Paul Waldman, a multifaceted artist known for his transgressive paintings and unique architectural birdhouses, has died at the age of 89. After overcoming childhood dyslexia and a stint as a competitive bodybuilder, Waldman established a significant career in the New York art scene, characterized by his meticulous technique and a fascination with the human form and avian structures.
Rafał Zajko's exhibition 'The Egg Egg' at Arsenal Gallery in Białystok, Poland, brings together 50 works from the past decade across two floors of a former power station, organized into nine 'acts'. The show features modular installations like 'Funny Games' (2025), a set of pastel-colored platforms on wheels with ceramic reliefs, and monumental sculptures such as 'Sisyphus' (2025), a suspended ceramic bobbin evoking textile factory tools. Performances by Agnieszka Szczotka, including 'Song to the Siren' (2026), activate works like 'Amber Chamber III Echo' (2025), blending archaism, futurism, and themes of labor and technology.
The Shiga Museum of Art is hosting "Paradise Dungeon," a comprehensive exhibition of Sasaoka Yuriko’s video and sculptural works. The show traces the artist's career from her 2011 response to the Tōhoku earthquake to her latest large-scale installations, characterized by a "grotesque" aesthetic involving marionettes with digitally superimposed human faces. Her work utilizes mediated artifice—including fairground-style soundtracks, repurposed toys, and violent puppetry—to explore themes of consumption, sacrifice, and the dehumanizing nature of digital observation.
L’artista Pietro Roccasalva senza tregua: genealogia di un motivo resiliente nella mostra a Milano
Italian artist Pietro Roccasalva presents a new body of work at MASSIMODECARLO’s Casa Corbellini-Wassermann in Milan, titled "Io ti saluto luce, ma con nervi offesi." The exhibition features a series of paintings characterized by dense stratification, featuring recurring motifs like a disheveled child, a bride with a tennis racket, and metamorphic animals. These works function as visual deposits where cultural references and personal iconography overlap, creating a theatrical dialogue with the gallery’s historic architecture.
In una mostra a Roma la natura partecipa alla creazione delle opere
Artist Pietro Pasolini presents his latest body of work, "Ossigrafie," in the solo exhibition "Il tempo inciso" at Galleria Valentina Bonomo in Rome. Moving away from his origins as a travel photojournalist, Pasolini has developed a sustainable, experimental technique that utilizes metal plates—specifically brass and copper—interacted with by natural elements like palm leaves, vines, water, and fire. These works require months to complete, as the artist allows the natural world to act as a co-creator, moving away from the environmentally harmful chemicals associated with traditional darkroom photography.
Lynda Roscoe Hartigan has been appointed as the new director of the Smithsonian American Art Museum. She is a former chief curator of the museum and most recently served as executive director of the Peabody Essex Museum in Salem, Massachusetts.
Andrew Durbin reviews national pavilions at the 2026 Venice Biennale, critiquing the US presentation as vacuous while praising incisive and moving installations from Britain and Germany. The review highlights Seba Calfuqueo's work in the context of colonized bodies, though the article's main focus is on the comparative quality of the pavilions.
第10回マックスマーラ・アート・プライズ・フォー・ウィメン
The 10th Max Mara Art Prize for Women has been awarded to Indonesian artist Dian Suci, marking the first time the prize has been held in Asia. Suci was selected from five finalists for her project "Crafting Spirit: Cultural Dialogues in Heritage and Practice," which examines the intersection of religious craftsmanship traditions and capitalist systems. The prize is organized in partnership with the Museum MACAN in Jakarta. Suci will undertake a six-month residency in Italy, followed by solo exhibitions in 2027 at both Museum MACAN and Collezione Maramotti in Reggio Emilia.
Art21 has announced the premiere of a new documentary titled "Camille Henrot: In Movement," scheduled for release on April 22, 2026. Directed by Adam Golfer, the film tracks the multidisciplinary artist over the course of a year as she prepares a new body of work, including paintings, bronze sculptures, and a new film titled "In the Veins" (2026). The production follows Henrot from her New York studio to a foundry in Paris, capturing her creative process leading up to a major presentation at the newly reopened New Museum.
Artist, writer, and activist Avram Finkelstein, a founding member of ACT UP, Silence=Death, and Gran Fury, presents his first solo exhibition in New York City, titled “Something Terrible Has Happened (Corpus Fluxus)” at Smack Mellon. The show features large-scale drawings and digital prints on walls, ceilings, and wheeled metal structures that also serve as mobility aids for Finkelstein, who has thyroid cancer. Works such as "Golem (BRAF V600E mutation)" and "Black Golem (after Bergman)" explore themes of disability, pain, and the body in flux, using the Jewish folklore figure of the golem as a central metaphor. The exhibition transforms the gallery into an "experiential dancehall," emphasizing accessibility through movement and sensory engagement.
