This article presents Ed Ruscha's artist book "Records" (1971), a photographic survey of thirty vinyl records from his personal collection, offered by Lot 180 Gallery New York. It describes the work as a first edition offset printed book in good vintage condition, measuring 7 x 5.5 inches, from an edition of approximately 2,000 unsigned copies published by Heavy Industries Publications in Los Angeles.
Alejandra Phelts presents her new exhibition 'Echoes of Movement' at the Crain Art Gallery in Crowell Public Library, opening with a free public reception on May 9, 2026. The show features paintings that explore the body as a space of transformation, drawing on Phelts' background in music, philosophy, and sewing. Phelts, a Mexican border artist, shifted from studying philosophy in France to fine arts after realizing art was a necessity, and her work has been shown internationally, including at the Venice Biennale and the Louvre.
The 61st Venice Biennale, the world's most prestigious art exhibition, opens under unprecedented turmoil. For the first time, its vision was shaped by the late Cameroonian curator Koyo Kouoh, who centered artists from Africa and its diaspora. However, political conflicts over Russia and Israel have overshadowed the art. All five jurors resigned after the Italian culture minister investigated their decision to withhold prizes from Russia and Israel over alleged crimes against humanity. Protests erupted at the Russian pavilion, with Pussy Riot activists denouncing Russia's participation, while the Israeli pavilion artist threatened legal action over the jury's snub. The Biennale will proceed without a jury, with visitors voting for two awards, and the fate of the Golden Lion remains uncertain.
Khaled Sabsabi will represent Australia at the 61st Venice Biennale in 2026 with two major installations. At the Australia Pavilion, he presents "conference of one's self," an immersive multisensory installation featuring eight monumental canvas paintings, suspended video projectors, and an analogue soundscape, all inspired by the 12th-century Sufi allegory "The Conference of the Birds." In a historic first for an Australian artist, Sabsabi also debuts a second work, "khalil," in the Biennale's main exhibition "In Minor Keys" curated by Koyo Kouoh at the Arsenale. Both works explore spirituality, migration, and shared humanity through a Sufi philosophical framework.
Asher Remy-Toledo, a visionary gallerist, curator, and collector, has passed away after a career spanning over three decades. He founded influential initiatives including Remy Toledo Gallery in Chelsea (2004), Hyphen Hub (2013), No Longer Empty (2009), and Yuanfen Gallery in Beijing, the first new media gallery in mainland China. Remy-Toledo was a tireless champion of women artists, supporting figures such as Carolee Schneemann, Judy Chicago, Mary Beth Edelson, and Ana Mendieta, as well as emerging international artists. He also amassed significant private collections, including works by the article's author and Schneemann's Infinity Kisses series.
Mira Godard Gallery in Yorkville is hosting the Takao Tanabe 100th Birthday Exhibition this May, celebrating the centenary of the renowned Canadian landscape artist. Tanabe, born in 1926 in Seal Cove, B.C., studied at the Winnipeg School of Art and the Brooklyn Museum of Art School under Hans Hoffmann, later working in New York, London, and Japan before teaching at Emily Carr University of Art and Design. The gallery has represented Tanabe for nearly 55 years, and the exhibition features paintings and prints directly from his studio, focusing on British Columbian and Prairie landscapes.
The Hayward Gallery in London is presenting 'Leap Year', the first major UK survey of internationally celebrated artist Haegue Yang. The exhibition spans Yang's career from the early 2000s to the present, featuring key works from her Light Sculptures and Sonic Sculptures series alongside three new commissions. Yang's practice incorporates a vast range of media—from paper collage and performative sculpture to immersive sensory installations—using household and industrial objects such as drying racks, light bulbs, metal-plated bells, and hanji (Korean paper) to explore themes of labour, migration, and displacement.
The article covers the Berlin Gallery Weekend, highlighting a cluster of exhibitions around Checkpoint Charlie. It features light art, political sculpture, textile experiments, and spatial interventions. Among the participants is Galerie Max Goelitz, which presents James Turrell's light installation series "Small Elliptical Glass 'First Cause'" (2024) at its Berlin space in Rudi-Dutschke-Straße, as part of the "Perspectives" section.
