Metropolitan Museum of Art: Spring Exhibitions in New York

The Metropolitan Museum of Art in New York is unveiling renewed galleries and special exhibitions for spring 2026, including a reinstallation of its American Wing and exhibitions focused on Renaissance portraiture and contemporary responses to classical themes. The museum, which houses over 1.6 million artworks spanning five thousand years, is highlighted as a key destination for US travelers planning summer visits, with May weather ideal for exploring both the museum and nearby Central Park.

Matisse: The Pursuit of Harmony

Acquavella Galleries in New York presents "Matisse: The Pursuit of Harmony," an exhibition running from April 9 to May 22, 2026, featuring fifty works by Henri Matisse including paintings, sculptures, and works on paper. The show is organized across two floors, with early pieces on the ground floor north gallery, sculptures and early works on the second floor north, later works on the second floor south, and a concluding display of the four bronze castings of Matisse's "Back" series on the ground floor south. Key highlights include the painting *Male Model* (ca. 1900) paired with the bronze *The Serf* (1900–04), and the portrait *Mademoiselle Yvonne Landsberg* (1914), which demonstrate Matisse's transformative approach to traditional genres.

What Has the American Inquisition Done to Art?

An exhibition titled "American Inquisition" opened in mid-March at No Place Gallery, an artist-run space in Columbus, Ohio. Featuring paintings by Shiva Addanki and Nikholis Planck, the show draws its name from a statement by the Popular Front for the Liberation of Palestine supporting detained activist Mahmoud Khalil, and its critical framework from Mike Davis's book "Buda's Wagon." Addanki's works depict scenes of US imperial violence, including downed drones and counterinsurgents at detention centers, while Planck's paintings map extractive infrastructure, subverting traditional landscape painting with industrial detritus and petroleum tankers.

The Château de Boutemont: An Architectural Gem to Discover in Normandy

Il Castello di Boutemont: un gioiello architettonico da scoprire in Normandia

The Château de Boutemont in Ouilly-le-Vicomte, Normandy, has reopened for its new season running through November. Now in its sixth year under owners Johanna Wistrøm-Monnier and Bruno Monnier, the property has seen steady growth in visitors thanks to investments in its gardens and the opening of three castle rooms. Bruno Monnier founded Culturespace in the 1990s, a private company that manages museums such as the Palais des Papes in Avignon and the Ateliers des Lumières immersive art centers. Johanna Wistrøm-Monnier, formerly director of the Dan Graham Foundation, now dedicates herself full-time to the estate, which features gardens designed by famed landscape architect Achille Duchêne.

The best and worst we saw at the Venice Art Biennale 2026. Artribune's hits and flops

Il meglio e il peggio che abbiamo visto alla Biennale d’Arte di Venezia 2026. Top e flop di Artribune

The 61st Venice Biennale, titled "In Minor Keys" and directed by Koyo Kouoh, opened amid significant turmoil: the death of a newly appointed curator, diplomatic tensions over the presence of Russia and Israel, political protests, and the unprecedented collective resignation of the jury, which led to the Golden Lions being awarded by public vote for the first time. Despite this chaotic backdrop, the exhibition—featuring a record 100 national pavilions—has been widely praised for avoiding moralistic pedagogy and instead embracing visual seduction, formal quality, and sensory joy while addressing themes of identity, memory, colonialism, ecological crisis, and violence. The article highlights top and flop moments from the opening week, including strong showings by Biennale president Pietrangelo Buttafuoco and a standout exhibition at Fondazione Prada.

Australian Sculptor Ron Mueck Returns to Tokyo

A major retrospective of Australian sculptor Ron Mueck has opened at the Mori Art Museum in Tokyo, featuring eleven of his meticulously crafted figurative works, including the Japan premiere of 'Mass' (100 giant human skulls). The exhibition, co-organized by the Fondation Cartier pour l’art contemporain, travels to Tokyo after stops in Paris, Milan, and Seoul, and includes iconic pieces such as 'Woman with Sticks' and 'Angel', the latter installed on the museum's 53rd floor overlooking the city.

