At the Venice Biennale there is also Taiwan. With a collateral event on melancholy

Alla Biennale di Venezia c’è anche Taiwan. Con un evento collaterale sulla malinconia

Taiwan will present a collateral event at the 2026 Venice Biennale titled "Screen Melancholy," curated by Raphael Fonseca and featuring artist Li Yi-Fan. The exhibition, organized by the Taipei Fine Arts Museum, will be held at Palazzo delle Prigioni and run until November 22, 2026. It explores anxieties of the digital age through a site-specific installation combining a single-channel video and monumental human sculptures, reflecting on information overload, fragmented perception, and the limits of human knowledge.

At the Casa di Goethe in Rome, two controversial episodes in the history of science in Mischa Kuball's light installations

Alla Casa di Goethe di Roma due episodi controversi della storia della scienza nelle installazioni di luce di Mischa Kuball

The Casa di Goethe in Rome is hosting a solo exhibition of German conceptual artist Mischa Kuball from April 30 to October 4, 2026. The show features two light installations: "Newton/Goethe luce nera," which contrasts Johann Wolfgang von Goethe's and Isaac Newton's opposing theories on color and light refraction, and "five suns / after Galileo," which visualizes Galileo Galilei's observations of sunspots and his conflict with the Catholic Church. The exhibition is curated by the museum's director, Gregor H. Lersch.

When satire met paper: ‘Ink & Outrage’ is now open at the Driehaus Museum

The Driehaus Museum in Chicago has opened 'Ink & Outrage: 18th-Century Satirical Prints in London & Dublin,' an exhibition of some 100 prints by Georgian-era caricaturists including James Gillray and Thomas Rowlandson. Curated by Silvia Beltrametti and William Laffan, the show explores the rise of visual satire in 18th-century England and features side-by-side comparisons of original English prints with unauthorized Irish copies, highlighting issues of plagiarism and intellectual property.

The National Gallery of Canada, commissioner of Canada's participation in the 61st International Art Exhibition - La Biennale di Venezia, unveils the exhibition Abbas Akhavan: Entre chien et loup

The National Gallery of Canada has unveiled the exhibition "Abbas Akhavan: Entre chien et loup" for the Canada Pavilion at the 61st International Art Exhibition – La Biennale di Venezia in 2026. The site-specific installation reimagines the pavilion's architecture as a Wardian case, a precursor to the terrarium used to transport plants across the British Empire, featuring a custom pool with giant Victoria water lilies. The artist replaced the facade with glass panels, making the plants visible from outside, and the installation is framed by additional sculptural works. The exhibition is curated by Kim Nguyen and accompanied by a fully illustrated publication.

At Alserkal Avenue’s Deja Vu, UAE galleries find strength in collaboration

Alserkal Avenue in Dubai has launched "Deja Vu," a multi-gallery exhibition bringing together 20 UAE-based galleries at the Concrete venue, running until May 8. Curated by Zaina Zaarour with co-curators Kevin Jones and Nada Raza, the show features works including German artist Michael Sailstorfer's installation of a car fuel tank, reflecting anxieties around fuel prices and geopolitical uncertainty. The exhibition emerged from urgent community meetings after the Iran war disrupted the spring art season, which typically includes Art Dubai and collector visits. Participating galleries include 16 from Alserkal Avenue, plus Nika Project Space, Total Arts at The Courtyard, Tabari Artspace, and Iris Projects, with many works priced under $10,000 to facilitate sales.

Selling exhibition to support art: Déjà Vu at Alserkal heralds joint initiative

A multi-gallery selling exhibition titled 'Déjà Vu' opens at Concrete in Alserkal Avenue on April 25, running for 14 days. The exhibition features over 50 artists from 20 leading UAE contemporary art galleries and is curated by Kevin Jones, Nada Raza, and Zaina Zaarour. It is designed as a commercial initiative to support galleries impacted by recent events.

