The article is a promotional piece for The Art Newspaper's digital newsletter, inviting readers to subscribe for a daily digest of essential news, views, and analysis from the international art world. It includes a brief call to action and standard footer information with social media links and copyright details.
A derelict mansion called Parndon Hall, located within the grounds of Princess Alexandra Hospital in Harlow, Essex, has been named to the Victorian Society’s annual list of the top ten at-risk buildings in England and Wales. The house, built in 1867, contains a hidden trove of wall paintings by the almost-forgotten Victorian artist Elizabeth Arkwright, who covered walls, ceilings, and doors with nymphs, mermaids, and cherubs—many still concealed under Edwardian whitewash. The building has been used for storage and has sat unoccupied since flood repairs in 2024.
Christie’s two-part auction of William I. Koch’s Western art collection realized $84.1 million with fees, more than tripling the previous record for a single-owner Western art collection and setting five new artist records. The sale, reported by the Observer and covered by ARTnews, stands out in a category that has struggled since the 2008 financial crisis, as collectors have shifted focus to postwar, contemporary, and ultra-contemporary work. Specialists attribute the success to structural changes in how American art is presented, growing cultural interest in the American West fueled by popular culture like Yellowstone, and the rare concentration of masterworks in the Koch collection.
Three record-breaking auctions in New York and Mumbai have vaulted Indian modern art into global headlines. At Christie’s New York, M.F. Husain’s *Gram Yatra* sold for ₹118 crore, the highest price ever for an Indian artwork. Tyeb Mehta’s *Trussed Bull* fetched ₹61.8 crore at Saffronart’s Mumbai sale, nearly nine times its high estimate, while Jagdish Swaminathan’s *Homage to Solzhenitsyn* crossed ₹39 crore at Sotheby’s New York. Together, these sales raked in over ₹220 crore.
American University's 2025 Master of Fine Arts Thesis Exhibition, titled “TRANSIT,” is on view at the AU Art Museum from April 19 to May 18. The show features the culminating works of six graduating Studio Art MFA students: Phaedra Askarinam, Pooja Campbell, Patricia Edwine Poku, Connor Gagne, Andrés Izquierdo, and Julia Cheng Zhang. Their diverse practices span painting, ceramics, installation, and performance, unified by the theme of transit—interpreted as acts of passage, transformation, and self-discovery. Curated around this shared concept, the exhibition explores life transitions such as grief and parenthood, as described by Professorial Lecturer Molly Springfield.
New Orleans is highlighting its vibrant visual arts scene this April with two major museum exhibitions that offer deep dives into Southern identity and local art history. The Ogden Museum of Southern Art has launched "I Am the Face," a comprehensive survey of Southern photography and portraiture from the early 20th century to today. Meanwhile, the New Orleans Museum of Art (NOMA) is preparing to open a significant retrospective of Louisiana native Robert Gordy, marking the first major presentation of his multidisciplinary work at the institution in over forty years.
A marble portrait bust by 19th-century sculptor Edmonia Lewis, previously known only as a portrait of an unidentified woman, has been reattributed to depict social reformer Ednah Dow Littlehale Cheney. The bust, held by the Bowdoin College Museum of Art, will be included in the upcoming national touring exhibition "Edmonia Lewis: Said in Stone," opening at the Peabody Essex Museum in February 2026.
Craft Contemporary will host its 2025 Benefit & Art Auction on May 10 at the museum in Los Angeles, honoring founder Edith R. Wyle (1918–1999) and contemporary artist Bari Ziperstein. Wyle, who opened the Egg & The Eye in 1965—a hybrid gallery and omelet restaurant—will receive the Legacy Award, while Ziperstein, known for ceramics exploring consumerism and propaganda, will receive the Visionary Award. The sold-out dinner is followed by a 1960s-themed afterparty with cocktails, music, a puppet show, and a drag performance.
A rare ancient Roman cameo relief depicting the gorgon Medusa was discovered by construction workers during excavation work for a new funicular railway in Hallstatt, Austria. The 1.5-cm banded agate piece, dated to the 2nd century C.E., was likely crafted in a northern Adriatic workshop and worn as a necklace by an elite Roman woman. It will become part of the permanent collection at Austria's Linz Castle Museum.
