‘They accomplished so much, even as they were dying’: the groundbreaking gay art of Peter Hujar and Paul Thek

Author and Frieze Magazine editor-in-chief Andrew Durbin has released a dual biography titled 'The Wonderful World That Almost Was,' chronicling the lives and creative partnership of Peter Hujar and Paul Thek. The book focuses on their relationship from the mid-1950s through the 1970s, detailing their collaborative influence and the development of their respective practices in photography and sculpture before both died of AIDS-related complications in the late 1980s.

Kamrooz Aram Is Everywhere

Iranian artist Kamrooz Aram is currently experiencing a significant institutional and commercial moment, with his work appearing in three major exhibitions across two continents simultaneously. Critic Aruna D’Souza highlights Aram’s ability to synthesize Islamic visual idioms with Western abstraction, creating a painterly language that transcends cultural hierarchies and treats historical narratives with a unique lightness.

Alex Heilbron at as-is

Artist Alex Heilbron presents a solo exhibition at the Los Angeles gallery as-is. The show is featured as a lead review in the February 2026 issue of Contemporary Art Review LA, highlighting Heilbron's continued exploration of painting and visual language within the Southern California art scene.

Overdue payments to artists, landlords and workers at a popular gallery reflect pressures squeezing the dealer sector

The Hole, a prominent gallery with locations in New York and Los Angeles, is facing significant financial distress characterized by shuttered spaces and mounting legal disputes. Following a period of rapid expansion fueled by the 2021–2023 art market boom, the gallery has permanently closed its West Hollywood location and is currently facing multiple lawsuits from Manhattan landlords alleging over $180,000 in unpaid rent and taxes. Founder Kathy Grayson attributes the crisis to a sharp decline in sales starting in late 2023, which has left the gallery struggling to pay artists, staff, and creditors.

Lost Lincoln Portrait From Teddy Roosevelt’s Office Reemerges After a Century

A long-lost portrait of Abraham Lincoln by American realist Ernest Wells has reemerged after more than a century. The painting, which hung in President Theodore Roosevelt’s office throughout his term and served as a source of personal inspiration, was recently identified in the collection of the descendants of antique dealers Ann and Jack Rouchaud. The work’s provenance was confirmed via a letter from Roosevelt’s friend and Lincoln’s former bodyguard, Colonel William H. Crook, which remains affixed to the back of the canvas.

Rare art lands in new downtown Calgary gallery ahead of auction

Cowley Abbott Fine Art, a Toronto-based auction house, has opened its first permanent western Canada gallery in Calgary's East Village. The new space launches with a three-day public preview of museum-quality artworks heading to its Spring Live Auction on May 27 at the Globe and Mail Centre in Toronto. Highlights include rare works by Pierre-Auguste Renoir, Vincent van Gogh, Emily Carr, and members of the Group of Seven such as Lawren Harris and A.Y. Jackson. Among the standout pieces is Emily Carr's 1936 canvas "Wind," estimated at $500,000 to $700,000, and a Lawren Harris painting valued similarly. The gallery aims to attract both collectors and casual visitors, with Peter Ohler, Western Canada Representative and Director of Private Sales, emphasizing that the space is open to anyone interested in art.

Nude Performance at MFA Boston Confronts One of Art’s Oldest Tropes

Artist Xandra Ibarra staged her performance "Nude Laughing" (2014–) at the Museum of Fine Arts Boston on April 16, appearing nude except for a breastplate and yellow heels while dragging a nylon stocking stuffed with blonde wigs and fake breasts. She moved through the galleries, laughing hysterically, and ultimately collapsed in front of Paul Gauguin's painting "Where Do We Come From? What Are We? Where Are We Going?" (1897–98). The performance was part of the exhibition "Subvert, Repair, Reclaim: Contemporary Artists Take Back the Nude," which features 12 artists critiquing racial, gender, and power hierarchies in Western art history. The event sparked heated debate on the museum's Instagram, with hundreds of commenters arguing about its legitimacy and obscenity.

Olafur Eliasson stages public wake for the Great Salt Lake in Utah

Icelandic-Danish artist Olafur Eliasson presented 'A symphony of disappearing sounds for the Great Salt Lake,' a large-scale multimedia installation in Salt Lake City’s Memory Grove Park. The work featured a three-story luminous sphere projecting visuals of wind currents and geothermal light, accompanied by a soundscape of migratory birds, brine flies, and frogs. Commissioned by the Salt Lake City Arts Council and Bloomberg Philanthropies, the ten-day public event served as a creative wake for the rapidly receding lake.