All New for 2026: The Greatest Exhibitions in Greater Philadelphia

Greater Philadelphia is launching a year-long Semiquincentennial celebration in 2026, featuring a series of major exhibitions across the region. Highlights include "A Nation of Artists" at the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts, the "What Now" festival by ArtPhilly, and "Bells Across PA," a statewide display of painted Liberty Bell replicas. Other notable shows include the Museum of the American Revolution's "The Declaration's Journey," The Franklin Institute's immersive theme park exhibit, The Academy of Natural Sciences' Indigenous re-examination of its Lewis and Clark collection, and the Independence Seaport Museum's look at early American commerce. The Clay Studio presents "Radical Americana" across 20 sites, the National Liberty Museum opens three exhibitions on the First Amendment, and a new show at the Philadelphia Museum of Art explores monuments, curated by Paul Farber.

Summer 2026 Midnight Moment Program

Times Square Arts has announced the Summer 2026 Midnight Moment program, featuring three artists: Sonia Boyce (June), Tromarama (July), and Maia Chao (August). Boyce's 'Transform' presents a kaleidoscopic film of Andean ancestral movements, presented with the Queens Museum. Tromarama's 'Turn On #2' examines technology's impact on reality and the environment, presented with The Kitchen. Maia Chao's 'Studies for American Idle' draws from a 2025 site-specific performance in Times Square. The works will be shown nightly from 11:57 pm to midnight on nearly 100 electronic billboards.

The glories of Francisco de Zurbarán’s paintings | Letters

Two letters to the editor respond to Charlotte Higgins's article on Francisco de Zurbarán. Paul McGilchrist critiques the physical inaccuracy of crucifixion depictions, including Zurbarán's *The Crucified Christ*, noting that most paintings fail to convey the true weight and distortion of a body suspended by nails. Jean Wilson highlights Zurbarán's series *Jacob and his 12 Sons* at Auckland Palace in Bishop Auckland, describing its history since 1756 and its connection to Bishop Trevor's support for Jewish rights.

Naufus Ramírez-Figueroa “Lugar de Consuelo (Place of Solace)” at MoMA, New York

MoMA's Kravis Studio is presenting Naufus Ramírez-Figueroa's multimedia work "Lugar de Consuelo (Place of Solace)" (2020), marking the artist's first solo presentation at the museum. The work, jointly acquired in 2022 through MoMA's Latin American and Caribbean Fund and Fund for the Twenty-First Century, includes prints, drawings, costumes, sculptures, videos, and a related performance that explore political and personal histories of Guatemala.

Maya Lin Connects Nature to a New Manhattan Skyscraper and Beyond

Maya Lin, the renowned artist and designer known for the Vietnam Veterans Memorial, has created new works for a Manhattan skyscraper and a Chicago project, drawing on her deep connection to nature. The article highlights her latest installations that integrate environmental themes into urban architecture, reflecting her ongoing exploration of landscape and ecology.

Strike Rocks Venice Biennale Ahead of Public Opening as Pavilions Close

Thousands of protesters marched through Venice to demonstrate against Israel's presence at the Venice Biennale, leading many national pavilions to close in solidarity. Pavilions from Austria, Belgium, Egypt, Japan, the Netherlands, South Korea, and over a dozen other countries shut fully or partially, with some displaying signs reading "We Stand with Palestine." The Israeli pavilion remained closed for its exhibition opening, and armed police clashed with protesters. The main exhibition, curated by Koyo Kouoh, stayed open initially but the Arsenale closed by late afternoon with riot police outside. The 24-hour strike, organized by Art Not Genocide Alliance (ANGA) and Italian activist groups, was described as the largest protest in Biennale history.

