Comment | We must avoid amputating art in the name of preservation

The article recounts the author's experience viewing Caravaggio's *Seven Acts of Mercy* (1607) in its original chapel in Naples, where the painting's crowded, dramatic composition directly mirrors the chaotic streets of the city, revealing its sacred meaning through context. In contrast, the author describes Caravaggio's *Flagellation of Christ* (1607), moved from the church of San Domenico Maggiore to the Museo di Capodimonte for security reasons, as a painting "marooned"—its spiritual purpose broken, reduced to a mere object for aesthetic appreciation.

Most famous image of JMW Turner not a self-portrait, says expert

Dr James Hamilton, a leading Turner expert, has claimed that the most famous portrait of JMW Turner—long believed to be a self-portrait and featured on the UK £20 banknote—is actually by the painter John Opie. Hamilton argues that the work, dated around 1799, was mistakenly included in the Turner Bequest after the artist's death in 1851, when his studio was in disarray and the attribution was never properly verified. He points to stylistic evidence, including Opie's characteristic use of dramatic light and shadow, and calls on Tate Britain to reattribute the painting.

How This Artist Pivoted Into Surreal Sculpture After Decades of Photography [Interview]

Artist Nic Nicosia, known for decades as a photographer and member of the Pictures Generation, has pivoted into surreal sculpture after losing interest in fabricated images. His work was featured in the 1983 Whitney Biennial alongside Cindy Sherman and others, and in major exhibitions like Documenta IX. Now, after years of exploring sculpture in private, he is preparing for his largest museum exhibition since 2000: "Everyday Surrealism" at the Nasher Sculpture Center in Dallas, opening May 16, tracing his career through over 70 works.

The Newest Docent at This Historic Italian Palace Is a Robot

Palazzo Madama in Turin, Italy, has introduced a four-foot-tall robot named R1 as a docent for its Baroque collection. The robot, developed by the Italian Institute of Technology (IIT) under Project Convince with €4 million in EU funding, guides visitors through the former royal apartments, narrating the history of the House of Savoy and detailing paintings, tapestries, and furniture. R1 can interact with visitors via LED eyes, answer questions, and autonomously navigate the museum's first floor, though it cannot climb stairs. It has been learning on the job since 2025, completing 30 tours in December 2025, and uses corrective software to relocalize itself if lost.

Who’s The Next Obsession? 12 European Collectors Reveal How They Discover New Talent

Cultured magazine asked 12 European collectors how they discover new talent, timed to the 61st Venice Biennale. Collectors like Nicole Saikalis Bay, Amélie du Chalard, Belma Gaudio, and Laurent Asscher share their personal approaches—ranging from emotional resonance and dialogue with existing works to long-term obsession with an artist before acquiring a piece. The responses reveal a diversity of methods, from instinct-driven buying to conceptual and technical evaluation.

Political Fallout Rocks Venice Biennale Prize System

Dozens of artists participating in the 2026 Venice Biennale have withdrawn from consideration for the newly created Visitor Lion awards, replacing the traditional Gold and Silver Lion prizes. A total of 57 artists from the main exhibition and 22 national pavilions signed a statement published on e-flux on May 9, acting in solidarity with the five-person prize jury that resigned on April 30 over the continued participation of Russia and Israel. The jury had objected to awarding prizes to artists from countries whose leaders face International Criminal Court charges, including Russian president Vladimir Putin and Israeli prime minister Benjamin Netanyahu. In response, the Biennale organizers postponed the awards ceremony to November 22 and introduced visitor voting, a move they described as consistent with openness and dialogue. Meanwhile, the Russian Pavilion, which returned after lending its space to Bolivia in 2024, faced protests, closure after previews, and a €2 million funding pull by the European Union for the 2028 Biennale.

