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A 17th-century British portrait at Claydon House, a National Trust property, depicts Mary Lawley and Peregrine Tyam, a Black enslaved attendant whose identity is known—one of the earliest such examples. Historian Hannah Lee published research in British Art Studies revealing new details about Tyam, including a rediscovered letter he wrote in 1699 to his enslaver John Verney, offering rare firsthand insight into the lives of enslaved people in aristocratic households. The portrait, attributed to the little-known artist Lenthall, was commissioned by Verney to mark his marriage in 1692 and shows Tyam wearing a silver collar, a symbol of enslavement.

Kerry James Marshall offers a fresh lesson in art history at his London retrospective

Kerry James Marshall's retrospective 'The Histories' opens at the Royal Academy of Arts in London, featuring over 80 works spanning his career. The exhibition, co-curated by Mark Godfrey and Adrian Locke, includes early pieces like 'A Portrait of the Artist as a Shadow of His Former Self' (1980) and recent paintings exploring African history and the transatlantic slave trade. After London, the show travels to Kunsthaus Zürich and the Musée d'Art Moderne in Paris, timed to Marshall's 70th birthday.

17 NYC art exhibitions we’re most excited about in fall 2025

The article highlights 17 New York City art exhibitions opening in fall 2025, with six previewed in detail. Major events include the long-awaited reopening of the Studio Museum in Harlem on November 15 with a new seven-floor building and shows featuring Tom Lloyd and works from its collection; the New Museum's reopening after renovation with the inaugural exhibition "New Humans: Memories of the Future"; and the Whitney Museum's "Sixties Surreal" exhibition surveying American art from 1958 to 1972. Other notable shows include a Robert Rauschenberg centennial exhibition at the Guggenheim Museum, Ai Weiwei's public installation "Camouflage" on Roosevelt Island, and a fashion-focused exhibition at the Hispanic Society Museum & Library.

Meet 6 Visionary Women Shaping the Art World in 2025

This article profiles six visionary women shaping the art world in 2025, beginning with British designer Es Devlin, known for her immersive stagecraft and large-scale installations. It highlights her recent role as global artistic lead of the Women’s Pavilion at Expo 2025 in Osaka, where she created a participatory sound installation. The piece also features Tokini Peterside-Schwebig, founder of ART X Lagos, West Africa's leading international art fair, which celebrates its tenth anniversary in 2025. Peterside-Schwebig is a cultural entrepreneur and collector who has expanded the fair into initiatives like ART X Live!, the Access ART X Prize, and a school program for underprivileged children.

The Modern Art Museum of Fort Worth announces the exhibition - David-Jeremiah: The Fire This Time

The Modern Art Museum of Fort Worth will present "David-Jeremiah: The Fire This Time," a solo exhibition organized by guest curator Christopher Blay, running from August 17 to November 2, 2025. The show features new works by multidisciplinary conceptual artist David-Jeremiah, including the final polychromatic EE (Emma Esse) series of seven paintings, and continues his exploration of Black identity, humanity, and ritual through inverted-performance installations centered on the Lamborghini as a symbol of beauty and violence.

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The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as a curator in its Department of Photographs, a role she will assume this summer. Onabanjo, who joins from the Museum of Modern Art (MoMA), will primarily oversee the Walther Collection—a massive gift of over 6,500 photographs spanning diverse global regions—and will lead a major exhibition of the collection in 2028.

South Carolina’s International African American Museum Officially Acquires Earliest Known Daguerreotypes of Enslaved Americans

South Carolina’s International African American Museum Officially Acquires Earliest Known Daguerreotypes of Enslaved Americans

The International African American Museum in Charleston, South Carolina, has officially acquired the "1850 Daguerreotypes," the earliest known photographs of enslaved Americans. The set of 15 images, taken by J.T. Zealy, depicts seven enslaved individuals—Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty—and had been held by Harvard University until a recent legal settlement. Harvard had owned the daguerreotypes since they were commissioned in 1850 by natural historian Louis Agassiz.

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Julian Cox, the deputy director and chief curator of the Art Gallery of Ontario (AGO), will step down from his position this April after an eight-year tenure. While the museum's official statement praised Cox for expanding the collection and establishing the Department of Global Africa & the Diaspora, it offered no specific reason for his departure, and Cox himself was not quoted in the announcement.