Exhibition | 'Human Traces: Presence, Absence, and Material Memory' at Axel Vervoordt Gallery, Antwerp, Belgium

A group exhibition titled 'Human Traces: Presence, Absence, and Material Memory' is on view at the Axel Vervoordt Gallery in Antwerp. It features works by four artists—Ida Barbarigo, William Turnbull, El Anatsui, and Bosco Sodi—who explore themes of memory and transformation through material, shifting focus from the human body to its traces.

Stars feiern Mode und Kunst bei Met-Gala

The Met Gala, hosted by Anna Wintour at the Metropolitan Museum of Art in New York, raised millions for the museum's Costume Institute. This year's event featured celebrities like Beyoncé, Nicole Kidman, and Heidi Klum, with a dress code of "Fashion is Art." Beyoncé and Kidman brought their daughters for the first time, while Klum dressed as a stone statue. The gala opened the "Costume Art" exhibition and was co-sponsored by Jeff Bezos and Lauren Sánchez Bezos, drawing protests over Bezos's involvement.

Sylvie Retailleau explains how she saved the Palais de la Découverte

Sylvie Retailleau explique comment elle a sauvé le Palais de la Découverte

Sylvie Retailleau, a physicist, former president of Paris-Saclay University, and former Minister of Higher Education, has been president of Universcience since January 2026. In an interview, she explains how the Palais de la Découverte, housed within the Grand Palais, nearly disappeared during the Grand Palais renovation. Intense debates over whether to dedicate the renovated space entirely to classical culture threatened the science museum. Retailleau negotiated a compromise: the Palais de la Découverte ceded one gallery (1,200 m²) to the Grand Palais for about €30 million in revenue over ten years and is lending another gallery (350 m²) until June 2030 for Centre Pompidou exhibitions. In return, Universcience gains full control of the programming for the Palais des Enfants. The Palais de la Découverte is set to reopen in March 2027.

Aux Catacombes, une visite réinventée

After five months of closure, the Catacombs of Paris have reopened with a major modernization project. The site now features a new immersive audio guide narrated by the voice of its historical founder, Louis Étienne Héricart de Thury, along with improved lighting that highlights previously invisible details and a revamped climate-control system to better preserve the bones. The €5.5 million renovation, led by Paris Musées and funded by the City of Paris, also included structural repairs to the bone stacks using dry-stone techniques instead of cement.

À Berlin, le Musée de Pergame rouvrira partiellement en 2027

Berlin's Pergamon Museum, closed since October 2023, will partially reopen in June 2027, with only the north wing and central section accessible. The renovation and expansion project, launched in 2012, has faced repeated delays and its budget has ballooned to €1.5 billion. The partial reopening coincides with the bicentenary of Berlin's Museum Island and will bring back the Pergamon Altar, unseen for over a decade, along with redesigned permanent exhibitions for the Museum of Islamic Art and the Museum of the Ancient Near East. However, major attractions like the Ishtar Gate and the Market Gate of Miletus will remain closed until the 2030s, with full museum completion now estimated between 2037 and 2043.

How the State Supports Provenance Research

Comment l’État soutient la recherche de provenance

The French Ministry of Culture has created two specialized missions to assist museums in researching the provenance of their collections, addressing looted artworks, human remains, colonial acquisitions, and illicit trafficking. The Mission for Research and Restitution of Looted Cultural Property (M2RS), established in 2019, focuses on Nazi-era spoliations (1933-1945) with a budget of €220,000 annually, while the newer Mission "Provenance," launched in 2024 under curator Catherine Chevillot, covers human remains, colonial-era objects, and illicit goods with a €450,000 budget. These missions provide expertise, funding, and coordination with institutions like the Commission for the Restitution of Property and Compensation of Victims of Anti-Semitic Spoliation (CIVS), though most museums still only initiate provenance checks during acquisitions or donations.

Six months after the Louvre heist, a 'Complément d'enquête' takes stock, with never-before-seen images broadcast tonight on France 2

Six mois après le casse du Louvre, un « Complément d’enquête » fait le point, avec des images inédites diffusées ce soir sur France 2

On October 19, 2025, eight historic and priceless jewels were stolen from the Galerie d'Apollon at the Louvre Museum in Paris in just over three minutes, using a hoist and an angle grinder. Six months later, the French investigative program "Complément d'enquête" airs a 50-minute documentary titled "Musée du Louvre : dans les coulisses du casse du siècle" on France 2, featuring exclusive surveillance footage, interviews with guards, police, experts, and ministers, and new details about the four suspects arrested within weeks.

