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Oil Street Art Space stages "Eying East, Wondering West - Square Word Calligraphy Classroom on the Move" exhibition featuring world-renowned artist Xu Bing (with photos)

Oil Street Art Space (Oi!) in Hong Kong has opened the exhibition "Eying East, Wondering West - Square Word Calligraphy Classroom on the Move," featuring world-renowned artist Xu Bing. Running from September 29, 2025 to January 11, 2026, the show transforms the Oi! Glassie venue into an interactive classroom where visitors can learn and write Xu Bing's Square Word Calligraphy (Hong Kong Edition). The exhibition includes a specially designed textbook inspired by local student exercise books, brushes and copybooks, interactive digital installations, and workshops on seal carving and fan design. It was previously held at the Hong Kong Museum of Art and is presented by the Leisure and Cultural Services Department, organized by the Art Promotion Office and Oi!.

Daegu Photo Biennale tackles the Anthropocene

The Daegu Photo Biennale in South Korea, now in its 10th edition, tackles the Anthropocene through the lens of symbiosis, featuring three main exhibitions: 'The Pulse of Life', 'The Origin of the World', and a solo show by Rinko Kawauchi titled 'M/E On this Sphere Endlessly Interlinking'. Artistic director Emmanuelle de l’Ecotais, a former curator at Centre Pompidou and Musée d’Art Moderne de Paris, leads the biennale, which includes 80 artists in the main exhibition and 75 in the special exhibition, alongside emerging artist showcases, a symposium, a photobook exhibition, and a portfolio review, all spread across 4,000 square meters at the Daegu Culture and Arts Center.

Princeton University Art Museum Announces Inaugural Exhibitions in New Building

Princeton University Art Museum will open its new building on October 31, 2025, with two inaugural exhibitions: *Princeton Collects* and *Toshiko Takaezu: Dialogues in Clay*. *Princeton Collects*, curated by director James Steward and the museum’s curatorial team, features approximately 150 works donated during a “campaign for art” that began in 2021, including pieces by Sean Scully, Willem de Kooning, Joan Mitchell, and Zanele Muholi. *Toshiko Takaezu: Dialogues in Clay* highlights the pioneering ceramic artist and longtime Princeton professor, showcasing her “closed forms” alongside works by her teachers and contemporaries.

Ai Weiwei: ‘Nothing scares me anymore—being terrified does not help’

Chinese artist and activist Ai Weiwei has unveiled a major new commission in Kyiv, Ukraine, titled 'Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White,' on view until November 30. The site-specific installation, commissioned by the non-profit cultural platform Ribbon International, features three spheres wrapped in camouflaged fabric dotted with animal images, responding to escalating global armed conflicts. Ai recently traveled to the front line of the war in eastern Ukraine near Kharkiv, meeting Ukrainian fighters and cultural figures, and also planted sunflower seeds and buttons in a field there as a ceremonial act.

From Dior's golden coat to landscape jewellery at Christie's: where the worlds of art and luxury collide this autumn

The article highlights two luxury-art crossovers this autumn: Jonathan Anderson's debut Dior menswear collection for spring/summer 2026, presented in Paris, and Natasha Wightman's new jewellery collection displayed at Christie's London. Anderson's show reimagined Dior's iconic women's silhouettes for men, featuring a standout €200,000 coat embroidered with ancient Indian mukesh work that took 12 artisans 34 days to create. Wightman's jewellery incorporates bog oak, a semi-fossilised wood from British fens, carved into pendants celebrating the country's remaining temperate rainforests.

Nicholas Galanin pulls out of Smithsonian event, claiming censorship

Nicholas Galanin, a multidisciplinary artist and member of the Sitka Tribe of Alaska, withdrew from a symposium hosted by the Smithsonian American Art Museum (SAAM), citing government censorship. The symposium accompanies the exhibition *The Shape of Power: Stories of Race and American Sculpture*, which President Donald Trump labeled as “divisive” and “race-centred” in a March 27 executive order. Galanin alleged that the event was made private with a curated guest list and that he was asked not to record or share it on social media. SAAM denied the censorship claims, stating the event was never publicly listed and that participants were encouraged to share with their networks. Galanin’s 2016 work *The Imaginary Indian (Totem Pole)* is featured in the exhibition.

