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The Big Review | The Woman Question 1550-2025 ★★★★½

The Museum of Modern Art in Warsaw has launched "The Woman Question 1550-2025," a massive survey featuring nearly 200 works by 140 women artists spanning five centuries. Curated by Alison M. Gingeras, the exhibition uses the medieval concept of "la querelle des femmes" to explore how women have asserted their status as "citizen artists" against patriarchal structures. The show juxtaposes historical masterpieces by figures like Artemisia Gentileschi and Sofonisba Anguissola with contemporary provocations by Miriam Cahn and Lubaina Himid, focusing heavily on figurative painting and sculpture.

‘There’s a bead connection to every place’: Wendy Red Star on exploring the real and symbolic currency of beads

Artist Wendy Red Star has launched a site-specific solo exhibition titled 'One Blue Bead' at Sargent’s Daughters in Tribeca, exploring the historical and symbolic weight of trade beads. The exhibition transforms the gallery into a simulated trading floor featuring monumental glass beads, over 100 watercolors, and Hudson’s Bay point blankets. The project originated from the artist's residencies at the Pilchuck School of Glass and the Tacoma Museum of Glass, where she researched the global circulation of glass beads from Europe to Africa and the Americas.

Smithsonian American Art Museum Debuts Monumental New Commission by Nick Cave

The Smithsonian American Art Museum has unveiled "Nick Cave: Mammoth," a major new commission by artist Nick Cave. The exhibition, which opened on February 13, 2026, is the museum's largest-ever commission by a single artist and marks Cave's first solo show in Washington, D.C. It transforms a suite of galleries into immersive environments featuring a massive hand-beaded tapestry, towering sculptures incorporating mammoth skulls, and a large light table displaying thousands of found objects.

Hawai‘i Ceramic Artist Toshiko Takaezu Retrospective Exhibit Opens This February

A major retrospective of Hawai‘i-born ceramic artist Toshiko Takaezu opens at the Honolulu Museum of Art on February 14, 2026. Titled 'Worlds Within,' the exhibition features over 100 works, including her signature closed ceramic forms, textiles, paintings, and a bronze bell, and marks the final stop of a two-year national tour that began at The Noguchi Museum in New York in 2024.

Abundance of botanical forms and monumental paintings reflects optimism at San Francisco’s Fog Design+Art fair

The 12th edition of Fog Design+Art in San Francisco opened with a record-breaking preview gala on January 21, drawing over 2,700 guests. The fair features 65 presentations from local and international dealers, with standout booths including Jessica Silverman's blue-hued works and Hauser & Wirth's $1m sale of Jack Whitten's 'Solar Space' (1971). Large-scale paintings dominate, alongside a notable abundance of botanical imagery, while geometric abstractions outnumber representational works. The fair's director, Sydney Blumenkranz, noted a particularly buoyant mood and strong attendance from tech industry leaders.

Artist Jan Tichy plans to plunge MSU's Broad Art Museum into darkness

Artist Jan Tichy has created a major exhibition titled "Darkness" at the Broad Art Museum at Michigan State University, opening January 30, 2026, and running through late July. The exhibition transforms the museum's main floor galleries by blacking out Zaha Hadid's iconic angular windows and entrances, using projections and modulated lights to simulate a 24-hour day-night cycle. Tichy, who previously worked with the museum on a Flint water crisis project in 2017, collaborated with MSU researchers—including the Department of Entomology—to create works inspired by academic studies, such as photographic prints made from insects collected on the museum grounds over a year.

Beatriz González, indefatigable force in Colombian art, has died, aged 93

Beatriz González, the influential Colombian artist, writer, curator, educator, and intellectual known as 'la maestra,' died in Bogotá on January 9 at age 93. Born in 1932 in Bucaramanga, she studied architecture and fine arts before forging a distinctive path in Colombian art, rejecting abstraction and the style of her contemporary Fernando Botero. Her work, including the series 'Suicidas del Sisga' (1965) and 'La Encajera,' reinterpreted Western artworks and local press photographs with flat forms and vibrant colors, often incorporating kitsch and subaltern aesthetics. She was a key figure in the Museo de Arte Moderno de Bogotá (Mambo), envisioned a school for museum guides, served as chief curator of the Museo Nacional de Colombia, and mentored generations of museum professionals.