Cap sur la Bretagne ! 5 galeries d’art à visiter à Rennes
Beaux Arts Magazine highlights five art galleries to visit in Rennes, France, a city already known for its Musée des Beaux-Arts, art centers 40mcube and La Criée, and a spectacular Frac designed by architect Odile Decq. The featured galleries include Oniris, which celebrates 40 years and the centenary of artist François Morellet in 2026; Jonathan Roze, a newcomer from Paris now located on Place du Parlement; Mica, a gallery in Saint-Grégoire run by former cabinetmaker Michaël Chéneau; and Divet, an even older gallery with a strong Breton identity.
The Queensland Art Gallery | Gallery of Modern Art (QAGOMA) has exported a major exhibition, "Rising Voices: Contemporary Art from Asia, Australia and the Pacific," to the Victoria & Albert Museum in London. The show, which runs until January 10, 2027, features works collected over 30 years through QAGOMA's Asia Pacific Triennial of Contemporary Art, including pieces by Australian artists Michael Cook, Naomi Hobson, Shirley Macnamara, Ken Thaiday Sr, and Judy Watson, as well as artists from China, Japan, New Zealand, Sri Lanka, Papua New Guinea, and beyond.
Lucrecia Lionti, an Argentine textile artist from Tucumán, is the subject of a feature examining her solo exhibition "Grafismos desterrados" at Sorondo Projects in Barcelona (2026). The article details how Lionti's practice, spanning over fifteen years, merges modern art with craft, using textiles as a political and affective device. It highlights her involvement since 2018 with the feminist collective La Lola Mora – Trabajadoras de las Artes de Tucumán, and her recent exhibition at MALBA titled "Fabril la mirada." The show presents works where language becomes material—woven, knotted, and frayed—featuring illegible marks that blur writing and drawing, evoking loss and exile.
A comprehensive roundup lists dozens of art exhibitions currently on view in Boulder, Longmont, and Lafayette, Colorado, spanning venues from commercial galleries and nonprofit art centers to libraries and museums. Featured shows include "Tres Voces, Un Corazón" at the Boulder Museum of Contemporary Art, featuring three members of one family—Sylvia Montero, Tony Ortega, and Cipriano Ortega; "We Choose Earth" by Jorge Vinent at Ana’s Art Gallery; and "Black Futures in Art – Genome Speaks What Erasure Cannot Silence" at the Collective Community Arts Center. Other highlights include "Threaded Narratives" by the Colorado South Asian Artist Group, "Unfinished" by Lewis TallBull at the Dairy Arts Center, and "Boulder Eats! Traditions Along the Front Range" at the Museum of Boulder.
The Abroms-Engel Institute for the Visual Arts (AEIVA) at the University of Alabama at Birmingham presents “Living and Working,” a survey exhibition of artist Erin Jane Nelson, running through September 26. This is Nelson’s largest solo exhibition to date and her first survey, spanning a decade of her practice across photography, textiles, and ceramics. The exhibition will travel to the Knoxville Museum of Art in August 2027, and AEIVA is co-publishing an exhibition catalog with Institute 193. The opening reception is May 21, and free community programming includes summer drop-in tours, a pinhole camera workshop, Science Nights in partnership with the Birmingham Zoo, and a chamber music event.
The article titled 'Actions for the Earth: Art, Care & Ecology' discusses an exhibition or initiative that explores the intersection of art, environmental care, and ecological awareness. It likely highlights how artists and cultural institutions are responding to climate change and ecological crises through creative practices and community engagement.
D Lan Galleries is presenting 'Significant', a major exhibition of secondary-market Australian First Nations art, running from 14 May to 27 June 2026 across its spaces in Melbourne, Sydney, and New York. The show features the Carey Lyon and Jo Crosby Collection, including rare early Papunya paintings from 1971–1972, such as Shorty Lungkata Tjungurrayi's 'Man Dreaming 1972' and Kaapa Mbitjana Tjampitjinpa's 'Honey Ant Travelling Dreaming 1971', alongside later works by Emily Kam Kngwarray, Mirdidingkingathi Juwarnda Sally Gabori, and Nyapanyapa Yunupiŋu.
Kelly Akashi presents her first exhibition with Lisson Gallery in New York, titled 'Heirloom,' featuring a new body of work that explores loss, grief, and absence through sculpture. The exhibition includes bronze, Corten steel, flame-worked glass, and carved stone pieces, many inspired by her garden and personal artifacts like an inherited stone ring and her grandmother's lace tablecloth. It coincides with her participation in the 2026 Whitney Biennial and a commission for John F. Kennedy International Airport's New Terminal One.