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Zanele Muholi has been named the winner of the 2026 Hasselblad Award, widely considered the world’s most prestigious photography prize. The South African photographer and "visual activist" will receive approximately $218,000, a solo exhibition at the Hasselblad Center in Gothenburg opening in October 2026, and a dedicated publication. Muholi’s work is celebrated for its monumental grayscale portraiture that documents and honors the Black LGBTQIA+ community, challenging historical omissions and systemic oppression.

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Newly released documents from the Department of Justice, part of the Jeffrey Epstein case, contain email exchanges from 2013 that reference prominent art collectors Steve Tisch and Jean Pigozzi. The emails show Epstein facilitating introductions between Tisch and multiple women, with discussions about their backgrounds and travel arrangements. Tisch has stated the association was brief and expressed regret.

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South Africa selected a work by artist Gabrielle Goliath for its Venice Biennale pavilion, then rescinded the decision on January 2, just eight days before the finalization deadline. The culture ministry, led by Minister Gayton McKenzie, objected to a section of Goliath's "Elegy" series that included words by Palestinian poet Hiba Abu Nada, who was killed in an Israeli airstrike in 2023. The pavilion's selection committee publicly disagreed with the cancellation, calling it censorship and highlighting a history of mismanagement.

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The Prix Marcel Duchamp, France's most prestigious art prize, has announced its 2026 nominees: Joël Andrianomearisoa, Josèfa Ntjam, Laura Henno, and the duo David Brognon and Stéphanie Rollin. The five nominees will exhibit together at the Musée d’Art Moderne de Paris in October, with the winner receiving €35,000. The jury is led by Centre Pompidou director Xavier Rey and includes prominent curators, collectors, and past winners such as Kader Attia.

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A Madrid court has ruled that Fernando Ramírez de Haro, 10th Marquess of Villanueva del Duero, must pay his brother Íñigo Ramirez de Haro, Marquis de Cazaza in Africa, €853,732 from the proceeds of the 2012 sale of Francisco de Goya's portrait *Portrait of Valentín Belvís de Moncada* (ca. 1795–1800). The painting, inherited from their father, was sold for €5.8 million to billionaire Juan Miguel Villar Mir via Sotheby's. Íñigo sued Fernando for failing to distribute shares of the sale to siblings as agreed in a 2014 family settlement, alleging fraud, document falsification, and that Fernando's wife, former Spanish minister Esperanza Aguirre, abused her office by not registering the work as national heritage.

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The Museum of Modern Art (MoMA) has opened a major retrospective of Afro-Cuban Surrealist painter Wifredo Lam, featuring over 200 works. The exhibition highlights Lam's masterpiece *Grande Composition* (1949), a 14-foot-wide painting recently acquired by MoMA after years of negotiation with a Paris collector. Curated by MoMA's new director Christophe Cherix and Beverly Adams, the show reexamines Lam's career, emphasizing his Afro-Cuban heritage and his use of hybrid figures like the femme-cheval, which reference Lucumí spiritual traditions.

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Talladega College, a historically Black college in Alabama, has partnered with the Toledo Museum of Art, Art Bridges, and the Terra Foundation for American Art to share six monumental murals by artist Hale A. Woodruff. Painted between 1939 and 1942, the murals depict key moments in African American history, including the Amistad uprising and the Underground Railroad. Under the agreement, the Toledo Museum of Art acquired *The Underground Railroad* (1942), while Art Bridges and the Terra Foundation jointly acquired the three Amistad murals; the remaining two murals stay at the college. All six works will be periodically reunited on campus, ensuring their continued connection to the institution that commissioned them.

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Donald Trump has ordered a national park to remove a famous 1863 photograph of an enslaved man known as 'The Scourged Back,' which shows his scarred back from brutal whippings. The Washington Post reported the order on September 15, citing anonymous sources, and noted that multiple national parks are affected by directives targeting signs and exhibits related to slavery. The specific park impacted was later identified as Harpers Ferry National Historic Park in West Virginia, with the President's House Site in Philadelphia also potentially affected. The order follows a broader crackdown on what the Trump administration calls 'corrosive ideology' in American museums, including a March executive order targeting Smithsonian-run institutions.