From the streets to the parks and beyond: the pick of this season's public art in New York

This season's public art in New York City features a diverse array of outdoor exhibitions across parks and streets. Highlights include Thaddeus Mosley's towering bronze sculptures at City Hall Park, Lady Pink's mural "Foundations" at MoMA PS1, Tai Shani's candle-like sculptures on the High Line, Alma Allen's organic forms along Park Avenue, Torkwase Dyson's pavilion at Brooklyn Bridge Park, and the Socrates Annual at Socrates Sculpture Park featuring artists like Natalia Nakazawa and Rowan Renee.

‘Geometry of Light’: Step into the shadows at Seattle Asian Art Museum

The Seattle Asian Art Museum has opened 'Geometry of Light,' an immersive exhibition featuring artist Anila Quayyum Agha's 300-pound laser-cut steel lantern sculpture that projects intricate geometric shadows across the gallery walls, ceiling, and floor. Visitors' movements become part of the artwork as their own shadows interact with the light patterns. The show spans three galleries, including paper and fabric works and two light-box installations, and also features Ai Weiwei's 'Water Lilies' rendered in LEGO bricks, on view through March 2026.

Want to be a museum influencer? London’s National Gallery launches open call for content creators

London's National Gallery has launched an open call for its next cohort of content creators as part of its 200 Creators programme. Following the success of the inaugural 2024 initiative—which generated 42 million views and 2.2 million engagements—the museum is now seeking 50 new social media influencers (applications due by 31 August). Selected creators will receive access to exhibition previews, workshops, out-of-hours gallery access, and four paid opportunities of £4,000 each. Applicants are suggested to have at least 50,000 followers on YouTube, 100,000 on Instagram, or 50,000 followers with a million likes on TikTok, though the museum encourages those with followings on other platforms to apply.

Israeli art spaces and workers join nationwide strike and protests, calling for hostage deal and end to war in Gaza

On 17 August, a nationwide strike and protests swept across Israel, with organizers estimating 2.5 million participants demanding a hostage deal and an end to the war in Gaza. Israeli art spaces and workers joined the action: the Tel Aviv Museum of Art closed operationally but opened its lobby to protesters and projected Michal Rovner's video work *Signaling (2024)* on its façade; the Israel Museum illuminated its Shrine of the Book in yellow; the Bezalel Academy of Arts and Design and Shenkar College also struck, while the Mishkan Museum of Art ceased activities in solidarity.

Landmark George Morrison show foregrounds Abstract Expressionism’s debt to Native art

A new exhibition at New York's Metropolitan Museum of Art, titled "The Magical City: George Morrison’s New York," showcases the largest-ever show of works by Ojibwe abstract painter George Morrison (1919-2000). Running until 31 May 2026, the exhibition features 25 works and archival materials, highlighting Morrison's Abstract Expressionist style and the tension between his life in New York City and his roots on the Grand Portage Chippewa reservation. The show includes pieces like "The Antagonist" (1956) and "Aureate Vertical" (1958), revealing his dual experiences of urban glamour and Native displacement.

A brush with… Jane and Louise Wilson—podcast

Jane and Louise Wilson, identical twin artists born in Newcastle-upon-Tyne in 1967, are featured in a podcast interview where they discuss their collaborative practice since the late 1980s. Working primarily in video installation, photography, and sound, they explore duality and selfhood through loaded sites like abandoned military bases and borderlands. The podcast covers their early inspirations, including John Martin and Cindy Sherman, and the influence of filmmakers such as Rainer Werner Fassbinder, Jean Cocteau, and Stanley Kubrick. Their current exhibitions include 'Performance of Entrapment' at London Mithraeum Bloomberg SPACE (until 10 January 2026) and 'Dendrophiles' at Leadenhall Building as part of Sculpture in the City, London (until spring 2026).

