Corals as Living Geology. In Conversation with Julian Charrière by Timothée Chaillou

Julian Charrière has created two new bodies of work, *Chorals* (2025) and *Veils* (2025), in collaboration with Maison Ruinart. The projects are inspired by the Lutetian Sea, which submerged the Champagne region 45 million years ago, and explore themes of deep time, climate change, and the interconnectedness of organic and mineral life. *Chorals* is a permanent sound installation in Ruinart's cellars in Reims, featuring amplified recordings of ocean reefs, while *Veils* comprises wall works and sculptures centered on corals and fading coral imagery. The works travel to art fairs as preludes to the permanent installation.

Feeling Nature According to Nicolas Poussin

Ressentir la nature d’après Nicolas Poussin

An exhibition titled "Le sentiment de la nature. L’art contemporain au miroir de Poussin" has opened at the NMNM – Villa Paloma in Monaco. Curated by Guillaume de Sardes, it places Nicolas Poussin's 1651 painting *L'Orage* in dialogue with works by over twenty contemporary artists, including Sarah Moon, Christo and Jeanne-Claude, Thomas Demand, Pierre Thoretton, Ange Leccia, Marine Wallon, and Claudio Parmiggiani.

Nel Padiglione Germania alla Biennale di Venezia un gruppo di donne riflette sulle rovine del passato per capire il mondo

The German Pavilion at the 2026 Venice Biennale will present the work of two women artists, Henrike Naumann and Sung Tieu, following the death of Naumann at age 41 in February 2026. Curated by Kathleen Reinhardt, director of the Georg Kolbe Museum in Berlin, the pavilion's project, titled "Ruin," explores the dual meanings of the word in English and German—architectural decay versus economic, social, or moral collapse. The exhibition draws on research into East Germany (DDR) and the post-reunification period, using the pavilion's fascist architecture as a lens to examine historical ruptures and their impact on the present. For the first time in its history, the German Pavilion is represented solely by women, mirroring the Italian Pavilion.

Seen in Venice, Bought in Venice

"In Venedig gesehen, in Venedig gekauft"

The article reports on multiple developments surrounding the Venice Biennale. Iran has withdrawn from the Biennale, citing political and economic crises, with logistical challenges such as no flights or postal service making participation nearly impossible. Artist Anish Kapoor has called for the exclusion of the United States from the Biennale, criticizing its "abhorrent policy of hate" and "ongoing warmongering." A memorial installation by Derrick Adams for the late curator Koyo Kouoh, who was set to lead the main exhibition, will be displayed near the Arsenale. Additionally, the Biennale faces a funding cut from the EU due to Russia's continued participation despite the Ukraine war, leading to the resignation of the jury and the culture minister's withdrawal.

‘They tore up everything’: the wolf hunters of Kyrgyzstan – in pictures

Photographer Luke Oppenheimer traveled to the remote Kyrgyz village of Ottuk in 2021 for a short assignment on wolves preying on livestock, but ended up staying for four years. His project, titled 'Ottuk' and published by Aliens in Residence, documents the lives of shepherds who hunt wolves to protect their herds in the Tien Shan mountains, capturing their ancient way of life, harsh winters, and the legends that shape their community.

Shokkan at the ROM considers the sense of touch in Japanese art

The Royal Ontario Museum (ROM) in Toronto presents "Shokkan," an exhibition curated by Akiko Takesue that explores the Japanese concept of touch in art. Despite the challenge of displaying tactile experiences behind glass, the show succeeds by featuring historic Japanese works—such as kimonos, tea bowls, ukiyo-e prints, and netsuke—alongside contemporary pieces by artists like Issey Miyake, Tabaimo, Makiko Hattori, and Emma Nishimura. Interactive stations allow visitors to handle replicas and less valuable objects, including samurai swords, scrolls, and netsuke, to physically engage with the theme.

Artist Ana Teresa Fernandez exhibit, 'Under Pressure,' now on display at National Museum of Mexican Art, a call to climate action

The National Museum of Mexican Art in Chicago is currently hosting "Under Pressure," a solo exhibition by Mexican-born artist Ana Teresa Fernández. The show features a diverse range of media, including oil paintings, sculptures like a silver-feathered Quetzalcoatl made from a hose, and performance-based works that use metaphors like expanding balloons to illustrate the fragility of the environment. A central component of the project involved a community-led "social monument" at Ohio Street Beach, where hundreds of participants used mirrors to signal an S.O.S. in Morse code toward the horizon.

