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The New Museum in New York will reopen on March 21 after a two-year closure, following a major expansion designed by OMA’s Shohei Shigematsu with Rem Koolhaas that adds 60,000 square feet, nearly doubling exhibition space. The reopening weekend offers free admission and features new commissions by Tschabalala Self, Klára Hosnedlová, and Sarah Lucas, along with the inaugural exhibition “New Humans: Memories of the Future” showcasing over 200 artists. Separately, Phillips will auction the collection of former US Ambassador to Denmark John L. Loeb Jr., comprising the largest private trove of Danish art, with highlights by Vilhelm Hammershøi, Bertha Wegmann, P. S. Krøyer, and Anna Ancher, expected to exceed $12 million.

The story behind Iran’s only Van Gogh: ‘At Eternity’s Gate'

A rare, inscribed lithograph by Vincent van Gogh, 'At Eternity's Gate,' resides in the collection of the Tehran Museum of Contemporary Art. The work, one of only seven surviving examples, was acquired in 1975 by Farah Pahlavi, the wife of the Shah of Iran, for the museum. It passed through notable hands, including those of US Vice President Nelson Rockefeller, before arriving in Tehran just before the 1979 Iranian Revolution.

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Japanese artist Yuko Mohri has gained international acclaim for her kinetic, sound-based installations that utilize decaying organic matter and found objects to create unpredictable ecosystems. Her recent presentation at the 2024 Venice Biennale's Japanese Pavilion featured sculptures powered by the electrical currents of decomposing fruit and water systems that embraced the pavilion's porous architecture, even during torrential rain.

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President Donald Trump's tariffs on wood imports, introduced to support American manufacturers, have inadvertently disrupted the international trade in antiques and decorative arts. Memphis-based antique dealer Millicent Ford Creech notes that the tariffs unfairly penalize dealers specializing in pre-1800 pieces with no domestic equivalent, as fine art is exempt but collectible furniture and decorative items are not. Separately, the Fine Arts Museums of San Francisco (FAMSF) received a gift of 1,600 works from local collector Kirk Edward Long, rich in early modern European prints, paintings, antiquities, and decorative arts, as part of its multiyear 'Gifts of Art' initiative. Other news includes a rare jewelry box identified in Vermeer paintings, a Rembrandt drawing sold by Thomas S. Kaplan for conservation charity, and a popular 'Grumpy Guide' tour at Düsseldorf's Kunstpalast performed by artist Carl Brandi.

The Defining Themes of Today’s Biennial Art

The article analyzes the defining themes and styles of the past four years in the international biennial circuit, based on a survey of 130 biennials. It identifies a core group of artists who appeared most frequently, including Ali Eyal, Apichatpong Weerasethakul, Carolina Caycedo, Kapwani Kiwanga, and Tuan Andrew Nguyen, among others. Many of these artists are also featured in the upcoming 61st Venice Biennale curated by the late Koyo Kouoh. The piece categorizes their work under two broad themes: "Post-Colonial Post-Conceptualism," which involves poetic engagement with colonial history and artifacts, and "Families and Networks," where artists explore personal and political family histories.

8 Standout Artists from the 2026 Whitney Biennial

The 2026 Whitney Biennial has opened, featuring 71 artists and collectives, with eight emerging as immediate standouts. Among them are Jacolby Satterwhite, celebrated for his immersive digital worlds; Lotus L. Kang, whose site-specific installation incorporates decaying materials; and Jes Fan, who explores biology and identity through sculptural forms. Other notable artists include Tiona Nekkia McClodden with her ritualistic film work, the collective Indigenous Futures, and figurative painter Cynthia Daignault. Their works collectively address themes of technology, the body, memory, and ecology.

8 Books We’re Looking Forward to in April

ARTnews previews eight notable art and culture books scheduled for release in April 2026. The list includes Ben Lerner's novel "Transcription," a dual biography of artists Peter Hujar and Paul Thek by Andrew Durbin, Luke Goebel's art-world satire "Kill Dick," and an academic study of Alberto Giacometti's 1930s work by Joanna Fiduccia. Also featured are a memoir by curator Hans Ulrich Obrist, a book on Dorothea Tanning, and Julia Langbein's unconventional book about Monica Lewinsky.

