Latter-day Saint artists ‘Lift Up the Hands Which Hang Down’ in new exhibit

The Church History Museum in Salt Lake City has unveiled 150 artworks selected for the 13th International Art Competition of The Church of Jesus Christ of Latter-day Saints, themed "Lift Up the Hands Which Hang Down" after Doctrine and Covenants 81:5. The exhibition opened on April 24, 2025, featuring works by 584 artists from 26 countries, including pieces like "Deposition" by Sarah Hawkes and "The Parable of the Gardner: The Garden of the Lord" by Pamela Salinas Bernal. Curator Laura Paulsen Howe and BYU art history professor James Swensen, a juror, highlighted how artists visualized themes of succoring the weak and strengthening others through diverse media and personal testimony.

Dive into Contemporary Art in Seoul, South Korea: Amorepacific Museum of Art Showcases Global and Korean Masters

The Amorepacific Museum of Art (APMA) in Seoul has established itself as a premier destination for contemporary art, featuring a diverse collection that bridges global masterpieces with traditional Korean aesthetics. The museum's current programming highlights its commitment to international dialogue, showcasing works by world-renowned artists alongside significant Korean historical artifacts and modern pieces.

New Exhibition at Mexico City’s Jumex Museum Draws Parallels Between Soccer and Art

The Jumex Museum in Mexico City has launched a major exhibition titled "Football & Art: A Shared Emotion," timed to coincide with the city's role as a host for the 2026 FIFA World Cup. Curated by Guillermo Santamarina, the show features a diverse array of media including sculpture, photography, and commissioned installations from renowned artists such as Jeff Koons, Graciela Iturbide, and Marta Minujín. Notable works include a sculptural installation by the collective Tercerunquinto using salvaged seats from the Azteca Stadium and an embroidered piece by Sofía Echeverri honoring the 1971 Mexico Women’s National Team.

India Phillips Appointed Managing Director, Modern & Contemporary Art, Europe at Phillips

Phillips has appointed India Phillips as Managing Director, Modern & Contemporary Art, Europe, effective February 2026. Based in London and reporting directly to the CEO, she will focus on expanding the auction house's presence across Europe. Phillips joins after a decade at Bonhams, where she most recently served as Managing Director, EMEA. The announcement also includes promotions for Marianne Hoet to Chairman, Modern and Contemporary Art Europe, Olivia Thornton to Deputy Chairwoman, and Matt Langton to Deputy Chairman, Modern and Contemporary Art, Europe.

Top auction houses draw Southeast Asia’s elite art buyers

Auction houses Sotheby's, Christie's, and Bonhams are seeing a surge in participation from wealthy Southeast Asian collectors, particularly Millennials and Gen Z. Elaine Holt of Sotheby's Asia reports significant growth in collector activity from the region, with strong bidding at recent Hong Kong sales. Christie's Asia-Pacific president Francis Belin notes Southeast Asia is now the firm's third-largest buying market in Asia-Pacific, led by Singapore and Indonesia, with notable increases from Vietnam. Bonhams' managing director for Asia, Julia Hu, reports a 67% year-on-year rise in Southeast Asian auction spending. Younger buyers are driving demand, with Millennials and Gen Z accounting for 37% of Bonhams' Hong Kong buyers and 40% of Sotheby's Hong Kong marquee sales. A Renoir painting sold for $23.56 million to a collector in their 30s, highlighting youthful buying power.

Video interview with Cecilia Canziani and Chiara Camoni, curator and artist of the Italy Pavilion at the Venice Biennale

Video intervista a Cecilia Canziani e Chiara Camoni curatrice e artista del Padiglione Italia alla Biennale di Venezia

The article is a video interview with curator Cecilia Canziani and artist Chiara Camoni about the Italy Pavilion at the 61st Venice Biennale. Camoni's installation, titled "Con te e con tutto," features large, monumental figures called "Sisters" that evoke ancient yet contemporary presences, created through a slow, collective, and materially responsive process. The pavilion is divided into two spaces: a vertical, sacred-like area and a horizontal, convivial one that includes a sub-exhibition called "Dialoghi." The project builds on years of friendship and collaboration between Canziani and Camoni, and involves a fluid community of international students, weavers, midwives, and artists working at Camoni's studio in Fabbiano, on the Apuan Alps.