In Venice, a new project aims to transform museums into living, participatory spaces

A Venezia un nuovo progetto punta a trasformare i musei in spazi vivi e partecipati

The Fondazione Musei Civici di Venezia (MUVE) has launched "Performing MUVE," a new program set to begin in spring 2026 that reimagines museums as dynamic, participatory spaces. The initiative, developed by MUVE Academy and MUVE Education, will unfold across three venues: Museo Fortuny, Casa di Carlo Goldoni, and the new MUVEC – Casa delle Contemporaneità in Mestre. The program includes four distinct projects—led by Mattia Berto, choreographer Elena Ajani, actress Sara Urban, and dancer Giulia Gemma Manfrotto—that use dance, theater, and embodied practices to transform visitors from passive observers into active participants.

France reopens its historic pavilion at the 2026 Venice Art Biennale after restorations with artist Yto Barrada

La Francia riapre il suo storico padiglione alla Biennale Arte 2026 dopo i restauri con l’artista Yto Barrada

France will reopen its historic pavilion at the 61st Venice Biennale (May 9–November 22, 2026) after restoration, with Franco-Moroccan artist Yto Barrada (b. 1971) presenting the immersive textile-based project "Comme Saturne," curated by Myriam Ben Salah. The exhibition uses the "dévoré" technique—acid selectively corrodes fabric—as a metaphor for destruction and creation, featuring a goat-skin kite, a Room of Folds with wool drapery that fades in natural light, a Laboratory inspired by Saturnalia, and a Study Room linked to Barrada's garden of dye plants in Tangier, culminating in the Room of the Devoured where chemically attacked material fragments into an aesthetic of wear and formlessness.

International artists speak of life as resistance, inspired by George Grosz: The exhibition in Rome

Artisti internazionali parlano della vita come resistenza, ispirandosi a George Grosz. La mostra a Roma

Tim Van Laere Gallery in Rome is hosting "Lust for Life," a group exhibition that explores the human impulse for creative resistance against societal fragility and global conflict. The show is anchored by the historical works of German artist George Grosz, whose drawings from 1912 to 1947 depict the alienation, loss of identity, and physical decay caused by world wars and totalitarian power.

Lee Mingwei at Perrotin Gallery in Paris: an exhibition exploring connection, gesture, and ritual

Perrotin Gallery in Paris is presenting "When Beauty Appears," a solo exhibition by Taiwanese artist Lee Mingwei, running from April 25 to May 30, 2026. The show features seven interactive works created between 1995 and 2025, including pieces like "The Moving Garden," where visitors take a flower to give to a stranger, and "The Mending Project," which invites participants to repair garments with colored threads. The exhibition emphasizes ritual, exchange, and lived experience over passive observation.

In ‘Reverence,’ Three Decades of Paul Nicklen’s Remarkable Photographs Exalt Nature

Paul Nicklen, a renowned wildlife photographer and co-founder of the conservation organization SeaLegacy, is releasing a comprehensive book titled *Reverence* through publisher Hemeria. The volume collects 160 photographs spanning his three-decade career, including iconic images and previously unpublished works that capture the beauty and fragility of ecosystems from the Colorado River delta to the Arctic Bay.

Roksana Pirouzmand’s Dual‑Site Meditation on Loss

Roksana Pirouzmand’s dual-site exhibition in Los Angeles, hosted at OXY ARTS and JOAN, features performance-based sculptures and installations that utilize literal erosion to explore themes of loss and displacement. The works include anatomical clay casts of the artist and her mother, which are subjected to water, vibration, and physical interaction, causing them to crack and deteriorate over the course of the show. At OXY ARTS, a kinetic metal floor involves the viewer directly, as their footsteps cause clay hands to collide and break, illustrating the physical impact of movement and presence.

Julie Hamisky's garden, the artist who fixes the ephemeral in time, is on show in a Milan auction house

Il giardino di Julie Hamisky, l’artista che fissa l’effimero nel tempo è in mostra in una casa d’aste di Milano

French artist and designer Julie Hamisky presents 'Giardino Alchemico' (Alchemical Garden) at Pandolfini Auction House in Milan during Fuorisalone 2025. The exhibition, organized in collaboration with Galerie Mitterrand of Paris, features around twenty works including monumental sculptures like 'La Géante' (a giant poppy), jewelry, and a chandelier titled 'Aqua'. Hamisky uses electroplating—a 19th-century technique she learned from her father-in-law—to preserve fresh flowers and botanical forms by coating them in metal, freezing them at the peak of their beauty before decay begins.