Hyperallergic’s Guide to the 2026 Venice Biennale

Hyperallergic has published its guide to the 2026 Venice Biennale, detailing what to see and do at this year's edition. The guide covers the three main categories of the Biennale—the Giardini with 29 permanent national pavilions, the Arsenale with temporary rented spaces, and collateral events across the city. Key developments include the return of Russia to its permanent Giardini pavilion and Israel's participation with a new contractual stipulation preventing its artist from closing the pavilion, after Ruth Patir's protest in 2024. South Africa withdrew following the cancellation of Gabrielle Goliath's video installation 'Elegy,' which mourns victims of Israel's genocide in Gaza and will now be shown at a historic church. The United States will be represented by Alma Allen after Barbara Chase-Riboud stepped down, and Qatar is set to become the first country in decades to build a new pavilion in the Giardini.

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The Pennsylvania Academy of the Fine Arts (PAFA) has appointed Kristen Shepherd as its new president and CEO, effective February 9. Shepherd, 54, previously served as executive director and CEO of the Museum of Fine Arts in St. Petersburg, Florida, and held leadership roles at the Los Angeles County Museum of Art, the Whitney Museum in New York, and Sotheby’s in New York and London. She also runs her own consulting firm, Shepherd Lane + Associates. Shepherd takes over at a challenging time for PAFA, which closed its college last May due to rising costs and low enrollment, though it continues to offer K-12 and continuing education programs.

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A new exhibition titled “Rodin’s Egypt” opens November 19 at NYU’s Institute for the Study of the Ancient World (ISAW), exploring how ancient Egyptian art influenced Auguste Rodin’s sculptures. Guest curated by Bénédicte Garnier of the Musée Rodin in Paris, the show features 65 objects, including Rodin’s rarely seen assemblages that combine his plaster casts with Egyptian antiquities from his personal collection of over 1,000 Egyptian items. This marks the first US exhibition of Rodin’s Egyptian holdings.

Harnessing the winds of societal change: how art dealers have been able to shape taste for centuries

Valentina Castellani, a former Gagosian director, has authored a new book titled *Trading Beauty: Art Market Histories from the Altar to the Gallery* (out 1 May). The book traces how art dealers have historically leveraged societal changes—political, economic, and social—to reshape taste and market structures. Castellani begins in the Middle Ages, when art was made only on commission for patrons like the Catholic church and monarchies, and moves through key shifts such as the Dutch Republic's first open art market in the 17th century, which gave rise to the professional art dealer. She highlights dealers like Paul Durand-Ruel, Joseph Duveen, and Leo Castelli who capitalized on anti-establishment energy, new wealth, and post-war consumer culture to bring avant-garde art to the forefront.

Marina Abramović Is the Unlikely Star of the New Balloon Museum

Marina Abramović Is the Unlikely Star of the New Balloon Museum

Performance artist Marina Abramović has created a large-scale inflatable installation for the new permanent New York outpost of the Balloon Museum. Titled *Snowy/Windy/Spring On The Planet Z*, the immersive work transforms the Tin Building into an imagined extraterrestrial meadow filled with balloon sculptures, light, and air currents, opening in July 2026.

Joachim Trier on the Art of Calculated Chaos

A major retrospective of Tracey Emin's work has opened at Tate Modern in London. The exhibition presents a comprehensive overview of the artist's career, featuring her confessional and often provocative works that have defined her public persona.

Marie Zolamian’s Paintings Remain Little Mysteries

A retrospective of Tracey Emin's work at Tate Modern reveals how her art, frequently interpreted as raw personal confession, is deeply intertwined with the broader cultural and social forces of her time. The review argues that her oeuvre serves as a witness to a specific era, moving beyond purely autobiographical readings to reflect wider societal currents.

The Big Ideas Driving Art Paris This Year

Art Paris 2026 will take place from April 9–12 at the Grand Palais, featuring two major curated themes: "Babel – Art and Language in France," guest-curated by Loïc Le Gall, and "Reparation," curated by Alexia Fabre. The fair will include roughly 165 galleries, with sectors like Promises for emerging artists, Solo Show for monographic presentations, and French Design Art Edition.

