Under pressure, the Venice Biennale jury resigns and is replaced by a public vote

Sous pression, le jury de la Biennale de Venise démissionne et est remplacé par un vote du public

On April 30, just days before the Venice Biennale's public opening on May 9, the entire international jury responsible for awarding the Golden and Silver Lions resigned. The jury—comprising Solange Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—had been caught in a escalating controversy after Biennale president Pietrangelo Buttafuoco reinstated Russia, which had been excluded since the 2022 invasion of Ukraine. The European Union threatened to suspend or cancel its €2 million subsidy if Russia remained included. The jury attempted to exclude countries whose leaders face International Criminal Court arrest warrants, effectively targeting Russia and Israel, but ultimately resigned under pressure from both external diplomatic turmoil and internal institutional opposition to any discrimination between pavilions.

Venice Biennale Opens Amid Strikes, Protests and Institutional Rupture.

The 61st Venice Biennale opened in May 2026 amid strikes, protests, and political unrest, rather than celebration. Coordinated by Italian labor groups and transnational coalitions, demonstrators targeted the Biennale's decision to allow participation by Israel and Russia during the ongoing wars in Gaza and Ukraine. The Art Not Genocide Alliance (ANGA) led protests against Israel's participation, while Pussy Riot and FEMEN activists staged a protest outside the Russian pavilion. The Israeli pavilion's relocation from the Giardini to the Arsenale added symbolic weight, with critics viewing it as institutional endorsement. The late curator Koyo Kouoh's vision for the exhibition, titled "In Minor Keys," emphasized tenderness and complexity, contrasting with the volatile atmosphere.

Indian High Commission celebrated Rabindra Jayanti, inaugurating art exhibition

The Indira Gandhi Cultural Centre (IGCC) of the Indian High Commission in Dhaka inaugurated a ten-day art exhibition titled “Sampriti” on May 7, 2026, coinciding with the 165th birth anniversary of Rabindranath Tagore. The exhibition features works created during a two-day art camp by 33 eminent Bangladeshi artists, including Rafiqun Nabi, Monirul Islam, and Farida Zaman, and was curated by Professor Sanjoy Chakraborty of Dhaka University. High Commissioner Pranay Verma opened the event, highlighting the shared artistic traditions between India and Bangladesh, and paid tribute to the late Bangladeshi artist Tarun Ghosh, whose work is included in the show.

‘Sampriti’: Dhaka exhibition celebrates artistic ties between Bangladesh and India

The Indira Gandhi Cultural Centre (IGCC) in Dhaka inaugurated the art exhibition “Sampriti” on May 7, bringing together artists, scholars, and diplomats from Bangladesh and India. The exhibition, which follows a two-day art camp held in April, features works by 33 contemporary Bangladeshi artists and ICCR scholars, and was curated by Prof Sanjoy Chakraborty. The opening coincided with the 165th birth anniversary of Rabindranath Tagore and included a lamp-lighting ceremony, speeches by High Commissioner Pranay Verma, and a performance of Rabindra Sangeet by Prof Shahnaz Nasrin Ila.

As the South African Pavilion Sits Empty, Gabrielle Goliath Continues a ‘Life-Work of Mourning’

South African artist Gabrielle Goliath inaugurated an off-site Venice exhibition with a public poetry reading after her official presentation at the South African Pavilion was canceled. The performance, part of her ongoing series *Elegy* (2015), features seven singers sustaining a single tone for an hour as a mourning ritual. The work addresses femicide, rape culture, and the killing of Palestinian civilians, and includes new video and sound installations lamenting specific victims: South African teenager Ipeleng Christine Moholane, Nama women killed during Germany’s colonization of Namibia, and Palestinian poet Hiba Abu Nada. The South African Department of Sport, Arts and Culture rescinded Goliath’s invitation in January, deeming the work “related to an ongoing international conflict that is widely polarising.” Goliath unsuccessfully challenged the decision in South Africa’s high court, and the exhibition now runs throughout the Venice Biennale outside the official program before traveling to London in October.

Saudi pavilion at Venice Biennale turns fractured heritage into monumental art installation

Saudi Arabia has unveiled a large-scale installation by artist Dana Awartani at the 61st Venice Biennale, held at the Arsenale. Titled "May your tears never dry, you who weep over stones," the work covers the entire floor of the Saudi national pavilion and incorporates over 29,000 sunbaked clay bricks and mosaic patterns inspired by Islamic geometric art. The installation references 23 heritage sites across the Arab world that have been damaged or destroyed by conflict, and was produced over nearly 30,000 artisan hours with 32 craftspeople at a studio outside Riyadh. Curated by Antonia Carver with assistant curator Hafsa Alkhudairi, the piece emphasizes traditional craftsmanship and collective skill-sharing.

