Jim Dine's 1968 lithograph and collage 'Dorian Gray With Rainbow Scarf' is being offered for sale through Palm Beach Modern Auctions. The work, signed and numbered 119/200 from an A edition, was printed by Atelier Desjobert and Atelier LeBlanc in Paris and published by Petersburg Press in London. It is part of Dine's 'The Picture of Dorian Gray' suite and is listed with a starting bid available through Artsy's platform.
Paula Cooper Gallery in New York will present an exhibition of large-scale sculptures and drawings by Mark di Suvero from May 2 through July 17. The show features the debut of the kinetic sculpture 'Avanti!' (c. late 1990s), a human-intervention piece with a suspended beam that viewers can rock with their body weight, alongside the 1986 work 'Nelly' and the stainless steel 'Tables Turn’d' (2004), as well as a selection of works on paper including interactive "sliding drawings."
American artist Hernan Bas has created a series of 40 paintings critiquing modern tourism, set to open in May at Ca' Pesaro–International Gallery of Modern Art in Venice during the Biennale. Titled "The Visitors," the exhibition depicts young white male American tourists engaging in objectionable behaviors worldwide—from begpacking to visiting disaster sites—painted with Bas's signature attention to clothing details. The works were developed during a residency in Venice, a city emblematic of overtourism, in collaboration with Victoria Miro, Lehmann Maupin, and Perrotin galleries.
A roundup article lists numerous exhibitions closing in May 2026 across Paris and the Île-de-France region, including shows at the Fondation Louis Vuitton (Nocturne Calder #1) and Perrotin Gallery (Soulages–Hartung: Elective Affinities, Lee Mingwei's When Beauty Appears, and Susumu Kamijo's When I Think of You in Spring). The piece also highlights free-entry days at castles and museums in Yvelines and Seine-et-Marne, and the Parcours d’art de la Boucle de Seine open-studio event.
Goodman Gallery presents Carlos Garaicoa's first solo exhibition at its New York viewing room, titled 'Rituals and Liberty.' The show features eight works, including five reliefs that blend painting and photography, and sculptural models incorporating 19th-century French engravings. The exhibition precedes Garaicoa's solo show at Museo La Tertulia in Cali, Colombia, in May. Garaicoa, a Cuban-born artist based in Madrid, explores urbanism and how architecture reflects and shapes society, continuing his long-standing interest in decoding urban infrastructures.
Galerie Templon in Brussels is presenting a solo exhibition of Claude Viallat, celebrating the 60th anniversary of his signature bone-shaped motif. The show features around thirty recent experimental canvases and objects from 2024 to 2026, exploring his practice of repetition and variation on diverse fabrics and found materials.
Phoenix is hosting a diverse array of spring art exhibitions across the city. Highlights include the 19th Annual Erotic Art Show at Exposed Gallery, Amy Menousek's feminist fiber work at Five15 Arts, Rachel Rinker's interactive sound and painting show at Tempe Center for the Arts, a group show of Japanese artists in Arizona at Shemer Art Center, and the "Art is History" exhibition at Lisa Sette Gallery, which critically examines art historical narratives.
Monochrome painting master Ha Chong-Hyun will have his first North American museum retrospective at the Asian Art Museum of San Francisco (AAM) from September 25, 2026, to January 25, 2027. The exhibition, titled "Ha Chong-Hyun: Retrospective," will feature about 50 works spanning over 60 years, including his early Art Informel experiments, his politically charged works, and his iconic "Conjunction" series created with his signature Back Pressure Technique.
The representational and abstract painter Thelma Appel is seeing a resurgence in market and institutional interest, highlighted by the sale of her 2010 work "Worlds." This specific piece, part of her "Journey of the Tarot" series, was a centerpiece of her 50-year career retrospective at the Brattleboro Museum and reflects her unique fusion of Kabbalistic mysticism, landscape, and abstraction.
Grosvenor Gallery has announced the availability of a significant 1969 oil painting by M.F. Husain titled "Untitled (Head of a Horse)." The work, which features the artist's signature equine subject matter with bared teeth and exaggerated features, was recently showcased at Frieze Masters 2024 as part of the "South Asian Modernists in Paris" exhibition. The painting has a documented provenance involving the Vadehra Art Gallery and has been held in a private London collection since 2007.
Alpha 137 Gallery has listed a unique 1955 work on paper by American modernist Dorothy Dehner titled "Drawing for Sculpture." The piece, executed in brown marker on found stationery from a New York manufacturer’s agent, represents a pivotal moment in Dehner’s career when she transitioned from painting to the abstract sculpture for which she became famous. The work is hand-signed and dated, reflecting her early exploration of three-dimensional forms through graphic media.
Expo Chicago 2026 concluded with a strategic downsizing of its floor plan at Navy Pier, a move that drew praise from dealers for increasing the quality and manageability of the fair. Significant market activity was reported, including six-figure sales of works by Robert Nava and Luftwerk, alongside the distribution of the Northern Trust Purchase Prize which gifted several artworks to institutions like the Denver Art Museum and The Phillips Collection. Beyond the fair, the Illinois Arts Council announced over $325,000 in grants for public art projects commemorating the U.S. semiquincentennial.