Artists who didn’t make Minnesota State Fair get second chance in ‘Rejects’ show

The article reports on the 2025 'State Fair Rejects' show at Douglas Flanders & Associates Gallery in Minneapolis, which accepts artworks that were not selected for the Minnesota State Fair's juried fine arts exhibition. Artist Attila Ray Dabasi, who had been accepted regularly in the past but was rejected this year, is among about 75 participants displaying works like his sculpture 'Armageddon.' The gallery, led by owner Doug Flanders, started the show last year to give rejected artists a second chance to exhibit and sell their work, with all drop-offs accepted. The State Fair received 2,834 submissions but only 337 were chosen, highlighting the competitive nature of the fair.

A brush with… Tai Shani—podcast

Tai Shani, a London-based artist born in 1976, is the subject of a podcast episode in the "A brush with…" series. She discusses her multidisciplinary practice, which draws on cultural forms, historical events, and theoretical ideas to create fantastical, utopian worlds infused with contemporary political and social themes. Shani reflects on the gendered nature of her mediums, the influence of works like John Everett Millais's *Ophelia* and Valie Export's exhibition at Camden Art Centre, and the revolutionary potential of art in an era of right-wing politics. The episode also covers her upcoming exhibitions: *The Spell or The Dream* at Somerset House (August–September 2025), *Gathering* in London (September–November 2025), a sculpture at Dulwich Picture Gallery's new sculpture park, and her High Line commission in New York, on view through March 2026.

Catch These Glamourous Summer Exhibitions at SCAD Lacoste

SCAD Lacoste, the Savannah College of Art and Design's campus in Provence, France, is hosting three summer exhibitions: 'Christian Dior: Jardins Rêvés', the first Dior exhibition in southern France, featuring over 30 haute couture silhouettes and 60 accessories by Dior and his successors; 'DRIFT: Unfold', a permanent interactive installation by the Dutch artist duo DRIFT that transforms visitors' heartbeats into audiovisual displays; and 'Studio Bee: 100% Made by SCAD', showcasing work by recent SCAD fashion graduates. The Dior show runs until September 28, while the Studio Bee exhibition continues until November 2.

‘I'm excited for the future because it's in great hands’: winners of Somerset House's Talent 25 on what the programme means to them

Somerset House in London has announced the first five winners of its Talent 25 programme, a scheme supporting artistic innovators within its creative community. The awardees—Shanti Bell, Tyreis Holder, enorê, Identity 2.0 (founded by Arda Awais & Savena Surana), and Piarvé Wetshi—each receive an £8,000 bursary and mentorship from artist-designer Yinka Ilori to develop new work. Their creations will be exhibited in September as part of the Step Inside 25 Weekend, celebrating 25 years of Somerset House's public opening.

football city, art united transforms manchester's aviva studios into a pitch for creativity

Manchester International Festival 2025 presents "Football City, Art United" at Aviva Studios, a group exhibition co-curated by former footballer Juan Mata, curator Hans Ulrich Obrist, and Josh Willdigg. The show pairs eleven international footballers with artists across media—including Ryan Gander with Eric Cantona, Keiken with Ella Toone, and Suzanne Lacy with Vivianne Miedema and Ali Riley—to explore intersections of sport and contemporary art. Works range from a holographic tribute to Diego Maradona by Jill Mulleady to an interactive installation by Stefano Boeri Architetti with Sandro Mazzola. The exhibition runs through August 24, 2025.

In ‘A Natural History of the Studio,’ Many William Kentridges Add Up to One

William Kentridge's latest exhibition, 'A Natural History of the Studio,' at Hauser & Wirth in New York presents over 70 drawings from his nine-part film series 'Self-Portrait as a Coffee-Pot,' alongside new sculptures. The works, created during the pandemic, explore self-portraiture through charcoal, pastel, and collage, often featuring doppelgängers that argue and disagree, reflecting the artist's engagement with theater and the materiality of his forms.

