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Spiders of Paradise to open at Tweed Regional Gallery

Tweed Regional Gallery & Margaret Olley Art Centre will present 'Maria Fernanda Cardoso: Spiders of Paradise' opening on May 9, 2025. The exhibition, developed and toured nationally by the Museum of Contemporary Art Australia (MCA Australia), features Colombian Australian artist Maria Fernanda Cardoso's photographic project on the Australian Maratus spider. It includes 17 large-scale digital photographic portraits created with scientific imager Geoff Thompson and entomologist Andy Wang, plus an immersive projection of Cardoso's video 'On the Origins of Art I-II' (2016), co-owned by MCA Australia and Tate.

Vincent Valdez and KB Brookins picked for ACLU Texas's artist-in-residence programme

The ACLU of Texas has selected Austin-based writer and artist KB Brookins and San Antonio-born painter Vincent Valdez as its artists-in-residence for 2026. Chosen from nearly 200 applicants, each will receive $30,000 to create works addressing criminal law reform, immigrants' rights, and equality for LGBTQIA+ individuals. Valdez will focus on portraits of local community leaders for his New Americans series and produce 'Know Your Rights' poster packets, while Brookins will tackle the pretrial carceral system through community organizing and workshops.

One Fine Show: “In Creative Harmony, Three Artistic Partnerships” at the Blanton Museum of Art

Observer's "One Fine Show" column highlights "In Creative Harmony: Three Artistic Partnerships" at the Blanton Museum of Art in Austin, Texas. The exhibition examines three distinct artistic duos: José Guadalupe Posada and Artemio Rodríguez, Arshile Gorky and Isamu Noguchi, and mother-daughter team Nora Naranjo Morse and Eliza Naranjo Morse. Spanning different eras, geographies, and mediums, the show explores how creative kinship and mutual influence shape artistic output, from Posada's Day of the Dead imagery to Gorky and Noguchi's Surrealist-inspired abstraction and the Morses' work in Pueblo ceramic and graphic traditions.

10 Must-See Gallery Shows to Catch in New York This May

This article highlights ten must-see gallery shows opening in New York this May, timed to coincide with major art fairs like Frieze and TEFAF. Featured exhibitions include Yu Nishimura's debut U.S. solo show at David Zwirner, Thalita Hamoui's first U.S. solo exhibition at Marianne Boesky, and presentations by Willem de Kooning, Anastasia Komar, Theodora Allen, Ilana Savdie, Rosana Paulino, Alicjia Kwade, Xingzi Gu, and Moffatt Takadiwa. The roundup spans venues across the Upper East Side, Chelsea, and Tribeca, reflecting the city's vibrant gallery scene during a packed season of auctions and fairs.

Walk the auction: your guide to Christie’s 20th and 21st Century Art sales in NY this May

Christie’s is holding its spring 20th and 21st Century Art sales week in New York from 12–15 May 2025, featuring over 500 works across six live auctions. Highlights include the single-owner collection of Leonard and Louise Riggio, led by a rare Piet Mondrian and René Magritte’s *Les droits de l'homme*; the 20th Century Evening Sale headlined by a Claude Monet from his *Les Peupliers* series; and the 21st Century Evening Sale, where Jean-Michel Basquiat’s *Baby Boom* sold for $23.4 million. Other notable consignors include Anne and Sid Bass, Tiqui Atencio, and Ago Demirdjian. The free public exhibition runs from 3–15 May at Christie’s Rockefeller Center galleries.

Celebrating the 2024–25 Academic Year Interns

The Bowdoin College Museum of Art (BCMA) celebrates its 2024–25 academic year intern cohort, highlighting the contributions of six student interns: Audrey Fillion, Pilar Saavedra-Weis, Karime Borrego, Neiman Mocombe, Julia Smart, and Chris Zhang. Interns worked on projects ranging from co-curating the exhibition "John McKee: As Maine Goes" to developing campus engagement surveys, leading gallery tours, and organizing community events. Emily Jacobs, Curatorial Assistant and Manager of Student Programs, authored the piece, noting the interns' diverse academic backgrounds—from art history and English to biochemistry—and their collaborative work with museum staff.

