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Unlike Josh Kline, I Choose New York

Artist Josh Kline’s recent essay on the devastating impact of New York City’s real estate market on the arts has sparked a heated debate regarding the city's future as a creative hub. While Kline argues that the 'polycrisis' of high rents and student debt is stifling artists born after 1975, this response critiques his generational focus, suggesting that the struggle for affordability is a structural issue affecting artists of all ages, particularly those from marginalized backgrounds who have faced these barriers for decades.

Yto Barrada Says France Had ‘Full Awareness’ of Her Views on Israel When It Chose Her for Venice Biennale

Artist Yto Barrada, selected to represent France at the Venice Biennale, has stated that the French government and pavilion organizers were fully aware of her political views when they chose her. This follows criticism from the Representative Council of French Jewish Institutions (CRIF), which denounced Barrada for signing an open letter calling for Israel's exclusion from the Biennale and suggested the government should force her to withdraw her signature.

venice biennale 2026 national pavilions 2604196

The 61st Venice Biennale is taking shape as national pavilions announce their participants and curatorial themes for the 2026 edition. Russia has confirmed its return to the Giardini with a multidisciplinary exhibition titled “The Tree is Rooted in the Sky,” following its 2022 withdrawal and the 2024 loan of its pavilion to Bolivia. The upcoming edition, themed “In Minor Keys,” will proceed under the vision of the late curator Koyo Kouoh, who passed away in 2025 after becoming the first African woman appointed to helm the prestigious event.

Venice Biennale Russia Pavilion Return Controversy

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The Venice Biennale is facing intense backlash following the announcement that Russia will return with a national pavilion for the 2026 edition, marking its first official participation since the 2022 invasion of Ukraine. Ukrainian Foreign Minister Andrii Sybiha and various international activists have called for Russia's exclusion, arguing that the platform is being used to whitewash war crimes and exert political influence. In response, the Biennale leadership has maintained a policy of non-exclusion, stating that any country recognized by Italy has an autonomous right to participate.

olympics opening ceremony art references 2743971

The opening ceremony of the 2026 Milano Cortina Winter Olympics featured significant art-historical references, including a flame cauldron inspired by Leonardo da Vinci's knot drawings and performances that brought to life the marble sculptures of Antonio Canova. Dancers animated recreations of works like 'Psyche Revived by Cupid's Kiss,' and the ceremony included symbolic representations of Italian architectural landmarks like the Colosseum and Florence's Duomo.

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Spanish artist Nieves González, born in 1996 and based in Granada, has gained widespread attention for her time-warping portraits of women that blend Old Master influences—such as José de Ribera, Francisco de Zurbarán, and Diego Velázquez—with contemporary details like colorful puffer coats. Her recent commission for the cover of Lily Allen's album *West End Girl* went viral on social media, and she has just opened her debut solo exhibition, “Sacred Hair,” at T293 Gallery in Rome, focusing on the figure of Mary Magdalene as a powerful, autonomous woman.

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Canadian artist Nicole Young has joined Vancouver's Kostuik Gallery as its represented artist. Her work, which blends painting and textile collage using reclaimed fabrics and natural pigments, is noted for its minimalist, Color Field-inspired compositions and its focus on sustainable artistic practices.

mernet larsen cover painting art in america 1234769883

Mernet Larsen, whose painting *Getting Measured* (1999) appears on the cover of the Winter 2025 issue of *Art in America*, discusses the work's origin and evolution in an interview from her home in Tampa, Florida. She explains how the painting marked a turning point from abstraction to a representational style inspired by 12th-century Japanese narrative painting and the parallel perspective technique used by architects, while also incorporating elements from her own abstract works and a self-portrait titled *Indecisive Woman*.

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The Trump administration has threatened to withhold funding from the Smithsonian Institution, accusing it of failing to comply with a content review demanded by the White House. In an email obtained by the Washington Post, budget director Russell Vought and Domestic Policy Council director Vince Haley alleged that the Smithsonian had not turned over all requested documents and exhibition materials, citing a prior executive order in which President Trump claimed the institution promoted “corrosive ideology” by portraying the U.S. as inherently racist. Smithsonian secretary Lonnie G. Bunch III defended the network’s independence, stating it remains committed to sharing information but that a government shutdown had slowed efforts. The administration set a January 13 deadline for full compliance, specifically targeting programming for America’s 250th anniversary.

