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Picasso or Bitcoin? How art’s status is changing among the super-rich

Christie's and Sotheby's reported nearly flat first-half 2025 sales of $2.1bn and $2.2bn respectively, with Christie's 20th/21st-century art sales down 2% but luxury up 29%. The Mei Moses Art Index shows over 50% of auction lots sold at negative compound annual returns, which analyst Michael Moses calls 'the worst overall financial performance in the 21st century.' Meanwhile, Bitcoin, gold, and stocks have significantly outperformed art, with BlackRock's Bitcoin ETF alone attracting $84bn—far exceeding the global art market's total value. A record $43.9m Canaletto sale to a Bezos-linked buyer underscores that top-tier works still command attention, but the broader trend suggests wealthy investors are prioritizing financial returns over art as a status symbol.

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Shanti Escalante-De Mattei's column 'Link Rot' examines the debate over generative AI in creative fields, focusing on the argument that AI is just another tool like a paintbrush. The article critiques this view by highlighting how AI is being used by clients and studios to pressure animators, cut pay, and impose unrealistic deadlines, while the technology was built on ethically questionable datasets scraped from public websites without permission.

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Archaeological treasures from Gaza's five main archaeological sites were evacuated from the French Biblical and Archaeological School of Jerusalem's storehouse in Gaza City, following an Israeli order to vacate the building before a threatened military strike. The operation, described by school director Olivier Poquillon as a "high-risk" and "last-minute rescue," involved improvised transport and logistics in a context where almost no international actors remain on the ground. The relics include artifacts from a fourth-century monastery designated as a UNESCO World Heritage site.

How a tiny Arizona town became home to a national queer arts exhibition

A small Arizona town of 1,500 residents, Tubac, is home to Bruce Baughman Studio & Gallery, an LGBTQ+-owned business run by life partners Bruce Baughman and Bill Davis. For three years (2021-2023), the gallery partnered with the Tubac Center of the Arts to host "Proud to Be Seen," a national juried exhibition of works by LGBTQ+ artists and allies. Despite backlash from some community members and the local Chamber of Commerce, the exhibition succeeded and became a local standout. Baughman, known for his reverse painting technique and bold acrylic works, has operated the gallery since 2001 after previously running a space in Saugatuck, Michigan.

Beyond the Mona Lisa: MOSI’s Leonardo da Vinci exhibit showcases the ‘original innovator’ in Tampa

MOSI (Museum of Science & Industry) in Tampa, Florida, is hosting an exhibition titled "Machines in Motion" that features 20 working machines built from Leonardo da Vinci's 15th-century designs. Created by Italian engineers using period-appropriate materials, the interactive display includes inventions such as ball bearings, an olive oil press, a printing press, and wartime weapons. MOSI President & CEO John Graydon Smith describes da Vinci as "the original innovator" and notes the exhibit aims to inspire creativity in both children and adults. The temporary exhibition runs until May 3.

Six artists: Always in the heart, my homeland

An exhibition titled "Sown by the Traveler: Women and Migrants in Philippine Art" has opened at UPV MACH (UP Visayas Museum of Art and Cultural Heritage) in Iloilo City, featuring 16 paintings by six Filipino artists who lived abroad: Fernando Zobel, Alfonso Ossorio, Macario Vitalis, Juvenal Sanso, Anita Magsaysay-Ho, and Nena Saguil. Curated by Patrick D. Flores from the collection of the Lopez Museum and Library, the show runs until May 8, 2026, and explores themes of migration and longing for home, with its title drawn from Jose Rizal's poem "To the Flowers of Heidelberg."

‘He always had spirituality’: Spanish exhibition unpicks Picasso's religious influences

The cathedral of Burgos in Spain is hosting "Picasso: Biblical Roots," the first-ever exhibition of Pablo Picasso’s work to be held within a cathedral setting. Featuring 44 works, the show explores how the artist’s Catholic upbringing and religious iconography influenced his oeuvre, despite his self-proclaimed atheism. The exhibition includes early devotional paintings, Renaissance-inspired depictions of the Crucifixion, and secular adaptations of the Virgin and Child and the Good Shepherd.

Artist Bria Edwards presents solo exhibition, What We Do, We've Always Done

Artist Bria Edwards has debuted a solo exhibition titled "What We Do, We've Always Done" at the Julio Fine Arts Gallery at Loyola University Maryland. The multidisciplinary showcase features oil paintings, photography, and video work resulting from two years of fieldwork and interviews with Black equestrians across Maryland. Curated by Lauren Davidson of Museum Nectar Art Consultancy, the exhibition explores the historical and contemporary presence of Black horse riders, moving from the era of enslavement to modern-day leisure and competitive spaces.

Comment | After a market shake up in 2025, it's time to create a right-sized art trade

The article reflects on the art market's turbulent 2025, marked by gallery closures, weak auction results, and canceled art fairs. Rather than viewing this as a collapse, the author argues it represents a necessary "right-sizing" of an industry that over-expanded during boom years. Key figures like Philip Hoffman of the Fine Art Group advocate for leaner, more agile business models, such as his new advisory firm New Perspectives Art Partners. Meanwhile, dealers in New York and Los Angeles are adapting through shared exhibition spaces and strategic mergers, including Marian Goodman Gallery hosting Jenkins Johnson Gallery and the formation of Hoffman Donahue.

The new chief curator of Uzbekistan’s Centre for Contemporary Art is bringing insights from London to the youth of Tashkent

Sara Raza has been appointed as the first artistic director and chief curator of Uzbekistan’s Centre for Contemporary Art Tashkent (CCA), a restored 1912 tram depot that is currently undergoing expansion by French architecture firm Studio KO. Raza, who was born in London and grew up in New York, is a former curator at the Guggenheim Museum in New York and has curated festivals in Uzbekistan and Azerbaijan. She took up the post in January and has already launched a programme of artist residencies in refurbished traditional Uzbek mahallas, while the CCA’s reopening has been delayed from 2025 to 2026.

'There's Always a Beef': A New Exhibition Turns Identity Politics Between Arabic Speakers Into Art

A new exhibition titled 'Mother Tongue' has opened at the Haifa Museum of Art, exploring the hierarchy of Arabic dialects and the politics of language among Arabic speakers. The show turns identity politics into art, examining how language can be a battlefield in a region where one language holds power over another and political expression can lead to legal consequences.

East Dallas art exhibition is a celebration of Chicano identity and community

An exhibition titled “Chicano” at Art on Main gallery in East Dallas showcases the work of over 50 North Texas artists, featuring paintings, digital photography, and mixed media that explore Chicano identity, childhood memories, lowrider culture, immigration enforcement, and Indigenous heritage. Co-curated by artists Ariel Esquivel and Junanne Peck, the show includes pieces such as Chelsea Reyes' digital photograph “Movimiento y Orgullo,” Cease Martinez's painting “Cultura,” and Hermila Cuevas' oil on canvas “Chicomecōātl: Giver of Harvest.” The gallery owner Andrea Lamarsaude, who previously collaborated with the curators on the exhibition “Shelter,” notes the community's positive response.

Louisiana Art and Science Museum presenting exhibition by professor Nick Bustamante

The Louisiana Art and Science Museum (LASM) has announced a new solo exhibition titled "Then, and Now, and Always: The Art of Nick Bustamante," featuring works by the Louisiana Tech University professor. Opening March 21 in the Soupçon Gallery, the collection explores themes of family, loss, and legacy through a body of work created specifically for this show over the last two years.