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Artnet News critic Ben Davis presents his annual "art words of the year" for 2025, a curated list of terms that capture prevailing moods and ideas in the art world. The list includes "antimemetics" (from writer Nadia Asparhouva and internet fiction), "cyniserity" (coined by art writer David Colman to describe Anne Imhoff's work), "delightmare" (a horror-adjacent feeling linked to overconsumption and AI art, exemplified by Beeple's Art Basel installation), "elite capture" (from philosopher Olúfẹ́mi O. Táíwò's book, now a tool for critiquing identity politics in art), and "K-shaped" (an economic term describing divergent recovery, applied to gallery closures versus record auction sales).

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Alex Prager has created "Mirage Factory," an immersive installation inside a former Miami Beach cinema that pays tribute to her hometown of Los Angeles while critiquing its illusions. The installation features meticulously crafted sets, a new photograph, and a dining experience by chef Dave Beran, alongside a live performance by Diana Ross. It opened with private events for Capital One cardholders and the Cultivist art club, and is now public through December 4, with proceeds benefiting Heal the Bay.

7 Art Events and Exhibitions to See in Los Angeles This February

Several major Los Angeles institutions are opening new exhibitions in February. Highlights include the Academy Museum's interactive "Studio Ghibli’s Ponyo" show, the Autry Museum's "Desert Dreams and Coastal Currents" exhibition on Southwestern art, a performance by Wild Up at The Broad, the Getty Center's "Photography and the Black Arts Movement" survey, LACMA's display of modern masterpieces from the Pearlman collection, and the Marciano Art Foundation's Bruce Conner retrospective.

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Artist Sayre Gomez has opened a new solo exhibition titled "Precious Moments" at David Kordansky Gallery in Los Angeles. The show features paintings of gritty urban landscapes alongside sculptures of his own children, modeled after Precious Moments collectible figurines, dressed in the kids' actual clothes and placed in the gallery's rafters.

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Nayland Blake, a conceptual artist known for blending cerebral ideas with visceral, queer sensibilities, is the subject of a major solo exhibition at Mathew Marks Gallery in New York, running through October 2025. Concurrently, a new book titled *My Studio Is a Dungeon Is the Studio: Writings and Interviews 1983–2024* is set for release next month, compiling decades of the artist's writings and interviews. The article explores Blake's unique approach to art, which combines psychoanalytic theory, queer aesthetics, and a critical stance toward institutional power, as seen in their analysis of figures like Judge Daniel Paul Schreber and artist Jack Smith.

Internet Goes Wild for The Met’s Newly Acquired Mannerist Painting

The Metropolitan Museum of Art's acquisition of a newly identified Mannerist painting, Rosso Fiorentino's "Madonna and Child with Saint John the Evangelist" (1512–13), has sparked a viral, irreverent reaction on social media. Commenters on the museum's Instagram post have described the muscular infant Jesus using contemporary slang like "baddie," "yasssified," and "caked up," drawing parallels to modern beauty trends.

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Los Angeles-based artist and researcher Sandy Rodriguez has opened her most ambitious exhibition to date, "Currents of Resistance," at the Ringling Museum of Art in Sarasota, Florida, running through August 10. The centerpiece is "Resistance Map of the Gulf of Mexico" (2025), a 94.5-inch amate paper map from her ongoing "Codex Rodriguez-Mondragón" series. Rodriguez creates her own pigments from foraged minerals and botanical specimens, and uses handmade amate bark paper from San Pablito, Mexico, a sacred Mesoamerican material once outlawed during the colonial era. The map layers 500 years of cartographic tradition with historic and contemporary acts of resistance, including the Mixtón War, the Calusa resistance, and modern police violence in New Orleans. For this exhibition, she also introduced ocean water from the Gulf of Mexico to thin her pigments, referencing climate change as ongoing colonial aggression.

Chicago: Model City by Mark Acciari

Native Chicagoan architect and artist Mark Acciari reflects on the architectural identity of Chicago from the distance of Mexico City. Using the iconic imagery of a Chicago-style hot dog as a metaphor for the city's construction, he explores how the city's legacy is often reduced to the 'skeleton frame' of early modernism by critics, while ignoring its more playful, symbolic, and postmodernist undercurrents.