The Birmingham Museum of Art (BMA) announced it will unveil a landmark exhibition titled "Roll Call: Two Hundred Years of Black American Art" in September 2026. The show features 99 works drawn entirely from the museum's permanent collection, tracing two centuries of Black artistic production. Organized in four thematic sections—The Ground We Stand On, Ujima: Collective Work and Responsibility, What Freedom Feels Like, and In the Heart of It All—the exhibition highlights the museum's history of collecting Black art, which began in 1971 and now includes over 1,000 works by 250 Black artists. The exhibition coincides with the museum's 75th anniversary and runs from September 26, 2026 to January 17, 2027.
Gala Porras-Kim presents her first exhibition at kurimanzutto in Mexico City, titled "Future spaces replicate earlier spaces," running from April 11 to June 13, 2026. The show brings together works that examine how museums and conservation institutions reclassify objects removed from their original contexts, using reconstruction and resituating to explore their spatial, material, and temporal conditions. Central to the exhibition is the installation "The motion of an alluvial record" (2024), which recreates the humid marshland atmosphere of the Yucatán Peninsula inside the gallery, contrasting with the controlled climates of museums. Other works include drawings replicating wall decorations from the Techinantitla complex in Teotihuacan, which were fragmented and sold on the black market, and graphite drawings of objects by artist Brígido Lara, whose "original interpretations" of Totonac ritual clay objects were mistakenly catalogued as Pre-Hispanic artifacts in major museums.
Lisson Gallery, in collaboration with Matthew Marks Gallery, will present the first solo exhibition of Ken Price's work in the UK in nearly a decade. The show brings together sculptures and drawings, several shown in London for the first time, spanning the late American artist's five-decade career. Best known for expanding the possibilities of ceramics, Price created intimate yet monumental works that blend abstraction and figuration, with richly layered surfaces achieved through painstaking pigment and sanding processes. The exhibition includes iconic pieces such as 'Prone' (1997), 'Itself' (2003), 'Yin' (2009), and 'Amazon' (2003), alongside rarely seen works on paper that reveal his imaginative, dreamlike landscapes.
A free reception for the exhibition “Bridges of Belonging: Cinco de Mayo, Bi-National Identity, and the Spirit of Chignahuapan” will be held on May 1 at the Clark County Government Center Rotunda Gallery in Las Vegas. The event, themed “Puentes de Pertenencia,” features live music, cultural performances, visual arts, and food, with the exhibit on display through May 28.
The Sovereign Asian Art Prize, now in its 22nd year, has announced its 2026 shortlist of 30 artists from 12 Asia-Pacific countries and territories. Among the finalists are three Filipino artists: Joey Cobcobo, Josephine Turalba, and Alvin Zafra. Cobcobo's nominated work, "Ika-8 Utos: Wag Kang Kukurap (Thou Shall Not Steal)," addresses corruption in the Philippines using a recycled canvas walked on by the public. Turalba, a transdisciplinary artist, has exhibited at Art Basel Hong Kong 2025 and serves as director of the Artistic Research Center at Philippine Women's University. The prize is run by the Sovereign Art Foundation, with proceeds from shortlisted works supporting its Make It Better charity program for children in Hong Kong.
Andrew Kreps Gallery in New York presents 'Head Stretch,' a group exhibition featuring Felipe Barsuglia, Allan Gandhi, Luciana Maas, Flora Rebollo, Gokula Stoffel, and Erika Verzutti. The show is rooted in a shared studio building in São Paulo called 'Predinho,' where friendships and creative exchanges among the artists led to the exhibition. The title reflects diverse interpretations: from craning to see another's work to the stretched proportions of figures in paintings, and the expansion of perspective through community. Works by the six artists, including paintings, sculptures, and drawings, are installed in ways that create new associations, with Verzutti inserting her own pieces to open them to fresh readings.
The 2026 Met Gala, themed 'Costume Art,' took place at the Metropolitan Museum of Art, honoring the Costume Institute's spring exhibition on the role of the dressed body in art history. Co-chaired by Nicole Kidman, Venus Williams, Anna Wintour, and Beyoncé, the event featured A-list celebrities, pop stars, and tech titans on the museum's grand staircase, with a dress code of 'Fashion Is Art' encouraging guests to treat the body as a canvas. Notable attendees included Sabrina Carpenter, Doechii, Rosé, Gigi Hadid, Katy Perry, and Charli XCX, with many wearing custom designs from houses like Marc Jacobs, Saint Laurent, Thom Browne, and Jean Paul Gaultier.