In Romagna, debate over the artistic legacy of the Fascist era

In Romagna c’è discussione attorno all’eredità artistica del Ventennio fascista

Recent developments in Romagna, Italy, have sparked debate over the artistic legacy of the Fascist era. The 102-meter-long Flight Mosaics at the former Aeronautical College in Forlì are now open to the public, and the Conad-Città di Forlì Auditorium, converted from a former GIL cinema, will inaugurate on May 13, 2026. Regional President De Pascale has announced initial funding to secure the Colonia Varese in Cervia, a Rationalist masterpiece, while long-awaited consolidation work has begun on the Casa del Fascio in Predappio, Benito Mussolini's birthplace. A 2010 plan to turn the Casa del Fascio into a cultural center documenting Fascism has stalled due to political changes and bureaucratic hurdles.

C’è un artista che ha deciso di vivere in povertà come un monaco francescano. La storia

Miltos Manetas, a Greek-born artist, has adopted a life of Franciscan poverty as both a personal practice and an artistic project called "Francesco_2026." His work is featured in the exhibition "Vita minore. San Francesco e la santità dell’arte contemporanea" at Palazzo Collicola in Spoleto, curated by Gianni and Giuseppe Garrera. Manetas has also launched the tenth Internet Pavilion at the Venice Biennale, inviting Saint Francis as the artist, using AI conversations and a monastery in the Venetian lagoon to create an informal community of "Fratelli e Sorelle" who follow a shared rule based on poverty, absence of preparation, and divine providence.

Fellow Painters and Also Friends. Zandomeneghi and Degas Are on Show in Rovigo

Colleghi pittori e anche amici. Zandomeneghi e Degas sono in mostra a Rovigo

Palazzo Roverella in Rovigo is hosting the exhibition "Zandomeneghi e Degas. Impressionismo tra Firenze e Parigi," curated by Francesca Dini. The show brings together works by Italian 19th-century painter Federico Zandomeneghi and French Impressionist Edgar Degas, featuring about fifteen paintings and sculptures by Degas alongside works by Zandomeneghi. It explores their friendship, mutual artistic influence, and shared commitment to realism, tracing their connections from Florence's Caffè Michelangiolo to Paris, where their paths fully converged. Themes such as dance and the nude are highlighted, with works like Degas's "Classe de ballet" (1888) and Zandomeneghi's "Visita in camerino" and "Donna che si asciuga" on view.

The Myth of Sandokan on Display in Monza Between History and Imagination. The Curators Speak

Il mito di Sandokan in mostra a Monza tra storia e immaginario. Parola ai curatori

A new exhibition titled "Sandokan. La Tigre ruggisce ancora" has opened at the Reggia di Monza, exploring the enduring myth of the fictional pirate Sandokan, who first appeared in Italian serialized fiction in 1883. Curated by Francesco Aquilanti and Loretta Paderni, the show brings together ethnographic materials, costumes from the 1970s television series, weapons, books, illustrations, and archival items, including the original Dayak collection donated by Sir Charles Brooke to the King of Italy. The exhibition traces Sandokan's evolution across literature, comics, film, and television, presenting him as a layered, ambivalent hero—both ruthless pirate and justice fighter—whose story remains relevant today.

Fragility and Resistance of an Iranian Artist on Display in Rome

Fragilità e resistenza di un’artista dell’Iran in mostra a Roma

The Galleria Anna Marra in Rome is hosting "Assemblages," the first Italian solo exhibition of Iranian artist Sepideh Salehi. The show features works that blend collage, Japanese paper, photography, and drawing to depict Iranian women living in the United States who have shared experiences of displacement and political upheaval. Salehi’s figures often avert their gaze or conceal their faces, symbolizing a "calligraphy of refusal" and a quiet resistance against the historical traumas of the 1979 Islamic Revolution and the Iran-Iraq war.