Between Tropes and Treats at NADA New York

The 12th annual New Art Dealers Alliance (NADA) fair opened at the Starrett-Lehigh Building in Manhattan, featuring a wide array of contemporary works. Critic Rhea Nayyar notes that while many booths felt interchangeable due to prevalent trends like zany sculptures, shiny materials, and kitschy vibrancy, several standout pieces offered genuine engagement. Highlights include Elena Roznovan's maternal ephemera embedded in concrete with bondage tape, Kelly Tapia-Chuning's deconstructed serapes addressing colonial violence, and Niniko Morbedadze's folkloric illustrations.

Koray Duman is Architecting Engagement from the Venice Biennale to Carnegie International

Architect Koray Duman and his studio Büro Koray Duman (B-KD) have unveiled five major international projects, including designs for the UAE National Pavilion and Denniston Hill's special project at the 61st Venice Biennale, the 59th Carnegie International in Pittsburgh, the National Academy's "Future Schools" exhibition in New York, and a multi-generational upstate residential project. Duman's work emphasizes inclusivity, cultural exchange, and architecture as a social tool, with installations like "Chimera" for Denniston Hill and a sound-and-memory-focused pavilion for the UAE.

Memorial Art Gallery admission will become free starting in 2027

The Memorial Art Gallery (MAG) in Rochester, New York, announced on May 13 that admission will become free for all visitors starting in 2027, eliminating its current $20 entry fee permanently. The museum, part of the University of Rochester, raised over $9 million through its "Free for All, Forever" campaign, surpassing its original target faster than expected. Key donations included a $1 million gift from Dr. Alexander A. Levitan and his wife Lucy K. Levitan, a $3 million donation from UR trustee Doug Bennett, his wife Abby, and the Sands Family Foundation, and $2 million from Mary Ellen Burris. Additional support came from anonymous donors, Kitty and Nick Jospé, and Sandy Hawks Lloyd and Justin Hawks Lloyd.

Three Venice shows everyone is talking about

The Korea Herald recommends three must-visit museum shows in Venice during the Venice Biennale. At Palazzo Grassi, the Pinault Collection presents "Michael Armitage. The Promise of Change," featuring the Kenya-born British painter's vivid works addressing sociopolitical tensions and migration. At Gallerie dell'Accademia, "Transforming Energy" by Marina Abramovic marks her 80th birthday, creating a dialogue between her performance art and Renaissance masterpieces. The Peggy Guggenheim Collection hosts "Peggy Guggenheim in London: The Making of a Collector," revisiting her formative years and her short-lived London gallery Guggenheim Jeune.

Art as Collective Responsibility: Hestia Artistic Journey Grant Programme Winners

The Hestia Artistic Journey National Grant Programme (Artystyczna Podróż Hestii) has announced the winners of its third edition, selecting eight projects from nearly 200 applications across Poland. The programme, subtitled "Opening Time" (Czas otwarcia), supports artists and cultural institutions planning exhibitions that address collective responsibility for global issues. Winners include "Ślady pamięci" by Fundacja Szałfynster in Katowice, exploring memory and dementia; "Głodne drzewa/Thirsty Trees" by Przemek Branas at the Central Museum of Textiles in Łódź, critiquing human greed through eucalyptus metaphors; and "Tymczasowa pława" by Norbert Delman at the State Art Gallery in Sopot, an installation on ecocide using a sunken fishing boat and amber. Each project will present an exhibition between July 2026 and the last quarter of 2027, with increased funding due to exceptional submissions.

Spring brings two new exhibits to Banff's Whyte Museum

Two new exhibitions have opened at the Whyte Museum of the Canadian Rockies in Banff: "Thick as Thieves," a touring show from the MacKenzie Art Gallery in Regina, and "When our eyes touch," drawn from the museum's own collection. "Thick as Thieves" explores themes of power, secrecy, and trust through works spanning from Auguste Rodin sculptures to contemporary pieces by August Klintberg and Amanda Strong, curated by Crystal Mowry. "When our eyes touch" focuses on portraiture by museum founders Peter Whyte and Catharine Robb Whyte, featuring paintings from their time at art school in Boston and later portraits of Stoney Nakoda community members, curated by Dagny Dubois and Christina Cuthbertson. Both exhibitions run until November 8.