This Month the Museum Will Open "Ann Craven | Painted Time: Moons (Laboratory)"

The Bowdoin College Museum of Art (BCMA) will open "Ann Craven | Painted Time: Moons (Laboratory)" on May 22, 2025, featuring Ann Craven's moon paintings created between 2020 and 2024. The exhibition highlights Craven's direct observation of the moon, with each work documenting the date, time, and place of creation. The show includes a "laboratory" of lunar studies stored in labeled cardboard containers, offering insight into her process. It will be presented in three rotations curated by Anne Collins Goodyear, Jay Sanders, and Adam Weinberg, with about 20 paintings per rotation selected from over 150 compositions. The exhibition runs until August 17, 2025, and is accompanied by a digital catalogue. It coincides with two concurrent solo shows of Craven's work in Maine: at the Farnsworth Art Museum and the Portland Museum of Art.

Artist’s Choice: Arthur Jafa—Less Is Morbid

Arthur Jafa has curated a new exhibition at the Museum of Modern Art (MoMA) as part of the museum's ongoing Artist's Choice series. Titled "Less Is Morbid," the show runs through July 5 and features over 80 objects selected from MoMA's collection. Jafa, an artist and filmmaker known for his emotionally charged collages and installations, brings together works by figures such as Jean-Michel Basquiat, Cy Twombly, Lygia Clark, Roy DeCarava, Piet Mondrian, and Lutisha Pettway. The exhibition challenges binary oppositions like minimalist/maximalist and sparse/dense, and critiques the historical hierarchies that have governed art institutions.

Mind-bending work of M.C. Escher alters reality, space at new Arlington exhibition

The Arlington Museum of Art has opened "M.C. Escher: Infinite Variations," an exhibition featuring nearly 150 of the Dutch artist's prints, including his famous lithograph "Relativity" (1953). The show spans Escher's career from the early 1930s to the late 1960s, with themed galleries covering his early works, book illustrations, tessellations, and impossible worlds. The exhibition runs through August 3 and includes an Infinity Mirrored Room as an immersive finale.

Turner vs Constable: is it time for art historians to choose?

Art historian and author James Hall, writing in The Art Newspaper, reviews Nicola Moorby's new book "Turner and Constable: Art, Life, Landscape" and uses it as a springboard to argue that art historians should not shy away from making value judgments about artists. He compares the legacies of J.M.W. Turner and John Constable, noting that Turner currently dominates popular and institutional esteem—appearing on banknotes, celebrated by Tate Britain as the greatest British artist, and fitting modern conceptions of the artist as a rebellious, eccentric genius. Hall contrasts this with Constable's more conservative image and declining presence in commercial culture.

Left at the altar: Luc Tuymans's paintings to replace Tintoretto works at Venetian church

Belgian artist Luc Tuymans has created two new paintings, "Heat" and "Musicians" (2025), for the altar of the Abbey of San Giorgio Maggiore, a 16th-century church on a Venetian island. The works temporarily replace two canvases by Jacopo Tintoretto—"The Last Supper" and "The People of Israel in the Desert"—which are undergoing restoration funded by the Save Venice conservation charity. The commission was organized by Benedicti Claustra Onlus and the Draiflessen Collection, and the paintings will be on view from May 9 to November 23.

The nonconformist: Ben Shahn is honoured in a ‘homecoming’ show at New York's Jewish Museum

A major retrospective titled "Ben Shahn, On Nonconformity" opens this month at New York's Jewish Museum, honoring the American artist's lifelong activism. The exhibition includes 175 artworks and objects from the 1930s to the 1960s, organized into sections covering Shahn's Social Realism, New Deal-era work, responses to McCarthyism and the Atomic Age, and support for the civil rights movement. Co-curated by Laura Katzman and Stephen Brown, the show is adapted from a 2023 retrospective at the Museo Nacional Centro de Arte Reina Sofía in Madrid, which was a surprise hit.