The controversy raised by Timothée Chalamet has made us reflect on the fragility of culture

« La controverse soulevée par Timothée Chalamet a eu le mérite de nous faire réfléchir à la fragilité de la culture »

Timothée Chalamet, l'acteur franco-américain, a suscité une controverse en déclarant qu'il ne souhaitait pas travailler dans le ballet ou l'opéra, qualifiant ces disciplines de "trucs où c'est genre : 'Hé, continuez à faire tourner ça, même si plus personne n'en a rien à faire.'" Ses propos, tenus alors qu'il était en lice pour l'Oscar du meilleur acteur, ont provoqué des réactions dans le monde culturel, notamment dans le magazine Art Review, où Will Ferreira Dyke a défendu la pérennité du ballet et de l'opéra, arguant qu'ils survivraient aux attaques des "chalametistes". L'article relie cette polémique à la fragilité de la culture face aux coupes budgétaires, évoquant les demandes de Donald Trump pour augmenter le budget militaire américain au détriment de l'éducation, de la santé et de l'environnement.

In love with trees, sculptor Lélia Demoisy elevates nature through hybridization

Amoureuse des arbres, la sculptrice Lélia Demoisy sublime la nature par l’hybridation

Lélia Demoisy, a French sculptor born in 1991, creates hybrid works that blend wood with animal elements, such as a yew wood sculpture covered in fox fur or a suspended skeleton made from naturally curved thuya branches. She lives in a small village in the Yvelines region, where she works with wood and metal herself, often sourcing materials locally, and recently participated in the Maif pour le vivant committee as the only artist on the jury.

Who Should Design NYC’s New Billie Holiday Monument?

The New York City Department of Cultural Affairs (DCLA) has revealed six commission proposals for a monument honoring legendary jazz vocalist Billie Holiday, to be installed outside the Jamaica Performing Arts Center in Queens through the Percent for the Art program. The artists in the running are Thomas J Price, Tanda Francis, Nekisha Durrett, La Vaughn Belle, Tavares Strachan, and Nikesha Breeze, and the public is invited to share input on the conceptual designs before the final selection. The monument emerged from the 2018 She Built NYC initiative, which aimed to address the lack of historical monuments dedicated to influential women in the city, and was revitalized in 2024 after delays caused by the COVID-19 pandemic.

Historic Strike Disrupts Biennale as Thousands March in Venice

On May 8, 2026, artists and cultural workers staged the first strike in the 131-year history of the Venice Biennale, disrupting the pre-opening of the international exhibition. At least 27 of the 100 national pavilions were partially or fully shut down, and thousands marched through Venice to the Arsenale, which was barricaded by Italian riot police. The strike, organized by the Art Not Genocide Alliance (ANGA) and local activist groups, was a 24-hour action for Palestine and workers' rights, with some artists altering or draping their works in the main exhibition, "In Minor Keys."

Where did the great artist Joseph Beuys live? The comic story by Gianluca Costantini

Dove viveva il grande artista Joseph Beuys? Il racconto a fumetti di Gianluca Costantini

In the summer of 2022, the author visited Düsseldorf and discovered that Joseph Beuys's former home at Drakeplatz 4 in Oberkassel was for sale, but the city's cultural department declined to purchase it. Beuys lived and worked there from 1961 until his death in 1986, using the space as both a residence and studio. The article recounts the intimate details of family life there, including how Beuys painted the main room white for his wife Eva's photography, and how the family navigated the blend of private life and artistic practice. Two years later, the Brunhilde Moll Foundation acquired the house and opened it to the public, though it was closed for renovations when the author returned. The house now displays about sixty works from Beuys's creative period and will host artist residencies and events.