EXPO CHICAGO 2026 has launched at Navy Pier with a streamlined, highly curated format that emphasizes quality over quantity. The fair’s opening days have been defined by robust institutional engagement, with several major museums acquiring works for their permanent collections. This year’s edition features a diverse array of artists and galleries, reinforcing its position as the premier contemporary art platform in the American Midwest.
The Los Angeles County Museum of Art (LACMA) is preparing for the public debut of its $724-million David Geffen Galleries, designed by Pritzker Prize-winning architect Peter Zumthor. Ahead of the April 19 member opening, public discourse has intensified following a series of reports detailing the building's architecture, the reinstallation of Alexander Calder’s "Three Quintains (Hello Girls)," and the project's massive budget. Reader reactions remain deeply polarized, reflecting a two-decade-long debate over the structure's unconventional design and its impact on the urban landscape.
The Philippine art scene is experiencing a surge of activity both domestically and internationally this April. Highlights include major presentations at Art Basel Hong Kong by The Drawing Room and 10 Chancery Lane Gallery, featuring artists like Mark Justiniani, Cian Dayrit, and Josephine Turalba. Locally, significant exhibitions are opening across Metro Manila, ranging from Geloy Concepcion’s social media-driven photography project at the Ateneo Art Gallery to a rebellious group show curated by Pow Martinez at Modeka Art.
Miami’s art scene is transitioning into the spring season with a diverse lineup of exhibitions across the city’s museums and private galleries. Key highlights include the Pérez Art Museum Miami’s exploration of sports and art, a duo photography show by Diana Larrea and Zonia Zena at Green Space Miami, and solo presentations by Richard Vergez at Homework and David Barnes at Andrew Reed Gallery. The month also features a fiber art-focused group show at The CAMP Gallery and a survey of works on paper by the late abstract painter Lynne Golob Gelfman at Central Fine.
The 61st Venice Biennale has begun announcing its lineup for the 2026 edition, which is scheduled to run from May 9 to November 22. While the main exhibition will follow a curatorial framework established by the late Koyo Kouoh, various nations have started naming the artists and curators who will represent them in the Giardini, the Arsenale, and satellite venues across the city.
Street artist Shepard Fairey has released a new limited-edition screenprint titled "Projection Mirror: ICE Paid Agitator" as part of his "FUCK ICE" series. The artwork features inflammatory rhetoric previously used by the Trump administration, redirected toward U.S. Immigration and Customs Enforcement (ICE) to highlight what the artist describes as the agency's pervasive brutality and dehumanizing attacks on immigrants. A portion of the proceeds from the sale of these prints will benefit the Coalition for Humane Immigrant Rights (CHIRLA).
Cornelia Stokes, the newly appointed assistant curator of the art of the African Diaspora at SFMoMA and MoAD, shares her top selections from Frieze Los Angeles. Her picks highlight a diverse range of artists including Narsiso Martinez, Ebony G. Patterson, Hugh Hayden, and Kenturah Davis, focusing on themes of migrant labor, the African Diaspora, and the intersection of personal history with material culture.
Mexico City Art Week 2026 is set to begin, featuring a dense schedule of exhibitions and art fairs. The event, anchored by the ZONAMACO fair, includes satellite fairs like Feria MATERIAL and SALÓN ACME, and is supported by a robust ecosystem of galleries and museums. The week is a key destination for international collectors and curators seeking to discover emerging artistic voices from Central and South America.
A flurry of gallery activity is scheduled for the week of February 2-8, 2026, in New York City. Numerous exhibitions are opening, including "Interstice: Whirled Music" at Kiang Malingue, "Everything She Touches" by Alix Vernet at Eric Firestone Gallery, and "Anima" by Felipe Baeza at Print Center New York. Concurrently, many shows are in their final days, such as "A Retrospective by Ruth Asawa" at the Museum of Modern Art, "FDR Drive Musel, 1984" by Keith Haring at Martos Gallery, and "West Coast Women of Abstract Expressionism" at Berry Campbell.
Expo Chicago, acquired by Frieze in 2023, will return to Navy Pier’s Festival Hall this April with around 130 galleries, a 23% reduction from the 170 exhibitors in recent editions. The fair frames this as a more focused, intentionally scaled format designed to deepen engagement, and it will be the first edition under new director Kate Sierzputowski, who succeeded longtime leader Tony Karman. The fair features a strong contingent of local Chicago dealers, international galleries from South Korea, Lagos, Milan, Dublin, and elsewhere, and partnerships with the Obama Presidential Center and the Galleries Association of Korea.
