The article previews a major new video installation by artist and filmmaker Isaac Julien, titled "Once Again... (Statues Never Die)," which will be presented at the Barnes Foundation in Philadelphia. The work engages in a complex dialogue with the museum's founder, Albert C. Barnes, and his historic collection of African sculptures, exploring themes of colonialism, modernism, and representation.
The French National Assembly has unanimously passed a landmark bill designed to streamline the restitution of cultural property looted during the colonial era between 1815 and 1972. While the legislation fulfills a long-standing promise by President Emmanuel Macron to return African heritage, the debate revealed deep political divisions; critics noted the bill avoids the word "colonialism," while conservative factions expressed concerns about depleting national museum collections.
French senators have adopted a bill to facilitate the restitution of art looted during the colonial era, moving towards fulfilling a 2017 promise by President Emmanuel Macron. Meanwhile, Switzerland has appointed former president Simonetta Sommaruga to head a new independent panel examining claims for artworks looted during the Nazi era and colonial period.
Sotheby's held its inaugural Abu Dhabi Collectors' Week at the St. Regis Island Resort on Saadiyat Island, transforming the venue into a luxury showcase with handbags, diamonds, watches, a non-selling art display worth $500 million, and rare cars. The week culminated in open-air auctions under a full moon, netting $133 million—far exceeding the $17 million from Sotheby's first Middle East luxury sale in Saudi Arabia earlier this year. Highlights included a 1994 McLaren Formula 1 car sold for $25.3 million, a Jane Birkin Hermès handbag that fetched $2.9 million, and a 31.68-karat pink diamond called The Desert Rose that went for $8.8 million. A jewelry and timepieces sale achieved white-glove status, taking $25.4 million.
Tony Shafrazi, the legendary and controversial New York art dealer, is returning to the art fair circuit for the first time since 2012 with a booth at the Independent 20th Century fair in New York. He is presenting works by Armenian sculptor Zadik Zadikian, whose installation of gold bricks Shafrazi first exhibited in Tehran in 1978 before they were lost in the Iranian Revolution, alongside paintings by Brandon Deener. Shafrazi, now in his 80s, closed his New York gallery in 2011 and was banned from Art Basel in 2012 for breaking the fair's rules.
The Detroit Institute of Arts (DIA) has reinstalled its African American galleries, moving them from the back of the museum to a prominent location beside Diego Rivera's iconic "Detroit Industry Murals" (1932–33). The reinstallation is framed by a quote from Alain Locke's 1925 essay "The Legacy of the Ancestral Arts," envisioning the museum as an instrument of cultural education and repair. Complementing this is "Contemporary Anishinaabe Art: A Continuation" (through April 5), the first comprehensive survey of art from the Indigenous inhabitants of the Great Lakes region. The DIA began collecting African American art in 1943 and in 2001 became the first US museum to name a curator devoted to that field, Valerie J. Mercer, who still serves as curator and head of African American art.
TONO, the time-based art festival, has announced its 2026 lineup, running March 6–22 across Mexico City and Puebla. The program includes video installations, performance commissions, music events, and screenings at venues such as Laboratorio Arte Alameda, Casa del Lago UNAM, Museo Jumex, Museo de Arte Moderno, and Museo Amparo. Featured artists include Tino Sehgal, Space Afrika, Franziska Aigner, Kelman Duran, Ho Tzu Nyen, Avantgardo, Rafael Lozano-Hemmer, and Melanie Smith. International collaborations bring dance works via 99 Canal and Dance Reflections by Van Cleef & Arpels, and a joint evening with Berlin’s Neue Nationalgalerie. The festival is also co-producing Camille Henrot’s exhibition Água Viva at São Paulo’s Instituto Bardi.
Barbara Dauphin Duthuit, the wife of Henri Matisse's grandson, has donated 61 works by Matisse to the Musée d’Art Moderne de Paris. The gift includes seven paintings, numerous drawings, etchings, lithographs, and illustrated books, most of which feature portraits of the artist's eldest daughter, Marguerite (1894–1982). Many of these works were on view in France for the first time during the museum's recent exhibition “Matisse and Marguerite: Through Her Father’s Eyes.” The donation spans from Marguerite's childhood to 1945, including pieces that reference her convalescence from diphtheria and her survival of Gestapo torture during World War II.