Walter Pichler's exhibition "Die Bleche und ich gehen heim" (The Sheets of Metal and I Are Going Home) is being presented at Contemporary Fine Arts in Basel. The show features a significant body of the artist's work, stemming from a long-standing relationship between the gallery and Pichler that began with an invitation in 1994.
Artist David Adey is the subject of a mid-career survey, “David Adey: Sacrificial Bodies,” opening April 25 at the Oceanside Museum of Art. The 70-piece exhibition, curated by gallery owner Mark Quint in collaboration with Adey, spans 25 years of his career and includes a 2026 re-creation of his 2001 piece “The Lamb,” which features a reconstructed lamb carcass. Adey, now 53, originally created the work as a graduate student at Cranbrook Academy of Art. The show also features pieces like “Gravitational Radius” and “2,127 Rounds,” a sculpture made by firing an AR-15, Glock 34, and shotgun into cedar.
Paul Stopforth's artwork "HERE COMES EVERYBODY 5" (2026) is being offered for sale through The Schoolhouse Gallery in Provincetown, Massachusetts. The piece is a unique gouache on panel measuring 16 × 16 inches, priced at US$900, hand-signed by the artist, and includes a certificate of authenticity. Stopforth, born in 1945 and originally from South Africa, emigrated to the United States 27 years ago and has since lived and worked in Boston, Cambridge, and Provincetown. His career includes teaching at Harvard University, the School of the Museum of Fine Arts in Boston, Massachusetts College of Art & Design, and the Fine Arts Work Center, with his works held in public collections including the Harvard Film Archive, the Constitutional Court of South Africa, and the National Gallery in Cape Town.
The Smithsonian Institution's Board of Regents is shrinking, with two members' terms expiring in March and no replacements announced. A third regent's term expires next week, with three more set to end in the autumn, and there are no concrete plans to fill these vacancies. The delay stems from a requirement for both Congress and the President to approve new members.
Larry Gagosian, the mega-dealer, has candidly discussed the failure of his San Francisco gallery, which operated from 2016 to 2021. He stated the gallery simply failed because "nobody showed up" to openings, describing the experience as depressing. The closure was part of a broader reflection on his career, prompted by the opening of a new Gagosian gallery on New York's Upper East Side.
The 2026 Met Gala, held at the Metropolitan Museum of Art in New York City, is set for tonight with the theme "Costume Art" and the dress code "Fashion is Art." The event, which takes place annually on the first Monday in May, serves as a high-profile fundraiser for the Costume Institute and a fashion spectacle. Co-chairs include Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour. The theme is tied to the Met's upcoming exhibition of the same name, which will debut the Costume Institute's first permanent galleries—the Condé M. Nast Galleries—and explore "the centrality of the dressed body" by pairing garments with art spanning 5,000 years.
Researchers have attributed two previously unattributed works to Michelangelo. The Royal Institute for Cultural Heritage of Belgium used radiocarbon dating, pigment analysis, and infrared reflectography to link a 16th-century oil-on-canvas Pietà to the master, finding monograms and a date consistent with his work. Separately, Italian researcher Valentina Salerno published a decade-long study using archival documents and stylistic analysis to attribute a marble bust of Christ in a Roman basilica to Michelangelo.
Tang Contemporary Art in Hong Kong is presenting the exhibition 'Come Closer,' featuring works by artists Arik Levy and Zoé Ouvrier from May 15 to July 5, 2026. The show explores themes of intimacy, vulnerability, and the relational space between viewer and artwork, inviting audiences to engage deeply with pieces that address memory, the body, and identity.
Simchowitz Gallery is presenting "Two of Us," a dual exhibition featuring Ukrainian artists Andrey Samarin and Lera Derkach at Hill House in Pasadena. The show explores the creative dialogue between the two artists, who have lived and worked together in France for the past three years while maintaining distinct individual practices. Samarin’s work focuses on the physical gesture of painting, blending abstraction and figuration influenced by German Expressionism and medieval art, while Derkach’s canvases lean into dreamlike narratives, metamorphosis, and psychological tension.
Zhang Huan has unveiled a provocative new solo exhibition at 125 Newbury in New York, featuring a series of visceral works that utilize unconventional materials like cowhide and incense ash. The show centers on the artist's career-long exploration of the body, spirituality, and the cycle of life and death, anchored by large-scale sculptural paintings that challenge the viewer's sensory boundaries.
Gretchen Andrew, a former Silicon Valley software engineer turned artist, has created a series titled "Facetune Portraits: Universal Beauty" that critiques unattainable beauty standards perpetuated by social media and AI. Using images of Miss World contestants, she employs the apps Facetune and Body Tune to digitally alter the photos, then works with creative robotics company Matr Labs to produce oil paintings. An oil paint printer creates the original image, and an XY-axis drawing robot adds brushstrokes based on discrepancies between the original and AI-modified versions, resulting in unsettling portraits that highlight the 'scars' of digital manipulation. The series won the Acquisition Award at Untitled Art Miami Beach and has been shown at Hope 93 gallery in London and Heft Gallery in New York, with a major institutional acquisition pending.