January brings a full slate of exhibitions across the Bay Area timed to San Francisco Art Week, headlined by the 12th edition of FOG Design+Art at Fort Mason Center (January 21-25). Galerie highlights nine must-see shows, including "100 Candleholders" at Blunk Space, where international artists create candleholders inspired by JB Blunk; "New Work: Sheila Hicks" at SFMOMA, featuring fiber installations tied to personal places; "The Houses Are Haunted By White Night-Gowns" at The Future Perfect, a furniture-and-bowls installation by Studio Ahead; and "Auudi Dorsey: What’s Left, Never Left" at Jonathan Carver Moore, where the painter excavates histories of African American leisure sites.
Artsy's January 2026 edition of 'Artists on Our Radar' highlights five emerging visual artists: Elladj Lincy Deloumeaux, Xiaochi Dong, and Bobbye Fermie (with two others implied). Deloumeaux, born in Guadeloupe and based in Paris, paints solitary figures exploring identity and displacement; his work is featured in a group show at Loft Art Gallery in Marrakech and he has a solo show upcoming at Musée de la Parure de Marrakech. Xiaochi Dong, a Shanghai-born artist trained in classical Chinese painting, creates intimate works evoking gardens and ecosystems, currently in a two-person exhibition at Albion Jeune in London. Bobbye Fermie, an Amsterdam-born London-based artist, produces dreamlike watercolors and collages, with works available at Wilder Gallery.
The article recaps the most memorable Denver art exhibitions of 2025, highlighting five standout shows from Front Range galleries and museums. Featured exhibits include Kent Monkman's provocative retrospective "History is Painted by the Victors" at the Denver Art Museum, Bruce Price's "Harmonious Dissonance" at Redline Art Center, Black Cube Nomadic Museum's tenth-anniversary show "What We Hold On To," the textile group exhibition "Rosas y Revelaciones" at Museo de las Américas, and Melissa Furness's mid-career retrospective "Embedded" at the Arvada Center. Several of these exhibits remain on view through early January 2026.
Arnulf Rainer, a revolutionary figure in postwar Austrian art, has died at age 96. His death on 18 December was confirmed by his gallery Thaddaeus Ropac, which described him as one of the most influential artists of the post-war period. Born in 1929 in Baden, Austria, Rainer emerged as a leading figure of the Austrian avant-garde, known for his gestural paintings confronting the atrocities of the Holocaust and Hiroshima, and for his experimental self-portraiture. He was a founding member of Galerie nächst St Stephan in postwar Vienna, a vital hub for artists seeking alternatives to the conservative art world. His signature Übermalungen (overpaintings) involved painting over photographs and self-portraits with aggressive gestures, dense black strokes, and erasures, creating charged works where violence and vulnerability coexist.
The article presents a curated list of the sixteen best art shows in Jersey City from 2025, written by a critic who made a concerted effort to attend every exhibition in town over the past year. The list includes highlights such as Sarah Mueller's solo show "Reconstructions" at Art House Productions, the 5.7 Sculptors Guild exhibition spread across MORA Museum and Firmament Gallery, and Anna Collevecchio's installation at 150 Bay Street. Each entry is accompanied by descriptive commentary on the artists' techniques and thematic concerns.
The article surveys the art world's turbulent 2025, beginning with devastating Los Angeles wildfires that destroyed artworks and the political shockwaves of Donald Trump's re-election. Trump's administration targeted the National Portrait Gallery, whose director Kim Sajet resigned after threats of firing, while immigration crackdowns, tariffs on art imports, and attacks on diversity initiatives chilled the art community. The year also saw Venice residents protest Jeff Bezos's lavish wedding, Trump's gilded Oval Office renovations, and a major Veronese exhibition at the Prado that drew parallels between historical extravagance and decline.
Napoles Marty, a US painter and sculptor based between Connecticut and Rhode Island, has won the 2026 Frieze Los Angeles Impact Prize. The award includes $25,000 and a solo stand at the fair, which opens in late February at Santa Monica Airport. Marty, whose work draws on dream imagery and his Cuban heritage, was selected by a jury including collectors Allison K. Berg and Maisha C. Clark. He will collaborate with fair organizers and Diana Nawi, curator of special projects at the Los Angeles County Museum of Art, on his presentation. Marty was previously a member of the sixth cohort of Nxthvn, a Connecticut-based arts incubator founded by artist Titus Kaphar and impact investor Jason Price.
Glasstire's staff and contributors have compiled their personal "best of" lists for 2025, highlighting standout Texas-based exhibitions, events, and artworks. Notable mentions include Victoria Gonzales' solo show "Stay" at the Moncrief Cancer Institute, curated by Chris Wicker, which explores memory through dreamlike paintings; the exhibition "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth, praised for its bold experimentation with color and texture; the community-driven group show "A Good Gathering" at The Pool in Fort Worth; and the Lorne Michaels Collection exhibition at the Harry Ransom Center, offering an inside look at the Saturday Night Live creator's archive. The list also features the Corsicana Artist and Writer Residency's open studios and a performance by Houston Contemporary Dance Company.