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Artist Maja Ruznic has created a suite of large, luminous canvases responding to early 20th-century paintings glorifying Spanish colonization at the St. Francis Auditorium in the New Mexico Museum of Art, as part of the 12th Site Santa Fe International. The exhibition, curated by Cecelia Alemani and titled "Once Within a Time," opened last week. Ruznic, a Bosnian war refugee living in Placitas, New Mexico, confronts the problematic history depicted by artist Donald Beauregard, who died at 29 before completing the commission, which was later finished by uncredited artists Carlos Vierra and Kenneth Chapman.

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Isaac Julien’s retrospective at the de Young Museum in San Francisco features 13 multiscreen video installations, including works like *Baltimore* (2003) and *Ten Thousand Waves* (2010). The exhibition blends Renaissance art, Black cinema, science fiction, and documentary, with Julien’s signature use of multiple screens to create an overwhelming visual experience. Curated by Claudia Schmuckli, the show is billed as Julien’s largest in the US, requiring about four and a half hours to view in full.

A Launchpad for the Future

"Eine Startrampe für die Zukunft"

The article is a media roundup covering several stories from the art world. It includes an interview with Jeff Koons discussing his artistic process and philosophy, a portrait of artist Jorinde Voigt, a report on the robust Art Düsseldorf fair, a news piece about two valuable Gerhard Richter paintings on loan to a museum, and a review of the new LACMA building's non-linear curatorial approach.

The Robots Were Never the Problem

The New Museum has reopened with 'New Humans: Memories of the Future,' a massive survey featuring over 150 contributors including Hito Steyerl, Precious Okoyomon, and H.R. Giger. Spanning 13 sections across the museum's new 5,500 square-meter extension, the exhibition traces the intersection of art, technology, and the human body from the early 20th century to the present. It juxtaposes interwar European works, such as Hannah Höch’s photomontages and Bauhaus ballets, with contemporary installations like Simon Denny’s sculpture of an Amazon worker's cage.

VALIE EXPORT, Icon of Feminist Art, Dead at 85

VALIE EXPORT, the radical Austrian performance artist, filmmaker, and sculptor widely regarded as the most significant feminist artist of the postwar era, died in Vienna on May 14, just three days before her 85th birthday. Her death was confirmed by Thaddaeus Ropac gallery, which represents her. Known for provocative works such as *Tapp und Tastkino* (1968), in which she invited passersby to touch her bare breasts through a miniature theater, EXPORT faced hate mail, death threats, and indecency charges but remained undeterred in her mission to challenge patriarchal norms through the female body and sexual agency.

The 9 Exhibitions to See in April 2026

ArtReview's editors have selected nine notable exhibitions opening globally in April 2026, highlighting shows that explore materiality, memory, and political history. Featured exhibitions include "Several Eternities in a Day: Form in the Age of Living Materials" at the Hammer Museum in Los Angeles, showcasing artists using organic materials rooted in Brown and Indigenous thinking; a major Veronica Ryan retrospective at London's Whitechapel Gallery; and a historical exhibition in Prague revisiting Jiří Kolář's contested participation in the 1969 São Paulo Bienal under Brazil's military dictatorship.

Editors’ Picks: Six Solo Gallery Shows to See in Hong Kong, March 2026

Six solo gallery exhibitions are opening in Hong Kong in March 2026, featuring a diverse range of established and influential artists. The shows include Jaffa Lam's multi-media works at Axel Vervoordt, a tribute to the late Dinh Q. Lê at 10 Chancery Lane, new metal tapestries by El Anatsui at White Cube, the first Hong Kong solo show for collective Slavs and Tatars at Rossi & Rossi, and the debut Hong Kong presentation of Chow and Lin's "The Poverty Line" project at SC Gallery.

Iván Argote brings roving public art project to Chicago streets

Paris-based artist Iván Argote launches a new mobile sculpture titled DIGNIDAD in Chicago on June 12, installed on a flatbed truck that will travel through the city. The project, organized by the Floating Museum as part of its Floating Monuments series, begins in Humboldt Park—a neighborhood central to Chicago's Puerto Rican community—and will also visit Pilsen, Little Village, and potentially other cities like Dallas and Minneapolis. Argote, known for his giant pigeon sculpture Dinosaur on the High Line, worked with curator Carla Acevedo-Yates and local communities to create a work that responds to current political tensions around immigration and dignity.

