A major retrospective exhibition dedicated to John Giorno, titled "The Performative Word," has opened at MAMbo, the Museum of Modern Art of Bologna. The show, curated by Andrea Bellini and Vincente Todolí, explores Giorno's multidisciplinary practice as a poet, artist, and activist, highlighting his collaborations and his innovative approach to making poetry a performative and visual experience.
Philanthropists Sandy and Stephen Perlbinder, who have been part of Long Island's East End cultural scene since 1969, are being honored at the Parrish Art Museum's annual midsummer gala in July 2025. The couple commissioned an oceanfront home from architect Norman Jaffe in Sagaponack and have filled it with a collection featuring works by Jack Pierson, Almond Zigmund, Constantino Nivola, Roni Horn, Jenny Holzer, Mel Kendrick, Lynn Chadwick, Claude Lawrence, and others. Sandy serves as vice president of the museum's board of trustees, and the couple previously supported a Jaffe retrospective at the Parrish in 2005.
The Frick Collection in New York has announced a three-year partnership with Louis Vuitton, under which the fashion house will sponsor three upcoming exhibitions, a curatorial research associate position, and a year of the museum's free First Fridays program. The partnership launches with Louis Vuitton's Cruise 2027 collection show, designed by Nicolas Ghesquière, held in the Frick's first-floor galleries on May 20. The sponsored exhibitions include “Siena: The Art of Bronze, 1450–1500” (fall 2025), “Painting with Fire: Susanne de Court and the Art of Enamel” (spring 2027), and a third exhibition on 19th-century paintings (late 2027). The Louis Vuitton Curatorial Research Associate will be Yifu Liu, currently a curatorial fellow at the Frick, who will research Asian porcelain and cross-cultural exchange between Europe and China.
A Lucas Cranach the Elder painting, *Cupid complaining to Venus* (1526–27), once hung in Adolf Hitler's Munich apartment, according to a report by the Art Newspaper. The work was identified in a 1940s photograph published in a 1978 furniture catalog and later in a 2023 article by art historian Birgit Schwarz, who confirmed Hitler's ownership via a 2006 discovery of an album at the Library of Congress. After World War II, American journalist Patricia Lochridge took the painting from a warehouse in Berchtesgaden and smuggled it to the US. The National Gallery in London acquired it in 1963 from A. Silberman Galleries, which falsely claimed it came from the 1909 auction buyer's heir; it had actually been purchased from Lochridge.
A rare photograph from the early 1940s reveals that Lucas Cranach the Elder's painting *Cupid complaining to Venus* (1526-27), now a masterpiece in the National Gallery, London, once hung in Adolf Hitler's private Munich apartment. The image, previously published in Germany by provenance expert Birgit Schwarz, appears for the first time in an English-language publication. The painting was acquired by the National Gallery in 1963 from E. and A. Silberman Galleries in New York, which provided a false provenance. It had been taken from a warehouse of recovered art in 1945 by American journalist Patricia Lochridge, who smuggled it into the United States.
The non-profit organization Earshot, founded by artist Lawrence Abu Hamdan, has been awarded a three-year studio bursary at London's Gasworks. The bursary, backed by Spanish patron Mercedes Vilardell, provides an annual stipend and covers monthly rent for a studio space at the south London exhibition and residency space. Earshot uses sound in the defense of human and environmental rights, and the residency gives it a platform to operate independently after an incubation period with Forensic Architecture. Abu Hamdan and Earshot will also take over the Barbican Centre this autumn for an event titled Repercussions, featuring installations, performances, screenings, and live music.
The Peabody Essex Museum is hosting "Said in Stone," the first-ever comprehensive retrospective dedicated to Edmonia Lewis, a pioneering 19th-century sculptor of Black and Ojibwe heritage. The exhibition assembles a significant body of her marble works, including the landmark sculpture "Forever Free" (1867), which is recognized as the first formal visual representation of emancipation by a Black American artist. The show traces her journey from her upbringing with her Ojibwe family and her traumatic years at Oberlin College to her eventual success as an expatriate artist in Rome.