William Kentridge Wants to Starve the Algorithm

William Kentridge, the South African artist known for his multidisciplinary practice, has created a new film series titled "Self-Portrait as a Coffee-Pot" (2020–2024), comprising nine half-hour segments. The work, which features his signature blend of drawing, animation, performance, and music, is currently on view at Hauser & Wirth's 22nd Street gallery in New York under the exhibition "A Natural History of the Studio." The article explores Kentridge's improvisational process, where he starts without a plan and lets gestures and materials guide him, often interviewing himself in the film to dramatize the artist's dual nature and the act of creation.

Minneapolis Institute of Art will host a crop art exhibition after the State Fair wraps

The Minneapolis Institute of Art (Mia) will host a crop art exhibition titled "Cream of the Crop: A Minnesota Folk Art Showcase" opening September 6, 2025, after the Minnesota State Fair concludes on September 1. The show will feature 10 works of crop art, including winners of two new awards sponsored by Mia: best interpretation of an artwork at Mia and best interpretation of a Minnesota landmark, story or figure. A curatorial team from Mia, including director Katie Luber, will judge entries at the State Fair, and the winning pieces will be displayed in the museum's rotunda alongside eight additional notable works. The exhibition builds on Mia's history with crop art, including a 2004 show of portraits by crop art legend Lillian Colton and a 2015 centennial commission of a large-scale crop art field.

Nudes by Tamara de Lempicka and Jenny Saville lead quiet Sotheby’s Modern and contemporary sale

Sotheby’s June Modern and contemporary art evening sale in London netted £50.8m (£62.5m with fees) from 48 lots, with an 87% sell-through rate, falling below the pre-sale estimate of £55.2m to £81.1m and marking a 25% decrease from last year’s equivalent sale. The top lot was Tamara de Lempicka’s *La Belle Rafaëla* (1927), which sold for £6.1m (£7.4m with fees), while a Jenny Saville drawing *Mirror* (2011-12) achieved an auction record for the artist at £1.7m (£2.1m with fees). Several high-profile works were passed, including Egon Schiele’s *Portrait Study (Head of a Girl, Hilde Ziegler)* and Barbara Hepworth’s *Vertical Forms*, reflecting cautious bidding in a bearish market.

A brush with... Hew Locke—podcast

This episode of 'A brush with...' features artist Hew Locke, who discusses his career and artistic practice. Born in Edinburgh in 1959 to artists Donald and Leila Locke, he moved to Guyana as a child and returned to the UK to study art in 1980. Over three decades, Locke has created sculptures, installations, photographs, drawings, and textiles exploring nationhood, culture, and power, often using found objects and cardboard. He reflects on influences including his parents, a tutorial with Paula Rego, and Hans Haacke's 1993 Venice Biennale pavilion, and discusses his upcoming exhibitions: 'Gilt' at Compton Verney (2025-2027), 'Passages' at the Yale Center for British Art (2025-2026), 'Armada' at Newlyn Art Gallery, and 'Cargoes' at King Edward Memorial Park.

London’s Queen Elizabeth II memorial to feature contemplative Yinka Shonibare sculpture

A team led by architect Norman Foster and British-Nigerian artist Yinka Shonibare has won the competition to design a national memorial to Queen Elizabeth II in St James’s Park, London. The winning proposal includes a series of royal gardens linked by a stone path, a new bridge inspired by the Queen Mary fringe tiara, and Shonibare’s Wind Sculpture as a contemplative centerpiece. The project also features figurative sculptures of the Queen and Prince Philip, a Prince Philip gate, and a main monument beside the Mall. The design will be developed with the Queen Elizabeth Memorial Committee, which will select a sculptor for the figurative elements later this year; the final design is due in April 2026, with a provisional budget of £23m–£46m.

Art Basel gets go-going at Hauser & Wirth’s stand

At Art Basel's Unlimited section, Hauser & Wirth is presenting Felix Gonzalez-Torres's 1991 performance work "Untitled" (Go-Go Dancing Platform), in which a local go-go dancer performs a silent disco atop a small lit stage for five minutes at unspecified times. The piece, created shortly after the deaths of the artist's partner and father, explores themes of renewal, rebirth, and masculinity, according to Hauser & Wirth partner Cristopher Canizares.

