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Guest column | At the nation’s galleries, celebrations of selfhood, joy and renewal

Major American art institutions are undergoing a significant shift in perspective, prioritizing themes of diversity, selfhood, and renewal in their programming. This evolution is evidenced by the Los Angeles County Museum of Art’s total re-evaluation of its permanent collection display in anticipation of its new building, alongside a wave of exhibitions featuring contemporary voices like Derrick Adams and Nick Cave, and retrospectives for historical figures such as Edmonia Lewis and Isamu Noguchi.

LACMA announces April 19 opening for new galleries

The Los Angeles County Museum of Art (LACMA) will open its new David Geffen Galleries building on April 19. Designed by architect Peter Zumthor, the 900-foot-long structure spans Wilshire Boulevard and will house the museum's permanent collection, featuring a non-hierarchical, single-level display of approximately 2,500-3,000 objects. The opening will be marked by a ribbon-cutting ceremony and two weeks of priority access for members.

Gwen John: The 'reclusive spinster' artist who shunned conformity

A major retrospective of Gwen John, one of Britain's greatest 20th-century artists, is opening at National Museum Cardiff on the 150th anniversary of her birth. The exhibition, titled 'Gwen John: Strange Beauties,' brings together works from across the UK and the USA for the first time, including a significant collection acquired from her nephew Edwin in 1976 that has never been extensively researched or exhibited. John, born in 1876 in Haverfordwest, Pembrokeshire, was long overshadowed by her younger brother, the artist Augustus John, and was often dismissed as a 'reclusive spinster.' However, curators and biographers now challenge that myth, revealing her as a socially engaged, determined artist who pursued her own path despite Victorian-era constraints on women.

LACMA sets opening date for highly anticipated David Geffen Galleries

LACMA has announced that its David Geffen Galleries, the centerpiece of a two-decade campus transformation, will open to the public on April 19, 2025, with a ribbon-cutting ceremony and priority member access, followed by general admission starting May 4. Designed by Pritzker Prize-winning architect Peter Zumthor, the $720-million Brutalist building spans Wilshire Boulevard and houses 110,000 square feet of exhibition space across 90 galleries, organized thematically rather than by medium or chronology. The inaugural installation will use global bodies of water as an organizing framework, featuring works such as Georges de La Tour's "The Magdalen with the Smoking Flame," Vincent van Gogh's "Tarascon Stagecoach," and Henri Matisse's "La Gerbe." The project was funded largely by private donors, including a record $150-million donation from David Geffen, with $125 million from L.A. County.

Huntsville Museum of Art’s new vision, fresh exhibits + reimagined experiences

The Huntsville Museum of Art is undergoing a significant transformation under the leadership of Chief Curator Natalie Mault Mead. Following extensive HVAC renovations that closed the museum, Mead is implementing a new vision focused on interactive storytelling, immersive experiences, and breaking down traditional barriers to art. This includes refreshed permanent installations, interactive elements like QR codes and audio descriptions, and a deliberate mix of internationally acclaimed and local artists.

What happens to the art market when humanity stops mattering?

The article examines the resilience of the high-end art market amid rising geopolitical tensions and shrinking public funding for culture. It notes that while sales at major auction houses like Sotheby's and Christie's have rebounded, political forces in the US and Europe are increasingly prioritizing military spending and exerting pressure on cultural institutions, drawing parallels to the rise of fascism in the early 20th century.

herzog & de meuron-designed memphis art museum takes shape ahead of 2026 opening

The Memphis Art Museum, designed by Herzog & de Meuron in collaboration with archimania and OLIN, is taking shape ahead of its December 2026 opening. The 11,475-square-meter building along the Mississippi River features a glass facade, a public plaza shared with the historic Cossitt Library, a shaded courtyard, flexible gallery spaces, and a rooftop sculpture garden. The museum is among the first major US museums to use laminated timber construction. Updated renderings and construction images by Houston Cofield have been released, along with details of a curatorial shift that will organize the collection into 18 exhibitions focused on lived experience rather than traditional art historical chronologies.

Winslow Homer’s mountaineer and Bob Ross's valley view: our pick of the January auctions

The article highlights five notable artworks heading to auction in January 2025, spanning sales at Christie’s, Sotheby’s, Bonhams Skinner, and Heritage Auctions. Featured lots include Winslow Homer’s *A Mountain Climber Resting* (est. $1.5–2.5M) from the Max N. Berry Collection, Otobong Nkanga’s tapestry *The Pursuit of Bling: The Transformation* (est. £20,000–30,000), Bob Ross’s *Valley View* (est. $30,000–50,000), and Claes Oldenburg’s lithograph *Three Way Plug* (est. $3,000+). Each work comes with distinct provenance—from a Standard Oil heiress to a hardware pioneer—and reflects diverse market segments from blue-chip American painting to contemporary African art and pop-culture collectibles.

