Record aux enchères en Inde
The Indian art market has reached a new milestone with the sale of Raja Ravi Varma’s painting, 'Yashoda and Krishna,' which fetched $17.9 million (including fees) at a domestic auction. The masterpiece was acquired by the prominent industrialist Cyrus Poonawalla, setting a new world record for an Indian painting sold at auction.
The Kiran Nadar Museum of Art (KNMA) will present a major exhibition from its collection at Christie’s London this summer, running from July 16th through August 21st at Christie’s King Street headquarters. Titled “The Meeting Ground: Scenes from the KNMA Collection,” the exhibition marks the first time Christie’s annual exhibition series has been dedicated to a South Asian institution, featuring works from the New Delhi-based museum’s holdings.
The Polygon Gallery in North Vancouver has launched "Photolithics," a major exhibition by Secwépemc and Scottish-settler artist Tania Willard. The show features a decade of Willard’s work, including monumental recreations of historical postcards on sandpaper and photographs viewed through ulexite crystals. The exhibition utilizes innovative installation techniques, such as a traditional kekuli structure, to recontextualize archival imagery and explore the intersection of geological time and Indigenous history.
British Indian artist Bharti Kher has been commissioned by Powerhouse Parramatta to create a large-scale public artwork for the museum, which is set to open later this year in Parramatta, Western Sydney. Titled *Tree of Life*, the seven-meter-tall bronze sculpture features four stacked heads and incorporates clay fragments from figurines found in Indian secondhand markets, drawing on themes of ancestral memory, interconnectedness, and community.
A letter to the editor from Gabrielle Palmer recounts her experience contacting photographer Raghu Rai in 1987 to request permission to use one of his photographs in her book "The Politics of Breastfeeding." Unable to afford the £200 fee, Palmer called Rai in India, who generously waived the fee entirely and wished her well. The letter is a brief tribute published in response to Rai's obituary in The Guardian.
One week after an exhibition tied to the Kochi-Muziris Biennale closed due to religious protests, the offending painting—"Supper at a Nunnery" by Tom Vattakuzhy—has been withdrawn. The work, shown in the side exhibition “EDAM” organized by the Kochi Biennale Foundation, depicts a naked Mata Hari as Jesus surrounded by nuns as disciples. Since December, Indian Christian organizations had accused the artist of insulting the faith, leading to the exhibition's closure and eventual removal of the painting after a meeting with local officials.
OXH Gallery in Tampa, founded just over two years ago, presents its latest exhibition “Where Form Remembers,” featuring works by artists Avani R. Patel and Julie Gladstone. The show highlights each artist's exploration of emotion through abstraction, with Patel drawing on Indian cultural influences and organic motifs, while Gladstone uses multimedia compositions rooted in psychological experiences like memory and trauma. The exhibition runs through January 23, 2025.
India has announced its artist lineup for the 61st Venice Biennale, featuring Alwar Balasubramaniam, Sumakshi Singh, Ranjani Shettar, Asim Waqif, and Skarma Sonam Tashi. The national pavilion, located in the Arsenale, will showcase a diverse range of installations that explore themes of architectural memory, environmental sustainability, and the physical processes of nature. From Tashi’s recreations of Ladakhi homes using recycled materials to Singh’s spectral thread-based architectural fragments, the works collectively examine the fragility of heritage and the shifting relationship between humans and their environments.
Mumbai-based contemporary artist Pooja Bhansali is making her debut solo exhibition, "Grid & Garden," at Jehangir Art Gallery in Kala Ghoda. The show features works that blend painting, textile, and sculpture, using materials like herringbone tweed, silk brocade, and wool felt on custom wooden structures. Series include "Wave Grid," "The Golden Realm," "The Beehive Series," and "Water Garden Triptych," exploring themes of structure, fluidity, nature, and luxury.
Actor Boman Irani inaugurated the group exhibition 'To Be Continued…' at the prestigious Jehangir Art Gallery in Mumbai. Featuring nearly 70 works ranging from scrap metal sculptures to 3D canvases, the show brings together a diverse group of emerging and established artists. During the event, Irani engaged personally with the participants, emphasizing the role of galleries as essential spaces for creative inspiration and human development.
The Denver Art Museum (DAM) has appointed Royce K. Young Wolf, Ph.D., as its new Associate Curator of Native Arts. A member of the Eastern Shoshone, Hidatsa, and Mandan nations, Young Wolf brings a multidisciplinary background as a language activist, photographer, and scholar. She previously held prestigious fellowships at Yale University and worked on major exhibitions for the MHA Nation Interpretive Center. In her new role, she will oversee strategic initiatives, acquisitions, and community-based curatorial projects for one of the nation's most significant Indigenous art collections.