MAM’s New Erin Shirreff Exhibition Reshapes Sculpture and Photography

The Milwaukee Art Museum (MAM) will present “Permanent Drafts,” a major exhibition of over 40 recent works by Canadian artist Erin Shirreff, opening May 30. The show spans collage, photography, sculpture, and video, including site-specific installations and a new museum acquisition, “Paper sculpture” (2024). Shirreff, who began as a sculptor, uses photography to explore the gap between 2D representation and 3D objects, creating works that challenge how viewers perceive images and forms. Key pieces include the cyanotype collage “Inside times” (2020) and the sheet-metal installation “Drop” (2025).

Must-see art exhibitions in Mumbai this June

This article highlights five must-see art exhibitions in Mumbai for June, including Manoj Jain's debut solo show 'It Didn't Ask to Be Art' at Soho House, Juhu, curated by Dheeya Soumaiya; the 'Art Carnival' at The Bombay Art Society, Bandra; 'Kala Connect' at Nehru Centre Art Gallery, Worli; 'Form and Flow' group exhibition at Jehangir Art Gallery, Kala Ghoda; and 'Dreamers' by Gurjeet Singh in collaboration with Jaipur Rugs at Chemould Prescott, Fort. These exhibitions span raw art, emerging talent, cultural dialogue, contemporary group shows, and textile-based works exploring identity and queerness.

In The Mastermind, an art heist’s aftermath unfolds against the backdrop of Vietnam War-era America

Kelly Reichardt's new film *The Mastermind* premiered at the Cannes Film Festival, following J.B. Mooney (Josh O'Connor), a carpenter who orchestrates an art heist targeting four Arthur Dove paintings from a fictional Massachusetts museum. The heist is inspired by a real 1972 robbery at the Worcester Art Museum, and the film explores the tension between artistic value and monetary worth against the backdrop of Vietnam War-era America.

London’s Tate Modern Art Gallery Will Soon Start Opening Earlier For Special Tours

Tate Modern in London is launching exclusive 'Before Hours' tours in partnership with GetYourGuide, allowing visitors to explore the gallery before it opens to the public. Starting over the upcoming bank holiday weekend, the hour-long small-group tours will be led by expert guides or curators and cost £69 per person. The initiative is part of GetYourGuide's 'All Art, No Crowds' campaign, which also includes similar early-access programs at MoMA in New York and the Vatican Museums, responding to growing traveler concerns about crowding and overtourism.

John Singer Sargent exhibition in London shines a light on the lives of the ‘dollar princesses’

English Heritage has opened an exhibition titled 'Heiress: Sargent’s American Portraits' at Kenwood in London, featuring 18 portraits by John Singer Sargent of American heiresses known as the 'dollar princesses.' These women traveled to the UK in the late 19th century to marry into the British aristocracy, bringing wealth that helped restore estates like Blenheim Palace. The show marks 100 years since Sargent’s death and includes never-before-displayed works, such as a charcoal portrait of Consuelo Vanderbilt. Curator Wendy Monkhouse emphasizes that the exhibition focuses on the sitters as individuals, addressing themes of misogyny, stereotyping, and xenophobia.

Philadelphia’s “Cardboard Genius” Takes Center Stage in a New Exhibition

A new exhibition titled "Cardboard Genius: The Architectural Marvels of Kambel Smith" has opened at Historic Germantown in Philadelphia, running through June 29. The show features large-scale, intricate replicas of architecturally significant buildings—such as Philadelphia's Police Administration Building and the Georgia State House—all constructed from salvaged cardboard by self-taught artist Kambel Smith, who is autistic. Smith's father, Lonnie, coined the term "Autisarians" to describe his sons' super-human abilities and has been a key supporter of Kambel's creative journey, which has included solo shows in New York, London, and Atlanta since 2019.