Tate Britain has announced that French-Algerian artist Zineb Sedira will create the next Tate Britain Commission, her largest project to date, set to run from May 2026 to January 2027 in the museum's Duveen Galleries. Curated by Jessica Vaughan, the commission will feature a new site-specific work responding to the architecture and history of Tate Britain. Sedira, who represented France at the 2022 Venice Biennale with her acclaimed pavilion “Dreams Have No Titles,” is known for exploring themes of diaspora, memory, and identity through photography, video, and installation.
Ralph Lemon has been awarded the 2025 ARTnews Lifetime Achievement Award for his multidisciplinary practice spanning dance, drawing, painting, installation, sculpture, and writing. The article highlights his career trajectory from founding the Ralph Lemon Dance Company to disbanding it in 1995 to focus on broader artistic collaborations. Central to his work is the Geography Trilogy (1996–2004) and his long-term collaboration with Walter Carter, a former Mississippi sharecropper, whose life and family became a recurring subject. Lemon's recent exhibition "Ceremonies Out of the Air: Ralph Lemon" at MoMA PS1 (November 14, 2024–March 24, 2025), curated by Connie Butler and Thomas Lax, featured videos, found African sculptures, drawings, and a four-channel performance piece, Rant (redux), with Kevin Beasley and Okwui Okpokwasili.
Southern Guild, the prominent Cape Town gallery co-founded by Trevyn and Julian McGowan, is opening a new outpost in a restored 19th-century Tribeca townhouse on Leonard Street in New York. The expansion comes as the gallery closes its Los Angeles space, a move the McGowans describe as instinctive rather than strategic. The new space, with its sixteen-foot ceilings and exposed brick, represents a leap of faith amid a challenging 2025 art market marked by gallery closures and industry retrenchment.
The chairman of Abu Dhabi's department of cultural tourism, Mohamed Khalifa Al Mubarak, revealed at a recent briefing that the Guggenheim Abu Dhabi, designed by Frank Gehry and set to open in 2026 on Saadiyat Island, will feature Western masters like Jean-Michel Basquiat, Jackson Pollock, Mark Rothko, and Andy Warhol alongside lesser-known contemporary artists from Asia, Africa, and the Arab world. The museum, originally announced two decades ago and delayed multiple times, will also incorporate augmented reality and artificial intelligence to enhance visitor engagement, and will include music, food, and dance as part of its civic space concept.
Employees at the Detroit Institute of Arts (DIA) announced plans to unionize on November 4, joining a growing wave of labor organizing at U.S. cultural institutions. The staff, organizing as DIA Workers United, are seeking recognition under AFSCME Cultural Workers United (AFSCME Michigan), which already represents workers at major museums including the Metropolitan Museum of Art, Art Institute of Chicago, and Philadelphia Museum of Art. The DIA acknowledged the request and stated it respects employees' legal rights to organize. The announcement follows recent unionization efforts at the Los Angeles County Museum of Art (LACMA) and a broader trend that began with the New Museum in 2019.
René Magritte's surrealist masterpiece *La Magie Noire*, unseen on the market for nearly a century, will be auctioned at Sotheby's Paris later this month with an estimate over $8 million. The painting was originally purchased by the family of WWII resistance heroine Suzanne Spaak, who supported Magritte during a financially difficult period. Separately, three major museums designed by star architect David Adjaye—the Princeton University Art Museum, the Museum of West African Art in Benin City, and the Studio Museum in Harlem—are set to open this fall, but institutions are downplaying Adjaye's involvement following sexual misconduct allegations he denied in 2023. Other news includes Pace Gallery closing its Hong Kong space, Colnaghi opening in Riyadh, and the death of ARTnews owner Milton Esterow.
An Argentine court has charged Patricia Kadgien, 58, and her husband, the daughter and son-in-law of Nazi official Friedrich Kadgien, with concealing looted artworks. The charges follow a police raid on their Mar del Plata home after a snapshot of a looted Baroque painting by Giuseppe Ghislandi appeared in an online real estate listing. The painting, once owned by Jewish collector Jacques Goudstikker, was recovered along with 22 works by Henri Matisse and others, whose provenance is under investigation. Separately, iconic designer Giorgio Armani has died at 91 in Milan; he was a noted contemporary art supporter, subject of a 2000 solo exhibition at the Solomon R. Guggenheim Museum, and founder of the Armani/Silos cultural venue. The Louvre has appointed Bénédicte Savoy as its next "Chaire du Louvre," a position from which she will deliver lectures on the museum's collections, continuing her advocacy for repatriation of African art.
