Art Basel has launched a new fair in Doha, Qatar, opening across the Msheireb district's M7 building, Design District, and other venues. The event coincides with significant cultural milestones for Qatar, including the 50th anniversary of the National Museum and the 15th anniversary of the Museum of Islamic Art, and represents a long-term commitment with plans to expand to Al Maha Island by 2029.
A wave of paintings by women depicting women dominated New York galleries this fall, sparking a critical examination of contemporary feminist figuration. Artists like Emily Coan and Anna Weyant create images of idealized, often sexualized femininity, framing their work as a reclamation of beauty and personal expression.
Martin Puryear's 1978 sculpture *Self* opens a survey of his work at the Museum of Fine Arts, Boston, titled “Martin Puryear: Nexus,” which runs through Sunday before traveling to the Cleveland Museum of Art in April. Curated by Emily Liebert, Reto Thüring, and Ian Alteveer, the exhibition argues that Puryear's abstract, craft-intensive sculptures—like *A Column for Sally Hemings* (2021)—are not merely formalist exercises but carry political and historical meanings that are deliberately withheld, challenging viewers to read beyond elegant surfaces.
Performance artist Pat Oleszko, known for her satirical costumes and public interventions, is receiving significant institutional recognition in New York. At 78, she is featured in the 2026 Whitney Biennial and is the subject of a solo exhibition, "Fool Disclosure," at SculptureCenter, her first institutional solo show in the city in over 35 years.
The Norman Lykes House, also known as the Circular Sun House, the final residential design by architect Frank Lloyd Wright, is listed for sale at $8.8 million. Designed in 1959 for clients Norman and Aimee Lykes, the Phoenix, Arizona home was completed posthumously in 1967 and is a rare example of Wright's late-career exploration of curvilinear, organic architecture.
Jeffrey Deitch's gallery has apologized for hosting a performance by rapper Lexa Gates that was deemed an unauthorized derivative of performance artist Miles Greenberg's work. Gates's 10-hour piece, 'The Wheel,' involved walking inside a spinning wheel at the gallery to promote her new album, closely echoing Greenberg's 24-hour 2020 work 'Oysterknife,' which was previously screened at the same location. The gallery stated it had rented the space to Gates's record company and was unaware of the event's content.
Artnet News is searching for a permanent writer for its Wet Paint gossip column, with guest writers like Janelle Zara filling in temporarily. The column focuses on speculating about the identity of the anonymous Instagram account @artnotnet, which posts humorous, all-caps commentary on art world headlines, and notes the rise of art sales on platforms like Facebook Marketplace.
The Christo and Jeanne-Claude Foundation has donated 14 artworks to two Parisian museums, the Musée Carnavalet and the Musée d'Art Moderne de Paris. The donation includes preparatory collages, silkscreens, lithographs, and a scale model related to both realized and unrealized projects by the artist duo, such as the wrapped Arc de Triomphe and Pont-Neuf, as well as early sculptures.
Mexico City is renowned for its immense concentration of museums, with estimates ranging from 150 to 200 institutions. The city's art scene has been further amplified by the rise of Zona Maco, which has established a major international Art Week each February, drawing collectors and galleries. The article highlights five must-see museums, beginning with the Museo Anahuacalli, a unique museum built by Diego Rivera and architect Juan O'Gorman to house Rivera's vast collection of pre-Hispanic artifacts.
The Rijksmuseum in Amsterdam has secured a major loan of the ancient marble sculpture *Sleeping Hermaphroditus* from the Louvre in Paris. The work will be a centerpiece of the museum's upcoming exhibition "Metamorphoses," which opens on February 6, 2026, and explores themes of transformation drawn from Ovid's epic poem.
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Artist and writer Joseph Grigely has published a new essay collection, 'Otherhow: Essays and Documents on Art and Disability 1985–2024.' The book compiles decades of his work, blending art, autobiography, and advocacy through ephemera like postcards, emails, and legal documents to chronicle his experiences navigating the art world as a deaf man.
New York University has appointed Alison Weaver as the next director of its Grey Art Museum, effective May 26. Weaver, who has served as founding executive director of the Moody Center for the Arts at Rice University since 2015, succeeds Lynn Gumpert, who retired last year after leading the museum since 1997. At Rice, Weaver oversaw the completion of a new building for the Moody Center, launched an artist-in-residence program, curated over 25 exhibitions, and expanded the university's art holdings. She previously taught art history at the City University of New York and served as director of affiliate museums at the Guggenheim Museum, overseeing its outposts in Bilbao, Venice, Berlin, and Las Vegas.
Berlin's Hamburger Bahnhof museum, facing budget cuts of up to 12% and shifting government spending priorities in Germany, is planning its first-ever gala to mark its 30th anniversary. Co-directors Sam Bardouil and Till Fellrath are spearheading the event, set for March, which will feature cultural figures including Cate Blanchett, Matt Dillon, Elmgreen & Dragset, and the Berlin Philharmonic. The museum has also launched the Chanel Commission and the International Companions philanthropy circle to diversify funding sources.