The New Yorker and Goldman Sachs Fete Artist Barkley L. Hendricks at The Frick Madison

The New Yorker and Goldman Sachs Private Wealth Management co-hosted an intimate evening at the Frick Madison to celebrate the historic exhibition "Barkley L. Hendricks: Portraits at the Frick," the museum's first solo show by an artist of color. The event featured a conversation about Hendricks's legacy between Thelma Golden, director of The Studio Museum in Harlem; Aimee Ng, curator at The Frick Collection; and Antwaun Sargent, consulting curator at the Frick. Guests viewed fourteen of Hendricks's early portraits, which combine a bold realism with Old Master influences to center Black representation.

Indigenous Identities: Here, Now & Always

The Zimmerli Art Museum at Rutgers University in New Brunswick, New Jersey, is presenting "Indigenous Identities: Here, Now & Always," on view from February 1 through December 21, 2025. This exhibition is the largest and final show organized by the late Native artist Jaune Quick-to-See Smith, featuring over one hundred works by ninety-seven artists representing some seventy Nations and communities. The show is organized around four thematic sections—Political, Tribal, Social, and Land—and includes a separate gallery of Quick-to-See Smith's own prints, notably the "Survival Suite" (1996). The exhibition is intergenerational, with artists ranging from their eighties to those born at the end of the twentieth century, and most works date from the twenty-first century.

Artists Across America Are Creating Stunning Floral Arrangements Inspired by Paintings, Sculptures and Artifacts

Museums across the United States are hosting "Art in Bloom" exhibitions, where floral artists create custom arrangements inspired by artworks in museum collections. The Cincinnati Art Museum recently held its show with 65 arrangements alongside pieces ranging from sculptures to oil portraits, including a sugar flower installation by Amsterdam-based artist Natasja Sadi. Other institutions like the Museum of Fine Arts, Boston—which started the tradition in 1976—and the Minneapolis Institute of Art also participate, with artists like Amy Kubas drawing inspiration from works such as a Japanese block print.

Child damages Rothko work at Rotterdam museum

A child visiting the Depot, a publicly accessible storage facility at Museum Boijmans Van Beuningen in Rotterdam, made small scratches on Mark Rothko's painting *Grey, Orange on Maroon, No. 8* (1960). The museum confirmed superficial damage to the unvarnished paint layer and is consulting conservation experts in the Netherlands and abroad, expecting the work to be displayable again in the future. No information on valuation, repair costs, or further handling has been released, and images of the damage will not be circulated.

UD Scholars Explore Depths of Wyeth’s Art

In September 2024, nearly two dozen students and faculty from the University of Delaware's Department of Art History gathered at the Brandywine Museum of Art for a study day at the Andrew & Betsy Wyeth Study Center. William L. Coleman, the center's new director and a Wyeth Foundation Curator, led the group through the facility, showing drawings, paintings, and Wyeth's personal library, and curated the exhibition “Every Leaf & Twig: Andrew Wyeth’s Botanical Imagination,” featuring previously unseen watercolors and drawings.

Emily Sargent: Portrait of a Family

The Metropolitan Museum of Art in New York is presenting "Emily Sargent: Portrait of a Family," an exhibition featuring recently rediscovered watercolors by Emily Sargent (1857–1936), alongside works by her brother John Singer Sargent and their mother Mary Newbold Sargent. The show draws entirely from The Met's collection and includes a debut of 26 Emily Sargent watercolors gifted by the artists' heirs, complementing the museum's concurrent exhibition "Sargent and Paris."

