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Shigeo Toya, artist who looked to nature with his wood sculptures, 1947–2026

Shigeo Toya, the Japanese artist renowned for his chainsaw-hewn wood sculptures, has died at age 79. Born in 1947 in a small village in Nagano Prefecture, Toya began his signature Woods series in 1984, carving rough textures into tall lumber and arranging the pieces like a forest. His series Twenty Eight Deaths featured stacked wooden blocks with cavities and burn marks. Toya represented Japan at the Venice Biennale in 1988 and later exhibited at the Asia Pacific Triennial (1993) and Gwangju Biennale (2000). A major survey of his work was held at the Nagano Prefectural Art Museum and The Museum of Modern Art, Saitama, in 2022–23.

Milwaukee Art Museum to Present Widline Cadet’s First U.S. Museum Solo Exhibition

The Milwaukee Art Museum has announced "Currents 40: Widline Cadet," the first U.S. museum solo exhibition for the Haitian-born artist. Running from May 8 through August 9, 2026, the show features the debut of her decade-long project, "Seremoni Disparisyon (Ritual [Dis]Appearance)." The exhibition utilizes photography, video, and installation to explore themes of Black diasporic life, migration, and the creation of a "living archive" through staged imagery and autobiographical details.

A semester of SLAM

The St. Louis Art Museum (SLAM) hosted two special exhibitions during the past semester: the annual "Art in Bloom" floral exhibition from February 27 to March 1, 2026, and the solo show "Currents 125: Blas Isasi" opening February 6, 2026. "Art in Bloom" pairs 30 permanent collection pieces with ephemeral floral arrangements created by local designers, featuring a centerpiece by New York-based floral designer Rachel Cho. The exhibition has grown from an invitational event with 7,000 attendees to an open call drawing over 30,000 visitors. Isasi's exhibition, titled "The weight of a gaze (is to listen to the sound of a kilogram)," is part of SLAM's "Currents" series and the WashU Henry L. and Natalie E. Freund Teaching Fellowship, incorporating a Chincha Inka balance from the museum's collection alongside sandstone sculptures and aluminum foil pieces.

Liu Xiaodong major retrospective 'The River Divides, The World Connects' at Taikang Art Museum, Beijing

Taikang Art Museum in Beijing is hosting 'The River Divides, The World Connects', a major retrospective of Chinese painter Liu Xiaodong from 25 November 2025 to 31 March 2026. The exhibition features over 70 works spanning the late 1970s to 2025, organized around two thematic threads—'East of the River / West of the River' and 'What to Paint / How to Paint'—tracing the artist's four-decade career and his evolving realist approach to everyday life.

Henrike Naumann (1984–2026): Domestic Responsibilities

The article is a personal reflection on the work and legacy of artist Henrike Naumann, who passed away in 2026. The author, a peer from West Germany, contrasts their own upbringing with Naumann's East German background, detailing how Naumann's practice critically examined the domestic interiors and built environments of post-war Germany to explore the social and political responsibilities embedded within everyday objects and art's role as "stage design" in a fascist-leaning society.

Where Words End Exhibition Brings Tom Vattakuzhy’s Story Paintings to Mumbai

Mumbai will host the first exhibition of artist Tom Vattakuzhy's work in the city, titled 'Where Words End,' at the Institute of Contemporary Indian Art (ICIA) from May 3–17, 2026. The exhibition presents a series of his "story paintings," which explore experiences that elude verbal expression, moving beyond his illustrative background to create ambiguous, emotionally resonant works.

Art Basel Miami Beach, Louvre crisis deepens, Helene Schjerfbeck—podcast

This episode of The Art Newspaper's 'The Week in Art' podcast covers three major stories. Ben Sutton and Kabir Jhala report from Art Basel Miami Beach, discussing top sales and the overall mood at the fair. Ben Luke speaks with Paris correspondent Vincent Noce about the deepening crisis at the Musée du Louvre following a staff strike and a recent robbery, as the museum plans to raise ticket prices for non-EU visitors by 45%. The episode also features a 'Work of the Week' segment on Helene Schjerfbeck's painting 'The Tapestry' (1914-16), with curator Dita Amory discussing the work ahead of a new exhibition at the Metropolitan Museum of Art.