Call for Applications: 2026–27 and 2027–28 Freund Teaching Fellowships

Washington University in St. Louis's Sam Fox School of Design & Visual Arts and the Saint Louis Art Museum are accepting applications for the 2026–27 and 2027–28 Henry L. and Natalie E. Freund Teaching Fellowships. The fellowship offers emerging and mid-career visual artists a $45,000 teaching award, studio space, access to WashU's facilities, and a solo exhibition at the Saint Louis Art Museum as part of its Currents series. Applicants must hold an MFA earned at least five years prior and have professional exhibition experience; prior teaching is not required. The deadline is September 1, 2025.

Lévy Gorvy Dayan Recreates the Dazzle of 1980s New York

Lévy Gorvy Dayan has opened "Downtown/Uptown: New York in the Eighties," a sweeping survey staged at its Beaux-Arts townhouse on East 64th Street. Organized in collaboration with legendary dealer Mary Boone, the exhibition brings together a stellar roster of artists whose careers defined the decade, including neo-expressionists like Keith Haring, Jean-Michel Basquiat, and Julian Schnabel, as well as appropriation and conceptual artists such as Cindy Sherman, Barbara Kruger, Andy Warhol, and Jeff Koons. The show explores the era's dual currents—raw painterly energy versus critical media interrogation—while acknowledging the AIDS epidemic, Reagan-era excess, and the rise of the art star. Immersive staging, a custom disco soundtrack, and works spanning multiple floors evoke the decade's theatricality and volatility.

Olafur Eliasson stages public wake for the Great Salt Lake in Utah

Icelandic-Danish artist Olafur Eliasson presented 'A symphony of disappearing sounds for the Great Salt Lake,' a large-scale multimedia installation in Salt Lake City’s Memory Grove Park. The work featured a three-story luminous sphere projecting visuals of wind currents and geothermal light, accompanied by a soundscape of migratory birds, brine flies, and frogs. Commissioned by the Salt Lake City Arts Council and Bloomberg Philanthropies, the ten-day public event served as a creative wake for the rapidly receding lake.

Islamic Futurism Here and Now

Hyperallergic's daily newsletter highlights several key art world stories, including a protest by nearly 200 artists, curators, and staff at the 61st Venice Biennale calling for Israel's exclusion from the event. It also features a guide to New York's spring art fairs, a new exhibition on Frida Kahlo, a campaign against a Palestinian artist in Germany, and a profile on artists advancing Islamic Futurism through calligraphy and installation.

Artist in Focus: Louis Pohl Koseda. Constructing the City as Memory.

British artist Louis Pohl Koseda is gaining attention for his intricate works that blend drawing, painting, and architectural theory to explore the city as a psychological structure. His practice, which he terms 'metafictionism,' utilizes fine-line drawing to create layered compositions where figures navigate unstable, theatrical urban environments. Influenced by his upbringing in an East London Hare Krishna community, Koseda’s work focuses on how belief systems and social fabrics are mapped onto the physical and imagined spaces of the city.

Syracuse University Art Museum Celebrates Professor Emeritus Sarah McCoubrey's Decades-Spanning Artistic Evolution

Syracuse University Art Museum is celebrating Professor Emeritus Sarah McCoubrey's 34-year artistic legacy with a closing reception and artist talk on Sept. 10 at Manhattan's Bernard and Louise Palitz Gallery. The event highlights the exhibition “Currents: Sarah McCoubrey,” which surveys McCoubrey's multimedia environmental narratives, including her well-known landscape paintings alongside recent and never-before-seen works. McCoubrey recently attained professor emeritus status after 34 years as a painting professor in the College of Visual and Performing Arts at Syracuse University, and her career includes representation by Locks Gallery in Philadelphia and solo exhibitions at institutions such as the Everson Museum of Art and the Pennsylvania Academy of the Fine Arts.

Shigeo Toya, artist who looked to nature with his wood sculptures, 1947–2026

Shigeo Toya, the Japanese artist renowned for his chainsaw-hewn wood sculptures, has died at age 79. Born in 1947 in a small village in Nagano Prefecture, Toya began his signature Woods series in 1984, carving rough textures into tall lumber and arranging the pieces like a forest. His series Twenty Eight Deaths featured stacked wooden blocks with cavities and burn marks. Toya represented Japan at the Venice Biennale in 1988 and later exhibited at the Asia Pacific Triennial (1993) and Gwangju Biennale (2000). A major survey of his work was held at the Nagano Prefectural Art Museum and The Museum of Modern Art, Saitama, in 2022–23.