New York's Metropolitan Opera announced it may sell its two iconic Marc Chagall murals, *The Sources of Music* and *The Triumphs of Music*, which have adorned the building's Grand Tier since 1966. The proposal includes a caveat that the paintings must remain in place at the opera, with the owner recognized on a plaque. Sotheby's valued the artworks at a total of $55 million within the past year. The financially beleaguered institution has drawn $120 million from its endowment and reduced its performance schedule since the pandemic, and previously used the Chagalls as collateral for a $35 million loan from J.P. Morgan in 2009.
Taschen has released a monumental two-volume monograph titled "Art Sin Fin" (2026) dedicated to the 96-year-old Chilean filmmaker and polymath Alejandro Jodorowsky. The book, priced at $1,500 and packaged in a Plexiglass box, spans over 2,000 pages and includes film stills, collages, drawings, photographs, comic strips, and performance images curated by Jodorowsky himself in collaboration with Donatien Grau, head of contemporary programs at the Louvre Museum. It covers his entire career, from his surrealist films "El Topo" (1970) and "The Holy Mountain" (1973) to his failed "Dune" adaptation, his comic series like "The Incal" and "The Metabarons," his psychomagic therapy practice, and recent collaborations with his wife Pascale Montandon.
Museums and cultural institutions are participating in a viral social media trend where staff, often older guides or curators, deliver marketing scripts written entirely in Gen Z slang. The trend, which began with a video from England's Hever Castle in early September, has spread across TikTok and Instagram, with hundreds of organizations creating their own versions. Typical phrases include "no cap," "ate and left no crumbs," and "menty b," often accompanied by the "Millennial Pause" for comedic effect. The article highlights several examples, including the Poe Museum in Virginia and the New York Historical Society, and notes that the trend has expanded beyond the art world to include accountancy firms, donkey sanctuaries, and even the NYC Ferry.
A new TV series titled "The Artist" on The Network offers a chaotic, irreverent take on art history, centering on a widow (Janet McTeer) who may have murdered her robber-baron husband. The show features historical figures like Edgar Degas and Thomas Edison, blending campy soap-opera drama with accurate art-historical references, including real artworks by Monet, Manet, Cassatt, and Degas. The final episodes air December 25 on a free ad-sponsored platform created by director Aram Rappaport.
New York's Metropolitan Opera is considering selling two monumental Marc Chagall murals, 'The Sources of Music' and 'The Triumphs of Music' (1966), valued at $55 million by Sotheby's, to address a severe financial crisis. The Met has already drawn $120 million from its endowment, reduced performances, and struck a controversial $100 million deal to perform in Saudi Arabia, which has drawn scrutiny over human rights abuses. The murals, which hang in the Grand Tier, would remain in place even if sold, and the Met is also exploring naming rights and theater leasing.
A time capsule designed by British architect Norman Foster has been buried in Washington D.C. to mark the 250th anniversary of American independence. The titanium box features 13 facets and stars representing the original colonies, and contains letters from King Charles III and President Donald Trump, along with soil from George Washington's ancestral home. It was presented by Virginia governor Glenn Youngkin and U.K. officials to the U.S. Department of Interior, and is not to be opened until July 4, 2276.
The Smithsonian’s National Air and Space Museum will reopen its newly renovated Flight and Arts Center in July 2026 with a major exhibition devoted to Robert Rauschenberg. Titled “The Ascent of Rauschenberg: Reinventing the Art of Flight,” the show features 30 works by the American Pop artist, some never before exhibited, tracing how aviation and space exploration themes permeated his six-decade career. Highlights include his lithograph *Sky Garden (Stoned Moon)*, inspired by the Apollo 11 mission, and works from his “Combines” series. The exhibition draws loans from the Hirshhorn Museum, the Smithsonian American Art Museum, the National Gallery of Art, and the Robert Rauschenberg Foundation.
Yoko Ono's retrospective "Music of the Mind" at the Museum of Contemporary Art Chicago showcases over 200 works, including word scores, ephemera, and performances from the 1960s and early '70s. Central to the show is Ono's aesthetic of refusal, exemplified by pieces like *Strip Tease for Three* (1966), where empty chairs await a dancer who never arrives, and *Smoke Painting* (1961), which instructs viewers to burn a canvas. The exhibition, which first appeared at Tate Modern in 2024 and travels to the Broad in Los Angeles after closing in Chicago on February 22, challenges viewers to find meaning in absence and denial.
The New Museum in New York will reopen on March 21, 2026, after a two-year closure for a major expansion. Designed by OMA / Shohei Shigematsu and Rem Koolhaas, the project adds 60,000 square feet to the existing SANAA-designed building, bringing the total footprint to nearly 120,000 square feet. New features include expanded exhibition space, a 74-seat Forum, an enlarged Sky Room, artist commissions by Tschabalala Self, Klára Hosnedlová, and Sarah Lucas, a larger bookstore, and a restaurant by Henry Rich with executive chef Julia Sherman. The reopening weekend will offer free admission funded by trustee Charlotte Feng Ford, and the museum will debut the exhibition “New Humans: Memories of the Future,” featuring over 200 artists including Francis Bacon, Salvador Dalí, and contemporary figures like Meriem Bennani and Hito Steyerl.