Paris exhibition provides a new canon-busting vision of Minimalism

The Bourse de Commerce in Paris hosts "Minimal," a groundbreaking exhibition curated by Jessica Morgan, director of the Dia Art Foundation. The show centers on five large-scale natural-material works by 81-year-old US artist Meg Webster, while featuring over 100 works by more than 50 artists to challenge the traditional narrative that 1960s-70s Minimalism was exclusively a white, male, American movement. It includes thematic sections on light, balance, and monochrome, a gallery devoted to Japan's Mono-ha movement, and retrospectives of Agnes Martin and Lygia Pape, drawing largely from the Pinault Collection with international loans.

The waves that disappeared—Art duo Cooking Sections track lost tides in new installation

Art duo Cooking Sections, comprising Daniel Fernández Pascual and Alon Schwabe, have opened a new immersive installation titled "Waves Lost at Sea" at Centro Botín in Santander, Spain. The exhibition explores the disappearance of waves due to human activities such as sea dredging, port construction, and coastal development. Working with biologists and engineers from the University of Cantabria's GeoOcean project, the duo researched eleven lost waves globally. The installation features a white fabric structure, 11 slinky-like forms, and a soundscape composed by musician Duval Timothy, with 30-minute looped pieces for each lost wave. The show runs until March 1 and is part of Centro Botín's 30-year program that has previously supported artists like Tacita Dean and Mona Hatoum.

Art market 2025 review: all eyes on the Gulf as Trump destabilises global order

The global art market continued to contract in 2025, with prominent galleries such as Blum, Clearing, Sperone Westwater, Tilton, Kasmin, TJ Boulting, Project Native Informant, Nir Altman, and Altman Siegel closing due to challenging macroeconomic conditions. However, a rebound emerged at the top end by autumn, driven by Sotheby's white-glove sale of the Pauline Karpidas collection, strong VVIP sales at Art Basel Paris, and New York's November auctions, where Klimt's *Portrait of Elisabeth Lederer* (1914-16) sold for $236.3 million and Frida Kahlo's *El Sueño (la cama)* (1940) for $54.7 million. Christie's and Sotheby's reported increased sales from 2024, with second-half auctions up 26% year-on-year, though recovery remains uneven and concentrated in classic secondary-market tastes.

Venice, Sydney, Gwangju: the most interesting biennials to visit in 2026

The article previews several major biennials scheduled for 2026, including the 61st Venice Biennale, the 25th Sydney Biennale, and the 16th Gwangju Biennale. The Venice Biennale will proceed posthumously under the vision of curator Koyo Kouoh, who died in May 2025; she was the first African woman appointed to curate the event. The Sydney Biennale, themed "Rememory" and inspired by Toni Morrison, will be directed by Hoor Al Qasimi, while the Gwangju Biennale will be led by Singaporean artist Ho Tzu Nyen, focusing on collective artistic responses to global crises.

Pakistani artist Shahzia Sikander navigates her country’s complex past—a new monograph tells her story

Shahzia Sikander, a Pakistani artist born in Lahore after the Partition of India, is the subject of a new monograph by art historian Jason Rosenfeld. The article traces her rise from the National College of Arts (NCA) in Lahore, where she studied contemporary miniature painting—a genre uniquely associated with Pakistan—to international prominence. It highlights her graduate thesis, *The Scroll* (1989-90), which used the traditional Indo-Persian miniature form to critique General Zia ul Haq's military dictatorship, and positions her alongside Imran Qureshi as one of the best-known living artists of Pakistani origin.