President Donald Trump posted on Truth Social criticizing the Smithsonian and museums nationwide, claiming they focus excessively on negative aspects of U.S. history such as slavery. He described these institutions as the last remaining segment of 'WOKE' culture. The article counters his remarks by highlighting the National Museum of African American History and Culture (NMAAHC), which presents both the horrors of slavery and themes of survival, liberation, and perseverance through objects like Harriet Tubman's handkerchief and artworks by Jacob Lawrence and Alison Saar. It also references the 2022 exhibition 'Afro-Atlantic Histories' at the National Gallery of Art, which balanced depictions of violence with messages of freedom and resilience.
Christie's 21st century evening sale in New York on May 14 achieved $96.4 million, with strong performances by women artists. Marlene Dumas's *Miss January* (1997) set a new auction record for a living woman artist at $13.6 million, while Simone Leigh's bronze sculpture *Sentinel* (2020) sold for $5.7 million, breaking her previous record. Other highlights included Jean-Michel Basquiat's *Baby Boom* (1982) at $23.4 million. Separately, a painting by Henry Scott Tuke long held by the National Trust was identified as a portrait of Lawrence of Arabia, and the Metropolitan Museum of Art received a major gift of over 6,500 photographs from collector Artur Walther and the Walther Family Foundation.
The Metropolitan Museum of Art has received a promised gift of more than 6,500 photographic works from German American collector Artur Walther and the Walther Family Foundation. The collection spans 19th-century vernacular photography to contemporary video, with strengths in African studio photography, German post-war photography, Chinese conceptual art, and early vernacular images. Artists represented include Malick Sidibé, Zanele Muholi, Ai Weiwei, Thomas Struth, and Bernd and Hilla Becher. A selection will debut when the Michael C. Rockefeller Wing reopens this month, with further displays planned for the Oscar L. Tang and H.M. Agnes Hsu-Tang Wing opening in 2030.
A Marlene Dumas painting, *Miss January* (1997), sold for $13.6 million at a Christie’s auction, making the South African artist the most expensive living female artist at auction. The work, consigned from the Rubell Family collection, had an estimate of $12–18 million and was backed by a third-party guarantee. It was won by an anonymous telephone bidder represented by Sara Friedlander, Christie’s deputy chairman for postwar and contemporary art.
A new video game titled 'Relooted' has been released, casting players as vigilantes in an Afrofuturistic future who must reclaim looted African artifacts from Western museums before they are hidden away. Developed by South African studio Nyamakop, the game tasks players with repatriating up to 70 specific, real-world contested treasures, including the Bangwa Queen and the Maqdala Crown, through heist-style gameplay.
The Smithsonian's National Portrait Gallery in Washington, DC, unveiled the official portraits of former President Barack Obama and former First Lady Michelle Obama on February 12, 2018. The portraits were painted by Kehinde Wiley and Amy Sherald, respectively, marking the first time the museum has commissioned African American artists to paint a presidential couple. The ceremony was attended by notable figures including former Vice President Joe Biden, director Steven Spielberg, and actor Tom Hanks. Wiley depicted Obama seated in a chair surrounded by botanicals symbolizing his heritage, while Sherald painted Michelle Obama in her signature grayscale palette wearing a geometric dress inspired by Piet Mondrian and Gee's Bend quilts.
The Metropolitan Museum of Art in New York has unveiled the renovated Michael C. Rockefeller Wing, dedicated to the art of Africa, Oceania, and the ancient Americas. Designed by Kulapat Yantrasast of WHY Architecture with Beyer, Blinder, Belle Architects, the 40,000-square-foot wing opened to the public on May 31, showcasing 1,800 objects from 663 cultures across 90 countries. The collection originated from Nelson Aldrich Rockefeller, who began acquiring non-Western art in 1930 and later founded the Museum of Primitive Art in 1957 after the Met initially declined his donation.