San Francisco museum rejects permanent space in favour of site-specific exhibitions

The Institute of Contemporary Art San Francisco (ICA SF) has abandoned plans for a permanent physical space, instead adopting a nomadic model focused on site-specific exhibitions. Its first project under this new approach launches during San Francisco Art Week at the Transamerica Pyramid Center, featuring installations by artists Lily Kwong and Tara Donovan. Kwong's EARTHSEED DOME is a 3D-printed soil structure embedded with native seeds that will bloom in the adjacent redwood grove, while Donovan's Stratagem series uses recycled CDs to create light-scattering columns inside the building's Annex Gallery.

The biggest international museum openings in 2026

A roundup of major international museum openings scheduled for 2026 highlights new institutions and expansions across the US, Europe, and the Middle East. Notable projects include the Lucas Museum of Narrative Art in Los Angeles, the Guggenheim Museum in Abu Dhabi, Kanal in Brussels, the relocated Memphis Art Museum, LACMA's David Geffen Galleries, and the Design Museum Gent in Belgium, among others.

The Year Ahead 2026: the big exhibitions and the key museum openings—podcast

In the first episode of 2026, Ben Luke, Jane Morris, and Gareth Harris preview the year's major art events, including museum openings, biennials, and exhibitions. Highlights include the Guggenheim Abu Dhabi, V&A East, and the Lucas Museum of Narrative Art, along with the Venice Biennale, Whitney Biennial, and shows dedicated to artists like Gainsborough, Raphael, Zurbarán, and Matisse.

10 Must-See Exhibitions in the US This Year (2026)

A preview of ten major art exhibitions opening across the United States in 2026, curated by art historian Emily Snow. Highlights include 'Frida: The Making of an Icon' at the Museum of Fine Art in Houston, a Mary Cassatt centenary show at the National Gallery of Art, a focused presentation of Matisse's 'Jazz' at the Art Institute of Chicago, the 82nd Whitney Biennial, and the first comprehensive Raphael exhibition ever staged in the U.S. at the Metropolitan Museum of Art. Other featured shows include 'America 250: Common Threads' at Crystal Bridges Museum and 'Manet & Morisot' at the Cleveland Museum of Art.

10 New York Museum Shows Worth Slowing Down for Over the Holidays

Late December offers a rare slowdown in New York's commercial art world, with most galleries closing around December 20, but museums remaining open. This creates an opportunity for visitors to spend quality time with exhibitions that often get lost in the city's relentless cultural calendar. The article highlights ten must-see museum shows in New York City, including "Wifredo Lam: When I Don't Sleep, I Dream" at MoMA—the first major U.S. survey of the Cuban artist's surreal, decolonial paintings—and "Anish Kapoor: Early Works" at the Jewish Museum, showcasing his pigment sculptures and Vantablack works.

A Calibrated Market: How 2025 Shaped the Landscape for Collectors in 2026

The article analyzes the art market in 2025, describing a year of divergence rather than a single trend. While aggregate sales remained below post-pandemic peaks, the year ended with a billion-dollar New York auction week, a record-setting Klimt portrait, and strong demand for exceptional works. Segments like Old Master auctions and the $1 million–$10 million band saw growth, while the ultra-contemporary segment struggled. Key events included the May marquee auctions in New York, the second edition of Art Basel Paris, and November sales at Christie’s and Sotheby’s, which demonstrated a split-level market with record highs at the top and discipline elsewhere.

Crocker’s new leader secures famous art for Sacramento: ‘Everyone’s looking for Frida’

Agustín Arteaga has become the new CEO of the Crocker Art Museum in Sacramento, taking over the role on July 1 after a global career leading museums in Mexico, Argentina, and Texas. In a major early achievement, he secured Frida Kahlo's 1947 painting "Self-Portrait with Loose Hair" for the museum's exhibition "Making Moves: A Collection of Feminisms"—the first time a Kahlo original has ever been displayed at the Crocker. The painting is on loan from a private collection through May 3, 2026, and has drawn record crowds to the museum.

7 Shows to See During Miami Art Week 2025

Frieze has published a guide to seven must-see exhibitions during Miami Art Week 2025, highlighting a diverse range of shows across the city. Featured presentations include a solo exhibition of new works by artist Tschabalala Self at the Bass Museum of Art, a survey of Afro-Cuban abstraction at the Pérez Art Museum Miami, and a group show of emerging Latin American artists at the Rubell Museum. Other notable exhibitions include a site-specific installation by Olafur Eliasson at the Institute of Contemporary Art, Miami, and a retrospective of the late painter Purvis Young at the Museum of Contemporary Art, North Miami.

