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Generations A Solo Exhibition by Julie Torres May 15 – July 11, 2026

Julie Miller Torres, a Tallahassee native and Maclay School graduate now based in Atlanta, is presenting a solo exhibition titled "Generations" at the Gadsden Arts Center & Museum in Quincy, Florida, from May 15 to July 11, 2026. The exhibition showcases her signature works—woven screenprints and paper quilts—that blend everyday materials like crochet and weaving with themes of freedom and empowerment. One of her most recognized pieces, "Super Diva," a portrait of Justice Ruth Bader Ginsburg, is part of the permanent collection at the Metropolitan Museum of Art in New York. Torres holds degrees from the University of Florida, the University of Miami, and the Savannah College of Art and Design (SCAD), and her work appears in major collections including Delta Airlines, the Ritz-Carlton, SCAD, and the Jordan Schnitzer Family Foundation.

Syracuse-born artist Peter McGough hand-painted Anne Hathaway’s Met Gala dress

Syracuse-born artist Peter McGough hand-painted a custom Michael Kors gown worn by Anne Hathaway to the 2026 Met Gala. The dress, a strapless black Mikado silk ball gown with a plunging neckline and high-leg slit, features intricate Grecian patterns inspired by the Met's urns and statues, including a goddess with a dove on the back. McGough, a former classmate of Michael Kors at the Fashion Institute of Technology, painted directly on the silk and wool gown over a week using three layers of fabric paint. The design aligns with the gala's 'Fashion Is Art' dress code and references John Keats' poem 'Ode on a Grecian Urn,' also tying into Hathaway's upcoming film 'The Odyssey.'

Brandywine Conservancy & Museum of Art announces $100m expansion

The Brandywine Conservancy & Museum of Art in Pennsylvania has announced a $100 million expansion project to transform its 15-acre campus. The plan includes a new 40,000-square-foot museum building designed by Kengo Kuma & Associates—the firm's first museum in the U.S.—along with renovations to the original mid-19th century grist mill building, and the creation of a 325-acre publicly accessible preserve and garden with 10 miles of trails. Construction is set to begin in spring 2027, with completion expected in autumn 2029.

Met Inaugurates ‘Costume Art’ for the Spring 2026 Exhibition

The Metropolitan Museum of Art will open 'Costume Art' in spring 2026, a major exhibition that positions fashion as a lens for examining the human body across cultures and history. Housed in a new 12,000-square-foot gallery adjacent to the Great Hall, the show pairs garments from The Costume Institute with ancient statues, artworks, and paintings, organized around thematic body types such as idealized, distorted, exposed, and reclaimed. The exhibition design by Peterson Rich Office uses sheer scrims and varied ceiling heights to create an immersive, interconnected experience.

The first UK museum presentation of Aleksandra Kasuba’s work: her exhibition Shelters for Senses open at Tate St Ives

Tate St Ives has opened 'Shelters for the Senses', the first UK museum presentation of Lithuanian-American artist Aleksandra Kasuba (1923–2019). Curated by Tate St Ives Director Anne Barlow in collaboration with LNMA curator Elona Lubytė, the exhibition spans seven decades of Kasuba's work, including early paintings, mosaics, public artworks, architectural designs, and spatial environments. A reconstruction of her 'Live-In Environment' (1971) is featured, alongside works donated to Lithuania and kept by the LNMA. The show runs until 4 October.

N.Y.'s Met museum to add Japanese designer Tamae Hirokawa to collection

The Metropolitan Museum of Art in New York will add garments by Japanese designer Tamae Hirokawa to its permanent collection. Seven bodysuits from her signature "Skin Series" line, which explores the concept of seamless knitwear as a "second skin," will be displayed in the spring 2026 Costume Art exhibition. Hirokawa joins fellow Japanese designers Issey Miyake, Rei Kawakubo, and Hanae Mori in the museum's Costume Institute collection. The exhibition, held in new galleries adjacent to the Great Hall, pairs garments with artworks to highlight the relationship between clothing and the body.

Margot Robbie Returns to Met Gala 2026 in Stunning Gold Chanel Couture After 3-Year Break

Margot Robbie made a return to the Met Gala 2026 after a three-year absence, wearing a custom gold Chanel couture gown designed by new creative director Matthieu Blazy. The dress featured nearly 1,100 pieces of embroidery, required 761 hours of craftsmanship, and aligned with the evening's theme 'Fashion Is Art.' The event, held at the Metropolitan Museum of Art, also previewed the museum's spring 2026 exhibition 'Costume Art,' curated by Andrew Bolton.