Printed Matter’s LA Art Book Fair Returns May 7–10

Printed Matter's LA Art Book Fair (LAABF) returns to ArtCenter South Campus in Pasadena, California, from May 7 to 10, 2026. The fair will feature 250 exhibitors, including international artists, publishers, and booksellers, alongside programs such as talks and panels in The Classroom, music and performances on The Stage, and special Project Spaces presentations by groups like Archivos Desviados, Bread & Puppet Press, and Getty. An Opening Night celebration on May 7, co-organized with Orange Radio & Homebody, will include live music by sonrisita and Mia Carucci, a limited edition ticket by Amia Yokoyama for the first 500 guests, and a new collaborative artist edition by Deanna Templeton and Ed Templeton.

Wen Wu: The Body Thinks in Colour

Wen Wu's exhibition "The Body Thinks in Colour" opens at Paul Smith's Westbourne House in Notting Hill, London, running from 14 May to 28 September 2026. Curated by Virginia Damtsa and Katie Heller, the show presents Wu's paintings that explore the body as a site of consciousness, memory, and emotional intelligence, using gesture and color to create psychological space within a fashion retail environment.

May First Friday 2026: 20+ events, exhibition openings in Lancaster city this Friday

Lancaster city's May First Friday 2026 features over 20 events, including exhibition openings, concerts, and performances. Highlights include a new exhibition 'Hybrids' by artist Jeremy Waak at Curio Gallery & Creative Supply, the Demuth Museum's 'Demuth Invitational: American Reflections' tied to the U.S. 250th anniversary, and the Lancaster Living Poetry Museum II with performers embodying poets at venues like the Lancaster Public Library and Lancaster Art Vault. Other offerings include salsa dancing at Binns Park, works by York County painters at The Framing Concept, and a show inspired by Yayoi Kusama at Friendship Heart Gallery + Market.

I'm a punk artist, I don't give a damn

"Ich bin Punk-Künstlerin, ich geb einen Scheiß drauf"

During the opening week of the Venice Biennale, the Russian activist and Pussy Riot member Nadya Tolokonnikova staged a protest against the Russian pavilion, wearing pink balaclavas and chanting slogans like "Blood is Russia's Art." Meanwhile, Florentina Holzinger's Austrian pavilion, subtitled "I Live in Your Piss," drew massive crowds with its scatological installations and extreme performances, causing wait times of up to two and a half hours. German media critics have widely covered the Biennale's heightened political tone, with debates over boycotts of Russia and Israel, and the tension between art and activism.

What We Throw Away Does Not Disappear

Was wir wegwerfen, verschwindet nicht

The Museum Ostwall at the Dortmunder U in Dortmund has opened a new exhibition titled "Müll – die globalen Wege des Abfalls" ("Waste – The Global Paths of Garbage"), curated by Christina Danick and Michael Griff. Featuring around 50 international artworks from the 20th and 21st centuries, including two newly commissioned pieces, the show uses art to explore waste as material, motif, and aesthetic strategy. Key works include Kader Attia's "Los de Arriba y Los de Abajo," which addresses power imbalances through the lens of garbage in Hebron, and historical pieces by César Baldaccini, Arman, and HA Schult. The exhibition also highlights contemporary issues such as e-waste, global waste trafficking, and the environmental impact of industrial nations on the Global South.

An Era Ends When the Illusions Underlying It Are Exhausted

"Eine Ära endet, wenn die ihr zugrunde liegenden Illusionen erschöpft sind"

A media roundup covers several art world stories. The Art Newspaper reports that the ongoing Middle East conflict is unsettling the Gulf art market, causing fair postponements and shaking Dubai's image as a stable luxury hub, though galleries emphasize they continue to work. Meanwhile, the search for a new director for Germany's Kulturstiftung Dessau-Wörlitz continues after a protracted legal battle, with applications open until May 31. The New Yorker presents a reading of Johannes Vermeer's quiet scenes as fragile refuges from a violent historical context, while the Berliner Zeitung critiques the global commercialization of Frida Kahlo into a licensed brand.