Portland Art Museum’s Black Art and Experiences Galleries Are an Art World Game Changer

The Portland Art Museum has launched its new Black Art and Experiences Initiative, a permanent, multigallery project that debuts with the reopening of the Rothko Pavilion. The initiative includes four galleries dedicated to Black art, community reflection, artist residencies, and partnerships with Black-led organizations, guided by local Black artists, curators, and advocates. It follows a series of earlier exhibitions—including 'Constructing Identities' (2017), 'All Things Being Equal' (2018), and 'Black Artists of Oregon' (2023)—that built momentum toward this institutional commitment.

A vocabulary of touch: exhibition of sculpture by blind and partially blind artists opens in Leeds

The Henry Moore Institute in Leeds has opened "Beyond the Visual," the first major UK exhibition of sculpture centered on blind and partially blind artists and curators. Co-curated by Ken Wilder, Aaron McPeake, and Clare O'Dowd, the show features works by 16 international artists including Henry Moore, Barry Flanagan, Lenka Clayton, Emilie Louise Gossiaux, David Johnson, and others. The exhibition prioritizes touch, sound, and sensory engagement, with all objects available to handle, textured flooring mats, high-contrast signage, and audio descriptions. It includes new commissions such as David Johnson's "Nuggets of Embodiment" (2024-25), made of 10,000 stone-plaster Digestive biscuits with Braille text.

Right to Rest

The Denver Art Museum (DAM) created a visitor experience for the exhibition "Composing Color: Paintings by Alma Thomas from the Smithsonian American Art Museum" that centered on rest and well-being, inspired by Thomas's belief that art should offer beauty and restoration. The exhibition team, including an interpretive specialist, layered inclusive design practices such as specific interventions for rest, aiming to make Black audiences, disabled audiences, and older audiences feel comfortable and welcome. The DAM's Lifelong Learning and Accessibility division applied universal design principles and well-being outcomes to support the exhibition's goal of honoring Thomas's vision of art as a restorative space.

An Exhibition in Dallas Challenges the Traditional Notions of Jewelry

The Dallas Museum of Art has opened "Constellations: Contemporary Jewelry at the Dallas Museum of Art," its largest-ever exhibition of contemporary jewelry, featuring over 350 pieces by 233 artists spanning eight decades. Curated by Sarah Schleuning, the show emphasizes conceptual ideas over material value, with works made from unconventional materials like found objects, zinc, steel, and fair-trade gold. Highlights include pieces by Iris van Herpen, Andrea Branzi, Harry Bertoia, Ute Decker, Art Smith, and merry renk, displayed in a design by artist and architect Jarrod Beck. A 456-page catalog accompanies the exhibition, which runs through May 3, 2026.

Phillips Collection sells O’Keeffe and other masterpieces amid outcry from supporters

The Phillips Collection in Washington, D.C., sold three masterworks from its permanent collection at auction on Thursday evening for a combined $13,413,000. The deaccessioned works were by Georgia O’Keeffe, Arthur Dove, and Georges Seurat. The sale proceeded despite strong outcry from some of the museum's influential supporters, who viewed the decision as a betrayal of the founders' vision and accused the director and board of prioritizing financial gain over the institution's mission.

In 1960s New York, three single mothers bought a house together and turned it into a thriving live/work space

A new documentary film, *Artists in Residence*, premiered on November 14 at the DOC NYC film festival, telling the story of three single mothers—painters Lois Dodd and Eleanor Magid and the late sculptor Louise Kruger—who bought a former factory in New York's East Village in 1968. Denied a mortgage because single women could not apply for credit until 1974, they secured a loan from their landlord and transformed the building into a live/work space where they raised their children and pursued their art. The film, produced by Katie Jacobs, explores how each woman prioritized her creative practice while contributing to the city's cultural fabric.

Children curate exhibition of Clyfford Still works inspired by their reservation

The Clyfford Still Museum in Denver has handed curatorial authority to 100 children from the Confederated Tribes of the Colville Reservation for the exhibition "Tell Clyfford I Said ‘Hi’" (on view until May 10, 2026). The show features works by Clyfford Still, who in 1936 traveled to the Colville Reservation with colleague Worth Griffin to document tribal members and landscapes. The museum collaborated with tribal youth from three schools—Nespelem School, Nespelem Head Start, and Hearts Gathered Montessori—who selected artworks from facsimiles of Still’s paintings and photographs, drawing connections between his abstract works and their own cultural experiences, such as a student noting that a painting resembled a pow wow blanket.