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Art Basel launched its inaugural Art Basel Awards ceremony at the New World Center in Miami Beach during Art Basel Miami Beach week. The awards, first introduced in New York in May, recognized 36 medalists across categories including Icon, Established, Emerging, Patron, Institution, Curator, and Media & Storytelling. Top winners included Cecilia Vicuña (Icon), Nairy Baghramian and Ibrahim Mahama (Established), Mohammad Alfaraj and Saodat Ismailova (Emerging), and Meriem Bennani (BOSS Award). The event was hosted by musician and collector Kasseem "Swizz Beatz" Dean, with performances by cellist Kelsey Lu and recorded narration by actor Emma D'Arcy. Each artist received $50,000, and established artists will debut commissions at Art Basel in Switzerland next year.

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Santina Semadar Panetta, a Canadian artist, is pioneering Neo-Pointillism, a contemporary evolution of the 19th-century pointillist style. She creates vibrant, intricate paintings that blend portraiture and landscape, using bold color palettes and meticulous technique. Panetta is the only Canadian artist selected for the Biennale di Palermo, Biennale di Mantova, and the Biennale of the Nations in Venice, and her work was recently featured at the LA Art Show. In an interview, she discusses her shift from journalism to art, inspired by the events of September 11, 2001, and her academic training at Académie Art et Beaux, which led her to develop a philosophical and rhetorical approach to Neo-Pointillism.

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A 10-foot-tall statue of Tina Turner was unveiled in her hometown of Brownsville, Tennessee, on Saturday, September 29, 2025. Created by sculptor Fred Ajanogha, the work has sparked widespread online outrage for its distorted depiction of the late pop star, with critics comparing it to a caricature and noting its bizarre proportions, unnatural hair, and toothy grin. The statue has been condemned by both right-wing commentators and comedians like Kevin Fredericks, who likened it to other infamous public art failures.

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Nayland Blake, a conceptual artist known for blending cerebral ideas with visceral, queer sensibilities, is the subject of a major solo exhibition at Mathew Marks Gallery in New York, running through October 2025. Concurrently, a new book titled *My Studio Is a Dungeon Is the Studio: Writings and Interviews 1983–2024* is set for release next month, compiling decades of the artist's writings and interviews. The article explores Blake's unique approach to art, which combines psychoanalytic theory, queer aesthetics, and a critical stance toward institutional power, as seen in their analysis of figures like Judge Daniel Paul Schreber and artist Jack Smith.

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The United States has not yet announced its pavilion for the 2026 Venice Biennale, but a controversial proposal has emerged from far-right blogger Curtis Yarvin, who pitched a "dissident-right art hos" pavilion to Under Secretary for Public Diplomacy Darren Beattie in April 2025. The proposal, reported by the New Yorker, comes amid a delayed application process and changes to the pavilion's guidelines, which now emphasize a "non-political character" and remove previous language about diversity. The application deadline is July 30, with a $375,000 grant awarded by September, leaving an unusually short timeline for production.

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Bode Galerie in Nuremberg has opened a new group exhibition titled “The Woman in Art – Muse and Creator,” running through July 5, 2025. The show traces the representation of women across the 20th and 21st centuries, featuring works by artists such as Henri Matisse, Ida Kerkovius, Alain Clément, and Elvira Bach. It begins with early 1900s works where women were primarily muses for male artists, then moves through decades of reclamation by women artists, culminating in contemporary autonomous depictions of the female form.

Close encounters: the new wave of women photographers – in pictures

The Saltzman-Leibovitz photography prize, founded in 2025 by Lisa Saltzman and Annie Leibovitz, announces its winners and runners-up for 2026. Bolivian photographer Marisol Mendez wins for her series 'MADRE,' which challenges patriarchal representations of women in Bolivia through portraits of matriarchs and references to the Inca moon goddess. Runner-up Miranda Barnes documents African American debutante cotillions in Detroit, while other featured photographers include Bettina Pittaluga and Cole Ndelu, whose works explore body diversity and the fusion of Zulu cosmology with Catholicism. The exhibition runs at Photo London, Olympia, 13–17 May 2026.