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The White House published an article on its website denouncing a range of artworks, exhibitions, and objects at the Smithsonian Institution, continuing President Donald Trump's protest against the museum network. The list included previously criticized shows, such as one about sculptures as signifiers of power at the Smithsonian American Art Museum, and the National Museum of African American History and Culture's displays on 'white dominant culture.' It also named new targets: a painting of a Black trans woman as the Statue of Liberty by Amy Sherald (which was pulled from a National Portrait Gallery show due to alleged censorship), Rigoberto A. González's 2022 painting 'Refugees Crossing the Border Wall into South Texas,' a stop-motion portrait of Anthony Fauci commissioned by the National Portrait Gallery, and a papier-mâché Statue of Liberty from a workers' rights protest. The administration also objected to wall texts at the National Museum of the American Latino and the National Museum of American History's LGBTQ+ History display.

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Independent curator Brice Arsène Yonkeu has organized "Ever So Present II: Between Home and Elsewhere," the second installment of a two-part exhibition at Gagosian's Park & 75 space in New York. The show features four emerging artists of African descent—including Emma Prempeh and Josèfa Ntjam—whose works in painting, photomontage, and assemblage explore themes of diaspora, memory, migration, and belonging. Yonkeu is the first curator invited to participate in dot.ateliers' new residency program, a foundation and exhibition space launched by Ghanaian painter Amoako Boafo in Accra in 2023. The exhibition expands on questions raised in the first iteration held in Accra, asking what remains "ever so present" in diasporic art across borders and cultures.

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President Donald Trump announced on Truth Social that he had fired Kim Sajet, director of the National Portrait Gallery in Washington, D.C., citing her as a "highly partisan person" and a "strong supporter of DEI." Sajet had led the museum since 2013, and her termination follows a series of executive orders targeting the Smithsonian Institution, including one in March that criticized "anti-American ideology" at its museums. The museum currently features the exhibition "America’s Presidents," which includes a portrait of Trump with a caption referencing his impeachments and the January 6 Capitol attack. The National Portrait Gallery did not respond to requests for comment, and no replacement has been named.

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Koyo Kouoh, the celebrated Cameroonian-born curator known for championing African contemporary art, has died unexpectedly at age 57. She passed away in a hospital in Basel, Switzerland, due to cancer, just months after being appointed curator of the 2026 Venice Biennale—making her only the second African-born curator to lead the prestigious exhibition, following Okwui Enwezor in 2015. Kouoh was executive director and chief curator of the Zeitz Museum of Contemporary African Art (Zeitz MOCAA) in Cape Town since 2019, where she organized landmark shows like "When We See Us: A Century of Black Figuration in Painting" (2022), and founded RAW Material Company in Dakar in 2008, an independent art center now considered a top space in West Africa.

Derrick Adams Offers Monumental Tribute to Koyo Kouoh in Venice

American artist Derrick Adams has installed a monumental portrait of the late curator Koyo Kouoh on a building façade near the Arsenale in Venice, ahead of the 2026 Venice Biennale that Kouoh was to curate. The painting, titled "Heavy is the head that wears the crown (2026)," depicts Kouoh with a crown that transforms into the word "JOY" emitting golden light. The project was spearheaded by curator Francesco Bonami, who invited Kouoh to serve on the jury of the 50th Venice Biennale, and is intended as an accessible public homage rather than an exclusive art-world event.

Blue-Chip Names Anchor Showplace’s Art and Design Auction

New York's Showplace is hosting its Important Fine Art and Design Auction on May 14, 2026, featuring 145 lots that span Old Masters to contemporary works. Key highlights include Yayoi Kusama's *Infinity Nets* (1995, est. $100,000–$200,000), Otis Kwame Kye Quaicoe's *Yellow Fanny Pack* (2021, est. $12,000–$18,000), Alexander Calder's *Paradis* (1976, est. $60,000–$80,000), Henri Martin's *L'Eglise de Labastide-du-Vert* (est. $60,000–$80,000), and Milton Avery's *Untitled (Winter Landscape Scene)* (est. $20,000–$40,000). The auction brings together blue-chip names like Warhol, Kusama, and Calder alongside emerging artists.

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The Museum of Modern Art in New York is presenting the exhibition "Wifredo Lam: When I Don't Sleep, I Dream," featuring the iconic Cuban Surrealist painter. The show includes his seminal work *The Jungle*, acquired by MoMA in 1946, and explores his complex artistic identity.

