Nude Performance at MFA Boston Confronts One of Art’s Oldest Tropes

Artist Xandra Ibarra staged her performance "Nude Laughing" (2014–) at the Museum of Fine Arts Boston on April 16, appearing nude except for a breastplate and yellow heels while dragging a nylon stocking stuffed with blonde wigs and fake breasts. She moved through the galleries, laughing hysterically, and ultimately collapsed in front of Paul Gauguin's painting "Where Do We Come From? What Are We? Where Are We Going?" (1897–98). The performance was part of the exhibition "Subvert, Repair, Reclaim: Contemporary Artists Take Back the Nude," which features 12 artists critiquing racial, gender, and power hierarchies in Western art history. The event sparked heated debate on the museum's Instagram, with hundreds of commenters arguing about its legitimacy and obscenity.

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The British Museum has launched a high-profile fundraising campaign to acquire the Tudor Heart, a 24-karat gold pendant from the early reign of Henry VIII, decorated with a rose and pomegranate tree and engraved with the letters 'H' and 'K' for Henry and his wife Katherine of Aragon. Found by amateur metal detectorist Charlie Clarke in Warwickshire in 2019, the piece is described by curator Rachel King as a unique surviving example of Tudor 'bling' previously known only from inventories and paintings by Hans Holbein the Younger. The museum needs to raise £3.5 million (about $4.6 million) by early next year, with support from actor Damian Lewis and historian Mary Beard, and will host its first British Museum Ball on October 18 as part of the effort.

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Artnet News published its 'Museums in Crisis' series, a global investigation into pressures facing cultural institutions. Key takeaways include: Western museums face a funding and political crisis, with U.S. institutions losing hundreds of millions in federal support (including $428 million from the National Endowment for the Humanities) and European museums like those in Berlin facing cuts of €130 million. Corporate sponsorship is increasingly risky due to ethical scrutiny, with the U.K.'s Museums Association urging institutions to avoid ties to fossil fuels or human rights abuses. China's private museums are at risk of downsizing or disappearing due to economic slowdown and lack of public funding.

CARTIER FOUNDATION. A THIN LINE BETWEEN EXTRACTIVISM AND CULTURAL RECLAMATION

FUNDACIÓN CARTIER. UNA DELGADA LÍNEA ENTRE EXTRACTIVISMO Y REIVINDICACIÓN CULTURAL

The Cartier Foundation inaugurated its new Paris headquarters on October 25 with the exhibition "Exposition Générale." The curatorial approach and, most notably, the labyrinthine architectural design by Jean Nouvel have drawn criticism from the specialized press, described as disappointing and patchwork. The new space, a dense black cube in central Paris, represents a radical departure from the foundation's previous luminous, glass-walled hall, forcing a complete rethinking of how to present its 40-year collection.

Olafur Eliasson stages public wake for the Great Salt Lake in Utah

Icelandic-Danish artist Olafur Eliasson presented 'A symphony of disappearing sounds for the Great Salt Lake,' a large-scale multimedia installation in Salt Lake City’s Memory Grove Park. The work featured a three-story luminous sphere projecting visuals of wind currents and geothermal light, accompanied by a soundscape of migratory birds, brine flies, and frogs. Commissioned by the Salt Lake City Arts Council and Bloomberg Philanthropies, the ten-day public event served as a creative wake for the rapidly receding lake.

Demise of world's largest mangrove forest inspires Bangladeshi artist Soma Surovi Jannat's new works

Bangladeshi artist Soma Surovi Jannat has opened her first UK exhibition, 'Climate Culture Care,' at the Ashmolean Museum in Oxford. The show features around 20 paintings and drawings created largely during a 2023 residency, drawing inspiration from the endangered Sundarbans mangrove forest and the museum's own collections. Her works fuse human, animal, and mythological imagery to depict the region's ecological and social struggles.

Basquiat's 'Museum Security' to Headline Sotheby's May 2026 Contemporary Evening Auction

Jean-Michel Basquiat’s monumental 1983 painting 'Museum Security (Broadway Meltdown)' is set to headline Sotheby’s Contemporary Evening Auction in May 2026. Estimated to fetch in excess of $45 million, the work is appearing at auction for the first time in over a decade. Before the sale, the canvas will undergo a global tour with stops at the Breuer building in New York, Hong Kong, Los Angeles, and London.