The Met's New 'Costume Art' Exhibition Is All About Real Bodies

The Metropolitan Museum of Art has opened a new exhibition titled "Costume Art," curated by Andrew Bolton, which aims to collapse the historical hierarchy between fine art and fashion by focusing on the act of dressing and real bodies. The show features nine new mannequin forms representing pregnant, trans, disabled, and larger bodies, largely absent from traditional fashion displays. Models including musician Yseult, Jade O’Belle, Charlie Reynolds, and designer Michaela Stark were 3D-scanned and translated into physical figures by sculptor Frank Benson, with mirrored faces added by Samar Hejazi to reflect viewers. The exhibition also highlights voices and designers outside the European sphere, and the mannequins will become part of the museum's permanent collection.

INSIDE THE 2026 MET EXHIBITION ON FASHION AS ART

The Metropolitan Museum of Art's 2026 exhibition 'Costume Art' explores how standards of form, modesty, and exposure have evolved across history and cultures. The show is organized into sections examining the classical body, distorted bodies through corsets and bustles, and reclaimed bodies by designers like Rei Kawakubo, Duran Lantink, and Michaela Stark. Another section focuses on the 'Anatomical' and 'Mortal' bodies, highlighting universal experiences such as aging and mortality. Mannequins represent diverse body types—pregnant, plus-size, disabled, and non-conforming—modeled after real people including Sinéad Burke, Aariana Rose Philip, Aimee Mullins, and Yseult, with reflective steel faces designed by artist Samar Hejazi.

take a first look at 'costume art' as fashion meets art history at the MET

The Metropolitan Museum of Art has opened a new exhibition titled 'Costume Art,' which explores the intersection of fashion and art history. The installation view, captured by designboom, showcases how garments and accessories are presented as artistic objects within the museum's galleries, blurring the boundaries between costume design and fine art.

First Look at the Met’s ‘Costume Art’ Where Every Body Matters, Really

The Metropolitan Museum of Art has unveiled its spring exhibition "Costume Art" in the Condé M. Nast Galleries, featuring around 200 pairings of garments and artworks that trace connections across centuries. The show prioritizes fashion over art, displaying dresses, jeans, body stockings, and bustiers to explore the human form through sections like "Naked and Nude Body," "Corpulent Body," and "Disabled Boy." Chief curator Andrew Bolton emphasizes celebrating body diversity amid threats from AI and politics, with nine individuals—including fashion designer Michaela Stark—scanned to create more realistic mannequins.

Discover The Met Store’s Special-Edition Products in Celebration of “Costume Art” for the 2026 Met Gala

The Met Store has launched a range of special-edition products to commemorate the 2026 Met Gala and its accompanying exhibition "Costume Art" at The Metropolitan Museum of Art. The collection includes bespoke items from designers such as Tory Burch, Thom Browne, Michael Kors, John Derian, Elif Uras, and Jean Paul Gaultier, as well as an exhibition catalogue by Andrew Bolton. The products are available online and in-store starting May 5.

How This Palestinian-Canadian Artist is Bringing Her Voice to the Met Museum

Dubai-based Palestinian-Canadian artist Samar Hejazi has been commissioned to create mirrored sculptural mannequin heads for the Costume Institute's Spring 2026 exhibition at The Metropolitan Museum of Art, opening alongside the Met Gala. Hejazi's reflective works, designed for the exhibition "Costume Art," aim to collapse the distance between viewer and object, creating moments of surprise and questioning about identity, perception, and belonging.

Media Artist Transforms Climate, AI Data into Immersive Art

Media artist Kang Lee-Yeon delivered an immersive lecture at the TED 2026 main stage in Vancouver, using a 30-meter screen to visualize climate change and AI data. She then opened her solo exhibition 'Illumination' at Fondation Fiminco in Paris for the 140th anniversary of Korea-France relations, while also debuting works at Milan Design Week and the Loop Plus media art fair in Busan. Her projects include 'Passage of Water', created with Google and NASA, which translates satellite data into an immersive experience about Earth's freshwater crisis.