Spielzeug gallery, founded in 2025 in Bushwick by Evan Karas and Eleanor Hicks, opened a pop-up show titled MAR-A-LAGO FACE on May 13 at a former restaurant on Allen Street in New York. The exhibition critiques the plastic-surgery aesthetics associated with Republican figures like Matt Gaetz, Laura Loomer, Kimberly Guilfoyle, and Kristi Noem, featuring works by queer, trans, and Latin American artists. The opening blurred the line between exhibition and party, with a DJ, themed drinks, and a bouncer checking bags.
The Cheng-Lan Foundation, a new independent arts initiative, has launched in Hong Kong during the city's major art week. Founded by Brian Yue, it supports artists, curators, and writers from African, Asian, Indigenous, and Latin American backgrounds through exhibitions, residencies, and commissions, with an inaugural solo show by Manila-based artist Cian Dayrit.
Elvira Dyangani Ose is stepping down as the director of the Museu d'Art Contemporani de Barcelona (MACBA) in April, months before her contract was set to expire. Her resignation follows a conflict with the MACBA Consortium, which ruled that her new appointment as director of the Abu Dhabi Public Art Biennial was incompatible with her leadership role in Barcelona. Dyangani Ose, who became the first woman and first person of color to lead the institution in 2021, had requested to balance both positions, but the governing body denied the proposal.
The Museum of Fine Arts, Boston has laid off 57 employees, with an additional 56 staff members taking voluntary retirement. The cuts are a direct response to the severe financial impact of the museum's extended closure due to the public health crisis, which has led to massive losses in revenue from admissions, events, and retail.
Documents from Jeffrey Epstein's estate, including a birthday book compiled for his 50th birthday by Ghislaine Maxwell, were released in full by the US House Oversight Committee. The book contains contributions from art collectors Leon Black and Leslie Wexner, as well as a lewd drawing by President Donald Trump. The release also includes Epstein's last will, his 2007 non-prosecution deal, and entries from his contact book. Black contributed a handwritten poem calling Epstein a "Dear Friend," while Wexner included a note with a drawing of breasts.
Harvard University has transferred ownership of fifteen daguerreotypes from around 1850, considered the earliest surviving photographs of enslaved African Americans, to the International African American Museum in Charleston, South Carolina. The settlement ends an eight-year legal dispute with Tamara Lanier, who claimed the images depict her ancestors, Renty and Delia, and argued they were taken without consent for the discredited biologist Louis Agassiz. The Massachusetts courts had previously ruled that ownership remained with the photographer, but allowed Lanier to pursue emotional distress claims over Harvard's continued use of the images in marketing materials.
A group of arts professionals, including art historian Konstantin Akinsha and Francesca Thyssen Bornemisza, has published an open letter in Le Monde calling for the International Council of Museums (ICOM) to expel Russia for violating its code of ethics. The group threatens to take ICOM to court in France if it fails to act, citing Russia's systematic erasure of Ukraine's cultural identity since the 2022 invasion, including looting of museum collections and destruction of cultural sites documented by UNESCO. Signatories demand the exclusion of ICOM Russia and Russian museum staff involved in looting, and seek either negotiation or legal proceedings in a French court.
The Metropolitan Museum of Art has unveiled the new Condé M. Nast Galleries, a nearly 12,000-square-foot suite of exhibition spaces designed by Brooklyn-based architecture firm Peterson Rich Office. Located adjacent to the museum's Great Hall, the galleries relocate fashion exhibitions from a previously tucked-away basement space to one of the museum's most visible and architecturally significant locations. The new spaces debuted with "Costume Art," an exhibition organized by The Costume Institute and curated by Andrew Bolton, which places roughly 200 garments and accessories in dialogue with 200 artworks from the museum's collection, exploring themes such as "The Classical Body," "The Aging Body," and "The Disabled Body." The design, by architects Miriam Peterson and Nathan Rich, uses a restrained material palette of grey marmorino plaster and oak doors framed by limestone arches to create permanent-feeling yet flexible spaces that harmonize with the museum's historic Beaux-Arts architecture.
The Met Gala, organized by Vogue and themed around "costume art," was accompanied by an exhibition of the same name at New York's Metropolitan Museum of Art opening May 10, focusing on the dressed body. While the exhibition has been praised for using inclusive mannequins representing diverse body types—including variously abled, fat, thin, and pregnant forms—the red carpet was criticized for its overwhelming thinness and the involvement of honorary chairs Jeff Bezos and Lauren Sánchez Bezos, who reportedly sponsored the event for $10 million, sparking boycott calls. Fashion commentators like Diet Prada noted the Gala was more poorly received than ever, with some celebrities absent.