The $236m Klimt, Cop 30 and the art world, Caravaggio’s Victorious Cupid—podcast

This podcast episode from The Art Newspaper covers three major art-world stories. Gustav Klimt's "Portrait of Elisabeth Lederer" (1914-16) sold for the second-highest price ever at auction during Sotheby's New York sale of works from the late billionaire Leonard Lauder's collection, a "white-glove" auction that has sparked debate about a market recovery. Additionally, the episode discusses COP30-related art commissions appearing on posters across the UK and Brazil under the theme "It's Not Easy Being Green," alongside the Gallery Climate Coalition's new Stocktake Report on carbon emissions. The episode's Work of the Week is Caravaggio's "Victorious Cupid" (1601-02), which has traveled from Berlin's Gemäldegalerie to the Wallace Collection in London for an upcoming exhibition.

Albuquerque exhibition depicts German art made during the tragic ascent of authoritarianism

The Albuquerque Museum has opened a landmark exhibition titled "Modern Art and Politics in Germany 1910–1945: Masterworks from the Neue Nationalgalerie, Berlin," featuring German and European art from the early 20th century. The show traces the trajectory from the German Empire through World War I, the Weimar Republic, Nazi rule, and World War II, including works by Max Beckmann, George Grosz, Hannah Höch, Ernst Ludwig Kirchner, Paul Klee, and others. Many pieces were originally condemned as "degenerate art" by the Nazis. The exhibition, which has three U.S. stops, is currently in Albuquerque after appearing at the Kimbell Art Museum in Fort Worth and will travel to the Minneapolis Institute of Art.

60% of Sudan’s National Museum Looted, Report Says

60% of Sudan’s National Museum Looted, Report Says

Over 60% of the holdings of the Sudan National Museum in Khartoum have been looted during the country's ongoing civil war. The paramilitary Rapid Support Forces, which controlled the capital for two years, deliberately targeted high-value portable objects like gold and jewelry, stripping storage areas while leaving less portable artifacts behind. Although the museum building remains standing, tens of thousands of antiquities from its collection of 150,000 objects were plundered, with some appearing for sale online.

Willem de Kooning | Kneeling Woman (1966)

Willem de Kooning's 1966 work "Kneeling Woman" has ended its bidding process, with the listing appearing on a platform that aggregates auction results and available works. The piece, an oil on paper on board measuring 23.5 by 11.5 inches, is signed and has a known provenance including Harold Diamond, a private collection in Baltimore, Solomon & Co. Fine Art, Robert Peyser, and a Sotheby's sale in 2019. It was previously exhibited at the Nassau County Museum of Art in 1981 as part of "The Abstract Expressionists and Their Precursors" show.

Jamie Robertson’s soft heat at Houston Center for Photography, Houston

Jamie Robertson’s solo exhibition, "soft heat," at the Houston Center for Photography presents a series of infrared photographs documenting Southern wetlands, including Caddo Lake and the Great Dismal Swamp. Using archival pigment prints and a zine titled "Alligatorwatergreen," Robertson utilizes thermosensational imagery to transform dense marshlands into ethereal, snow-like landscapes. The work incorporates archival figures, such as a liberated formerly enslaved man named Osman, to highlight the historical role of swamps as sites of maroonage and Black resistance.

Remembering Catherine O'Hara, Beetlejuice's Delia Deetz Cover Sculptor

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Actress and comedian Catherine O'Hara, known for her role as sculptor Delia Deetz in the 1988 film 'Beetlejuice,' has died at age 71. In the film, her character creates abstract sculptures and achieves a fictional milestone by appearing on the cover of Art in America magazine.

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Christie’s will offer Gerrit Dou’s "The Flute Player" (ca. 1636) as the leading lot in its Old Masters Evening Sale on December 2 in London. The painting, Dou’s first depiction of a musician, carries an estimate of £2 million to £3 million ($2.6 million–$4 million). It has been in an English collection for 125 years, previously owned by William Proby, Fifth Earl of Carysfort, and is appearing on the market for the first time in over a century.

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A major investigation into China's Nanjing Museum has uncovered decades of systemic corruption and mismanagement that led to the secret sale of national treasures into the private art market. The scandal erupted after five paintings from a 1959 donation by the Pang family were found missing, with one, a Ming dynasty painting by Qiu Ying titled 'Spring in Jiangnan,' appearing at auction in 2025 valued at $12.7 million. The probe found that former vice-director Xu Huping authorized illegal transfers of donated works to a state-run cultural relics store for sale, where they were drastically undervalued and sold to private collectors.