New art exhibition to open this summer as part of Glasgow International 2026

A new two-person exhibition titled "Painting, our mutual friend" will open at Glasgow Print Studio on June 4, 2026, as part of Glasgow International 2026. Featuring artists Lorna Robertson and Andrew Cranston, who are life partners, the show runs through August 1 and includes etchings, monoprints, watercolours, and oil paintings that explore their individual and shared experiences. The works were developed through experimental residencies at the studio between 2025 and 2026.

Two exhibitions; one shared dialogue: Weyburn Art Gallery

The Weyburn Art Gallery in Saskatchewan is presenting a dual exhibition running through the end of June, featuring two complementary shows. The first, 'Omentum: A look into the Indigenous Experience of the 21st Century- Exhibition Series, 2019' by Nehiyawak-Métis artist John Brady McDonald, comprises ten paintings that address themes such as Missing and Murdered Indigenous Women, cultural appropriation, residential school legacies, and the murder of Colten Boushie. Each painting was personally named by an influential Indigenous figure, including Isaac Murdoch, Rosanna Deerchild, and Dr. Evan Adams. The second exhibition draws from the City of Weyburn’s Permanent Collection, showcasing works by Indigenous artists Michael Lonechild, Ken Lonechild, and Mike Keepness, which explore identity, place, and memory.

NYC Transit Museum Turns MetroCards Into Art

The New York Transit Museum's Grand Central Gallery is presenting "Inspired by MetroCard," a free exhibition running through October 2026 that transforms the city's iconic fare card into works of art. The show features paintings, collages, mosaics, and wearable pieces created from thousands of MetroCards by artists including VH McKenzie, Nina Boesch, Juan Carlos Pinto, Barbara Kruger, Nina Vishneva, and Thomas McKean. Curator Jodi Shapiro organized the exhibition, which is located in the museum's gallery and store within Grand Central Terminal's Shuttle Passage.

Indrapramit Roy and Mark Cazalet art exhibition in New Delhi

An exhibition titled "Stray Birds: a journey together" in New Delhi brings together artists Indrapramit Roy and Mark Cazalet, curated by Jyotirmoy Bhattacharya. The show presents a dialogue between two distinct artistic voices, exploring narratives, techniques, and sensibilities shaped by their shared experiences studying under Professor Gulam Mohammed Sheikh at M.S. University in Baroda, including formative trips to the Ajanta and Ellora caves.

New Delhi's Gallery Exhibit 320 Marks 15 Years With A Group Show Of 30 Top South Asian Contemporary Artists Called 'Shared Worlds'

Exhibit 320, a New Delhi-based gallery founded in 2010, is celebrating its 15th anniversary with a group show titled 'Shared Worlds' at Bikaner House from August 4–13, 2025. Curated by Deeksha Nath and guided by founder Rasika Kajaria, the exhibition features 30 South Asian contemporary artists including Anju Dodiya, Nandan Ghiya, Sumakshi Singh, Alex Davis, and others. The show spans diverse media—painting, sculpture, textile, and installation—and resists a single narrative, instead highlighting resonance between works that address identity, migration, climate change, and urban memory.

Phillips claims stake in South Asian market with London exhibition

Phillips auction house has launched a selling exhibition titled "Crossing Borders" at its Berkeley Square location in London, featuring 64 South Asian Modernist artists including Bhupen Khakhar, Huma Bhabha, Rasheed Araeen, and Nilima Sheikh. The show, organized in collaboration with Grosvenor Gallery, includes major market figures like S.H. Raza and F.N. Souza alongside lesser-known names such as Ahmed Parvez and Viswanathan. Prices range from £5,000 to £1.5 million, with works jointly consigned and profits shared between Phillips and Grosvenor. The exhibition marks Phillips' most significant entry into the South Asian art market, a sector long dominated by Sotheby's, Christie's, and Bonhams.