The U.S. Department of Justice has reached a settlement with the American Library Association and the AFSCME union, effectively halting President Donald Trump’s executive attempt to dismantle the Institute of Museum and Library Services (IMLS). Following a series of legal defeats where courts ruled that only Congress has the authority to eliminate federal agencies, the administration withdrew its appeal and reinstated previously terminated grants. However, the threat remains as the proposed 2027 federal budget once again seeks to zero out funding for the IMLS, the NEA, and the NEH.
Billionaire art collector and entertainment mogul David Geffen has reached a private settlement with his estranged husband, David Armstrong, ending a contentious legal battle. The divorce proceedings gained significant public attention due to the absence of a prenuptial agreement and serious allegations of exploitation and psychological manipulation leveled by Armstrong. While the financial terms remain confidential, the settlement concludes months of litigation over spousal support and asset division following their two-year marriage.
The Victoria and Albert Museum (V&A) in London has launched a dedicated digital hub to document the provenance of its collection, specifically addressing objects acquired through violence, coercion, or looting. The initiative includes detailed research on controversial items such as the Maqdala material from Ethiopia, Asante Regalia from Ghana, and imperial Chinese jade. This transparency effort coincides with International Provenance Research Day and aims to provide public accountability regarding the museum's colonial-era acquisitions.
Paris Internationale, the influential non-profit art fair, has announced its inaugural Milan edition featuring a lineup of 34 galleries. Scheduled to coincide with Milan Art Week, Miart, and the Salone del Mobile, the fair includes prominent participants such as Jocelyn Wolff, kaufmann repetto, and Sylvia Kouvali. The move signals a strategic expansion for the French organization into a city increasingly recognized for its intersection of art, design, and high-level production.
The Yale Center for British Art has unveiled the 'Lucknow scroll,' a monumental 37-foot-long early 19th-century watercolor, following an extensive two-year conservation project. Part of the exhibition 'Painters, Ports and Profits,' the scroll offers a panoramic view of Lucknow, India, during the reign of Ghazi-ud-Din Haidar Shah. Due to its immense size and fragility, the museum is displaying the work in two stages, unrolling different sections over the course of the exhibition to manage light exposure and space constraints.
A new exhibition, "Bernini i Barberini," at Rome's Palazzo Barberini explores the profound artistic partnership between Pope Urban VIII and the young sculptor Gian Lorenzo Bernini. This relationship, beginning in 1623, led to decades of Baroque masterpieces that transformed Rome's architecture and urban design, showcasing the papacy's use of art as a tool of power and propaganda.
Patricia Marroquin Norby, the Metropolitan Museum of Art’s first-ever curator of Native American art, has stepped down from her role after a five-year tenure. While both Norby and the museum cited health reasons for her December 2025 departure, the exit follows intense public scrutiny regarding her claims of Indigenous heritage. A 2024 report by the Tribal Alliance Against Frauds (TAAF) alleged that Norby has no American Indian ancestry, leading to a public debate over her qualifications and identity.
The Katy Trail, a prominent 3.5-mile urban greenway in Dallas, has announced the launch of the KTX Biennial, a new public art initiative set to debut in Spring 2027. Curated by Jovanna Venegas, currently of New York’s SculptureCenter, the inaugural edition will feature site-specific commissions and sculptures installed along the trail for up to 18 months. The project is an evolution of a pilot public art program started in 2021 by the Friends of the Katy Trail, intended to integrate contemporary art into the daily experience of the park's two million annual visitors.
Quattro Gatti Gin, a spirits brand founded by the prominent Mordant family of art patrons, has been named the official gin of the 61st Venice Biennale in 2026. The gin will be served at the Giardini and Arsenale venues, as well as during the high-profile professional preview days. Developed by Simon and Catriona Mordant alongside their children, the brand utilizes local Umbrian juniper and botanicals, marking a commercial extension of the family's deep ties to Italy and the international art world.
