the annual Head Start Art Show, an event showcasing creative works by preschool-aged children from the local MOC Child Care and Head Start Center. The exhibition featured a variety of media, including three-dimensional canvas pieces made with twigs and glitter, and brought together students, families, and community leaders to celebrate early childhood creativity.
The Margate Art Museum is currently hosting its annual open art exhibition, featuring the work of South Coast-based artist Celeste van der Merwe. Her highlighted painting, 'Knitting the Nations: Will I See Them Again?', depicts a woman knitting textured patches that represent different continents and countries. The piece uses symbolism to explore the emotional weight of global migration and the fragility of family bonds when loved ones are scattered across the world.
The article reports on the return and expansion of a major independent art fair, now located on the far side of Chinatown. It highlights six standout artists whose works are featured at the fair, emphasizing the event's stylish and curated atmosphere.
The Venice Biennale, one of the most anticipated events in the art world, is showcased through a collection of photos and video. The article presents visual scenes from the prestigious international art exhibition, capturing the atmosphere and installations on display.
The African Art in Venice Forum is continuing its mission of addressing the continent’s artistic needs, even as it mourns the loss of Koyo Kouoh, a key supporter. The forum, which draws inspiration from a former champion, aims to amplify African voices in the global art scene, particularly during the Venice Biennale.
Air de Paris, a highly influential Parisian gallery known for representing many of the most significant contemporary artists, has become one of the earliest supporters of Contemporary Art Daily's parent organization, Contemporary Art Library. The announcement, made by Contemporary Art Daily, highlights Air de Paris's pioneering role in elevating the gallerist's activities into a form of artistic expression, and positions the gallery as a model for the entire field.
Frieze has announced the winners of its prize program at the 2026 Venice Biennale. The prizes recognize outstanding contributions by artists and curators participating in the Biennale, with awards given across multiple categories including emerging talent and innovative exhibition practices. The winners were selected by a jury of international art professionals and will receive financial support and visibility through Frieze's platforms.
Chile will participate in the 61st Venice Art Biennale with the exhibition "Inter-Reality" by artist Norton Maza, curated by Marisa Cachiolo and Dermis León, and managed by Claudia Pertuzé. The monumental installation, on view from May 9 to November 22, 2026 at the Sala dell'Isolotto in the Arsenale complex, contrasts an exterior referencing geopolitics, landscape, and ecology with an interior of precarious dioramas blending classical European painting and contemporary issues like fake news, migration, and environmental devastation. The work includes a soundscape of helicopters, airplanes, ancestral chants, and nature sounds recorded in Chile.
TAILOR, the vertical newsletter from Artribune exploring the intersections of art and fashion, returns on Sunday, May 17, 2026. The upcoming issue focuses on "Science Fashion," an event held from May 13 to 15 at the MACRO – Museo d'Arte Contemporanea di Roma, curated by Dobrila Denegri, which investigates relationships between fashion, science, and new technologies. The newsletter also examines the rapid spread of the non-color white in fashion and design as a response to pandemic, crisis, and geopolitical tensions, offering analytical content for professionals, students, and enthusiasts.
Intervista alle curatrici che hanno portato l’Italia alla Craft Week di Londra
Amalia di Lanno and Valeria Zerbo, founders of the London-based curatorial platform Avant Craft, are bringing Italian ceramics to the London Craft Week for the first time. Their exhibition, "Contemporary Perspectives on Italian Ceramics," showcases a selection of independent Italian artists and designers who explore ceramics as a material investigation, sculptural experimentation, and cultural continuity. The show opens on May 14 with a "Meet a Master" event featuring artist Riccardo Monachesi, marking the official kickoff of Avant Craft.
Come cambiano le aste d’arte se online tutto sembra un video game?
The article examines how digital infrastructure has transformed art auctions from exclusive in-person rituals into real-time competitive interfaces. Online sales, which peaked during the pandemic, now account for about 16% of the global art market in 2025 (down from 18% in 2024), according to the Art Market Report by Art Basel and UBS. Digital tools enable instant bidding, global streaming, and discreet participation, allowing collectors to compete without physical presence. The piece highlights the gamification of auctions, noting that ArtTactic has launched Art Forecaster, a platform where users predict auction prices in tournament-style competitions, blending market engagement with ludic elements.