Dark clouds, protests and resignations dampen start of 61st Venice Biennale

The 61st Venice Biennale opened under grey skies and rain, with political tensions overshadowing the art world's premier event. The Russian pavilion, absent for two editions due to the Ukraine war, reappeared with a party atmosphere, though the Italian ministry of culture confirmed it would not be open to the public. The Ukrainian culture minister called Russia's symbolic presence powerful. The Iranian pavilion withdrew without explanation, and a protest by 60 artists from the In Minor Keys show marched through the Giardini humming in solidarity against Israel's participation. Over 200 artists, including Lubaina Himid and Alfredo Jaar, signed an open letter demanding the Israeli pavilion's cancellation. The event also proceeded without its curator, Koyo Kouoh, who died in May 2025; her curatorial team delivered the exhibition following her plans.

‘Still lots to talk about’: UK galleries team up to shine light on female artists

A new exhibition titled 'Making Her Mark' opens at Penlee House in Penzance, Cornwall, featuring works by prominent British female artists such as Tracey Emin, Barbara Hepworth, Laura Knight, Elizabeth Forbes, and Gillian Ayres. The show is a collaboration between Penlee House, Worcester City Art Gallery and Museum, and Kirkcaldy Galleries in Fife, Scotland, with each contributing more than 20 works. It is the first exhibition launched under Art Fund's £5 million 'Going Places' programme, which unites 20 museums across the UK over five years to share and celebrate their collections.

Björk, Rihanna and a passionate embrace: visions of love – in pictures

A new book titled 'Can Love Be a Photograph: 40 Years of Inez and Vinoodh' has been published, accompanied by an exhibition at the Kunstmuseum Den Haag. The publication celebrates four decades of work by the influential fashion photography duo Inez van Lamsweerde and Vinoodh Matadin, featuring celebrity portraits and surrealist visions organized around 16 thematic connections.

Groundbreaking Achievement: 2025 Turner Prize Goes to Nnena Kalu, First Artist With Learning Disability to Win Prestigious Award

London-based artist Nnena Kalu (b. 1966) won the Turner Prize 2025 at a ceremony in Bradford on December 9, becoming the first artist with a learning disability to receive the prestigious award since its inception in 1984. Kalu’s practice spans sculpture, installation, and works on paper, featuring cocoon-like hanging sculptures made from unconventional materials like masking tape and VHS ribbon, as well as large-scale drawings of spiraling vortexes. She was selected from a shortlist that included Rene Matić, Mohammed Sami, and Zadie Xa, and was recognized for her presentation in the group exhibition “Conversations” at the Walker Art Gallery and her work at Manifesta 15 in Barcelona. The prize includes a £25,000 award.

On View: 'Nigerian Modernism' at Tate Modern Charts Artistic Revolution Against Backdrop of Political and Cultural Rebellion

Tate Modern in London has opened 'Nigerian Modernism,' a major exhibition tracing the modern art movement in Nigeria from the 1940s through the post-independence era. Spanning 50 years, the show features over 250 works by more than 50 artists, including Jimo Akolo, El Anatsui, Nike Davies-Okundaye, Uzo Egonu, Ibrahim El-Salahi, Ben Enwonwu, Ladi Kwali, Aina Onabolu, Bruce Onobrakpeya, Uche Okeke, and Obiora Udechukwu. Curated by Osei Bonsu and Bilal Akkouche, the exhibition draws from Tate’s holdings and public and private collections across Africa, the United States, and Europe, and runs from October 8, 2025 to May 10, 2026.

Madeline Jiménez Santil’s Geometries of Dance

Artist Madeline Jiménez Santil has opened a solo exhibition at the Arróniz gallery in Mexico City. The show features her signature graphite drawings that create swivelling, geometric grids, which she describes as visual representations of dance and movement.

With ‘Sister Dreamer’ Park, Lauren Halsey Brings Her Heroes Home

Artist Lauren Halsey has unveiled a new installation titled 'Sister Dreamer' Park in South Central Los Angeles. The work features stone monuments that elevate familiar faces from the neighborhood, celebrating local heroes and community members. The installation is part of Halsey's ongoing practice of centering Black and brown communities in her art, using architecture and sculpture to create spaces of empowerment and memory.

art positions galleries art basel miami beach

CULTURED magazine profiles emerging galleries participating in the Positions sector of Art Basel Miami Beach 2025, highlighting their experiences and aspirations. The article features interviews with Allann Seabra and Ian Duarte of Verve gallery in São Paulo, who discuss their gallery's growth, representation of Afro-Brazilian artists at the 36th Bienal de São Paulo, and their mission to broaden global understanding of Brazilian contemporary art. Also featured is Mauricio Aguirre of N.A.S.A.L., a gallery based in Mexico City and Guayaquil, Ecuador, who describes his year as challenging, hectic, and promising.