Studio Art MFAs Present Thesis Exhibition “TRANSIT”

American University's 2025 Master of Fine Arts Thesis Exhibition, titled “TRANSIT,” is on view at the AU Art Museum from April 19 to May 18. The show features the culminating works of six graduating Studio Art MFA students: Phaedra Askarinam, Pooja Campbell, Patricia Edwine Poku, Connor Gagne, Andrés Izquierdo, and Julia Cheng Zhang. Their diverse practices span painting, ceramics, installation, and performance, unified by the theme of transit—interpreted as acts of passage, transformation, and self-discovery. Curated around this shared concept, the exhibition explores life transitions such as grief and parenthood, as described by Professorial Lecturer Molly Springfield.

韓国国立現代美術館 果川館で「Road movie: Art between Korea and Japan since 1945」が開幕

The National Museum of Modern and Contemporary Art (MMCA) in Gwacheon, South Korea, opened "Road movie: Art between Korea and Japan since 1945" on May 14, 2026. This exhibition is a touring version of the collaborative show "Always by Your Side: 80 Years of Art between Japan and Korea," which was held at the Yokohama Museum of Art from December 6, 2025, to March 22, 2026. Marking the 60th anniversary of the normalization of diplomatic relations between Japan and South Korea in 1965, the exhibition traces eight decades of artistic exchange from 1945 to the present. It features around 200 works by 43 artists, including Cho Yang-gyu, Kwak In-sik, Nam Hwa-yeon, Nam June Paik, Lee Ufan, Lee Bul, Takashi Murakami, and others, organized into five sections. The show also incorporates six outdoor sculptures installed at the museum's opening in 1986 and 1987, highlighting how the institution itself fostered cross-border artistic dialogue.

‘House of Galleries (Volume 11)’: Niquu Eyeta and Ghizlane Sahli in a Shared Field of Care, Memory, and Material Becoming.

Artists Niquu Eyeta and Ghizlane Sahli are featured in a dual presentation titled ‘House of Galleries (Volume 11),’ showcased by the gallery Sakhile&Me. The exhibition creates a dialogue between Eyeta’s organic compositions, which utilize plant pigments and clay, and Sahli’s intricate 'alveoli' structures made from silk and repurposed plastic. Both artists emphasize the concept of material as a living archive, focusing on themes of ecological consciousness, ritualistic repetition, and the reanimation of discarded matter.

art fair small gallery budget abmb

The article offers practical advice from emerging gallerists on how to exhibit at Miami Art Week on a tight budget. Dealers like Margot Samel, Alex Nazari, Marina Vranopoulou, and Cole Solinger share cost-saving strategies: booking hotels early, flying into Fort Lauderdale, renting cars through Costco, shipping art in cardboard bins, bringing their own chairs, and staffing booths themselves. The piece highlights the financial strain of booth fees, shipping, and add-on costs, with Untitled Art founder Jeffrey Lawson even shrinking booth sizes to accommodate struggling galleries.

literature book cover design

CULTURED magazine gathered three leading book cover designers—Sandra Chiu, Chip Kidd, and Rodrigo Corral—for a roundtable discussion on the challenges and thrills of their profession. The conversation covers the shift to online retail, budget cuts, and a growing homogeneity in cover design, exemplified by the so-called "book blob" trend. Chiu, known for bestselling romance covers, Kidd, a legendary figure at Knopf Doubleday, and Corral, now VP of Creative at Farrar, Straus and Giroux, share insights on their creative processes and the evolution of the industry since Kidd's early days.

Walk through UAE’s first contemporary art exhibition dedicated to the Urdu language

The Ishara Art Foundation in the UAE has launched 'Urdu Worlds,' the region's first contemporary art exhibition dedicated to the Urdu language. Curated by Hammad Nasar, the show features a visual dialogue between the late Indian-born artist Zarina and Pakistani multimedia artist Ali Kazim. The exhibition showcases Zarina’s delicate woodcut prints, including her seminal 'Home is a Foreign Place,' alongside an expansive survey of Kazim’s paintings, sculptures, and his new 'Alphabets' series, marking his institutional debut in West Asia.