France's historic loan of the Bayeux Tapestry to the British Museum has sparked controversy over the proposed £800 million ($1.1 billion) insurance cover, which critics argue is unsuitable for such a fragile, 950-year-old textile. Art historians and conservators have raised concerns that the U.K.'s Government Indemnity Scheme does not cover damage from preexisting conditions or inherent vice, and that no sum can adequately insure an irreplaceable heritage object. A French petition calling on President Emmanuel Macron to cancel the loan has garnered over 75,000 signatures, but the U.K. government has proceeded with plans, including a practice "dry run" using a facsimile and a custom crate designed to minimize vibrations.
Sperone Westwater, a 50-year-old New York gallery, closed on January 1, 2026, amid a legal dispute between its co-founders Gian Enzo Sperone and Angela Westwater. Court filings reveal Sperone accuses Westwater of mismanagement, including using the gallery's Norman Foster-designed building on the Bowery to subsidize unprofitable operations, while Westwater counters that Sperone has been largely absent since 2016 and is attempting to extract maximum financial benefit. The corporation's two directors are deadlocked, and a receiver may be appointed to oversee dissolution, including sale of the building and distribution of assets.
Sotheby's held its inaugural Abu Dhabi Collectors' Week at the St. Regis Island Resort on Saadiyat Island, transforming the venue into a luxury showcase with handbags, diamonds, watches, a non-selling art display worth $500 million, and rare cars. The week culminated in open-air auctions under a full moon, netting $133 million—far exceeding the $17 million from Sotheby's first Middle East luxury sale in Saudi Arabia earlier this year. Highlights included a 1994 McLaren Formula 1 car sold for $25.3 million, a Jane Birkin Hermès handbag that fetched $2.9 million, and a 31.68-karat pink diamond called The Desert Rose that went for $8.8 million. A jewelry and timepieces sale achieved white-glove status, taking $25.4 million.
France’s Bayeux Tapestry will be loaned to the British Museum in 2026, with the UK Treasury providing an indemnity guarantee of approximately £800 million ($1 billion) to cover potential damage or loss during transport and display. The guarantee, part of the UK government’s indemnity scheme, is a contingent liability—no upfront payment is required unless something goes wrong. The tapestry will travel by truck via the Channel Tunnel in a specially designed crate, displayed behind protective screening, and remain in London until July 2027. The loan is part of a broader cultural agreement between Britain and France, announced by President Emmanuel Macron during his July state visit to London.
The article reflects on the closure of several notable contemporary art galleries in 2025, including Clearing, Blum, High Art, Venus Over Manhattan, Sperone Westwater, Galerie Francesca Pia, Tilton Gallery, Altman Siegel, Kasmin, Rena Bransten Gallery, L.A. Louver, and Canal Projects. It opens with a eulogy for Florine Stettheimer by Georgia O'Keeffe, drawing a parallel between the artist's unique way of life and the distinctive, charismatic spirit of galleries that have shuttered. The author recounts personal experiences at now-closed spaces like Metro Pictures, JTT, and Clearing, and quotes dealer Olivier Babin and the legendary Leo Castelli on the fleeting importance of galleries.
The Musée d'Orsay has launched a landmark exhibition titled "Sargent: Dazzling Paris," marking the centenary of John Singer Sargent's death and focusing on his formative decade in 19th-century Paris. The show highlights Sargent's early friendships with artists like Monet and Rodin, his training under Carolus-Duran, and key portraits such as those of Fanny Watts and Madame X, the latter of which caused a scandal that drove him to London. The article also features five portraits that illuminate Sargent's artistic circles in Paris.
The Trump administration has threatened to withhold funding from the Smithsonian Institution, accusing it of failing to comply with a content review demanded by the White House. In an email obtained by the Washington Post, budget director Russell Vought and Domestic Policy Council director Vince Haley alleged that the Smithsonian had not turned over all requested documents and exhibition materials, citing a prior executive order in which President Trump claimed the institution promoted “corrosive ideology” by portraying the U.S. as inherently racist. Smithsonian secretary Lonnie G. Bunch III defended the network’s independence, stating it remains committed to sharing information but that a government shutdown had slowed efforts. The administration set a January 13 deadline for full compliance, specifically targeting programming for America’s 250th anniversary.
In 2025, a series of major art restorations unveiled transformative discoveries in masterpieces by Caravaggio, Raphael, and Artemisia Gentileschi, among others. Caravaggio's final work, *The Martyrdom of St. Ursula* (1610), owned by Intesa Sanpaolo, was cleaned ahead of Rome's "Caravaggio 2025" exhibition, revealing hidden faces and a soldier's helmet previously only visible by x-ray. At the Vatican Museums, a decade-long restoration of the Raphael Rooms concluded with the revelation that two allegorical figures in the Hall of Constantine were painted by Raphael himself, not just his assistants, rewriting art history. Meanwhile, Artemisia Gentileschi's *Hercules and Omphale* (ca. 1635–37), damaged in the Beirut explosion, underwent emergency conservation by the Getty.