TEFAF New York has announced the exhibitor list for its 2026 edition, set to take place at the Park Avenue Armory from May 15 to 19. The fair will feature 88 galleries from 14 countries, including nine new participants and 78 returning dealers, with a focus on modern and contemporary art, design, jewelry, and antiquities. Major international galleries like Gagosian, Hauser & Wirth, and David Zwirner will be present.
Zahi Hawass, the 78-year-old former Egyptian minister for antiquities, is the subject of a new self-mythologizing documentary titled "The Man With the Hat." The film recounts his rise to international fame through countless TV appearances, his role in overseeing major discoveries like the 3,000-year-old "lost golden city" in Luxor, and his leadership in building the $1 billion Grand Egyptian Museum (GEM). Hawass is also shown advocating for the repatriation of artifacts such as the Nefertiti bust and the Rosetta Stone, while sidestepping controversies that have marked his career.
Masumi Shinohara, a Japanese-born, French-bred former luxury executive who joined Sotheby's Japan in April 2024 to lead its operations, has been promoted to managing director for Asia within his first year. He succeeded Nathan Drahi, son of majority owner Patrick Drahi, and now oversees Sotheby's expansion across the region amid a recovering global art market. The article features an interview with Shinohara discussing his transition from luxury brands (Valentino, L'Oréal, Ermenegildo Zegna) to the auction world, his childhood immersion in art through his father, and the strategic benefits of Sotheby's new permanent Hong Kong premises, Sotheby's Maison, which allows year-round auctions and thematic sales.
The article examines the art market's struggle to attract new wealthy buyers despite a surge in global wealth. Marc Spiegler, former global director of Art Basel, argues that galleries have failed to recruit the newly wealthy, noting that inflation-adjusted art sales have declined over the past 15 years. He suggests the industry needs to reposition art as 'magical' and transformative to appeal to potential patrons.
Marie Antoinette, the final queen of France, is the subject of a blockbuster exhibition titled "Marie Antoinette Style" at London's V&A museum, running through March 22. The show highlights her boldly modern taste, her patronage of women artists like Élisabeth Vigée Le Brun and Anne Vallayer-Coster, and her role as the first French queen to own and redecorate her own palace, the Petit Trianon. The article details how she used her influence to secure Vigée Le Brun's admission to the Académie Royale and pressured the Louvre to exhibit Vallayer-Coster's work, while also exploring how her extravagant spending earned her the epithet "Madame Déficit" and contributed to her downfall during the French Revolution.
Tony Fitzpatrick, a prominent figure in Chicago's art scene, died at age 66 on October 11 from a heart attack while awaiting a double lung transplant at Rush University Medical Center. He was an artist, printmaker, poet, writer, actor, gallerist, and city booster, known for collages combining vintage illustrations, tattoo art, words, and natural motifs. His work is held by major institutions including the Art Institute of Chicago, the Metropolitan Museum of Art, and the National Gallery of Art. He also ran several Chicago galleries—The Edge, World Tattoo, and The Dime—and published a book, The Sun at the End of the Road: Dispatches From an American Life.
Manhattan District Attorney Alvin Bragg's office has successfully repatriated eight life-sized Roman sculptures that were illegally removed from Bubon, Turkey, 60 years ago. The sculptures, part of a shrine honoring Roman emperors, were sold to Americans by Turkish villagers in the 1960s without required permits. After a two-year legal battle involving two lawsuits and an arrest warrant, the final sculpture—a headless bronze piece—was surrendered by collector Aaron Mendelsohn, who had acquired it for $1.33 million. The sculpture was returned to Turkish officials at a ceremony hosted by Bragg's office, alongside dozens of other looted Turkish antiquities, including a marble head of Demosthenes seized from the Metropolitan Museum of Art.