EL SALVADOR MAKES ITS DEBUT AT THE VENICE BIENNALE WITH ITS OWN PAVILION

El Salvador will debut its own national pavilion at the 61st Venice Biennale, running from May 9 to November 22, 2025. The exhibition, titled "Cartographies of Displacement," features the sculptural series "Children of the World" by Salvadoran-American artist J. Oscar Molina, curated by Alejandra Cabezas and commissioned by Dr. Astrid Bahamond. The pavilion is located at Palazzo Mora, showcasing Molina's elongated, faceless monumental figures that explore the migrant experience and global diaspora.

Hong Kong Exhibition Opens at 61st Venice Biennale, Showcasing Local Artists' Work

Hong Kong officials, led by Secretary for Culture, Sports and Tourism Rosanna Law, inaugurated the Hong Kong Exhibition at the 61st Venice Biennale on May 8, 2026. For the first time, the Hong Kong Museum of Art (HKMoA) is collaborating with the Hong Kong Arts Development Council (HKADC) to present works by local artists Kingsley Ng and Angel Hui in a Collateral Event running through November 2026. Law also attended the Chinese Pavilion opening and met with the Italian ambassador and the rector of Ca' Foscari University.

Inauguration of Moroccan Pavilion at 61st Venice Biennale International Art Exhibition

Morocco inaugurated its national pavilion at the 61st Venice Biennale International Art Exhibition on Friday, with Head of Government Aziz Akhannouch presiding over the ceremony. The pavilion features the project “Asǝṭṭa,” led by artist Amina Agueznay and curator Meryem Berrada, and will be on view at the Doges through November. The presentation aligns with the Biennale’s overarching theme, “In Minor Keys,” and showcases Moroccan heritage through contemporary artistic expression.

Kazakh art exhibition opens in Baku

An exhibition of Kazakh art has opened in Baku, organized by the culture ministries of Kazakhstan and Azerbaijan. Featuring 30 paintings from the Abylkhan Kasteyev National Museum of Art, the show includes works by masters such as Abylkhan Kasteyev, Moldakhmet Kenbayev, and Kanafiya Telzhanov, as well as contemporary artists exploring tradition, spirituality, and national identity. The exhibition will run for four months at an unspecified venue in Baku.

'Ocean of Peace' Micronesian art exhibition opens at Honolulu Hale

The Mayor’s Office of Culture and the Arts, in collaboration with the East-West Center Arts Program, will present 'Ocean of Peace,' a group exhibition featuring seven artists of Micronesian heritage at Honolulu Hale from May 8 to June 11, 2026. The exhibition centers on the 'Ocean of Peace' declaration, a political and cultural framework endorsed at the Pacific Islands Forum Leaders’ meeting in the Solomon Islands in September 2025, which envisions Pacific Island nations as sovereign and free from geopolitical conflict and coercion. Participating artists include James Bamba, Carol Ann Carl, Gillian Duenas, Kalany Omengkar, Anthony Watson, Lissette Yamase, and Manny Crisostomo, exploring themes of Indigenous Pacific knowledge, identity, and storytelling.

Iran Absent from the Venice Biennale

L’Iran absent de la Biennale de Venise

Iran will be absent from the 2026 Venice Biennale, marking a notable gap in the international art exhibition. The decision reflects ongoing geopolitical tensions and logistical challenges that have prevented the country from participating in one of the world's most prestigious cultural events.

Here's what the much-talked-about Russian Pavilion at the Venice Biennale looks like. Photos and video

Ecco com’è il chiacchieratissimo Padiglione Russia della Biennale di Venezia. Foto e video

The Russian Pavilion at the 2026 Venice Biennale has opened amid intense controversy over its unauthorized participation. The pavilion, housed in a 1914 building recently restored by Italian architects 2050+, features a program of musical improvisations, ensemble performances, techno concerts, and interactive actions, including free used clothing. The space is designed as a fragrant flower shop with a chill-out room featuring a conifer grove and video installations. The exhibition, titled "L’Albero Radicato nel Cielo" (The Tree Rooted in the Sky), is organized by young poets, musicians, and philosophers who prefer to remain anonymous as a collective, coordinated by the Gnessin Russian Academy of Music. However, due to sanctions, the pavilion is only open from May 5 to 8, as organizers cannot obtain the necessary permit to operate beyond the private opening.

Venice Biennale inaugurated in turmoil over Russian presence

The Venice Biennale, the world's largest contemporary art exhibition, opened to the press amid turmoil over Russia's return for the first time since the Ukraine war began. The event features artists from several conflict-affected nations, including Ukraine, Israel, and the US, while Iran has canceled its participation. Resignations, boycotts, and threats to cut funding have marked the lead-up to the opening.