A curated list of ten notable art exhibitions opening in Tokyo and its surrounding areas during the spring season has been published. The guide highlights a diverse range of shows across museums, galleries, and cultural institutions, providing essential details for visitors.
Un Rosso pour le Metropolitan
The Metropolitan Museum of Art in New York has acquired a painting by Rosso Fiorentino, a master of Italian and French Mannerism, after restoration revealed an earlier overpaint that had obscured the composition. The work, a Virgin and Child, now shows Saint John the Evangelist in the foreground at right, confirming it as an original by the artist.
The 2026 Met Gala, themed 'Costume Art,' took place at the Metropolitan Museum of Art, honoring the Costume Institute's spring exhibition on the role of the dressed body in art history. Co-chaired by Nicole Kidman, Venus Williams, Anna Wintour, and Beyoncé, the event featured A-list celebrities, pop stars, and tech titans on the museum's grand staircase, with a dress code of 'Fashion Is Art' encouraging guests to treat the body as a canvas. Notable attendees included Sabrina Carpenter, Doechii, Rosé, Gigi Hadid, Katy Perry, and Charli XCX, with many wearing custom designs from houses like Marc Jacobs, Saint Laurent, Thom Browne, and Jean Paul Gaultier.
The Metropolitan Opera has staged Gabriela Lena Frank's first opera, *El Último Sueño de Frida y Diego*, which imagines a supernatural reunion between Frida Kahlo and Diego Rivera on Día de los Muertos. The production, conducted by Yannick Nézet-Séguin and starring Isabel Leonard and Carlos Álvarez, uses magical realism to explore the couple's turbulent relationship, though it largely sidelines their Communist activism and Kahlo's queer affairs in favor of a simplified reconciliation narrative.
Cultured magazine's 2026 Met Gala coverage features a roundtable of critics and writers offering candid, often humorous takes on celebrity looks from the red carpet. Emma Chamberlain's hand-painted Mugler gown is widely praised as the most on-theme, while Troye Sivan's Prada homage to Robert Mapplethorpe and Chase Infiniti's Thom Browne trompe-l'œil dress also earn acclaim. Gabrielle Richardson calls for more color, noting the theme is about art, and criticizes the monochromatic trend. Mackenzie Thomas pans Alysa Liu's look as "prom" and "quinceañera," while others celebrate Naomi Osaka's Robert Wun Couture and Connor Storrie's Saint Laurent ensemble. The article is structured as a series of short, punchy quotes from multiple contributors, each focusing on specific attendees' fashion choices.
Ivy Getty, an American model and philanthropist, collaborated with Parisian designer Ludovic de Saint Sernin to create her Met Gala dress, inspired by the 1926 illustration *L’Eclat de l’Or* by Russian artist Erté. The sketch, originally for the show *The Golden Fables*, was chosen from Getty’s mood board; the pair later discovered it is held in the Metropolitan Museum of Art’s archive, coinciding with its 100th anniversary. The final fringed gown debuted on the Met Gala red carpet, and the duo discussed the creative process in an interview.
Ivy Getty, an American model and philanthropist, collaborated with Parisian designer Ludovic de Saint Sernin on her 2025 Met Gala look. The design was inspired by a 1926 illustration titled *L’Eclat de l’Or* by Russian artist Erté, originally created for the show *The Golden Fables*. Getty's mood board included vintage sketches and imagery from the 1920s, and the pair discovered that the original artwork is held in the Metropolitan Museum of Art's archive, which they visited in person. The final dress features a fringe-lined reinterpretation of the historic design, and the article includes an interview with the duo about their creative process and the experience of preparing for the event.
Alex Da Corte, known for his dreamlike installations such as the Big Bird piece on the Met's roof, is taking on a new role as curator. He is co-organizing the Whitney Museum's upcoming Roy Lichtenstein exhibition with Meg Onli, the largest Lichtenstein show in New York since 1993. In a Q&A for Cultured's 2026 CULT100 honorees, Da Corte discusses his influences, including poet Miyó Vestrini and filmmakers Len Lye and Todd Haynes, and reflects on his six-year preparation for the show.