Antoni Gaudí’s Casa Batlló is reaping the rewards from its continual reinvention

Antoni Gaudí’s Casa Batlló in Barcelona, completed in 1906 and designated a UNESCO World Heritage site in 2005, has undergone a series of ambitious multi-million-euro restorations and a hi-tech revamp over the past decade. Acquired by the Bernat family in 1993 and opened to the public in 2002, the monument now draws over 1.5 million visitors annually, generating a record €56 million in income in 2023—a 54% increase from the previous year. Recent projects include a €30 million investment (2018-2024) that uncovered original gold-leaf patterns and expanded immersive exhibitions such as Refik Anadol’s "Gaudí Dreams." The family plans to open the third floor for private events by late 2025.

HommeGirls’s First Store Brings a Streetwear-Chic Slant to Chinatown

HommeGirls has opened its first brick-and-mortar store in New York's Chinatown, a 250-square-foot space designed by Rafael de Cárdenas. The shop features an operational dry cleaner's rack rotating above a Portaluppi-style marble floor, floor-to-ceiling mirrors, and a vintage Italian valet stand, reflecting the label's blend of discipline and disorder. The article also covers Miya Ando's solo show at Saint Laurent Rive Droite Los Angeles, Flamingo Estate's new candle inspired by a New York holiday, and the Met's upcoming "Sargent and Paris" exhibition.

Untitled: Artist Takeover April 2025

The Denver Art Museum hosted 'Untitled: Artist Takeover' in April 2025, an evening event featuring performances, artmaking, and installations by Indigenous artists. Highlights included a fashion show by SunRose IronShell, drag tours of the Kent Monkman exhibition, poetry readings, dance performances, and a finale titled 'Planting Seeds' with Sarah Ortegon Highwalking. Drop-in experiences offered ledger art, yarn art, temporary tattoos, and frybread-making, alongside one-night-only installations by Sarah Ortegon Highwalking.

Fragility, resilience and humour: Wolfgang Tillmans and Boris Mikhailov to open photography show in war-torn Kharkiv

A major photography exhibition pairing Wolfgang Tillmans and Boris Mikhailov opens today at the Yermilov Centre in Kharkiv, Ukraine, despite ongoing Russian attacks on the city. Titled "Pairs Skating" (April 25–September 28), the show is organized by the non-profit RIBBON International and curated by Maria Isserlis and Tatiana Kochubinska. It features Mikhailov's never-before-shown Crimean seascapes from the 1990s alongside Tillmans's works including "The State We’re In" (2015), with all prints produced specially for the venue, which is a certified bunker allowing public access during the war.

Review: Gorgeous, exuberant Kim Chong Hak at the High

The High Museum of Art in Atlanta is hosting "Kim Chong Hak: Painter of Seoraksan," the first American museum exhibition dedicated to the Korean artist, running through November 2. The show features over 60 works spanning Kim's career, from early abstract pieces influenced by Western artists like Rothko and Tàpies to vibrant, large-scale landscapes inspired by his decades-long retreat to Mount Seorak in eastern South Korea. The exhibition includes paintings, folk art, and a catalog with essays that contextualize Kim's life and work.

Leading Indian artist Anita Dube accused of ‘intellectual theft’ after using protest poem in Delhi gallery show

Prominent Indian artist and curator Anita Dube has been accused of intellectual theft by poet-activist Aamir Aziz for using lines from his protest poem "Sab Yaad Rakha Jaayega" in a series of painted sculptures exhibited and offered for sale at her solo show "Three Storey House" at Vadehra Art Gallery in New Delhi (15 March–19 April). Aziz, who wrote the poem during the 2019 anti-CAA protests, publicly condemned Dube on social media for renaming, rebranding, and selling his work without permission or credit, calling it "theft" and "erasure." Dube acknowledged an "ethical lapse" in not seeking permission, removed the works from sale, and offered remuneration, but Aziz has sought legal counsel under India's Copyright Act of 1957.