The Smart Museum at the University of Chicago has announced plans for a major mid-career survey of artist Theaster Gates, titled “Unto Thee,” opening September 23 and running through February of next year. This marks Gates’s first solo museum exhibition in his hometown of Chicago, despite his international acclaim and numerous institutional shows elsewhere. The exhibition will feature objects Gates has collected and repurposed from the university, including glass lantern slides, vitrines, concrete, and wooden pews, alongside a large-scale installation of African masks accompanied by music from the late DJ Frankie Knuckles.
Artist Tanda Francis created the bespoke mannequin heads for the Costume Institute's spring 2025 exhibition "Superfine: Tailoring Black Style" at the Metropolitan Museum of Art. The exhibition, organized by guest curator Monica L. Miller in collaboration with Andrew Bolton, explores how Black communities across the Atlantic diaspora have used fashion and suiting as tools of self-definition, resistance, and storytelling from the 18th century to today. Francis based her mannequin on Congolese political thinker André Matsoua, a figure associated with militant Black dandyism and the Sapeur movement.
German artist Georg Baselitz has died at age 88, as confirmed by the Thaddaeus Ropac gallery. Known for his expressive paintings and sculptures, Baselitz rose to prominence in the 1960s after a scandal over sexually symbolic works led to a high-profile court case. He pioneered painting canvases upside down from 1969 onward, a technique he used to grapple with German history and collective guilt. His work spanned six decades and included notable sculptures, such as a wooden figure at the 1980 Venice Biennale that appeared to perform a Nazi salute, which he later clarified was inspired by an African artifact. Baselitz achieved international acclaim in the 1980s and became one of Germany's highest-priced living artists, alongside Gerhard Richter.
Katherine El-Salahi, an anti-apartheid activist, anthropologist, and publisher, has died at age 81. Born Katherine Levine, she studied at Cambridge and SOAS before joining the clandestine group London Recruits in 1970, carrying out leaflet bomb propaganda and running guns into South Africa. She later became instrumental in the career of her husband, Sudanese painter Ibrahim El-Salahi, organizing his landmark 2013 retrospective at Tate Modern, building his archive, and securing gallery representation with Vigo Gallery.
The Musée Picasso in Paris is hosting a retrospective of African American artist Henry Taylor, running until September 6. The exhibition centers on Taylor's 2007 painting *From Congo to the Capital, and Black Again*, a bold reimagining of Picasso's *Les Demoiselles d'Avignon* that replaces the original figures with darker-skinned women and introduces Josephine Baker and a white man's arm. The show follows the museum's series on African American painting, after Faith Ringgold in 2023 and ahead of a Harlem Renaissance exhibition in 2027.
The Congolese Plantation Workers Art League (CATPC), an artist collective based at a plantation in the Democratic Republic of Congo, has released a toolkit titled "Seven Easy Steps for Museums to Liberate the Plantations that Funded Them." The toolkit urges major museums—including London's Tate Britain, Cologne's Ludwig Museum, the Stedelijk Museum in Amsterdam, and the Van Abbemuseum in Eindhoven—to acknowledge and rectify their historical reliance on plantation wealth and exploited labor. CATPC presented the toolkit at a restitution conference at the Wereldmuseum in Amsterdam, organized with the Mondriaan Fund. The collective, founded in 2014, creates art from chocolate and has exhibited internationally, including at the 2024 Venice Biennale and the 2017 Armory Show.
The Wildenstein Plattner Institute (WPI) and the Romare Bearden Foundation have launched the first installment of a digital catalogue raisonné for the artist Romare Bearden, covering his work from 1964 to 1969. The project, which began in earnest in 2017, has so far documented 3,000 artworks, including 210 in this initial chapter, and has uncovered previously unknown works such as a portrait of artist Edmonia Lewis. The research builds on three decades of archival work by the foundation, which digitized Bearden's ephemera to aid in tracking down works he often gave away informally.
The National Endowment for the Arts (NEA) has announced funding cuts to arts organizations across the U.S. as part of broader government spending reductions under the Trump administration. These cuts disproportionately affect Black-led art institutions, including the Museum of Contemporary African Diasporan Art (MoCADA), Museum Hue, and the Billie Holiday Theatre, which rely heavily on federal grants for programming and operations. While some organizations received final payments or avoided returning funds, they face an uncertain future as critical funding streams are terminated or made ineligible for renewal.