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On Public Domain Day 2026, works from 1930 entered the U.S. public domain, including art by Piet Mondrian, Paul Klee, José Clemente Orozco, and Sophie Taeuber-Arp. Notable artworks now free to use include Mondrian's *Composition With Red, Blue, and Yellow*, Klee's *Tierfreundschaft*, Orozco's *Prometheus*, and Taeuber-Arp's *Composition of Circles and Overlapping Angles*, as well as pieces by Philip Guston, Marc Chagall, and Edward Hopper from the Metropolitan Museum of Art. Literary works like Sigmund Freud's *Civilization and Its Discontents* and William Faulkner's *As I Lay Dying*, films such as *All Quiet on the Western Front*, and musical compositions including "Dream a Little Dream of Me" and "Georgia on My Mind" also entered the public domain, along with the original Betty Boop character and early *Blondie* comics.

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Brazilian authorities arrested one suspect after an armed robbery at São Paulo's Mário de Andrade Library on Sunday, where two thieves stole eight Henri Matisse engravings and works by Brazilian painter Candido Portinari. The artworks were displayed in a glass vitrine as part of the exhibition “From the Book to the Museum,” which was set to close November 30. The thieves held up a security guard and a couple, stuffed the items into a canvas bag, and discarded some works near a rubbish heap during their escape, partially captured by facial recognition cameras. The second suspect remains at large, and the library has not disclosed which specific works were taken.

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Artnet News' Wet Paint column reports on a special auction held at Clemente Bar in New York, where Fair Warning—an app founded by former Christie's executive Loic Gouzer—sold an Andy Warhol portrait of Brigitte Bardot for $14.5 million ($16.7 million with fees). The event, hosted by Gouzer and curator-advisor Lolita Cros, featured former Christie's auctioneer Jussi Pylkkänen and attracted a crowd of high-net-worth individuals, including Greek shipping magnate George Economou, dealer David Mugrabi, artist Tony Shafrazi, and other art-world figures. Bidding started at $7 million, and the winning bid came from an anonymous phone bidder.

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Marlene Dumas's largest retrospective to date, "The Image as Burden," has opened at Tate Modern, showcasing her uncompromising approach to portraiture. The exhibition features over 200 works, including early ink drawings like "Rejects" (1994-ongoing), political pieces such as "Osama" (2010), and the "Magdalenas" series from the 1995 Venice Biennale. Dumas, a South African painter based in Amsterdam, explores themes of identity, politics, and the female body through her fluid, often dark palette and responses to mass media images.

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Artist Jennie C. Jones has unveiled "Ensemble" (2025), a rooftop commission at New York's Metropolitan Museum of Art featuring three monumental, wind-activated stringed instruments—an Aeolian harp, zither, and one-string—that visitors are asked not to touch. The sculptures, coated in deep red powdered aluminum and concrete panels, are designed to be played by the breeze, though wind did not cooperate during the press preview. Jones drew inspiration from the Met's collection of 5,000 musical instruments, African American folk instrument makers like Moses Williams and Louis Dotson, and Minimalist abstraction, creating a work that explores anticipation and the sonic potential of untouchable objects.

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The San Francisco Museum of Modern Art (SFMOMA) has received a landmark gift of 31 paintings, sculptures, and drawings from the Pamela J. Joyner and Alfred J. Giuffrida Collection, which focuses on abstract works by artists of the African diaspora. The donated pieces, created by 20 American artists born before 1930—including Elizabeth Catlett, Beauford Delaney, Norman Lewis, and Richard Mayhew—are intended to fill historical gaps in the museum's collection. Joyner, who became an SFMOMA trustee in 2020, selected works that represent the earliest generation of artists in her collection, aiming to support a more inclusive art-historical narrative.

Diedrick Brackens’s Tapestries Beckon the Light of Freedom

Diedrick Brackens presents his first solo exhibition in the Bay Area, "gather tender night," at Yerba Buena Center for the Arts in San Francisco. Guest-curated by Eungie Joo, the show features 15 tapestries from 2020 onward and three new works from 2026, including the immersive installation "clearing (2026)." Brackens, a Black queer artist and CCA professor, uses hand-dyed cotton and acrylic yarn to weave narratives of personal memory, myth, and the natural world, drawing from West African weaving, California fiber art, European tapestry, and Gee's Bend quilting. His approach, influenced by the "sloppy craft" ethos of his mentor Josh Faught, embraces unfinished edges and visible process as acts of refusal against polished traditions.