'Under Pressure': San Francisco artist's exhibit in Chicago is an SOS to save the planet

San Francisco-based artist Ana Teresa Fernández has opened a solo exhibition titled 'Under Pressure' at the National Museum of Mexican Art in Chicago. The exhibition, a four-year project, features works including oil paintings and a sculptural piece made from a transformed hose, all centered on themes of water and environmental fragility. A key installation involves a white balloon pressed by a stiletto heel, symbolizing human activity pushing the planet to a breaking point.

ai weiwei confronts memory, catastrophe, and resilience at MAXXI l'aquila exhibition

Chinese artist and activist Ai Weiwei presents a new exhibition at MAXXI L'Aquila, titled 'Ai Weiwei: Confronting Memory, Catastrophe, and Resilience.' The show explores themes of collective trauma, historical catastrophe, and human resilience through a range of media including sculpture, installation, and documentary works. It draws on Ai's ongoing engagement with political dissent, migration, and the fragility of cultural memory.

Running from one image to another, from one time to another, from one hope to another: at Circolo, in Milan, an exhibition on the contemporary Lebanese scene

The article reviews "Shifting Crossroads. Beirut Contemporary," an exhibition at Circolo in Milan that surveys the contemporary Lebanese art scene. It features internationally recognized artists like Mona Hatoum and Simone Fattal alongside emerging talents, including works from the Saikalis Bay Foundation, founded in 2024 by Nicole Saikalis and Matteo Bay. The show spans historical-archival investigation, photography, installation, painting, and sculpture, with pieces such as Stéphanie Saadé's "Stage of Life" (2021), Catherine Cattaruzza's "I am Folding the Land" (2022), and Joana Hadjithomas & Khalil Joreige's "Waiting for the Barbarians" (2013) exploring themes of memory, fragility, and geopolitical instability.

Haiti’s Visionary: Edouard Duval-Carrié previews Venice-Bound work in Little Haiti

Haitian-American artist and curator Edouard Duval-Carrié has been selected to represent Haiti at the 61st Venice Biennale, titled "Smaller Keys." Ahead of the exhibition, he is opening his Little Haiti studio for a rare one-night preview on Friday, April 24, organized alongside the Tout-Monde Art Foundation. The preview includes a conversation with art historian Erica Moiah James and features works that were not sent to Venice but share the same themes of Haitian history, African connections, and diaspora. Duval-Carrié's Biennale theme centers on the question, "What did Africa bring to the world?" His selection was posthumously confirmed from the notes of chief curator Koyo Kouoh, the first African woman appointed to the role, who passed away last year.

Diego Gualandris “Floralia” at ADA, Rome

Diego Gualandris presents "Floralia" at ADA gallery in Rome, an exhibition that explores themes of growth, nature, and human intervention through a poetic lens. The show features works that evoke the cycle of life and decay, using floral motifs to reflect on the fragility of existence and the tension between natural processes and external forces.

ECUADOR UNVEILS KANUA IN THE CANALS OF VENICE

Ecuador has unveiled "Kanua: listening practices," a public program for its pavilion at the 2026 Venice Biennale, launching on May 8 with solar-powered boat tours through Venice's canals. Developed by the anticolonial film collective Tawna in collaboration with the Kara Solar Foundation and curated by Manuela Moscoso, the project features six intimate boat journeys with discussions on extractivism, aqua-feminism, and territorial resistance, involving artists such as Carolina Caycedo, Mariana Castillo Deball, and Tabita Rezaire. The initiative reactivates Tawna's floating Amazonian film festival, which originally brought cinema to remote communities in Ecuador via a solar-powered boat.

A giugno 2026 a Pietrasanta apre il Museo Igor Mitoraj. Opere dell’artista ma anche mostre

The article announces the opening of the Museo Igor Mitoraj in Pietrasanta, Italy, scheduled for June 6, 2026, after several years of delays. The museum is the first space entirely dedicated to the Polish sculptor Igor Mitoraj, who died in 2014 and was known for transforming Tuscan marble into works blending classical forms with fragmented, contemporary themes. Designed by OBR, Politecnica, and Studio Lumine, the museum results from collaboration between the Italian Ministry of Culture, the Municipality of Pietrasanta, and the artist's heirs, united in the Fondazione Museo Igor Mitoraj. Frank Boehm, director of the foundation, envisions the space as a research-oriented center that will engage with different artistic languages and contemporary issues, not limited to Mitoraj's work alone.

Delicacy as Resistance. Interview with the Curator of the Turkey Pavilion at the Venice Biennale

La delicatezza come resistenza. Intervista alla curatrice del Padiglione Turchia alla Biennale di Venezia

For the 2026 Venice Biennale, the Turkey Pavilion, commissioned by the Istanbul Foundation for Culture and Arts (İKSV), will present "A Kiss on the Eyes" by artist Nilbar Güreş, curated by Başak Doğa Temür. The exhibition takes its title from a Turkish expression conveying affectionate closeness without intrusion, and features a mix of new productions and earlier works spanning sculpture, installation, painting, and works on paper and fabric. In an interview, curator Temür explains that the project avoids a retrospective or didactic approach, instead creating a spatial rhythm of approach, pause, and slight withdrawal, where intimacy, politics, irony, and fragility press against one another.