Miami collectors donate 36 works by African and diaspora artists to Tate

Miami-based collectors Jorge and Darlene Pérez have donated 36 works by 15 artists from Africa and the African diaspora to Tate. The gift includes photographs by Seydou Keïta, paintings by Cheri Samba, a hanging piece by El Anatsui, and works by Joy Labinjo, Wangechi Mutu, Rotimi Fani-Kayode, Buhlebezwe Siwani, Bruce Onobrakpeya, and Gavin Jantjes. The donation also comes with a multi-million dollar endowment to support curatorial research on African and Latin American art, funding a dedicated curatorial post currently held by Osei Bonsu.

German artist Anselm Kiefer featured in new Saint Louis Art Museum exhibit

The Saint Louis Art Museum (SLAM) unveiled German artist Anselm Kiefer's exhibition "Becoming the Sea" on October 18, 2025, after 2.5 years of development. Spanning nearly 30,000 square feet, the show features enormous paintings shipped from Kiefer's Paris suburb studio, some cut into sections to fit shipping constraints. The exhibition includes works influenced by Kiefer's wife's hospitalization, his studies as a constitutional lawyer, and themes of anti-nationalism and philosophy. Kiefer requested no stanchions in front of artworks and that window shades remain up to encourage visitor immersion and connection with the outdoors.

Baltimore Museum of Art receives $10m gift to support education initiatives

The Baltimore Museum of Art (BMA) has received a $10 million gift from the Stoneridge Foundation, founded by philanthropists Amy and Marc Meadows, to support its art education department. This is the largest single donation in the museum's history. The funds will expand educational initiatives including transportation for school visits, free family activities, a two-year pass system for students, teaching apprenticeships for undergraduates from nearby universities like the Maryland Institute College of Art, and new educator positions. The gift also supports a series of events exploring museums as civic organizations and fostering diversity in the field.

Remembering Sylvio Perlstein, the Belgian art collector and jeweller, who died aged 94

Sylvio Perlstein, the Belgian art collector and jeweller, died at age 94 in Antwerp, where he was born in 1931. A third-generation gem-cutter from a diamond dynasty, he fled the Nazis with his Jewish family to Brazil as an infant, reinventing himself as "Sylvio." His collecting began as an adolescent in Rio, where he bought a strange painting from a florist. Over decades, he amassed a major collection of 20th-century avant-garde art, befriending artists like Man Ray and Yves Klein, and acquiring works by René Magritte, Marcel Broodthaers, and Pablo Picasso. He was known for his discerning eye, seeking works that were "esquisito"—weird, strange, and different—rather than conventionally beautiful.

Monumental exhibition of works by Anselm Kiefer heads to the Saint Louis Art Museum

The Saint Louis Art Museum will host "Becoming the Sea," a monumental exhibition of works by German artist Anselm Kiefer, from October 18, 2025 through January 25, 2026. The show marks Kiefer's first U.S. retrospective in 20 years and features towering works up to 30 feet tall, including site-specific pieces inspired by the Mississippi and Rhine rivers. Curated by museum director Min Jung Kim and assistant curator Melissa Venator in direct collaboration with the 80-year-old artist, the exhibition will fill the museum's Sculpture Hall and contemporary galleries with over 30 loans from other collections, requiring custom installation systems and even the removal of a doorway to accommodate a large painting.

Exhibitions Celebrate Mead’s 75th Anniversary

The Mead Art Museum celebrated its 75th anniversary with a fall installation featuring three distinct exhibitions: Swapnaa Tamhane's immersive textile work "Spaces That Hold," "A Contentious Legacy: Paintings from Soviet Ukraine," and "Re/Presenting: An Activity Gallery." The opening transformed the museum into an interactive space where visitors could lie down, sit, or sing among hanging block-printed textiles, challenging traditional gallery norms. Tamhane's "Mobile Palace" (2020–2021), created with artisans Salemamad Khatri and Mukesh Prajapati, reinterprets Le Corbusier's Mill Owners' Association building as an ornament, while the Soviet Ukraine exhibition presents paintings from the 1960s–1980s that navigated propaganda and creative expression under state censorship.

Split Level Fair - DIARY: The beginnings of a new gallery & art fair brought to you by a painter.

Artist Jaqueline Cedar launched the inaugural Split Level Fair, a new art fair opening October 2–4, 2025 at Rimadesio NYC on Madison Avenue. The fair features 15 galleries presenting curated experiences with 1–3 artists each, including performances, video screenings, and affordable artworks. Cedar, a Columbia MFA graduate, started her gallery Good Naked Gallery out of her Brooklyn spare bedroom in 2019, and the fair represents an evolution of her curatorial practice.