Embattled US Venice Biennale Pavilion is Seeking Donations

The American Arts Conservancy (AAC), an organization founded last year by the Trump administration, has launched a crowdfunding campaign to support the United States Pavilion at the Venice Biennale. This comes amid widespread controversy and calls to exclude the US, Russia, and Israel from the event. The AAC website solicits donations starting at $100, claiming a "once-in-a-generation opportunity" to restore America's artistic presence abroad. The US government has already contributed $375,000, but the State Department says the total exhibition cost far exceeds that amount. This year's pavilion will feature sculptor Alma Allen, after Barbara Chase-Riboud and William Eggleston declined to participate.

Father Daughter Counterfeiting Duo Face Twenty Years in Prison

A father-daughter duo from New Jersey, Erwin Bankowski (50) and Karolina Bankowska (26), pleaded guilty to creating and selling over 200 counterfeit artworks falsely attributed to artists including Andy Warhol, Pablo Picasso, Fritz Scholder, and Banksy. They admitted to wire fraud conspiracy and misrepresentation of Native American-produced goods, defrauding buyers out of at least $2 million. The pair fabricated provenances and collection histories, forged gallery stamps, and attempted to auction the works for up to $160,000 each. They each face up to 20 years in prison.

Cy Twombly | Untitled | Art & Prints

This article is a listing for Cy Twombly's artwork "Untitled" (1960-61), a graphite and wax crayon on paper piece offered at Christie's. It provides a detailed biography of the artist, noting his birth in Lexington, Virginia, his studies at the School of the Museum of Fine Arts, Boston, the Art Students League of New York, and Black Mountain College, and his permanent move to Rome in 1957. The listing includes his major exhibitions, such as retrospectives at MoMA and the Whitney Museum, and highlights his high auction record of $70.5 million for "Untitled" (1970) at Sotheby's in 2015.

Philadelphia Museum of Art 'Rising Up: Rocky and the Making of Monuments (4/25-8/2)'

필라델피아미술관 '라이징업: 록키와 기념비 제작(Rising Up: Rocky and the Making of Monuments, 4/25-8/2)' - Lounge

The Philadelphia Museum of Art has announced a major exhibition titled "Rising Up: Rocky and the Making of Monuments," scheduled to open in April 2026. Curated by Paul Farber of Monument Lab, the show will feature over 150 works by more than 50 artists, including Keith Haring, Kara Walker, and Andy Warhol. The exhibition uses the iconic Rocky statue—a fictional character that has become one of the city's most visited landmarks—as a focal point to explore the history, mythology, and evolving role of public monuments from antiquity to the present day.

Amy Sherald exhibit sets 21st century visitor record at BMA

The Baltimore Museum of Art (BMA) has achieved a historic milestone with its exhibition 'Amy Sherald: American Sublime,' which drew 84,000 visitors between October 2025 and March 2026. This figure more than doubled the museum's initial projections and set a new record for the highest attendance of any exhibition at the institution in the 21st century. The show featured 45 large-scale portraits by the Baltimore-born artist, focusing on themes of identity and representation.

In London, you can discover an unpublished Luigi Ghirri in an exhibition made of photographs and words. Review

A Londra si può scoprire un Luigi Ghirri inedito in una mostra fatta di fotografie e parole. Recensione

A new exhibition titled "Felicità" at Thomas Dane Gallery in London presents previously unseen works by Italian photographer Luigi Ghirri (1943–1992). Curated by Alessio Bolzoni and filmmaker Luca Guadagnino, the show features unpublished photographs, fragments of atlases, postcards, posters, and mirrors, exploring Ghirri’s unique vision of everyday life as visual discovery. The exhibition spans two gallery spaces on Duke Street, juxtaposing interior and exterior scenes, and includes works by conceptual artists Félix González-Torres and Giorgio Morandi. A bilingual book, "Luigi Ghirri. Felicità" (MACK), accompanies the show, collecting the exhibited works and three essays by the artist.