The Museum of Fine Arts (MFA) Boston has agreed to return two 1857 ceramic jars by David Drake, an enslaved Black potter, to his living descendants. One vessel will remain on loan to the museum for at least two years, while the other—the "Poem Jar"—has been purchased back by the MFA from the heirs for an undisclosed sum, now carrying a "certificate of ethical ownership." The museum acknowledges that Drake created the works involuntarily and without compensation, marking the first time the MFA has resolved a claim for art wrongfully taken under U.S. slavery.
Fairfield University Art Museum will present "Famous & Family: Through the Lens of Trude Fleischmann" from May 2 to July 26, 2025, marking the first solo museum exhibition of the Austrian-born photographer's work in the United States. The show features over 100 photographs spanning Fleischmann's career, including her early studio work in 1920s and 1930s Vienna capturing cultural figures, and her later portraits of luminaries such as Eleanor Roosevelt, Marian Anderson, and Albert Einstein after she emigrated to New York in 1940. The exhibition includes never-before-exhibited works from family collections and a documentary film, and is curated by museum executive director Carey Weber alongside Fleischmann's cousin Barbara Loss.
The Fabric Workshop and Museum (FWM) in Philadelphia, in partnership with Mural Arts Philadelphia, presents "Jesse Krimes: Elegy Quilts," an exhibition featuring works from the artist's ongoing Elegy Quilt series (2020-present). The show debuts a newly commissioned quilt, "Riverside" (2026), created from used clothing collected from incarcerated people. Krimes, a Bucks County-based multidisciplinary artist who experienced incarceration himself, gathers donated clothing and textile fragments from currently and formerly incarcerated individuals and reconstitutes them into patterned quilts that meditate on memory, loss, and resilience. The exhibition also includes collages made during workshops with graduates of Mural Arts' Restorative Justice reentry program, which informed both the quilt and a forthcoming public mural in Philadelphia's Spring Arts District, to be unveiled June 3.
The Washington County Museum of Fine Arts is launching "Kindred Spirits: Artists in the Tenth Street Studio Building" on March 7, an exhibition exploring the collaborative network of 19th-century American landscape painter Frederic Edwin Church. Centered on Church’s "Scene on the Catskill Creek," the show highlights the significance of New York’s Tenth Street Studio Building—the first purpose-built space for artists—where figures like Albert Bierstadt and Martin Johnson Heade fostered the Hudson River School movement.
The Washington County Museum of Fine Arts is launching "Kindred Spirits: Artists in the Tenth Street Studio Building" on March 7, 2026. This exhibition is part of the global Frederic Church 200 celebration, marking the bicentennial of the influential landscape painter's birth. Centered around Church’s "Scene on the Catskill Creek," the show highlights the collaborative environment of the nation’s first purpose-built artist studio space in New York City.
Woodmere Art Museum in Philadelphia will unveil a $20 million expansion on November 1, adding the Frances M. Maguire Hall for Art and Education—a converted 19th-century mansion with 14 galleries and an education studio. The project, which also includes four acres of new green space, was funded in part by a gift from the Maguire Foundation and follows the museum's acquisition of the adjacent building in 2021. The expansion allows the museum to display more of its 8,000+ works by regional artists, including Pennsylvania Impressionists and Violet Oakley's preparatory sketches.
Sotheby’s is holding a September 2025 auction in London titled 'Modern & Contemporary South Asian Art,' featuring major works by Indian modernists including Francis Newton Souza, M.F. Husain, Sayed Haider Raza, Bikash Bhattacharjee, and K.K. Hebbar. Highlights include Souza's 'Emperor' (1957) from his celebrated mid-1950s period, Husain's 'Chittore Fort' (1964) from the renowned Chester and Davida Herwitz collection, and Bhattacharjee's 'Two Sisters No. 2' (1982), which previously sold in a landmark Herwitz single-owner sale at Sotheby’s in 1995.
A group of Hamptons locals—including fashion designer Ulla Johnson, hotelier Sean MacPherson, and landscape designer Edwina Von Gal—share their favorite under-the-radar spots in the East End for CULTURED's July/August Hamptons issue. Recommendations range from the curated art and design space Galerie Sardine in Amagansett to secluded beaches like Culloden Point, hiking trails at Camp Hero and Shadmoor, and nature preserves such as the Walking Dunes. The guide emphasizes quiet, scenic alternatives to crowded hotspots, with personal anecdotes about kayaking, bonfires, and local services like barber Danny Dimauro.