At a Powerful Carnegie International, Solidarity Is a Means of Survival

The 2026 Carnegie International, titled “If the word we,” opened at the Carnegie Museum of Art in Pittsburgh, featuring 61 artists from around the world. Curated by Ryan Inouye, Liz Park, and Danielle A. Jackson, the exhibition emphasizes collective survival and interdependence, with works including Khalil Rabah’s video about Palestinian resilience, Shala Miller’s abstraction inspired by Toni Morrison, and a performance by Brooke O’Harra and collaborators celebrating teamwork through a historic basketball dunk by Julius Erving. The show extends to three other venues, including the Mattress Factory, where married artists Claudia Martinez Garay and Artur Kameya present a sprawling installation.

Art Movements: New Museum Names Its First Artist Studio Residents

The New Museum has named Yun Choi, Alison Kuo, and Korakrit Arunanondchai as the first artists-in-residence for its new Artist Studio, a 730-square-foot space created by the museum's OMA-designed expansion. The residencies will run from spring 2025 through winter 2027, with each artist developing new work, onsite exhibitions, and public programs. Separately, Forge Project announced its 2026 fellows—six Indigenous artists including Jay Bellis, Heidi Brandow, and Tiare Ribeaux—who will each receive $25,000 and a three-week residency. In other news, the Robert Therrien Estate has left Gagosian for David Zwirner Gallery, Laurel Nakadate won the Maud Morgan Prize, and Frieze New York revealed a staff uniform designed by artist Reika Takebayashi.

Remembering Glen Baxter, Pat Steir, Melvin Edwards

The art world mourns the recent deaths of several significant figures. British absurdist cartoonist Glen Baxter, known for his work in The New Yorker and exhibitions at Flowers Gallery, has died. American sculptor Melvin Edwards, renowned for his welded steel Lynch Fragments addressing racist violence, and pioneering feminist painter Pat Steir, celebrated for her conceptual, process-based works, have also passed. The article additionally notes the deaths of Lebanese painter Ali Sbeity, killed in an airstrike; Mexican folk artist Josefina Aguilar; British heritage leader Neil Cossons; British painter Charles Debenham; and Cypriot painter Andreas Karayian.

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The activist collective Halt Action Group (HAG) organized a second 'Dear Ivanka' protest in New York City as Ivanka Trump prepared to move to Washington, D.C. Protesters marched from Grand Army Plaza to Trump’s Park Avenue residence, carrying symbolic moving boxes labeled with social and political concerns such as women's rights, affordable healthcare, and freedom of the press. The event featured prominent art world figures and utilized visual metaphors, including a disavowed Richard Prince artwork, to urge Trump to act as a moderate influence on her father’s administration.

10 Power Players in Paris

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The inaugural edition of Paris+ by Art Basel has opened in Paris, marking a significant shift in the city's art fair landscape. The article profiles ten key figures instrumental in shaping the French art market, including fair director Clément Delépine, dealer and committee president Marion Papillon, and institutional leaders like Suzanne Pagé of the Fondation Louis Vuitton and Rebecca Lamarche-Vadel of Lafayette Anticipations.

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A new art fair called Arrival made its debut at the Tourists hotel in North Adams, Massachusetts, featuring 36 exhibitors and attracting curators, collectors, and artists from across the country. The fair, which closed June 15, offered an intimate format with world-class art, deep conversation, and a relaxed atmosphere that included swimming between sales, set against the backdrop of cultural attractions like Mass MOCA, the Clark Art Institute, and the Williams College Museum of Art.

German artist Georg Baselitz dies aged 88

German artist Georg Baselitz has died at age 88, as confirmed by the Thaddaeus Ropac gallery. Known for his expressive paintings and sculptures, Baselitz rose to prominence in the 1960s after a scandal over sexually symbolic works led to a high-profile court case. He pioneered painting canvases upside down from 1969 onward, a technique he used to grapple with German history and collective guilt. His work spanned six decades and included notable sculptures, such as a wooden figure at the 1980 Venice Biennale that appeared to perform a Nazi salute, which he later clarified was inspired by an African artifact. Baselitz achieved international acclaim in the 1980s and became one of Germany's highest-priced living artists, alongside Gerhard Richter.

There Has Never Been an Apolitical Venice Biennale

"Es hat niemals eine unpolitische Venedig-Biennale gegeben"

The Venice Biennale is embroiled in political controversy, with the US Pavilion's selection process criticized for bypassing traditional curatorial expertise in favor of a politically connected outsider. Simultaneously, a collective of artists and academics is protesting Russia's return to the Biennale, arguing it uses art as a political instrument to normalize its actions amid the war in Ukraine. An analysis in ArtReview contends the Biennale has never been apolitical, serving as a stage for geopolitical power plays since its inception.