The Carnegie International is a Once Every Four Year Treat

The Carnegie International, the longest-running international art show in North America, returns in 2026 for its 59th edition at the Carnegie Museum of Art in Pittsburgh. Founded by Andrew Carnegie in 1896, the exhibition takes place roughly every four years and features contemporary works from artists around the world, including Zhao Yao (China), Hans Ragnar Mathisen (Sapmi/Norway), Cinthia Marcelle (Brazil), and Walter Scott (Canada). The 2026-2027 edition is themed "If The Word We," exploring the first-person plural as an open and evolving concept. The show is integrated throughout the museum alongside permanent collection pieces, and extends to venues such as the Children's Museum of Pittsburgh, Mattress Factory, and the Thelma Lovette YMCA.

Brandywine Conservancy Unites Global Partners for $100 Million, 325-Acre Expansion

The Brandywine Conservancy & Museum of Art has announced a $100 million, 325-acre expansion project that will add new art galleries, classroom spaces, walking trails, and a nature preserve. The redesign, led by Tokyo-based Kengo Kuma & Associates and Philadelphia-founded Field Operations, will connect the museum to the historic homes and studios of Andrew and N.C. Wyeth, creating a unified campus. Construction is set to begin in spring 2027, with completion expected in fall 2029, and includes flood prevention measures following damage from Hurricane Ida in 2021.

« No art washing ! » : à la Biennale de Venise, près de 3 000 manifestants réunis pour dénoncer la présence du pavillon israélien

On May 8, 2026, nearly 3,000 protesters gathered in Venice to demonstrate against the presence of the Israeli pavilion at the Venice Biennale. Led by the collective Art Not Genocide Alliance (Anga), the crowd included artists, curators, and cultural workers who chanted slogans such as "Stop al Padiglione genocidio" and called for a strike on the closing day of the professional previews. Dozens of national pavilions, including those of France, Belgium, Poland, Spain, the United Kingdom, Lebanon, and Ukraine, closed in solidarity. The protest followed a letter sent by Anga in March demanding Israel's exclusion, which went unanswered, and the self-dissolution of the awards jury on April 30 over the presence of both Israel and Russia.

Art Gallery of Swan Hill Opens Three Powerful First Nations Exhibition

The Art Gallery of Swan Hill in Victoria, Australia, will open three significant First Nations exhibitions on 29 May 2026. The shows are: 'JXSH MVIR: Forever I Live', the first major solo retrospective of the late Yorta Yorta, Gunditjmara and Barkindji artist Josh Muir, co-curated by his partner and mother; 'Gulgawarnigu | Thinking of Someone. Something', a touring digital portrait and landscape exhibition by young Indigenous artists from Roebourne, Western Australia, developed through a partnership with NEO-Learning and Big hART; and 'Big Place', a new exhibition drawn from the gallery's permanent collection featuring works from Western Australia, the Northern Territory, the Tiwi Islands and South Australia.

“Joseph Barrett: Views from his Lahaska Studio” to open at Silverman Gallery

The Silverman Gallery of Bucks County Impressionist Art in Holicong, Pennsylvania, will open a new exhibition titled “Joseph Barrett: Views from his Lahaska Studio” on May 16-17, 2025, with opening receptions featuring live jazz and refreshments. The show runs through June 20 and includes previously unseen works such as “View from My Window,” “Neshaminy,” and “County Theater in Snow,” alongside Barrett’s painting “Estate of Joseph Stanley,” recently returned from a two-year display at the U.S. Embassy in Kigali, Rwanda, as part of the State Department’s Art in Embassies program.

Adrian Ghenie: Roman Campagna | Exhibition review

Adrian Ghenie's exhibition "Roman Campagna" at a Paris gallery presents a series of paintings and charcoal drawings that subvert the romantic cliché of an artist's transformative encounter with Rome. Ghenie populates landscapes inspired by the Appian Way with grotesque, alien-headed figures hunched over smartphones, urinating on monuments, or weeping at sunsets, using brown and grey tones punctuated by bright colors. The works reference Francis Bacon and William S. Burroughs, and include direct allusions to Bacon's reinterpretation of van Gogh's self-portrait, as well as a copy of a Pompeii mosaic. The show also features large charcoal drawings on paper that reveal Ghenie's process of constructing his contemporary, alienated figures.