Missoula Art Museum opens new exhibit with acclaimed artist

The Missoula Art Museum has opened a new exhibition featuring acclaimed artist Sara Siestreem. Her latest body of work includes large, multi-panel paintings, basket weaving, ceramics, and sculpture, all unified by geometric designs inspired by traditional weaving patterns. A reception was held on opening night, with a second artist talk scheduled for Saturday morning.

Painting LACMA's David Geffen Galleries with Light, Shadow, and Color

LACMA's new David Geffen Galleries, designed by architect Peter Zumthor, feature custom-tinted concrete walls that break from traditional museum aesthetics. The walls are coated with a transparent, nano-scale mineral glaze developed by Zumthor and Swiss craftsman Marius Fontana, manufactured by German company Keim. The palette—dusky red, vibrant blue, and nuanced black—was inspired by ancient Indigenous American pigments prepared by artist Porfirio Gutiérrez for the museum's exhibition "We Live in Painting: The Nature of Color in Mesoamerican Art." Diana Magaloni, LACMA's Senior Deputy Director for Conservation, Curatorial and Exhibitions, led the conceptualization and application of the glazes, which are designed to enhance the building's interplay of light and shadow without obscuring its raw concrete surfaces.

Here's what's happening for First Friday in May

Juneau's First Friday in May 2026 features a diverse array of events, including a storytelling project called "Tambayan at Kwentuhan" that shares oral histories from Filipino elders, an exhibition titled "Dizzy Hooligan" by Kiyana Fonua recalling Kava gatherings in Anchorage, and a retrospective of Indigenous fashion designer Dorothy Grant at the Alaska State Museum. Other offerings include a chamber music concert by Taku Winds, a "Critter Trek" exhibition at the Juneau-Douglas City Museum featuring local wildlife art, planetarium explorations, a book release by author Corinna Cook, and displays of woodworking by Phil Paramore and jewelry by Colleen Goldrich.

뉴뮤지엄 DEMO2026 Art, Design, and Technology Festival(6/3-5) - Lounge

NEW INC, the New Museum's cultural incubator, has announced the full schedule for DEMO2026, a three-day art, design, and technology festival running from June 3–5 at the New Museum's newly expanded OMA-designed building on the Bowery. The festival features keynote speakers including multimedia artist Lawrence Lek, cultural historian Dr. Sarah Elizabeth Lewis, artist and Ojas sound system founder Devon Turnbull, NTS Radio founder Femi Adeyemi, and artist-engineer Xin Liu. Public programming includes demonstrations, performances, workshops, and talks showcasing projects by 39 current NEW INC members, with a Track Showcase on view through June 10. This marks the first edition of DEMO held in the New Museum's expanded space since its reopening.

Denver Art Museum Luncheon by Design, a fundraiser event for DIVA exhibition, opening fall 2026

The Denver Art Museum (DAM) held its annual Luncheon by Design fundraiser, celebrating the 60-year career of costume designer Bob Mackie as a prelude to the upcoming DIVA exhibition opening in fall 2026. The event featured a conversation between Joe McFate, Mackie's long-time design director, and Jill D'Alessandro, DAM's director and curator of the Avenir Institute of Textile Arts, sharing stories behind Mackie's iconic costumes worn by Cher, Tina Turner, and P!NK. Funds raised support the DIVA exhibition, which will run from October 4, 2026, to January 31, 2027, at the museum.

How LACMA Is Centering Curation Around Cross-Cultural Exchange

The Los Angeles County Museum of Art (LACMA) opened its new David Geffen Galleries on April 19, featuring a groundbreaking installation organized around four bodies of water—the Pacific, Atlantic, and Indian Oceans, and the Mediterranean Sea—rather than by country of origin or chronological sequence. Designed by architect Peter Zumthor, the 900-foot-long single-level space holds 2,500 to 3,000 objects, with 45 curators collaborating to arrange works from vastly different cultures and centuries together, allowing visitors to meander without prescribed pathways.

Design Museum Stages First-Ever Retrospective For Streetwear Pioneer Nigo

London's Design Museum is opening "NIGO: From Japan with Love," the first UK retrospective dedicated to Japanese designer Nigo, founder of streetwear brand A Bathing Ape (BAPE) and current artistic director of Kenzo. The exhibition, featuring over 700 objects including rare archival garments, a recreation of Nigo's teenage bedroom, and ceramics inside a life-size glass tea house, traces his career from 1980s Tokyo street culture to global fashion influence.