The Wilkes Art Gallery in North Wilkesboro, North Carolina, is hosting a career-spanning exhibition titled “From Reality to Realism, A Lifetime Perspective,” featuring the works of veteran artist Ward Nichols. The opening reception on April 17 will include a jazz performance and an indoor/outdoor celebration that involves the closure of Ward Nichols Way, a street recently renamed in the artist's honor.
Artist Ashish Kushwaha is set to debut a solo exhibition titled 'Where the Sky Remembers' at Palette Art Gallery in New Delhi. Running from April 23 to May 23, 2026, the showcase features a collection of watercolours and acrylic paintings that depict expansive, dreamlike landscapes inspired by the artist's travels through the Himalayan regions. Kushwaha’s work emphasizes the grandeur of nature while minimizing human presence, using a vivid color palette to explore themes of environmental change and ecological memory.
Zen Crafart has opened 'Sacred Gestures', a solo exhibition by contemporary Indian artist Viveek Sharma, at Mumbai's Jehangir Art Gallery. The show was inaugurated by novelist and columnist Shobhaa De and runs from December 2 to 8, 2025. The exhibition features works that blend Lavani-inspired movement, divine feminine symbolism, and pop culture motifs, exploring femininity through dramatic lighting and saturated hues. It follows Sharma's earlier Delhi exhibition 'Silence Please', which received strong acclaim from collectors and cultural figures.
A 125-year-old dairy barn converted into a contemporary art museum will open May 1 in Indianapolis's Garfield Park neighborhood. The Contemporary Art Museum of Indianapolis (CAMi), founded by Big Car Collaborative co-founders Jim Walker and Shauta Marsh, spans 40,000 square feet and includes six exhibition spaces, 18 artist studios, five storefronts for creative businesses, a performance space, a cafe, and a culinary arts area. The museum will be free to the public, with its inaugural exhibition featuring Puerto Rican painter Ivelisse Jiménez in the Jeremy Efroymson Gallery. CAMi aims to offer a welcoming, barrier-free environment—no security guards, no stern signage—and will focus on paying artists to create work rather than acquiring a permanent collection.
Luhring Augustine gallery in New York is presenting 'Beyond the Stars,' the first posthumous solo exhibition of the late Indian-born artist Zarina. The show features prints, collages, cast paper works, and sculptures spanning seven decades, focusing on themes of borders, displacement, and exile shaped by the Partition of India and her nomadic life.
The New Museum Los Gatos (NUMU) has launched ArtNow 2026, its largest juried high school exhibition to date, featuring 97 student artists from 36 schools across Santa Clara County. Selected from over 600 submissions, the featured works respond to the theme "Before / Between / Beyond," exploring concepts of identity, heritage, and the future. The exhibition process is designed to mirror professional standards, requiring students to submit artist statements and undergo a rigorous selection process by a panel of arts professionals.
This article is a curated calendar of art and culture events in Delhi and Mumbai for May and June 2026. Highlights include a photography exhibition of Satyajit Ray by Nemai Ghosh at DAG, a documentary photography show by Jyoti Bhatt at Gallery Vayu in collaboration with LATITUDE 28, a candlelight concert tribute to A.R. Rahman at Le Méridien, a group exhibition titled 'Slow Rot' at Method Delhi exploring vulnerability and the grotesque, and a dance performance celebrating Rabindranath Tagore at NCPA.
A wave of new and relaunched satellite art fairs is debuting in Los Angeles to coincide with Frieze Los Angeles, offering lower-cost alternatives for galleries and artists. Newcomers like the Indianapolis-based Butter Art Fair, the photography-focused Show LA, and the New York-centric Enzo Art Fair are positioning themselves as intimate, artist-centric, or zero-fee options. These ventures aim to capitalize on the influx of global collectors while bypassing the high overhead costs associated with major international fairs.
Echo Soho, a new art fair dedicated to female-led galleries, launched this week in London to address the underrepresentation of women in leadership roles within the art world. Conceived by gallerist India Rose James, the fair features 12 galleries, most of which are showing women artists, with works priced accessibly and participation costs kept low to encourage inclusivity. The fair takes place at Artists House, a Georgian townhouse owned by James's family's Soho Estates.
This article serves as a beginner's guide to art galleries in Minneapolis, highlighting several venues that welcome newcomers. It features All My Relations Arts, a gallery in the American Indian Cultural Corridor showcasing Native artists; Northern Clay Center, which challenges perceptions of pottery with subversive and political clay works; and Dreamsong, a gallery founded in 2021 focusing on female-identified emerging and mid-career artists. The guide emphasizes that galleries are accessible, free, and low-commitment spaces for exploration.
The Walters Art Museum in Baltimore has appointed Katherine Larson as its chief collections and curatorial affairs officer, a newly created senior role. Larson will also serve as senior curator of Ancient Art, overseeing curatorial operations, collections, conservation, research, the exhibition calendar, and fundraising, beginning March 30.