The 2026 Venice Biennale Is Quintessential Biennial Art

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Swiss-Cameroonian curator Koyo Kouoh, opened in 2026. The main exhibition at the Arsenale and Giardini features works by artists such as Éric Baudelaire, Maria Magdalena Campos Pons, Mohammed Z. Rahman, Sohrab Hura, and Rose Salane, among others. The exhibition centers on themes of mourning, colonial history, slavery, and healing, with works like Baudelaire's video installation linking the flower trade to the transatlantic slave trade, and a tribute section honoring artists Beverly Buchanan and Issa Samb.

2026 Venice Biennale pavilions: your go-to list [Updated]

ArtReview has compiled a running list of national pavilions for the 61st Venice Biennale, running from 9 May to 22 November 2026. The Biennale was set to be curated by Koyo Kouoh, who died on 10 May 2025. Recent announcements include Haitham Al Busafi representing Oman, Genti Korini representing Albania with a three-channel video installation titled 'A Place in The Sun (still)', and Matías Duville representing Argentina with an interactive salt-and-charcoal installation. The Australia Pavilion will feature artist Khaled Sabsabi and curator Michael Dagostino, who were initially dropped due to controversy over Sabsabi's 2007 film 'You' but later reinstated. Florentina Holzinger will represent Austria with a water-themed performance.

What to See in Sydney This Spring 2026

Sydney's art scene is energized by the opening of the 25th Biennale of Sydney, titled 'Rememory' and curated by Hoor Al Qasimi, which explores histories carried in the body rather than physical monuments. Concurrently, four notable exhibitions across the city engage with similar themes of legacy and history. Kirtika Kain's 'Unkept' at the Chau Chak Wing Museum creates a fictional archive from anti-caste traditions to address Dalit lineage and colonial collection politics, while Ron Mueck's 'Encounter' at the Art Gallery of New South Wales uses hyperreal sculpture to confront contemporary brutality and vulnerability.

Art Movements: Michelle Millar Fisher Heads to Cooper Hewitt

Michelle Millar Fisher, formerly curator of Contemporary Decorative Arts at the Museum of Fine Arts, Boston, has been appointed chief curator at the Cooper Hewitt, Smithsonian Design Museum in Manhattan. She succeeds Matilda McQuaid, who is retiring after 24 years. Separately, the Getty Foundation awarded $1.8 million in grants to eight institutions through its Black Visual Arts Archive initiative, supporting the processing of historical records related to Black art. Other notable appointments include Jamie Blosser as curator of the Loeb Fellowship at Harvard Graduate School of Design, Graham C. Boettcher as director and CEO of the Norman Rockwell Museum, and Susan Fisher Sterling's retirement from the National Museum of Women in Arts. Artist Nora Turato also unveiled a humorous billboard near the High Line reading 'GIVE US MOM!!!'.

strongan african artist collective calls museums rectify their debt plantation workers seven easy steps strong 1234760872

The Congolese Plantation Workers Art League (CATPC), an artist collective based at a plantation in the Democratic Republic of Congo, has released a toolkit titled "Seven Easy Steps for Museums to Liberate the Plantations that Funded Them." The toolkit urges major museums—including London's Tate Britain, Cologne's Ludwig Museum, the Stedelijk Museum in Amsterdam, and the Van Abbemuseum in Eindhoven—to acknowledge and rectify their historical reliance on plantation wealth and exploited labor. CATPC presented the toolkit at a restitution conference at the Wereldmuseum in Amsterdam, organized with the Mondriaan Fund. The collective, founded in 2014, creates art from chocolate and has exhibited internationally, including at the 2024 Venice Biennale and the 2017 Armory Show.

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The Newport Art Museum in Rhode Island has opened "Bobby Anspach: Everything is Change," the first institutional solo exhibition for the late American artist Bobby Anspach, who died in 2022 at age 34. Curated by Taylor Baldwin, the show traces Anspach's development of immersive sculptural environments, particularly his "Place for Continuous Eye Contact" series, which uses materials like pom-poms, lights, fabric, and found objects to create psychologically charged spaces. The exhibition includes early works, paintings, and large-scale installations that Anspach had previously shown at venues such as New York's Spring Break Art Show and outside the Metropolitan Museum of Art.