Fast-rising Montana art organisation to take over century-old theatre

Tinworks Art, a non-profit contemporary art space in Bozeman, Montana, is expanding from its original industrial campus to the historic Rialto Theater downtown. Opening November 21, Tinworks at Rialto will debut with Matthew Barney's 2018 film *Redoubt*, on view until February 1, 2026, marking the organization's first year-round venue for installations, talks, screenings, and performances. The Rialto, which opened as a theater in 1924, was donated to Tinworks by its previous owners. Additionally, Tinworks is restoring its deteriorating mill building on the northeast campus, set to open in October 2026, which will add flexible gallery spaces, a visitor center, and offices, extending programming beyond its current June-to-October schedule.

At Art Basel Miami Beach, a new space reimagines art in the digital age

Art Basel Miami Beach will debut a new curated space called Zero 10, dedicated to digital and new media art, at its upcoming fair in the Miami Beach Convention Center. The centerpiece is an interactive installation by American artist Beeple featuring robot dogs with human heads modeled after public figures like Andy Warhol, Jeff Bezos, and Elon Musk, which will photograph fairgoers and offer NFTs. The space, curated by Eli Scheinman, includes works by pioneers such as Manfred Mohr and Larva Labs, alongside galleries like Pace Gallery and platforms like Art Blocks, exploring themes of AI, robotics, and generative systems. The name references Kazimir Malevich's 1915 exhibition '0,10', signaling a push into new artistic terrain.

Groundbreaking Art Takes Spotlight at O’Donnell Athenaeum Exhibit

A new exhibition titled “Groundbreakers: Post-War Japan and Korea from the Dallas Museum of Art and The Rachofsky Collection” has opened at the Edith and Peter O’Donnell Jr. Athenaeum at The University of Texas at Dallas, running through July 2026. Curated by Dr. Natalia Di Pietrantonio of the Crow Museum of Asian Art, the show features works from three major postwar movements—Mono-ha, Dansaekhwa, and Gutai—using unconventional materials like white glue, bells, wires, tin, and rocks. Highlights include Kazuo Shiraga’s foot-painted canvases, Takesada Matsutani’s vinyl glue sculptures, Atsuko Tanaka’s interactive wire installation, and Do Ho Suh’s translucent polyester corridor inspired by homesickness.

‘Truly inspiring’: New Princeton University Art Museum opens its doors to all

The new Princeton University Art Museum opened its doors to the public on Oct. 31, 2025, with a 24-hour open house that drew 21,763 visitors. The event featured dancing, stargazing, artmaking, live performances, film screenings, and a trivia contest, with highlights including Claude Monet's "Water Lilies and Japanese Bridge" and Nick Cave's mosaic. Director James Steward welcomed the crowd, and the museum also hosted previews for students, faculty, staff, and tradespeople, attracting thousands more.

‘Sometimes the space comes first’: how Shohei Shigematsu is using architecture to break cultural ground

Shohei Shigematsu, director of OMA New York since 2006, has carved a niche designing luxury-brand exhibition spaces and flagship stores for Dior, LVMH, and Tiffany. His approach treats architecture as a cultural platform that integrates fashion, art, design, and food. Key projects include the 2016 'Manus x Machina' exhibition at the Metropolitan Museum of Art and the 2023 'Christian Dior: Designer of Dreams' show in Seoul, where spatial design often precedes thematic content.

Exhibition Celebrating Abstract Painter Joan Mitchell Features Work on Loan from the Hofstra Museum

Joan Mitchell's painting "Metro" (1965) from the Hofstra University Museum of Art's permanent collection is on loan to David Zwirner gallery in New York for the exhibition "To define a feeling: Joan Mitchell, 1960-1965," running from November 6 to December 13, 2025. The exhibition focuses on a transformative period in Mitchell's career, showcasing paintings and works on paper from public and private collections, including the Joan Mitchell Foundation, that trace her shift from structured abstractions to centralized, swirling forms inspired by travels along France's Côte d'Azur.

Seattle Art Museum’s Latest Exhibition Explores French Farm-To-Table

The Seattle Art Museum has opened "Farm to Table: Art, Food, and Identity in the Age of Impressionism," a traveling exhibition exploring the connections between food, art, and national identity in late 19th-century France. Featuring over 50 works by Impressionist masters including Claude Monet, Paul Gauguin, Eva Gonzalès, and Pierre-Auguste Renoir, the show examines both the privileged dining experiences of the upper class and the labor of those who grew and harvested food. The exhibition, organized by the American Federation of Arts in collaboration with the Chrysler Museum of Art, runs until January 18, 2026, and includes interactive elements such as a seated discussion table with conversation prompts and a series of panel talks on food-related topics.