A Francis Bacon self-portrait and a Surrealist avian painting: our pick of the March auctions

Major auction houses in London are preparing for a series of high-profile sales in March, featuring significant works by Francis Bacon, René Magritte, and Osman Hamdi Bey. Highlights include a 1972 Bacon self-portrait gifted to his doctor following a studio injury, a rare Magritte "leaf-bird" painting appearing at auction for the first time in 25 years, and a monumental 19th-century work by Turkish artist Osman Hamdi Bey being sold by the Penn Museum.

'Cigars!' exhibit at Florida Museum of Photographic Arts captures a fading history

The Florida Museum of Photographic Arts has launched "Cigars! Photography, Industry and Identity," a new exhibition by local photographer Zack Wittman. The show documents the architectural remnants of Tampa’s historic cigar industry, which once boasted over 200 factories but has dwindled to approximately 25 standing brick buildings. Through a collaboration with the J.C. Newman Cigar Company, Wittman captured both preserved and derelict structures that define the unique personality of Ybor City.

Caravaggio portrait of influential patron—and future Pope Urban VIII—purchased by Italy for €30m

The Italian government has acquired a rare Caravaggio portrait of Maffeo Barberini, the future Pope Urban VIII, for €30 million following a year of negotiations with private owners. The 17th-century masterpiece, which depicts one of the artist's most influential patrons, will join the permanent collection of the Galleria Nazionale d'Arte Antica at Palazzo Barberini in Rome. It represents one of the largest sums ever paid by the Italian state for a single work of art.

french police search institut du monde arabe as part of epstein probe 1234773717

French police conducted a raid on the Institut du Monde Arabe in Paris as part of an investigation into its former president, Jack Lang, and his daughter, Caroline Lang. The probe, led by the National Financial Prosecutor's Office, focuses on suspicions of aggravated tax fraud and money laundering linked to their names appearing in the newly released Jeffrey Epstein files. Lang, a former culture minister, resigned from the institute to protect its reputation, denying all allegations.

Nikyle Begay Resurrects Century-Old Diné Weavings

Nikyle Begay, a Diné shepherd and weaver based in the Navajo Nation, is revitalizing ancestral weaving techniques that were historically marginalized by the colonial trading-post economy. By breeding Navajo Churro sheep and mastering complex twill patterns once used for functional saddle blankets, Begay bridges the gap between traditional agricultural practice and contemporary fine art. Their work involves the entire lifecycle of the medium, from shearing and processing wool to reconstructing intricate designs that fell out of favor when commercial markets prioritized specific regional styles for non-Native buyers.

Tender Ground exhibit explores vulnerability and environment

The Hook Experiment in Oxford is currently hosting "Tender Ground," a lens-based exhibition featuring the work of four regional women artists: Lynda Schmid, Sarah R. Bloom, Marnie Ellen Hertzler, and Jonna McKone. Curated by Constance McBride and Lisa Baird, the show utilizes photography and found objects to explore themes of environmental instability, physical vulnerability, and the fragility of place. The works range from disjointed equine photography and nude self-portraiture in decaying spaces to documentation of the disappearing Tangier Island.

Burning Man Art: It’s Closer Than You Think

Burning Man art is increasingly appearing in museums, cities, and regional events worldwide, moving beyond the temporary desert environment of Black Rock City. Artists like Miki Masuhara-Page and Walker Babington have brought their interactive sculptures—such as 'Cosmic Messenger' and 'Burden of the Beast'—to venues including the Portland Winter Light Festival and The Hermitage Museum and Gardens in Norfolk, Virginia. The Black Rock City Honoraria Program, funded by the nonprofit Burning Man Project, supports approximately 75 artworks annually, while the Art department assists nearly 400 pieces destined for the playa.

The South River fire’s quiet toll on Atlanta’s printmakers

A fire at South River Art Studios in Atlanta on November 12 destroyed or damaged over 50 works in "En Masse," a group exhibition of 21 regional printmakers that had opened just 11 days earlier in the Gogo Gallery. Curator Chloe Alexander and artists Maurice Evans, Grace Kisa, and Jamaal Barber describe the loss of unique, irreplaceable prints due to soot, smoke, and water damage, with many pieces on paper rendered unsalvageable despite appearing intact.