Slawn Transforms Saatchi Yates Gallery Into A Working Studio

London-based artist Slawn has transformed Saatchi Yates gallery into a live working studio for his latest exhibition, titled *Slawn’s Studio*, running from 22 January to 22 February. The gallery functions as his day-to-day workspace, where paintings are produced and reworked, music is composed and recorded, and collaborators drift in and out, creating an atmosphere of spontaneity and shared energy. Most works were made during a residency in the space, and the exhibition evolves over the month. The project has attracted leading collectors and figures from music, sport, and public life.

Late Night Art Returns to DUMBO This Fall

DUMBO's First Thursday Gallery Walk returns on October 2, offering free late-night access to galleries and cultural spaces across the neighborhood. The event features live music, artist talks, exhibitions, and a free Insider's Tour from 6:30 to 7:30 PM, with stops at Platform Project Space, Lucky Risograph, A.I.R. Gallery, and Loop of the Loom. Participating venues include A.I.R. Gallery, AMR Art DUMBO, Center for Cuban Studies, Smack Mellon, and many others, showcasing works by artists such as Abbey Williams, Elizabeth Bick, Samuel E. Vázquez, and Chang Yuchen.

In Minor Keys: The 61st Biennale di Arte Venezia Opens Under Koyo Kouoh (1967–2025).

The 61st Biennale di Arte Venezia opens under the posthumous curatorial vision of Koyo Kouoh (1967–2025), the late Cameroonian-born curator who reshaped contemporary African and diasporic art discourse. The central exhibition, spanning the Giardini and Arsenale, features 111 participants including artists, collectives, and artist-led organizations from across the Global South, with works in textiles, film, sculpture, and performance that interrogate colonialism, migration, and ecological repair. The Biennale is also marked by a pronounced presence of African and diasporic narratives across national pavilions, including several first-time pavilions from the African continent.

A sonic tribute to the act of speech on New York City’s Roosevelt Island

Sound artist Hans Rosenström has launched a site-specific sound installation titled "Out of Silence" at Four Freedoms Park on New York City's Roosevelt Island, running until 21 June. The multi-speaker work features layered voices sung by the Estonian choir Vox Clamantis, arranged across four sections of the park as an homage to Franklin D. Roosevelt's 1941 Four Freedoms speech. Rosenström, a Finnish artist based in Stockholm, developed the project during an International Studio & Curatorial Program residency in New York in 2024, after being approached by Latvian curator Alina Girshovich to mark the 90th birthday of composer Arvo Pärt. The park's memorial to FDR was designed by architect Louis Kahn, who was born in Estonia and benefited from New Deal programs.

Fade to black: inside the US’s abandoned movie theatres

Photographers Yves Marchand and Romain Meffre have documented abandoned early 20th-century movie theatres across the United States, capturing the haunting beauty of their decline. These once-grand cinemas, converted from 1920s music halls and theatres, have been left as hybrid ruins due to the rise of television, streaming platforms, and individualized media consumption. The work is exhibited at Kyotographie 2026 in Japan until 17 May.

Morocco debuts at the Biennale with an exploration of its age-old craft traditions

Morocco is debuting its first national pavilion at the Venice Biennale with a monumental installation titled "Asetta" by artist Amina Agueznay. The 300-square-meter site-specific work, located in the Arsenale, draws on centuries-old Moroccan craft traditions, including weaving, beadwork, and embroidery. Agueznay conducted field research across Morocco and collaborated with over 130 artisans, mostly women, some of whom she has worked with for decades. The installation explores the transmission of traditional craftsmanship and shared memory, and incorporates the concept of the threshold (âatba) from Moroccan vernacular architecture, offering visitors both an immersive experience and functional seating.

Artnet and Artsy Come Together Under Shared Leadership

Artnet and Artsy, two of the most influential digital platforms in the art world, have merged under a single leadership structure following a series of acquisitions by Beowolff Capital. Jeffrey Yin has been appointed CEO of the unified company, while Beowolff founder Andrew Wolff will serve as chairman. Despite the shared management, both entities will maintain their distinct branding, with Artnet focusing on market data and journalism while Artsy continues its emphasis on art discovery and e-commerce.