Los Angeles Metro’s Stunning D Line Art Turns Stations Into Galleries

Los Angeles Metro unveiled a major public art installation on May 8 with the opening of the 3.92-mile D Line extension, connecting downtown to Beverly Hills. Nine artists were selected from over 1,400 applicants to create works across three stations—Wilshire/La Brea, Wilshire/Fairfax, and Wilshire/La Cienega. Notable pieces include Karl Haendel's "Hands and Things" at the Wilshire/Fairfax station, featuring photorealist pencil drawings of hands holding objects sourced from nearby cultural institutions, and Susan Silton's "WE, OUR, US." The artworks are mounted using durable porcelain enameling that resists corrosion, scratching, fading, and graffiti.

Liliana Moro “| senza | soluzione di continuità” at Platea | Palazzo Galeano, Lodi

Liliana Moro presents a new installation titled “| senza | soluzione di continuità” at Platea | Palazzo Galeano in Lodi. The work is described as a powerful yet subtle artistic gesture that renegotiates the function of the shop window as a public space, emphasizing responsibility and generosity.

Go big or go home: how The Lost Giants revived the ancient art of goliath-making

The Lost Giants (TLG), an art collective based in Lostwithiel, Cornwall, is reviving the British tradition of making processional giants—large, community-built figures made from wood, cloth, and papier-mâché. Founded three years ago by theatre designer Ruth Webb and her sister-in-law Amy Webb, the group has created giants for events ranging from local lantern parades to a harvest procession at Hauser & Wirth’s Somerset gallery. This New Year’s Eve, environmentalist Lisa Schneidau joined a massive procession of these giants in Lostwithiel, describing it as an extraordinary experience. The collective recently issued a public callout for an environmental group to collaborate on making a new beastie.

Akron Art Museum transforms church’s stained glass windows into exhibit

The Akron Art Museum is presenting "Transfiguration: Rachel Libeskind and the Tiffany Window," an exhibition centered on a 137-square-foot stained glass window crafted by Frederick Wilson of Tiffany Studios in 1917. The window, originally installed at St. Paul’s Episcopal Church, was rescued after a 2018 fire destroyed the church. Developer Tony Troppe purchased the property in 2022, and Whitney Stained Glass Studio restored the panels. New York-based artist Rachel Libeskind created accompanying works that reframe the window as art rather than a devotional object, with the show running through July 5.

Sex, desire and intimacy explored in Singapore art exhibition for over-18s

National Gallery Singapore (NGS) is presenting "Passion is Volcanic: Desire in Southeast Asian Art," an exhibition for over-18s that explores eroticism and desire through more than 70 works spanning 800 years. The show is structured into three chapters—"Asian Mythos and Rituals," "Conventions of the Erotic," and "Public Arenas/Private Interiors"—and includes pieces such as a 14th-15th century Tantric Buddhist sculpture and Araya Rasdjarmrearnsook's video work "I’m Living" (2002). Senior curator Adele Tan, a co-curator, says she wanted to use the lens of eroticism to uncover overlooked narratives in the museum's collection.

New exhibition charts motherhood from the 15th century to today

The National Gallery of Victoria (NGV) has opened a new exhibition titled 'Mother,' curated almost entirely from its existing collection. The show traces the experience of motherhood from the 15th century to the present, beginning with a juxtaposition of Giovanni Toscani's Madonna and Child and a 1998 birth mat by Elizabeth Birritjama Ngalandjarri. Co-curators Sophie Gerhard and Katharina Prugger organized the exhibition around the 'life cycle' of a mother, covering themes from matrescence to loss. It features works by artists including Kate Just, Kyra Mancktelow, Destiny Deacon, and Hannah Brontë, with a strong emphasis on First Nations perspectives and fiber arts.