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Mark Fingerhut's software-based artwork "Halcyon.exe: The Ride" (2024) is gaining cult status as it tours indie venues like Public Works Administration gallery in Manhattan and Sulk Chicago, before appearing as a star attraction at "Rhizome World" at Water Street Projects in New York's Financial District. The piece takes over a computer desktop, flooding it with images, videos, and text in a choreographed, immersive experience that includes vibrating seats, wind, rain, and synced spotlights, evoking the sensation of art-as-malware.

'Our Living Heritage' opens at Old Gaol Museum

Stanley Grootboom, a renowned local author and artist from Knysna, South Africa, recently unveiled his latest exhibition, 'Our Living Heritage,' at the Old Gaol Museum. The opening drew an enthusiastic crowd of art lovers, cultural ambassadors, and community members. The exhibition highlights Grootboom's commitment to preserving South Africa's indigenous history, particularly the cultural heritage of the Khoi and San peoples, and features his acclaimed interactive book installation 'South African Gelieblik Stories and Songs,' which has earned national and international recognition. It also includes his powerful artwork 'The Battle,' currently housed at the Koena Art Institute at the Castle of Good Hope, and works by fellow artists Anthony Roach, Marlene Liebenberg, Gatsby Mpoyi, Zoe Fick, and Donald Hartzenberg as part of his ongoing art outreach programme.

Saodat Ismailova “When the Water Turns to Wind” at Portikus, Frankfurt

Saodat Ismailova “When the Water Turns to Wind” at Portikus, Frankfurt

Uzbek artist Saodat Ismailova has opened a major solo exhibition, "When the Water Turns to Wind," at Portikus in Frankfurt. The presentation features a new, immersive film installation that weaves together ancestral myths, sonic landscapes, and the ecological history of Central Asia, focusing on the region's disappearing rivers and steppes. The work continues her long-term exploration of memory and cultural preservation.

Press Photos of the Year Chosen

Pressefotos des Jahres gewählt

Carol Guzy won the World Press Photo competition for 2025 with her image "Separated by ICE," taken for the Miami Herald. The photograph depicts children clinging to their father's shirt during a court hearing in New York, after he was unexpectedly detained by U.S. Immigration and Customs Enforcement (ICE). The jury selected the image from nearly 57,000 entries by about 3,700 photographers. Two other finalists were recognized: Saber Nuraldin for documenting the humanitarian crisis in Gaza, and Victor J. Blue for covering the trial of perpetrators who kidnapped and abused women during Guatemala's civil war.

New London exhibition uses architecture to explore the experiences of Iran’s American diaspora

Arash Nassiri's first institutional solo exhibition, 'A Bug's Life,' has opened at London's Chisenhale Gallery. The show features a moving-image commission set within a sculptural installation, following an insect puppet protagonist through a cavernous mansion in Los Angeles. The mansion is a 'Persian Palace'—a hybrid of Iranian and French Empire architectural styles that emerged in 1960s-70s Iran and was recreated by wealthy Iranian exiles in Los Angeles after the 1979 revolution. Nassiri, who is Tehran-born and Berlin-based, uses the film to explore themes of disorientation, displacement, and the ambiguous dual belonging of Iran's American diaspora.

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The family of Inbar Haiman, an Israeli graffiti artist and art student known as "Pink," is demanding the return of her body after Hamas failed to release all deceased hostages as part of a ceasefire deal brokered by the Trump Administration. Haiman was abducted from the Nova Music Festival on October 7, 2023, and died in Hamas captivity. While 20 living hostages and four bodies were returned on Monday, Haiman's remains were not among them, prompting outrage from her family and the Hostages and Missing Families Forum.

New exhibition lets ‘cheeky dogs’ run wild in the gallery

Hervey Bay Regional Gallery in Queensland is closing out 2025 with three new exhibitions by local artists, opening November 28. The shows include a solo exhibition by Alywarr artist Dion Beasley, titled "Six Dogs," featuring his playful drawings of camp dogs inspired by his hometown of Tennant Creek and his children's books. Also on view are Brisbane-based Tyza Hart's "Appearing," a decade-spanning installation of ceramics and self-portraits, and the collaborative project "Weeds to Paper" led by papermaker Zela Bissett, which transforms invasive plants into handmade paper artworks in partnership with Butchulla Traditional Custodians.