Comment un père et sa fille ont dupé le marché de l’art avec de faux Picasso et Banksy

A Polish father-daughter duo, Erwin Bankowski (50) and Karolina Bankowska (26), orchestrated a major art forgery scheme between 2020 and 2025, selling over 200 fake artworks attributed to Andy Warhol, Banksy, Pablo Picasso, Andrew Wyeth, and others through top auction houses and galleries in New York and across the United States. They pleaded guilty in federal court in Brooklyn to conspiracy to commit wire fraud and misrepresentation of Native American goods, facing up to 20 years in prison, with sentencing set for August 5. The fakes, produced by an unidentified Polish artist, were sold for at least $2 million, with the highest known sale being a fake Richard Mayhew landscape that fetched $160,000 at DuMouchelles in Detroit.

In the Shadow of Geniuses

Dans l’ombre des génies

A podcast episode from France Culture's "Affinités Culturelles" series, titled "Ces femmes d'artistes à l'ombre de l'histoire de l'art," examines the lives and artistic contributions of women who were partners to 20th-century masters Edward Hopper and Pablo Picasso. It focuses on figures like Joséphine Hopper, Françoise Gilot, and Dora Maar, exploring how they were often relegated to the roles of muses and models, with some sacrificing their own creative careers for their relationships.

The Palais des Papes in Avignon cancels Macha Makeïeff's exhibition

Le Palais des Papes d’Avignon renonce à l’exposition de Macha Makeïeff

The Palais des Papes in Avignon has cancelled its planned summer exhibition, 'Les Choses divines – Inventaire fantaisiste,' conceived by French director, scenographer, and visual artist Macha Makeïeff. The cancellation, officially attributed to a combination of administrative, technical, and budgetary constraints, may also be linked to the recent municipal election that saw Olivier Galzi succeed Cécile Helle as mayor.

Dans les ateliers de la Maison du vitrail, où création et restauration conjuguent au présent cet art du verre et de la couleur

The article visits the Maison du vitrail, a French stained-glass workshop founded in 1973 by Christiane and Philippe Andrieux and now run by their daughter Emmanuelle. Located in a historic courtyard, the studio employs fourteen artisans who cut, paint, and assemble colored glass for both restoration and original creations. The workshop has evolved from a small space in Châtillon to a thriving enterprise that handles everything from church windows and Parisian staircases to trophies, jewelry, and commercial projects for clients like Truffaut and the Casino de Paris.

« No art washing ! » : à la Biennale de Venise, près de 3 000 manifestants réunis pour dénoncer la présence du pavillon israélien

On May 8, 2026, nearly 3,000 protesters gathered in Venice to demonstrate against the presence of the Israeli pavilion at the Venice Biennale. Led by the collective Art Not Genocide Alliance (Anga), the crowd included artists, curators, and cultural workers who chanted slogans such as "Stop al Padiglione genocidio" and called for a strike on the closing day of the professional previews. Dozens of national pavilions, including those of France, Belgium, Poland, Spain, the United Kingdom, Lebanon, and Ukraine, closed in solidarity. The protest followed a letter sent by Anga in March demanding Israel's exclusion, which went unanswered, and the self-dissolution of the awards jury on April 30 over the presence of both Israel and Russia.

Biennale de Venise 2026 : les saturnales éblouissantes d’Yto Barrada pour le pavillon français

Yto Barrada has been selected to represent France at the 61st Venice Biennale in 2026 with her exhibition "Comme Saturne" (Like Saturn) in the French Pavilion. The installation features rebellious stage curtains hiding wasp nests and a copper daguerreotype plate of a planet, a large rock, a Wheel of Fortune, and a nostalgic vanitas arrangement around a missing mirror frame. Curated by Myriam Ben Salah, the show explores textile and natural dyeing, with three cabinets addressing the transmission of know-how, migration of plants and people, postcolonial history, and Enlightenment imperialism. A central room displays 70 pieces forming a symmetrical frieze of red natural dyes, while a black monochrome patchwork highlights the difficulty of achieving black in dyeing. Barrada is the fifth woman to represent France at the Biennale.