The Interview: Sea Art Festival 2025

The 2025 Sea Art Festival, titled 'Undercurrents: Waves Walking on the Water,' is co-directed by Keumhwa Kim and Bernard Vienat, who were selected through an international open call. The biennial returns to Dadaepo Beach in Busan, South Korea, focusing on outdoor installations and sculptures that engage with the natural landscape and local communities. Kim, founder of Keum Art Projects, and Vienat, founder of art-werk and leader of the (re)connecting.earth biennial, emphasize collaboration with scientists such as paleontologists and bioacoustic researchers to highlight invisible ecological and social structures.

Art Basel Miami Beach to welcome 41 new exhibitors

Art Basel Miami Beach (ABMB) will return from December 5 to 7, 2025, with 285 galleries, including 41 first-time exhibitors—a significant increase from previous years. The fair will emphasize Latinx, Indigenous, and diasporic artistic currents, and will feature galleries from 44 countries, with over two-thirds operating in the Americas. New participants include New York galleries such as David Peter Francis, Candice Madey, and Margot Samel, as well as Erin Cluley Gallery from Dallas, Miami’s Nina Johnson, and Voloshyn Gallery, the first Ukrainian exhibitor at the fair. Returning mega-galleries include Gagosian, Hauser & Wirth, David Zwirner, Pace Gallery, and White Cube. The fair will also debut the Art Basel Awards, with gold medalists announced on December 4.

Crosscurrents Art Exhibition Open at Stifel Center; Winners Announced

The annual Crosscurrents art exhibition has opened at Oglebay Institute’s Stifel Fine Arts Center in Wheeling, West Virginia, running through July 12. Now in its 46th year, the show features 92 works selected from over 250 submissions by artists across six states and Washington, D.C. Pittsburgh-based artist Michael Lotenero served as juror, awarding Best in Show to Asha Cabaca for “Unit,” with second and third prizes going to Jade-Lynn Lewis and Jesse Baggett, respectively.

‘He always had spirituality’: Spanish exhibition unpicks Picasso's religious influences

The cathedral of Burgos in Spain is hosting "Picasso: Biblical Roots," the first-ever exhibition of Pablo Picasso’s work to be held within a cathedral setting. Featuring 44 works, the show explores how the artist’s Catholic upbringing and religious iconography influenced his oeuvre, despite his self-proclaimed atheism. The exhibition includes early devotional paintings, Renaissance-inspired depictions of the Crucifixion, and secular adaptations of the Virgin and Child and the Good Shepherd.

New Currents: Liu Shuai

Liu Shuai, a multimedia artist from Shandong province, China, presented an interactive installation titled "The Kiss" (2025) at VILLA tbh in Shanghai during the 15th Shanghai Biennale (2025–26). The work, co-created with carpenter bees, features bamboo stalks punctured by the insects and transformed into hanging instruments. It was part of the biennale's "City Projects" and housed in Liu's temporary studio within the Shanghai Botanical Garden, offering a poetic exploration of interspecies collaboration.

New Currents: Jungeun Park

Jungeun Park, an artist based between New York and Seoul, creates sculptures that blend glass, ceramics, and textiles to evoke raw biological forms and alien organic matter. Her 2025 graduate presentation at the Rhode Island School of Design featured works like *Skin Mite (demodex)* (2024), sewn from old pillowcases, and *Period Chalice* (2024), made from resin, metal chain, metal ring, water, and strawberry syrup, which transform the repulsive into something tender and strange.

A festival bringing local and international productions and concerts to Liverpool is coming in April

The Angel Field Festival, an annual multi-arts event hosted by Liverpool Hope University, will take place from April 17th to 25th, 2026, at the university's Creative Campus in Liverpool. The festival's program includes theatre, music spanning classical to electronic, free art exhibitions, and storytelling, featuring both local Liverpool talents and international influences.

New Currents: Zhang Mingxuan’s Politics of Skin

Chinese artist Zhang Mingxuan, 27, debuted her first mature body of work in a 2023 solo exhibition at Hive Center for Contemporary Art in Shanghai, featuring paintings and prints of distorted human forms wrapped in torn nylon hosiery. Her process involves stretching, tearing, and pressing nylon-clad boards onto canvas to create uncanny impressions of compressed, fetal-like bodies. The works, created after she completed her MA in printmaking at the Royal College of Art in London, explore themes of violence, embodiment, and the limits of the body through a labor-intensive method blending painting and printmaking.

Salt, memory and ocean currents: Parvathi Nayar’s solo exhibition

Senior contemporary artist Parvathi Nayar's solo exhibition explores the interconnectedness of human histories and natural forces, focusing on themes of salt, memory, and ocean currents. The show features works that examine how human narratives are shaped by and inseparable from environmental elements, as described in a review by Deepa Natarajan Lobo.