Marcel, a new restaurant, opened on April 17 in the lower level of Sotheby’s new home at the Marcel Breuer building on the Upper East Side. Designed by Roman and Williams in partnership with the auction house, the space features walnut-paneled walls, an open kitchen, and a pâtisserie. Chef Marie-Aude Rose, who also oversees La Mercerie downtown, created a “continental” menu rooted in French technique but influenced by Breuer’s Hungarian heritage, with dishes like chicken paprikash and lobster bisque with turmeric and ginger. The wine list comes from Sotheby’s own collection, allowing guests to purchase bottles they enjoy during their meal.
YoungArts hosted its 2026 gala at the Metropolitan Museum of Art's Temple of Dendur, honoring actor Marisa Tomei with the Arison Award and featuring ballerina Misty Copeland and artist Glenn Ligon as honorary co-chairs. The event drew a crowd of notable arts figures including Mikhail Baryshnikov, Anne Pasternak, Max Hollein, Cecilia Alemani, and artists KAWS, Taryn Simon, and Camille Henrot, with performances by YoungArts alumni directed by Caleb Teicher.
Los Angeles-based artist Lauren Halsey has realized a long-held dream with the opening of "sister dreamer," a public sculpture park at the corner of Western Avenue and 76th Street in South Central LA. The park features eight 22-foot-tall pillars modeled after local heroes, sphinxes, benches, fountains, native plants, and gardens, and will remain for 18 months before finding a permanent home. It also serves as a hub for Halsey's nonprofit Summaeverythang Community Center, offering free programming in art, education, and wellness, including partnerships with the Broad, tutoring, yoga, and community dinners.
Art critic and writer Jarrett Earnest travels to Warsaw for the opening of "The Woman Question 1550–2025," a major survey of women artists curated by Alison M. Gingeras at the Museum of Modern Art (MSN Warsaw). The exhibition features nearly 200 works spanning from Renaissance to contemporary art, including pieces by Artemisia Gentileschi, Frida Kahlo, Lisa Yuskavage, and many Eastern European artists. Earnest reflects on the enduring theme of the female nude and the political context of Poland, where far-right policies have restricted women's rights.
Max Hollein, director and CEO of the Metropolitan Museum of Art, discusses the institution's upcoming major projects in an interview with a chair of the Met's Vanguard Council. These include the groundbreaking of the new Tang Wing for Modern and Contemporary Art, designed by Frida Escobedo, a major Raphael exhibition, and the Met Gala co-chaired by Beyoncé. Hollein reflects on the launch of the Vanguard Council, a next-generation patron group, and the museum's efforts to engage younger audiences.
Cultured magazine has published a winter exhibition guide for New York museums, highlighting six major shows running through early 2026. Featured exhibitions include Ayoung Kim's "Delivery Dancer Codex" at MoMA PS1, a survey of UFO-themed works at The Drawing Center, a Ruth Asawa retrospective at MoMA, Renoir drawings at the Morgan Library & Museum, Robert Rauschenberg's photography at the Museum of the City of New York, and Alexander Calder's circus at the Whitney Museum of American Art. Each entry provides dates, curatorial context, and visitor tips.
The article is a personal essay by a writer reflecting on the play "Purpose" and its depiction of a Black political family's home, which triggers memories of his own childhood in the Morehouse College president's residence. He observes a recent surge in popular culture's portrayal of Black bourgeois aesthetics, citing examples like the Met Gala exhibition "Superfine: Tailoring Black Style," Ralph Lauren's Oak Bluffs collection, and the HBO series "And Just Like That…" with its focus on the Todd Wexley family's art-filled apartment.