A Roma è nato un nuovo spazio culturale che lavora sulla memoria della città (anche attraverso le cartoline)
A new cultural space called URBS has opened in Rome's Testaccio district, founded by architect Andrea D'Antrassi in collaboration with Giovanni Colombara. The space debuted in 2024 as "The Smallest Museum by URBS," a 20-square-meter venue housing over 1,600 historical postcards of the city, creating a visual archive spanning different eras. The museum also hosts temporary exhibitions, such as the current show "Not Mine, Not Yours" by Iranian artist Mehrdad Shadrooh, curated by Barbara Blasi, which draws from a family video-photo archive covering over eighty years of history. A commercial space has also been opened in Trastevere.
Alla Biennale di Venezia c’è un padiglione di merda! Il Lussemburgo partecipa con un progetto che fa parlare la cacca
The Luxembourg Pavilion at the 2026 Venice Biennale features an installation titled "La Merde" by artist Aline Bouvy, centered on a cinematic manifesto that uses excrement as a metaphor to explore shame, social classification, and bodily discipline. The immersive environment includes a film, spatialized sound composition, and a steel-and-mirror architecture, with an anthropomorphic talking, walking, and farting excrement puppet interacting with visitors. The work also includes a sculptural alter ego titled "E.T. The Excremential," blending Bouvy's body with Spielberg's extraterrestrial figure.
A 13th-century Gothic church in Venice's Cannaregio district, the former Chiesa dell'Abbazia della Misericordia, will reopen on May 5, 2026, as Etnia House of Arts. The project is promoted by Spanish eyewear brand Etnia Eyewear Culture and includes artist residencies, public events, and site-specific interventions. The restoration was led by architects Piero Vespignani and Alessia Semenzato of Studio Anfibio. The first two resident artists are Conxi Sane and Greta Pllana, who will explore themes of perception and vision, with the residency program using eyewear as a symbolic field to investigate identity and representation.
Per la Biennale Arte 2026 il duo RojoNegro porta nel Padiglione del Messico un rituale collettivo
The article announces that the RojoNegro collective, formed by María Sosa and Noé Martínez, will represent Mexico at the 61st Venice Biennale in 2026 with a project titled "Actos invisibles para sostener el universo." Curated by Jessica Berlanga Taylor, the installation combines organic materials, sound, video, and performance to create a ritualistic space that invokes invisible presences, memories, and energies. The work draws on decolonial perspectives, centering Indigenous and Afro-descendant cosmogonies as living knowledge systems, and aims to activate a dialogue between situated ritual practices and the global context of the Biennale.
The international artist duo Dorota Gawęda and Eglė Kulbokaitė present their debut exhibition in Rome, titled "Spit and Image," at the Basement gallery. The show, on view until July 10, 2026, features sculptures, installations, and videos that explore identity construction in the digital age, using mirrors, fragmented bodies, and olfactory elements. Works like "Yield (twinning)" (2025) and "Spit and Image 1 and 2" (2025) evoke surveillance, metamorphosis, and duplication, while the Slavic vampire figure of the upiór serves as a metaphor for fluid, non-binary identities.
Fulton County Arts & Culture in Atlanta has announced "Threads of Heritage: A Cultural Confluence Connecting Africa to Atlanta," a major Nigerian-American cultural exchange initiative running from May to June 2026. The program, led by Nigerian textile icon Nike Monica Okundaye and involving Nike Art & Culture Foundation, Nike Art USA, and UniSpectrum Inc., will feature Nigerian artists, cultural practitioners, bata dancers, and tradition bearers in visual arts, textile traditions, muralism, sculpture, storytelling, workshops, and youth education at the Fulton County Arts & Culture Downtown Exhibition Space.
Method Delhi is presenting 'Slow Rot', a group exhibition featuring ten contemporary Indian artists whose works explore human fragility, psychological unrest, and the grotesque. The show runs from May 9 to July 3, 2026, at Method's New Delhi space in Defence Colony, with free entry. Participating artists include Aditya Dhabhai, Dhruvi Jain, M. Imran Ahamed, Milan Sharma, Mitali Das, Priyesh T., Revant Dasgupta, Riya Chandwani, Sajid Wajid Shaikh, and Tithi Das, working across painting, sculpture, and mixed media.