The Smithsonian Institution has agreed to turn over internal materials related to its programming and operations to the White House, following an executive order from President Donald Trump aimed at purging what he calls “anti-American ideology” from the consortium of museums and archives. Private emails from Secretary Lonnie G. Bunch II, obtained by The New York Times, reveal that the Smithsonian will provide digital photographs of labels, placards, and other text on public display, as well as other materials, on a rolling basis to avoid losing federal funding, which makes up nearly two-thirds of its roughly $1 billion annual budget.
Kim Sajet, the director of the National Portrait Gallery in Washington, D.C., continued coming to work despite Donald Trump claiming on Truth Social that he had fired her for being a 'strong supporter of DEI.' The White House provided the Washington Post with a 17-point list of grievances against Sajet, including her exhibition of a Trump portrait caption referencing his impeachments and January 6 insurrection, her donations to Democratic causes, and her comments about diversifying the museum. The Smithsonian Institution has not yet responded, and legal experts note Trump lacks authority to fire Sajet, as he does not sit on the Smithsonian board, though Vice President J.D. Vance and the Chief Justice hold ex officio positions.
The Plains Art Museum in Fargo, North Dakota, has been awarded a Smithsonian Affiliation, becoming the only institution in the state with such a designation. The partnership grants the museum access to Smithsonian programs, including artwork loans, touring exhibitions, educational resources, and professional development. The first public display of this collaboration is the new exhibit "Know Your Treaty: Wiwahokichiyapi," which opened in late April. The touring Smithsonian show, developed by the National Museum of the American Indian, examines the history of treaties between Indigenous nations and the U.S. government through photographs and text, while the museum has supplemented it with works by Indigenous artists from its permanent collection and loans.
Project 88 and Vadehra Art Gallery, two leading Indian galleries, will present exhibitions at Frieze’s No.9 Cork Street space in London from 5th–28th June 2026, coinciding with London Gallery Weekend. Project 88 debuts with 'Treeish', a group show curated by Prajna Desai featuring artists Claire Baker, Mahesh Baliga, Neha Choksi, Goutam Ghosh, Trupti Patel, and Tejal Shah, exploring the agency of trees through diverse media. Vadehra Art Gallery returns with 'A Singular Modernist', a solo exhibition dedicated to the late modernist painter A. Ramachandran (1935–2023), showcasing works from his Puppet Theatre series and later lotus pond imagery.
The Drents Museum in Assen, Netherlands, has opened a major exhibition of works by Amrita Sher-Gil (1913-1941), the Hungarian-Indian painter often called the Picasso of India. Titled “Europe is Picasso’s, India is Mine,” the show features nearly 50 paintings and drawings on loan from the National Gallery of Modern Art in New Delhi, marking the first-ever Sher-Gil exhibition in the Netherlands and the first in Europe in nearly two decades. Originally scheduled for March, the opening was delayed due to geopolitical tensions linked to the war in Iran, which postponed the transport of the artworks. The museum worked for six years to secure the loan, and 23 Dutch museums stepped in to create an alternative exhibition during the delay.
A solo exhibition titled "Stories the Soil Remembers" by Delhi-based artist Jyoti Tyagi will open from 8 May to 14 May 2026 at Shridharani Gallery, Triveni Kala Sangam, New Delhi. Curated by poet and art critic Prayag Shukla, the show features works in charcoal, acrylic, and mixed media on paper and canvas, exploring themes of nature, memory, and ecological sensitivity. Recurring motifs such as trees, birds, and landscapes reflect on the interdependence between humans and nature, while Tyagi's technique of scratching into painted surfaces evokes a sense of time and transformation.
Juneau's First Friday in May 2026 features a diverse array of events, including a storytelling project called "Tambayan at Kwentuhan" that shares oral histories from Filipino elders, an exhibition titled "Dizzy Hooligan" by Kiyana Fonua recalling Kava gatherings in Anchorage, and a retrospective of Indigenous fashion designer Dorothy Grant at the Alaska State Museum. Other offerings include a chamber music concert by Taku Winds, a "Critter Trek" exhibition at the Juneau-Douglas City Museum featuring local wildlife art, planetarium explorations, a book release by author Corinna Cook, and displays of woodworking by Phil Paramore and jewelry by Colleen Goldrich.
The Smithsonian’s National Museum of Asian Art in Washington, DC, has announced a new exhibition titled “Of the Hills: Pahari Paintings from India’s Himalayan Kingdoms,” running from April 18 to July 26, 2026. The show features 48 paintings and colored drawings, including canonical masterpieces and never-before-seen works, drawn largely from the museum’s 2017–2018 acquisitions of the Ralph Benkaim and Catherine Glynn Benkaim collection. The exhibition explores three key periods from 1620 to 1830, highlighting the collaborative creativity of artists in the small Hindu kingdoms of the Himalayan region.