The Metropolitan Museum of Art has unveiled its 2025 Roof Garden Commission, titled *Ensemble*, by artist Jennie C. Jones. The installation features three upright sculptures made from concrete travertine and powder-coated steel, whose angular forms are inspired by musical instruments—a zither, an Aeolian harp, and a one-string instrument. A fourth red floor piece acts as a "conductor." The works are equipped with frets and strings that vibrate in the wind, inviting viewers to engage with them as both visual and sonic objects. The exhibition also includes collaborative programming, performances, and a publication with contributions from curator Lauren Rosati and artist Glenn Ligon.
CULTURED magazine partnered with Samsung to launch the "CULTURED Collection," a series of contemporary artworks available on the Samsung Art Store for owners of Samsung's The Frame and QLED TVs. A pop-up gallery in Chelsea, New York, and a dinner event celebrated the launch, featuring works by artists including Adam Pendleton, Dominique Fung, Oscar yi Hou, Theresa Chromati, Andrea Marie Breiling, Chris Martin, and Emma Webster. The event drew a cross-section of art and tech insiders, including Art Basel CEO Noah Horowitz, Samsung executives, and collectors.
CULTURED magazine gathered insider tips from its editors, contributors, and frequent museumgoers on how to save time, money, and enhance the experience when visiting New York museums. Hacks include entering the Metropolitan Museum of Art through the education center to avoid crowds, visiting free ground-floor galleries at the Whitney Museum and MoMA, and using MoMA's movie theater for cheap or free films. Other tips recommend Café Fledermaus at the Neue Galerie for a quicker meal, and the Noguchi Museum's membership discount on Akari light sculptures.
The Metropolitan Museum of Art is opening "When Objects Dream," the first exhibition to examine Man Ray's rayographs in the context of his broader oeuvre. Opening September 14, the show features over 60 rayographs alongside 100 paintings, objects, drawings, and films spanning the artist's career. The exhibition is supported by the haute couture house Schiaparelli, whose founder Elsa Schiaparelli was a close friend and collaborator of Ray's, both central figures in the 1920s Parisian avant-garde.
Alison Saar has been named the 2025 recipient of the David C. Driskell Prize by Atlanta’s High Museum of Art, recognizing her significant contributions to the African American art canon. The announcement was made in New York at a celebration held at the Fifth Avenue Hotel in partnership with CULTURED, with a formal gala planned for September featuring a performance by John Legend. Saar, a Los Angeles native known for her commanding sculptures and mixed-media works exploring race, gender, and spiritual identity, joins past honorees including Naomi Beckwith, Ebony G. Patterson, Amy Sherald, and Rashid Johnson.
Multi-disciplinary artist Jordan Roth staged a performance on May 7 at Palazzo dei Fiori in Venice during the Biennale preview week, where he tore apart vinyl prints of Renaissance painter Irene di Spilimbergo and reassembled them into collages within a gilt frame. The event, presented with Performance Space New York’s Visionaries Circle, was attended by Whitney Museum director Scott Rothkopf and dealer Kristin Hjellegjerde, following Roth's earlier appearance as a "living sculpture" at the Met Gala.
Hundreds of bottles filled with what appeared to be urine were discovered at the Metropolitan Museum of Art during the Met Gala on May 5, 2026, according to the New York Post. The protest was claimed by the anti-billionaire group Everybody Hates Elon, which targeted the event over Jeff Bezos serving as the gala's chair. The group left the bottles with signs labeling them a "Met Gala VIP toilet" and criticizing Bezos for alleged labor practices at Amazon, where workers reportedly feel forced to urinate in bottles due to lack of bathroom breaks. The group later clarified on Instagram that the bottles did not contain real urine.
The Denver Art Museum has repatriated a 1,500-year-old marble head of a bearded man to Turkey, following a successful restitution claim. The sculpture, which dates back to the fifth century BCE, was originally unearthed in the agora of the ancient city of Smyrna (modern-day Izmir) and was likely trafficked illicitly before entering the museum's collection. The artifact is now on public display at the İzmir Archaeology Museum.