Weisman Art Museum shows rugs as the messengers of our stories

The Weisman Art Museum in Minneapolis is hosting "RugLife," a touring exhibition that transforms rugs into platforms for storytelling, history, and social commentary. Curated by Ginger Gregg Duggan and Judith Hoos Fox, the show features works by artists including Sonya Clark, Andrea Zittel, Nevin Aladağ, Ai Weiwei, and Ali Cha'aban, who use rug-making to address themes such as Black barber culture, climate change, political tensions, and the war in Ukraine. The exhibition originated at San Francisco's Museum of Craft and Design in 2023.

Pearlstein Gallery Opens Fall Exhibition Exploring Systems and Structures in Contemporary Art

The Leonard Pearlstein Gallery at Drexel University's Antoinette Westphal College of Media Arts & Design has announced its Fall 2025 exhibition, "Of the Grid: Systems + Structures in Contemporary Art," running from October 14 to December 15. The show features 36 artists working across media including photography, video, drawing, weaving, sculpture, embroidery, printmaking, painting, book arts, and interactive installation, with works that use the grid as a formal, conceptual, or narrative device. Co-curated by gallery director Mark Stockton and Cindy Stockton Moore, the exhibition includes a dynamic mix of Philadelphia-based and international artists, with highlighted pieces such as Jacob C. Hammes's IKEA-hacked fountain, Anne Schaefer's optical color window installation, and a suspended quilt by Jody Graff.

A brush with… Suzanne Jackson—podcast

This podcast episode features an in-depth conversation with artist Suzanne Jackson, who discusses her multifaceted career spanning drawing, painting, poetry, dance, and theatre. Born in 1944 in St. Louis and raised in San Francisco and Fairbanks, Alaska, Jackson draws on Native American and African American traditions to explore the spiritual connection between people and nature. She reflects on influences including Barbara Chase Riboud, Elizabeth Catlett, and Torkwase Dyson, and shares insights into her studio practice and her view on art's purpose. The episode also highlights her current survey exhibition "What is Love," which travels to SFMOMA, the Walker Art Center, and the Museum of Fine Arts, Boston through 2027.

Two years on from 7 October attacks, Israeli museum directors are in ‘complete isolation’

Two years after the 7 October 2023 attacks, Israeli museum directors report feeling isolated from the international art world. Tania Coen-Uzzielli, director of the Tel Aviv Museum of Art, says most international collaborations were put on hold, delayed, or cancelled. The museum, which has a history of political activism, closed partially during protests against judicial reforms and has taken a public stance to end the war and suffering in Gaza. Meanwhile, the Tel Aviv-Yafo City Museum, which opened just after the attacks, shifted to documenting wartime reality and supporting artists, but has received no direct support from international colleagues. The National Library of Israel repeatedly deinstalled and secured its collections during Iranian missile attacks, reopening when safe.

Paradigm Shift – a major exhibition exploring new dimensions in Moving Image.

180 Studios presents 'Paradigm Shift', a major exhibition at 180 Strand in London that transforms the venue's subterranean spaces to showcase acclaimed moving image works from the 1970s to the present. Curated by Jefferson Hack and Mark Wadhwa, the show features over a dozen artists including Ryan Trecartin, Nan Goldin, Andy Warhol, Pipilotti Rist, and Arthur Jafa, drawing from avant-garde cinema, TV, music video, performance, fashion, gaming, and internet culture. New commissions by 180 Studios sit alongside iconic historical works, tracing revolutions in moving image culture from Warhol's 1970s 'Fashion TV' to TELFAR TV today.