Art Garden, a combination art gallery and plant shop in Asheville, North Carolina, reopens on May 7, 2025, at a new downtown location at 98 N. Lexington Ave. The business was displaced after its former home in Riverview Station was flooded by over 25 feet of water during Tropical Storm Helene in September 2024. The reopening includes a preview party for the ReRoot art exhibit, a fundraising gala, a theatre performance, and a Mother's Day plant sale, celebrating community support that helped rebuild the space.
The Naracoorte Art Gallery has launched 'ORIGIN', a retrospective exhibition showcasing the foundational pieces of its permanent public collection. The show features acquisitions made between the gallery's founding in 1968 and the early 1980s, including the institution's very first acquisition, a pencil drawing by Robert Walter Felling, alongside significant works by Australian modernists like Mervyn Smith and Judith Heidenreich.
The Herding Cats Arts Collective is presenting a month-long exhibition titled 'A Woman’s Place' at Castle Drogo, a National Trust property on Dartmoor. The exhibition, running throughout March 2026, features contemporary works that explore the domestic and social structures governing the lives of women connected to the estate during the late 19th and early 20th centuries. Through research conducted with castle historians, the artists utilize domestic materials and imagery to highlight the often-overlooked histories of both the working-class staff and the upper-class residents of the fortress.
The Columbus Arts Council in Mississippi hosted the opening reception of its second Black Excellence Art Exhibition, featuring fiber artist Stephany Brown reading from 'Of Salt and Spirit: Black Quilters in the American South' and a poem by Alabama Poet Laureate Ashley M. Jones. The exhibition showcased a diverse range of works including Brittany Horne's luminous portrait of her daughter, Brown's hand-sewn quilts, Kenneth Smith's stained glass mosaics, and live music by vocalist-pianist Kyia King. Culinary arts students from East Mississippi Community College contributed food honoring Black chefs and agricultural scientists, creating a multisensory celebration of Black artistry and heritage.
RichesArt Gallery, the only Black-owned art gallery in Austin, hosted its Rhythms and Poetry open mic night on February 3, featuring slam poetry, rappers, and spoken word performances. The event, organized by poetry director Jonathan Ezemba in collaboration with gallery founder Richard Samuel, operated on a pay-what-you-can basis to keep it accessible. Performers like Maya Edwin shared personal poems about identity, queerness, and Blackness, emphasizing the gallery's role as a safe space for Black artists.
An unconventional art exhibition titled “One Art One Community” is on display at Case Western Reserve University’s Wade Park Community Engagement Center, featuring 46 works by 16 incarcerated artists from Grafton Correctional Institution. Curated by Eric Gardenhire, who directs the prison’s arts and crafts program, and co-curated by Megan Alves, the show replaces traditional artist statements with “Community Voice labels” written by Cleveland residents impacted by incarceration, including formerly incarcerated artist Gwendolyn Garth. The exhibit opened on October 30 and aims to bridge the gap between inmates and the broader community.
A Nashville art exhibition at Gallery 64 in the Nashville Arcade is showcasing works by artists who are currently or have previously experienced homelessness. Organized by Daybreak Arts, the show features artists including Chris Bandy, Edwin Lockridge, and Sydney Sparkle, whose pieces explore how public greenspaces can represent exclusion for unhoused individuals. The exhibition runs through August 16.
Yale University's latest Humanitas column highlights several arts and humanities developments: an exhibition by artist Nontsikelelo Mutiti at Schwarzman Center titled "Rusununguko," inspired by Black hair-braiding traditions and community; a new interdisciplinary certificate in Native American and Indigenous Studies approved by Yale College Faculty; and a Yale-run art space opening to local New Haven artists. Mutiti's installation uses black vinyl braids to transform the domed gallery, reflecting her experiences as a Zimbabwean graduate student finding community in Harlem's hair-braiding salons.
The gallery at Eastern Connecticut State University is hosting the annual exhibition of the Prison Arts Program, featuring over 600 works by 161 incarcerated artists. The collection includes diverse media ranging from traditional drawings and crochet to intricate sculptures fashioned from unconventional materials like bread, dental floss, and soap. Managed by Community Partners in Action, the program facilitates artist collectives within state prisons, providing supplies and a collaborative environment for those behind bars.