Rembrandt works called into question by experts in the Netherlands

Conservators at the Mauritshuis gallery in The Hague have called into question the attribution of three paintings long believed to be by Rembrandt van Rijn. Technical analysis revealed an underdrawing beneath *Portrait of Rembrandt with a Gorget* (c. 1629), proving it is a copy and that the original is in Nuremberg. *Tronie of an Old Man* (c. 1630) may be by a student or employee, and *Study of an Old Man* (c. 1655), though signed by Rembrandt, shows less accomplished brushwork and a date applied later in different paint, suggesting studio production. All three works remain on view in the exhibition *Rembrandt?* (17 April–13 July).

As the Met’s Gorgeous New John Singer Sargent Exhibition Proves, There’s Much More to Madame X Than That Scandalous Strap

The Metropolitan Museum of Art has opened a major new exhibition, "Sargent and Paris," organized with the Musée d'Orsay, focusing on John Singer Sargent's formative decade in the French capital. The show culminates with his iconic portrait *Madame X* (1883–84), which caused a scandal at the 1884 Paris Salon when its jeweled strap appeared to slip off the subject's shoulder. Curator Stephanie L. Herdrich spent six years developing the exhibition, which includes approximately 100 works and aims to provide a more nuanced retelling of the painting's creation and impact. The exhibition runs from April 27 to August 3 at the Met before traveling to the Musée d'Orsay, marking the first monographic show of Sargent's work in France and the first time *Madame X* has been exhibited there in over 40 years.

The story of the Met’s ‘missing’ Banksy

John Barelli, head of security at the Metropolitan Museum of Art from 2001 to 2016, revealed that Banksy illicitly installed a painting at the museum in 2005 with the help of three accomplices who distracted guards. The work, titled 'Last Breath' and depicting a woman in a gas mask, was affixed to a wall with a placard claiming it was a donation. Banksy later requested its return, but Barelli told The New Yorker that the museum had thrown it out—though he admitted to taking it himself upon retirement, saying he might sell it if he needs money.

Art initiative brings 10 new contemporary works by local artists to Johns Hopkins

Johns Hopkins University has acquired 10 new contemporary artworks by local Baltimore artists as part of an initiative launched in 2023 to collect and display art by regional talents. The second round of acquisitions includes works by Brandon Donahue-Shipp, Bria Sterling-Wilson, and Jerrell Gibbs, among others. The pieces will be displayed at the Irene and Richard Frary Gallery in Washington, D.C., as part of the exhibition "Strong, Bright, Useful, and True: Recent Acquisitions and Contemporary Art from Baltimore" before being installed across Johns Hopkins campuses.

The Brooklyn Museum Announces Summer Exhibitions featuring Red Grooms, Mimi Gross, and The Ruckus Construction Co. Christian Marclay ; and Melissa Joseph

The Brooklyn Museum has announced its summer 2025 exhibition lineup, featuring a diverse range of installations. Highlights include "Red Grooms, Mimi Gross, and The Ruckus Construction Co.: Excerpts from 'Ruckus Manhattan'," which brings back the immersive 1970s tribute to New York City with works like "Dame of the Narrows" (1975) and a new addition, "42nd Street Porno Bookstore" (1976). Christian Marclay's film "Doors" (2022) will debut in New York, while fiber artist and UOVO Prize winner Melissa Joseph presents a site-specific outdoor installation titled "Tender" on the museum's plaza. Additionally, the Rubin Museum Tibetan Buddhist Shrine Room will be relocated to the Brooklyn Museum's Arts of Asia galleries.

Remembering Pope Francis, for 12 years head of the Catholic church and proprietor in trust of the Vatican's library and art collections

Pope Francis, the 266th pope and the first from the Americas and the Global South, has died. He was the spiritual leader of 1.3 billion Catholics, head of state of the Vatican, and proprietor in trust of the Vatican's vast art and architectural collections. Born Jorge Mario Bergoglio in Argentina, he was the first Jesuit pope and the first to take the name Francis, signaling a commitment to austerity and social justice. His papacy, beginning in 2013 after Benedict XVI's resignation, addressed theological controversies, church culture wars, interfaith relations, Vatican financial reform, the clergy sexual abuse crisis, and cultural restitution from the Vatican's holdings.