New York City Mayor Zohran Mamdani and his wife Rama Duwaji will reportedly skip the 2025 Met Gala, breaking a long-standing tradition of mayoral attendance at the Metropolitan Museum of Art’s premier fundraiser. Sources suggest the decision stems from a conflict between Mamdani’s socialist political platform and the event's association with billionaire sponsors, specifically Jeff Bezos and Lauren Sánchez-Bezos.
The Manhattan District Attorney's Office returned 17 stolen antiquities and rare books, valued at over $1.5 million, to Italy and the Vatican in a restitution ceremony. The items include six rare 16th–17th century Chinese-language Jesuit books stolen from the Vatican Archives and other artifacts seized from institutions like the Morgan Library and the Metropolitan Museum of Art.
Researchers at the Fitzwilliam Museum have discovered that ancient Egyptian scribes used a primitive form of correction fluid to amend errors on papyrus scrolls. While preparing a 3,300-year-old copy of the Book of the Dead for the tomb of the scribe Ramose, conservators noticed white lines of huntite and calcite mixed with yellow orpiment used to slim down a painted jackal. This 'ancient Wite-Out' was specifically blended to match the cream-colored tone of fresh papyrus, concealing revisions made during the artistic process.
The Philadelphia Museum of Art is reversing its controversial rebranding decision, abandoning the name "Philadelphia Art Museum" and the acronym "PhAM" after widespread backlash. The museum will retain its new griffin logo but restore the original name, Philadelphia Museum of Art, across all platforms. The rebrand, developed with Brooklyn design studio Gretel at a cost of $1 million, was rolled out less than four months ago but met with public mockery and internal turmoil. The reversal follows the firing of CEO Sasha Suda, who filed a lawsuit over her ouster, and the appointment of Daniel Weiss, former CEO of the Metropolitan Museum of Art, as her successor. Chief marketing officer Paul Dien also resigned amid the fallout. The board voted unanimously to undo the name change after a survey commissioned by an interdisciplinary task force.
Daniel H. Weiss, the new director of the Philadelphia Art Museum, gave his first extensive interview to the Philadelphia Inquirer, defending the museum's board after the controversial firing of his predecessor, Sasha Suda. Suda was terminated in November for alleged misappropriation of funds, including a $39,000 salary increase over two years, which she claims was authorized and is now the subject of a lawsuit. Weiss, formerly president and CEO of the Metropolitan Museum of Art, stated the board does not need radical restructuring but acknowledged the museum faces a financial deficit and needs to address its widely ridiculed rebrand from the Philadelphia Museum of Art to the Philadelphia Art Museum (acronym PhAM). He has begun a listening tour with staff to assess problems, and the marketing chief who led the rebrand has since resigned.
Nearly 1,000 salaried and hourly workers at the Metropolitan Museum of Art voted on Friday to join Local 2110 of the United Auto Workers (UAW), creating one of the largest museum unions in the United States. The vote passed 542-172, covering staff across 50 departments including curators, conservators, librarians, and archivists. Roughly 100 ballots remain sealed due to a management challenge, to be resolved through arbitration after certification by the National Labor Relations Board. The union drive had been brewing for over four years, driven by concerns over job security, pay equity, and transparency.
On December 8, 2025, a repatriation ceremony in New York saw 43 looted antiquities returned to Turkey, including a 2nd-century marble head of Demosthenes from the Metropolitan Museum of Art, a Roman bronze statue of an emperor from collector Aaron Mendelsohn, and 41 terracotta reliefs from the Virginia Museum of Fine Arts. The returns resulted from a years-long investigation by the Manhattan District Attorney’s Office’s Antiquities Trafficking Unit into networks that plundered archaeological sites in Turkey and sold items with forged provenance.