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‘These are dirty funds’: Indigenous Brazilian leader slams Science Museum for oil sponsorship ahead of climate show

Indigenous Brazilian leader Ninawa Huni Kui has condemned the Science Museum in London for accepting sponsorship from BP on the eve of its new exhibition, *Water, Pantanal, Fire*, which highlights climate breakdown in Latin America. The exhibition focuses on the Pantanal wetland, a threatened ecosystem spanning Brazil, Paraguay, and Argentina. Huni Kui called BP's sponsorship "dirty funds stained with blood," and was joined by activists from 350.org and Culture Unstained in criticizing the museum for partnering with a major fossil fuel company while presenting a show about climate impacts.

On the Eve of Art Basel Miami Beach, a Case of the Jitters

The New York Times reports that as Art Basel Miami Beach approaches, dealers and collectors are experiencing a palpable sense of anxiety. The article captures a mood of uncertainty in the art market, with gallerists expressing concerns about slower sales, shifting collector priorities, and the broader economic climate affecting the high-end art trade. Interviews with key figures reveal a cautious atmosphere ahead of one of the year's most important art fairs.

How nature is helping a rural French arts centre to reduce its carbon footprint

The Centre International d’Art et du Paysage—Île de Vassivière (CIAPV), a rural French arts centre on a forested island in Nouvelle-Aquitaine, is tackling its carbon footprint after a government-mandated analysis revealed that 95% of its emissions come from visitors driving to the remote site. Executive director Alexandra McIntosh is drawing on the island's manmade landscape—shaped by hydroelectric damming, agriculture, and logging—to implement ecological initiatives, including rewilding open fields, creating a self-managing test forest with botanist Francis Hallé, and planting pollinating flowers to boost biodiversity.

Art exhibition in Daegu shut down over satire of ex-President Yoon

An art exhibition in Daegu, South Korea, was shut down after featuring works by artist Hong Sung-dam that satirize former President Yoon Suk Yeol. The exhibition, titled "Art for the Future: Daegu, Art, Answer the Zeitgeist," was held at the district-run Bongsan Cultural Center and organized by the Daekyung Art Research Institute. Three paintings—"Donghak-uiguk," "Ddong-gwang," and "Pal-gwang"—depicted Yoon in provocative contexts, including nudity and references to political controversies such as the doctors' strike and his wife Kim Keon Hee. On the first day, the center requested removal of the works; after the institute refused, the center required artists to sign a liability pledge. Ultimately, Ryu Kyu Ha, head of Daegu's Jung-gu District Office, ordered the exhibition hall closed, citing regulations against political works. Two other galleries remain open with about 50 works by 19 artists.

Call for Southeast Asian Artists to Join Solarpunk Exhibition and Residency

Kiripost has announced an open call for Southeast Asian artists to apply for a Solarpunk-themed exhibition and residency program. The initiative invites visual artists from the region to submit proposals that explore solarpunk aesthetics—a genre blending ecological sustainability, technology, and utopian futures—for a group exhibition and accompanying residency. The call is open to emerging and established artists working in various media, with selected participants receiving production support, exhibition space, and a stipend. The deadline and specific dates are not detailed in the article, but the program is organized by Kiripost in collaboration with local partners.

Syria, Ukraine and Gaza among countries to receive heritage funds from Aliph

ALIPH, the Geneva-based cultural heritage protection agency, has announced over $16 million in its latest funding round, with support directed to Syria, Gaza, Ukraine, Sudan, and a new focus on climate change impacts on heritage, primarily in Africa. Nearly a third of the funding ($5 million) goes to Syria, where the newly appointed Director General of Antiquities and Museums, Dr. Anas Haj Zeidan, aims to restore sites damaged during the war under former president Bashar al-Assad. ALIPH executive director Valéry Freland reported extensive damage from 14 years of war, the 2023 earthquake, and economic crises, but noted strong local determination to rehabilitate heritage, including Palmyra. The agency also committed $9 million to address climate threats, supporting 28 projects—22 in Africa—focused on earthen architecture, sacred forests, and local knowledge preservation.