Global Retrospective Exhibitions

A major retrospective titled "NIGO: From Japan with Love" opens at the Design Museum in London on May 1, 2026, marking the designer's first major exhibition outside Japan. The show features over 700 objects spanning three decades, including around 600 items from NIGO's personal archive, a reconstruction of his teenage bedroom, vintage clothing, early designs, collaborations, hand-thrown ceramics, and a life-size glass tea house created for the exhibition. The display traces his career from Harajuku street culture through founding A Bathing Ape to his current role as artistic director of Kenzo.

Kansas City’s Nelson-Atkins Museum Welcomes World Cup Fans in 2026

The Nelson-Atkins Museum of Art in Kansas City has introduced a new exhibition, "Personal Best," designed to welcome international visitors during the 2026 FIFA World Cup. The exhibition blends fine art and athletics, connecting the global sporting event with Kansas City's cultural scene. The museum offers free general admission, making it an accessible attraction for soccer fans attending six matches at Arrowhead Stadium starting June 16, 2026.

The Los Angeles County Museum of Art Opens New Innovative Exhibition Space

The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries, a landmark building designed by Swiss architect Peter Zumthor. The structure features floor-to-ceiling windows, spans Wilshire Boulevard 30 feet above the Miracle Mile, and houses galleries organized around maritime trade routes. The museum celebrated its inaugural events with a gala and ribbon-cutting, opening to the public on April 20, 2026. The new space displays over 155,000 art objects from the permanent collection, spanning ancient civilizations to contemporary works.

‘Don’t mind if I do’: Northampton exhibit brings art to visitors in a unique and accessible way

Brooklyn-based disabled artist Finnegan Shannon's traveling exhibition "Don't mind if I do" is on view at the Smith College Museum of Art (SCMA) in Northampton through June 28. The show features a conveyor belt that brings interactive artworks to seated visitors, challenging traditional museum layouts that require standing and walking. Shannon collaborated with curator Lauren Leving and technical director Peter Reese to create the experience, which includes works by Lukaza Branfman-Verissimo, Pelenakeke Brown, Sky Cubacub, Emilie L. Gossiaux, Felicia Griffin, Joselia Rebekah Hughes, and Jeff Kasper. The exhibition has previously toured to moCa Cleveland, California State University Sacramento, and the University of Illinois Chicago.

Cranbrook Art Museum mini-golf returns with free gallery admission

Cranbrook Art Museum in Bloomfield Hills is bringing back its artist-designed miniature golf course, Cranbrook on the Green, starting May 2, 2026. The nine-hole course will be set beside the iconic Triton Pools, blending mini-golf with an outdoor art experience, and each round includes free admission to the museum's galleries.

A Fashion Revolution at the Met

The New York Times reports that the Metropolitan Museum of Art's Costume Institute is undergoing a major transformation, moving from its basement location to become the museum's main entrance gallery. This shift, framed as "Costume Art," elevates fashion exhibitions to a central, welcoming role within the institution, signaling a new era for the department.

EAT/ART Space to inhabit ETSU's Tipton-Ashe Galleries

EAT/ART Space, a collaborative project merging food and visual art, will take over ETSU's Tipton-Ashe Galleries. The initiative transforms the gallery into an interactive environment where visitors can engage with art through culinary experiences, blurring the lines between gallery viewing and dining.

New Flagship Space for SAMoCA Announced As Part of Saudi Vision 2030

The Saudi Arabia Museum of Contemporary Art (SAMoCA) will receive a new flagship space as part of the government-backed Diriyah Company's Saudi Vision 2030 initiative. The museum, financed by a $490 million grant from the Diriyah Company (owned by the Public Investment Fund), will be designed by British architecture firm Godwin Austen Johnson and built by Albawani Company and Hassan Allam Construction – Saudi Arabia. Spanning 77,000 square meters, the project is part of the $63.2 billion Diriyah giga-project aimed at transforming the city into a premier cultural destination.

Why artists’ love for opera will never die

This article explores the enduring fascination that visual artists have with opera, tracing a historical lineage from figures like Oskar Kokoschka and David Hockney to contemporary practitioners such as William Kentridge and Tacita Dean. It examines how opera's fusion of music, drama, and visual spectacle has inspired artists to create set designs, costumes, and even direct productions, often blurring the boundaries between fine art and performance.