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Japanese art collective teamLab is opening its first custom-built museum on April 18 in Abu Dhabi's Saadiyat Cultural District, near the Louvre Abu Dhabi and the forthcoming Guggenheim Abu Dhabi. The 183,000-square-foot waterfront building, designed with MZ Architects, features a new series titled "Phenomena" that harnesses wind, water, and light to create immersive, kinetic environments. Highlights include installations like "Morphing Continuum," where floating silver balls form tornado-like formations, and a "wet zone" with glowing ovoids that respond to touch. The museum represents teamLab's most ambitious and technically challenging artworks to date.

8 Standout Artists from the 2026 Whitney Biennial

The 2026 Whitney Biennial has opened, featuring 71 artists and collectives, with eight emerging as immediate standouts. Among them are Jacolby Satterwhite, celebrated for his immersive digital worlds; Lotus L. Kang, whose site-specific installation incorporates decaying materials; and Jes Fan, who explores biology and identity through sculptural forms. Other notable artists include Tiona Nekkia McClodden with her ritualistic film work, the collective Indigenous Futures, and figurative painter Cynthia Daignault. Their works collectively address themes of technology, the body, memory, and ecology.

best new york art criticism critics table

Cultured magazine's critics roundup highlights several notable New York art exhibitions. Cameron Rowland's "Properties" at Dia Beacon is examined as a landmark Land art installation that uses contractual relations to address racial capitalism, with works available only for rent or loan. Other shows include Feliciano Centurión's "Sol naciente" at Ortuzar, Joshua Caleb Weibley's "Game Transfer Phenomena" at Chart, Ian Miyamura's debut at Bureau, and Laura Owens's new show at Matthew Marks Gallery, each reviewed for their conceptual and aesthetic innovations.

Venice Biennale Controversies Continue, French Parliament Report Finds Flaws in Museum Security, and More: Morning Links for May 13, 2026

Iran has denied withdrawing from the Venice Biennale, with Mahdizadeh Tehrani, general director of visual arts at Iran's Ministry of Culture, stating the country still hopes to participate despite Biennale organizers announcing Iran would not be represented at its pavilion. Meanwhile, the Somalia Pavilion has sparked controversy, with the Somali Arts Foundation alleging it was led by diaspora figures and European collaborators without meaningful consultation of artists based in Somalia, and the queer collective Warbixinta Cidda demanding the removal of an Italian co-curator due to Italy's colonial history. Separately, a French parliamentary inquiry has exposed major security flaws in the country's museums, following the theft of France's crown jewels from the Louvre in October, calling for reforms in security resources and museum leadership appointments.

Giant Golden Toilet Sculpture Appears Near Lincoln Memorial in D.C.: ‘A Throne Fit for a King’

An anonymous artist collective known as the Secret Handshake has installed a 10-foot-tall golden toilet sculpture titled 'A Throne Fit for a King' near the Lincoln Memorial in Washington, D.C. The work is a satirical monument to former President Donald Trump's controversial renovation of the White House's Lincoln Bathroom, which he outfitted with gold fixtures during a government shutdown.

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MSCHF, the Brooklyn-based art collective known for viral stunts like the Big Red Boot and a Damien Hirst dot-selling ATM, has unveiled a new participatory sculpture titled *King Solomon's Baby* (2025). The work is a large-scale polystyrene foam and paint sculpture that will be progressively dismembered and sold in thin slices as more buyers join. Priced at $100,000 for a single buyer, the cost drops as more participants purchase shares, down to $100 each if 1,000 people buy in. Sales open July 10 at Pioneer Works in Brooklyn, with the fully deconstructed work on view July 13.

Desperate, Scared, But Social at UC Irvine Langson Orange County Museum of Art

The group exhibition "Desperate, Scared, But Social" at the UC Irvine Langson Orange County Museum of Art (Langson IMCA) explores the complexities of contemporary social dynamics and collective anxiety. The show brings together diverse artistic perspectives to examine how individuals navigate a landscape defined by political instability, environmental concerns, and the pervasive influence of digital connectivity.

Curating Around Social Urgencies: How Artists Refuse Quietism

The article focuses on the curatorial approach and artistic ethos of the 2025 edition of the 'Made in L.A.' biennial, highlighting how artists are actively engaging with pressing social and political issues rather than retreating into quietism or abstraction. It examines specific works and the overall thematic drive of the exhibition, which is organized by the Hammer Museum and the Huntington Library, Art Museum, and Botanical Gardens.