The article describes an exhibition titled 'The Flowers of Coromandel' by artist Su Meng-Hung, held at Tina Keng Gallery in Taipei, Taiwan. The exhibition showcases Su Meng-Hung's works, likely exploring themes related to the historical Coromandel Coast and its cultural intersections, presented through the artist's unique visual language.
Hong Kong's Affordable Art Fair (AAF) returns in May with the theme “See Art. Love Art. Own Art.”, featuring 106 local and international exhibitors—up from 98 last year—and artworks priced from HK$1,000 (US$128). The fair, held at the Hong Kong Convention and Exhibition Centre, aims to make art accessible to new and seasoned collectors alike, with a focus on transactions under US$50,000. Founder Will Ramsay highlights growing confidence in this market tier, citing a report by Affordable Art Fair × ArtTactic that shows 69% of galleries expect sales growth and that art fairs generate 44% of gallery revenues.
The Gimpo Cultural Foundation announced it will host a series of visual arts exhibitions through June as part of the '2026 Gimpo Arts Activity Support Project.' The program features solo and group shows across multiple genres—including crafts, painting, ceramics, installation, photography, and sculpture—at local venues such as the Gimpo Peace Culture Center, Boreumsan Museum of Art, Janggi Library Exhibition Hall, Willow Tree Gallery, and Bukbyeon Gallery. Artists include Kim Jiyong, Kim Wakon, Lee Kyooho, Yoon Jeonghye, Park Younggyun, and Choi Nakjun, along with groups like Gongbang Dowon-yo and Susaranghoe.
An exhibition of young Estonian artists has opened at the Art & Tonic gallery in Tallinn, showcasing 92 works selected from 269 submissions for the "Osta noort kunsti" ("Buy Young Art") spring auction. The auction, organized by gallery owner Reigo Kuivjõgi, features starting prices set by the artists themselves, ranging from €1 to €2,000, with past final prices reaching over €20,000. The exhibition runs free of charge from May 1 to May 14, with the live auction on May 15.
Studio 34 Gallery in Long Island City, New York, announces its annual Open Studio Weekend on May 16–17, 2026, from 12:00–6:00 PM, alongside the opening reception of a group exhibition titled 'Collective Pulse' on May 16 from 6:30–9:30 PM. The free event invites the public to explore working artist studios, meet the creators, and experience the artistic process, with live music by Sunshine Music. The exhibition, curated by Alice Lipping and Tina Glavan, features 14 Studio 34 artists and 11 guest artists, and runs through June 7, 2026.
Mothership Studios is hosting the opening reception and a brunch for the "Layers of Us" exhibition, featuring nine artists from Texas State University. The show explores the concept of culture through individual representation and community, using diverse media like video, painting, photography, and sculpture.
The 5th Floor in Tokyo is hosting "Stilllive Documents 2019–2025," a retrospective exhibition running from May 14 to June 7, 2026, that reviews the activities of the performance platform Stilllive. The show features unpublished photographs and video materials from 2019 to 2025, presenting them not as mere traces of events but as records of relationships, tensions, and responses that emerged in each moment. Stilllive was founded in 2016 by Yuki Kobayashi and graduates of the Royal College of Art's Performance program, and has held annual events since 2019 at venues including the Goethe-Institut Tokyo. A new performance, "Stilllive 2026," will take place on May 16–17 at BUoY in Senju Nakamachi, Tokyo, connecting past accumulations to future practice.
Graduating students at Southeast Missouri State University (SEMO) showcased their artwork in a final exhibition held on May 1, 2026, at Crisp Museum. The show featured a wide range of media including 3D works, prints, paper mache, paintings, cloth, video, quilts, and sculptures. Among the participants were painting BFA major Zachary Ross Mayfield, who presented symbolist works centered on nature and a large self-portrait that took over 200 hours to complete, and senior studio art BFA major Kaylee Shelby, whose sculptures question the ethics and aesthetics of taxidermy and human manipulation of animals.