Jamie Robertson’s soft heat at Houston Center for Photography, Houston

Jamie Robertson’s solo exhibition, "soft heat," at the Houston Center for Photography presents a series of infrared photographs documenting Southern wetlands, including Caddo Lake and the Great Dismal Swamp. Using archival pigment prints and a zine titled "Alligatorwatergreen," Robertson utilizes thermosensational imagery to transform dense marshlands into ethereal, snow-like landscapes. The work incorporates archival figures, such as a liberated formerly enslaved man named Osman, to highlight the historical role of swamps as sites of maroonage and Black resistance.

'Cigars!' exhibit at Florida Museum of Photographic Arts captures a fading history

The Florida Museum of Photographic Arts has launched "Cigars! Photography, Industry and Identity," a new exhibition by local photographer Zack Wittman. The show documents the architectural remnants of Tampa’s historic cigar industry, which once boasted over 200 factories but has dwindled to approximately 25 standing brick buildings. Through a collaboration with the J.C. Newman Cigar Company, Wittman captured both preserved and derelict structures that define the unique personality of Ybor City.

Nikyle Begay Resurrects Century-Old Diné Weavings

Nikyle Begay, a Diné shepherd and weaver based in the Navajo Nation, is revitalizing ancestral weaving techniques that were historically marginalized by the colonial trading-post economy. By breeding Navajo Churro sheep and mastering complex twill patterns once used for functional saddle blankets, Begay bridges the gap between traditional agricultural practice and contemporary fine art. Their work involves the entire lifecycle of the medium, from shearing and processing wool to reconstructing intricate designs that fell out of favor when commercial markets prioritized specific regional styles for non-Native buyers.

Tender Ground exhibit explores vulnerability and environment

The Hook Experiment in Oxford is currently hosting "Tender Ground," a lens-based exhibition featuring the work of four regional women artists: Lynda Schmid, Sarah R. Bloom, Marnie Ellen Hertzler, and Jonna McKone. Curated by Constance McBride and Lisa Baird, the show utilizes photography and found objects to explore themes of environmental instability, physical vulnerability, and the fragility of place. The works range from disjointed equine photography and nude self-portraiture in decaying spaces to documentation of the disappearing Tangier Island.

Press Photos of the Year Chosen

Pressefotos des Jahres gewählt

Carol Guzy won the World Press Photo competition for 2025 with her image "Separated by ICE," taken for the Miami Herald. The photograph depicts children clinging to their father's shirt during a court hearing in New York, after he was unexpectedly detained by U.S. Immigration and Customs Enforcement (ICE). The jury selected the image from nearly 57,000 entries by about 3,700 photographers. Two other finalists were recognized: Saber Nuraldin for documenting the humanitarian crisis in Gaza, and Victor J. Blue for covering the trial of perpetrators who kidnapped and abused women during Guatemala's civil war.

'Held in Motion': Emerging artists explore identity

Sanat Art Gallery in Karachi has launched "Held in Motion," a group exhibition featuring emerging artists Behzad Ahmed Warsi, Laiba Abid, Ronaque Ali, and Shahzad Baloch. The showcase utilizes diverse mediums, including oil on canvas and watercolor, to explore themes of human identity, social fluidity, and the preservation of memory. From Abid’s blurred portraits of the multifaceted self to Ali’s nostalgic documentation of disappearing rural traditions, the collection emphasizes the subjective nature of the human experience.

Yinka Ilori: Joy Through Resistance He Who Laughs Last, Laughs Best

The article text is corrupted and unreadable, appearing as garbled binary data. Based on the title "Yinka Ilori: Joy Through Resistance He Who Laughs Last, Laughs Best", it appears to be about British-Nigerian artist and designer Yinka Ilori, likely covering an exhibition or project that explores themes of joy and resistance through his signature colorful, pattern-based work.

Soft Power: When Textiles Become Compelling Storytellers

The article reviews 'Threading Inwards,' an exhibition at the Centre for Heritage, Arts and Textile (CHAT) in Hong Kong, curated by Wang Weiwei, Eugene Hannah Park, Kurosawa Seiha, and Wang Huan. It features 14 artists from across Asia who use textile as a medium to explore themes of spirituality, memory, and cultural heritage. Works include Han Sang A's 'Threshold' series, Hu Yinping's 'Soul Bottle' series, and pieces by Aziza Kadyri, Mooni Perry, Citra Sasmita, IV Chan, and Chen Zhe, among others.

Suman Dey’s new solo in Kolkata gives form to the abstract notions around us

Artist Suman Dey presents his second solo exhibition, titled *Chance, Remains of Another Time*, at Emami Art in Kolkata. The show features large-scale works on wood and other materials that explore abstract notions of memory, time, and nature through fragmented forms, textures, and narrative. Key pieces include a series of frames capturing everyday surface textures and a work titled *Journey* that uses boat shapes to depict transformation. The exhibition runs until May 9.