Exhibitions Celebrate Mead’s 75th Anniversary

The Mead Art Museum celebrated its 75th anniversary with a fall installation featuring three distinct exhibitions: Swapnaa Tamhane's immersive textile work "Spaces That Hold," "A Contentious Legacy: Paintings from Soviet Ukraine," and "Re/Presenting: An Activity Gallery." The opening transformed the museum into an interactive space where visitors could lie down, sit, or sing among hanging block-printed textiles, challenging traditional gallery norms. Tamhane's "Mobile Palace" (2020–2021), created with artisans Salemamad Khatri and Mukesh Prajapati, reinterprets Le Corbusier's Mill Owners' Association building as an ornament, while the Soviet Ukraine exhibition presents paintings from the 1960s–1980s that navigated propaganda and creative expression under state censorship.

Oil Street Art Space stages "Eying East, Wondering West - Square Word Calligraphy Classroom on the Move" exhibition featuring world-renowned artist Xu Bing (with photos)

Oil Street Art Space (Oi!) in Hong Kong has opened the exhibition "Eying East, Wondering West - Square Word Calligraphy Classroom on the Move," featuring world-renowned artist Xu Bing. Running from September 29, 2025 to January 11, 2026, the show transforms the Oi! Glassie venue into an interactive classroom where visitors can learn and write Xu Bing's Square Word Calligraphy (Hong Kong Edition). The exhibition includes a specially designed textbook inspired by local student exercise books, brushes and copybooks, interactive digital installations, and workshops on seal carving and fan design. It was previously held at the Hong Kong Museum of Art and is presented by the Leisure and Cultural Services Department, organized by the Art Promotion Office and Oi!.

Daegu Photo Biennale tackles the Anthropocene

The Daegu Photo Biennale in South Korea, now in its 10th edition, tackles the Anthropocene through the lens of symbiosis, featuring three main exhibitions: 'The Pulse of Life', 'The Origin of the World', and a solo show by Rinko Kawauchi titled 'M/E On this Sphere Endlessly Interlinking'. Artistic director Emmanuelle de l’Ecotais, a former curator at Centre Pompidou and Musée d’Art Moderne de Paris, leads the biennale, which includes 80 artists in the main exhibition and 75 in the special exhibition, alongside emerging artist showcases, a symposium, a photobook exhibition, and a portfolio review, all spread across 4,000 square meters at the Daegu Culture and Arts Center.

Princeton University Art Museum Announces Inaugural Exhibitions in New Building

Princeton University Art Museum will open its new building on October 31, 2025, with two inaugural exhibitions: *Princeton Collects* and *Toshiko Takaezu: Dialogues in Clay*. *Princeton Collects*, curated by director James Steward and the museum’s curatorial team, features approximately 150 works donated during a “campaign for art” that began in 2021, including pieces by Sean Scully, Willem de Kooning, Joan Mitchell, and Zanele Muholi. *Toshiko Takaezu: Dialogues in Clay* highlights the pioneering ceramic artist and longtime Princeton professor, showcasing her “closed forms” alongside works by her teachers and contemporaries.

Ai Weiwei: ‘Nothing scares me anymore—being terrified does not help’

Chinese artist and activist Ai Weiwei has unveiled a major new commission in Kyiv, Ukraine, titled 'Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White,' on view until November 30. The site-specific installation, commissioned by the non-profit cultural platform Ribbon International, features three spheres wrapped in camouflaged fabric dotted with animal images, responding to escalating global armed conflicts. Ai recently traveled to the front line of the war in eastern Ukraine near Kharkiv, meeting Ukrainian fighters and cultural figures, and also planted sunflower seeds and buttons in a field there as a ceremonial act.

From Dior's golden coat to landscape jewellery at Christie's: where the worlds of art and luxury collide this autumn

The article highlights two luxury-art crossovers this autumn: Jonathan Anderson's debut Dior menswear collection for spring/summer 2026, presented in Paris, and Natasha Wightman's new jewellery collection displayed at Christie's London. Anderson's show reimagined Dior's iconic women's silhouettes for men, featuring a standout €200,000 coat embroidered with ancient Indian mukesh work that took 12 artisans 34 days to create. Wightman's jewellery incorporates bog oak, a semi-fossilised wood from British fens, carved into pendants celebrating the country's remaining temperate rainforests.