Il Padiglione Italia alla Biennale? “Deve essere uno spazio di possibilità”. Intervista alla curatrice

The article announces Chiara Camoni's project "Con te con tutto" for the Italian Pavilion at the 61st Venice Biennale in 2026, curated by Cecilia Canziani. The project emphasizes relational and communal practices, rejecting the identity-driven rhetoric of national representation. It stems from a fifteen-year dialogue between artist and curator, incorporating workshops, shared readings, and collaborative works like "La Giusta Misura." The pavilion is conceived as an ecosystem of artworks, texts, and activations rather than a linear exhibition, with a catalog designed as a critical reader.

From Micro to Mega, Jon McCormack’s Striking Photos Reveal Nature’s Patterns

Photographer Jon McCormack, who grew up in the Australian Outback and has traveled to all seven continents, has a new book titled "Patterns: Art of the Natural World," forthcoming from Damiani Books. The project emerged during the pandemic when limited travel led him to revisit local spots and develop a patient, attentive approach to capturing nature's hidden harmony and symmetry. The book features 90 images ranging from microscopic crystals to aerial views of flamingos in Kenya, along with text contributions from fellow photographers and conservationists.

Stained Glass Objects by Pia Hinz Reflect the Contrast Between Strength and Fragility

Artist Pia Hinz creates sculptures of tools and objects from construction and farming sites using stained glass, transforming items like hammers, screws, and tractor doors into fragile, light-filled artworks. Her work, developed during a 2024 residency at La Menuiserie 2, subverts the utilitarian nature of these forms, exploring the interplay between strength and vulnerability, and questioning the use value and narrative potential of everyday objects.

NEVERCREW Explores Our Tenuous Relationship with Nature in Huge Murals

The artist duo NEVERCREW, composed of Christian Rebecchi and Pablo Togni, has unveiled a series of large-scale murals across Europe that confront the deteriorating relationship between humanity and the natural world. Their recent works, including the mural "Souvenir" in Vienna and "Switch" in Wuppertal, utilize surrealist imagery—such as polar bears merged with plastic toy components or whales encased in architectural structures—to illustrate how nature is increasingly viewed as an artificial, distant object rather than an integrated system.

Bayeux Tapestry: A Blank Voyage That Tests Nothing

Tapisserie de Bayeux : un voyage à blanc qui ne teste rien

A confidential interim report obtained by La Tribune de l'Art reveals that the "blank voyage" test transport of the Bayeux Tapestry from Bayeux to London in February 2026 failed to measure actual risks to the artwork. The report admits that the vibration threshold used (2 mm/s) is arbitrary and based on paintings, not on a textile of this size and fragility. Because the tapestry has been stored and inaccessible since September 2025, no mechanical tests could be conducted beforehand to determine safe vibration levels, rendering the test meaningless. A second test took place on April 15, 2026, but its report has not yet been finalized; the actual loan is planned for July 2026, with transport via Eurostar.

Don’t miss open exhibition at Margate Art Museum

The Margate Art Museum is currently hosting its annual open art exhibition, featuring the work of South Coast-based artist Celeste van der Merwe. Her highlighted painting, 'Knitting the Nations: Will I See Them Again?', depicts a woman knitting textured patches that represent different continents and countries. The piece uses symbolism to explore the emotional weight of global migration and the fragility of family bonds when loved ones are scattered across the world.

Tender Ground exhibit explores vulnerability and environment

The Hook Experiment in Oxford is currently hosting "Tender Ground," a lens-based exhibition featuring the work of four regional women artists: Lynda Schmid, Sarah R. Bloom, Marnie Ellen Hertzler, and Jonna McKone. Curated by Constance McBride and Lisa Baird, the show utilizes photography and found objects to explore themes of environmental instability, physical vulnerability, and the fragility of place. The works range from disjointed equine photography and nude self-portraiture in decaying spaces to documentation of the disappearing Tangier Island.

Between heroes, anti-heroes and pure humanity: an exhibition in Rome becomes a metaphor for the current crisis

Tra eroi, antieroi e pura umanità una mostra a Roma diventa metafora della crisi attuale

The Museo di Roma Palazzo Braschi in Rome is hosting "It's Happening Again," a solo exhibition by artist Adrian Tranquilli, curated by Studio Stefania Miscetti and running until May 24. The show presents new works including the monumental sculpture "Endsong" (2025), a black monolith inspired by Kubrick's "2001: A Space Odyssey" covered in hundreds of Joker faces, and a large pop-up book titled "My Little White Book" (2026). Tranquilli's pieces, often built from playing cards, explore themes of power, fragility, and the instability of cultural symbols.