The Virginia Museum of Fine Arts (VMFA) in Richmond has repatriated 41 terracotta relief fragments valued at approximately $400,000 to Turkey. The works, acquired by the museum in the 1970s from Summa Galleries and antiquities dealer Harlan J. Berk, were determined to have been illegally excavated from a 6th-century B.C.E. Phrygian temple. The repatriation followed an investigation by the Antiquities Trafficking Unit of the Manhattan District Attorney’s Office, which presented evidence of illicit excavation and illegal export to the museum.
The article reports strong sales across Miami art fairs, particularly at Art Basel Miami Beach, where Beeple's "Regular Animals"—robotic dogs with hyper-realistic heads of billionaires—were a major attraction in the new digital art section Zero10. It also notes that three art-world heavyweights are launching a new gallery focused on secondary market sales, and that the Art Dealers Association of America is launching a new art fair after canceling its long-running Art Show.
Michelangelo, best known for masterpieces like the Sistine Chapel ceiling and the Pietà, also served as the governor and procurator general of fortifications for Florence in 1529, tasked with designing military defenses against the Medici family. After the Medici were expelled in 1527, Michelangelo joined the "Nine of the Militia" committee, but his overly complex drawings were so impractical that almost none were built. The Medici, backed by Pope Clement VII, successfully besieged Florence in 1529–30, forcing Michelangelo into hiding in a secret chamber beneath the Medici Chapel, where he drew figurative works rediscovered in 1975. He was eventually pardoned and went on to create major commissions like the tomb of Pope Julius II and The Last Judgement, but left Florence for Rome in 1534.
The Metropolitan Museum of Art has returned a late-18th century Buddhist painting, *The Tenth King of Hell* (1798), to the Sinheungsa Temple in Sokcho, Gangwon Province, South Korea. The work is believed to have been taken by U.S. troops during the Korean War. The repatriation was celebrated at a ceremony in Seoul attended by Met Director and CEO Max Hollein, Korean government officials, and religious leaders. The painting is part of a larger series of ten scrolls depicting the Ten Kings of the Underworld; three remain abroad, while six others previously at LACMA have already been returned.
Crystal Bridges Museum will present an exhibition dedicated to singer-songwriter Jewel during the Venice Biennale, running from May 10 to November 22 at the Salone Verde, near Fondazione Prada. Titled “Matriclysm: An Archeology of Connections Lost,” the show is organized by Crystal Bridges curator-at-large Joe Thompson and features paintings from Jewel's “Ceremony” series, a tapestry, and three large-scale sculptures—including “Heart of the Ocean,” an eight-foot-tall piece that uses live oceanic data from NASA and Stanford University to control 60,000 programmable lights. The exhibition explores themes of feminine memory, matriarchy, and connection.
The Pérez Art Museum Miami (PAMM) has awarded its annual Pérez Prize to New York–based artist Javier Téllez, accompanied by an unrestricted $50,000 grant. The prize was presented at the museum's Art of the Party Fundraiser on November 15. Téllez, known for film, installation, and collage works addressing marginalization of immigrants and people with disabilities, was recognized for his empathetic and imaginative practice. His recent film "Amerika" (2024) responds to the displacement of Venezuelans, reflecting his own background as a Venezuelan-born artist living in New York.
The Metropolitan Museum of Art has returned an 18th-century Korean painting, *The Tenth King of Hell* (1798), to Sinheungsa Temple in Sokcho, South Korea. The work, part of a ten-panel series called *Siwangdo* depicting kings of the afterlife, was illicitly taken from the temple in 1954 during the U.S. military presence after the Korean War. The Met purchased the painting in 2007 from a collector via an LLC linked to Bonhams’s Chinese art head. The repatriation was coordinated with the Sokcho Committee for the Return of Cultural Heritage and the Jogye Order of Korean Buddhism. Six other panels were previously returned by LACMA in 2020; three remain abroad.