A 2022 Spanish law has quietly triggered a wave of restitutions of art looted during the Spanish Civil War, more than 50 years after dictator Francisco Franco's death. The Museo del Prado has identified 166 confiscated artworks in its collection, including works by Joaquín Sorolla and Pedro Atanasio Bocanegra, and has begun returning pieces such as a panel painting by Maestro de Lupiana to the parish of Yebes. Scholar Arturo Colorado Castellary has uncovered over 26,000 confiscated objects, with around a third never returned to their owners, many deposited in museums, churches, and public administrations.
The Corning Museum of Glass (CMoG) opened "Tough Stuff: Women in the American Glass Studio" on May 16, 2026, as part of its 75th anniversary celebration. This is the first survey exhibition dedicated to women artists who shaped the American Studio Glass Movement from the 1960s onward, featuring over 200 works by artists including Claire Falkenstein, Audrey Handler, Margie Jervis, Susie Krasnican, Kathleen Mulcahy, Ginny Ruffner, Ruth Tamura, and Toots Zynsky. The exhibition draws from CMoG’s permanent collection, the Rakow Research Library, and loans from the artists, and is complemented by an oral history initiative preserving first-person accounts.
A new exhibition at the American Museum of Natural History in New York, titled "For the Win," showcases championship rings, trophies, medals, and jewelry spanning nearly 150 years of US sports history. Highlights include Jesse Owens's 1936 Olympic gold medal, Breanna Stewart's 2024 WNBA championship ring, the 1877 NYPD Medal of Valor, and items from Kevin Durant and the Seattle Seahawks. The exhibition, timed to the upcoming World Cup, is housed in the museum's gems and minerals space to emphasize craftsmanship.
Rome's Galleria Borghese, a 17th-century villa museum housing masterpieces by Caravaggio, Bernini, and Canova, is facing controversy over a privately funded feasibility study for a potential expansion. Sponsored by Italian engineering firm Proger, the €900,000 initiative would fund an international architecture competition to explore adding exhibition and visitor space to the Villa Borghese Pinciana grounds. Museum officials cite operational constraints: the historic interiors limit access to 360 visitors per two-hour slot (about 4,000 daily), reservations require weeks of waiting, many works remain in storage, and accessibility is poor. Visitor numbers hit a record 630,760 in 2025, up from 506,000 a decade earlier. Preservation groups including Italia Nostra Roma and Amici di Villa Borghese have objected to any new construction in the sensitive historic landscape. Director Francesca Cappelletti emphasized at a May 18 press conference that no project exists yet and the museum is only beginning a study process, with a winner possible by year's end.
The Palm Springs Art Museum in California has released a three-page statement claiming that an investigation into a whistleblower complaint alleging mismanagement, fraud, and theft found no wrongdoing. The complaint included allegations of improper reclassification of endowment funds, a $3 million discrepancy in investment accounts, and the forced departure of a former director. The museum hired law firm Barnes & Thornburg and forensic accounting firm RSM US to conduct a six-month review, but declined to release the resulting report to ARTnews or the public. The museum acknowledged that proceeds from deaccessioned artworks were used for operating expenses, calling it a long-standing board-approved practice with an internal loan being repaid by 2030.
The British Museum has revealed its plans for displaying the nearly 1,000-year-old Bayeux Tapestry when it arrives on loan from France later this year. For the first time in recent history, the 230-foot-long embroidered narrative of the Norman Conquest will be laid flat in a bespoke case, allowing visitors to view all 58 scenes in a single unbroken display. The exhibition, supported by a £5 million pledge from WorldQuant CEO Igor Tulchinsky, will also feature loans including the Junius II manuscript from Oxford's Bodleian Libraries and silver coins from the Chew Valley Hoard. Tickets for the ten-month show, opening September 10, cost £25–£33.
Photo London, the UK's leading photography fair, launches its 11th edition at a new venue, Olympia in Kensington, London, running from 13–17 May 2026. The fair features a diverse array of exhibitors, including debutants like Agony and Ecstasy gallery, which showcases nostalgic works of Ibiza by Oriol Maspons and Walter Rudolph, and Hackney-based Guest Editions, presenting Laura McCluskey and Thomas Duffield. A new 'Focus' section highlights galleries from Latin America and Central and Eastern Europe, such as Ungallery (Argentina) and Galeria Monopol (Poland). Notable presentations include vintage prints by Japanese master Daido Moriyama at Akio Nagasawa Gallery, and Ketaki Sheth's series 'Twinspotting' at Photoink, which pairs Patel twins in the UK with those in India.