Keith Haring Before the End of the World

The article reviews Keith Haring's early work from 1980 to 1983, currently on view at the Brant Foundation in New York. The author reflects on initially dismissing Haring's graffiti-inspired style as trite and playful, but now sees darker, prophetic themes in pieces featuring apocalyptic imagery, UFOs, nuclear power, and mindless obedience to higher powers. The exhibition, curated by Dieter Buchhart and Anna Karina Hofbauer, runs through May 31.

Venice Diary Day 1: At the Giardini, Artists Refuse to Make Fascism Cozy

Henrike Naumann's posthumous installation at the German Pavilion, which retains its 1938 Nazi-era fascist architecture, refuses to make the space 'cozy' by adorning windows with violently ripped domestic fabrics. The 2026 Venice Biennale is the first under president Pietrangelo Buttafuoco, associated with neo-fascist politics, and is overshadowed by controversy over his 'neutrality' policy allowing all countries to participate despite human rights concerns. The exhibition jury initially announced it would not consider pavilions from countries whose leaders are charged with crimes against humanity, then abruptly quit, leaving the situation unresolved. The US Pavilion features unimpressive blobs by Alma Allen, while the Russian Pavilion offers cut flowers and free vodka, and Andreas Angelidakis responds to fascist aesthetics at the Greek Pavilion.

The Wonderful World that Almost Was by Andrew Durbin review – the queer artists who shaped New York cool

Andrew Durbin's new book, 'The Wonderful World that Almost Was,' is a double biography of painter and sculptor Paul Thek and photographer Peter Hujar. It chronicles their artistic maturation, their open and unapologetic gay relationship, and their central role in defining the 'cool' of the New York creative scene from the 1950s to the mid-1970s, before their deaths from AIDS.

An outsider artist takes the world's biggest stage with the US Pavilion at the Venice Biennale

U.S. artist Alma Allen, a self-taught sculptor from Utah who works in Mexico, has been selected to represent the United States at the Venice Biennale with his exhibition "Call Me the Breeze" at the U.S. Pavilion. The selection process was fraught and opaque, with institutions declining to bid for the commission due to concerns about administration politics after the open call removed diversity, equity and inclusion language in favor of promoting "American values." A prior proposal for artist Robert Lazzarini fell apart after its institutional sponsor backed out, and Allen's project was quickly assembled with the American Arts Conservancy as sponsor and Jeffrey Uslip as curator. Allen, who has lived outside the critical art world for three decades, created a bronze evil eye for the pavilion's exterior and a headless sheep sculpture as a self-portrait of an outsider.

As Told By: Slavs and Tatars at Rossi & Rossi

Slavs and Tatars, the research-based art collective, opened their first solo exhibition in Hong Kong titled “胡 ( هو / who) are you?” at Rossi & Rossi, running until May 9, 2026. The show gathers iconic projects and new commissions across various media, playfully probing the philosophical question of identity and belonging. Co-founder Payam Sharifi discusses works such as the handblown glass melon sculptures in "Dark Yelblow" (2025), which explore cultural stereotypes and the figure of the Other, and the "Love Me, Love Me Not" series, which recovers original place names and scripts to reveal the layered complexity of empires.

New bronze sculptures on display in downtown Palm Springs

Two new bronze sculptures by internationally recognized artist J.D. Hansen have been installed in downtown Palm Springs. Titled "Resonance" (10 feet tall) and "Family Group" (8 feet tall on its base, reaching approximately 10 feet overall), the works are now on display in front of the Kimpton Rowan Palm Springs Hotel as part of a temporary public art exhibition presented in collaboration with Grit Development and HOHMANN Fine Art. The sculptures will remain on view for about a year.

A Major Exhibition on Elsa Schiaparelli opens at the V&A

A major exhibition dedicated to the pioneering fashion designer Elsa Schiaparelli has opened at the Victoria and Albert Museum (V&A) in London. The show explores Schiaparelli's innovative designs, her collaborations with surrealist artists like Salvador Dalí, and her lasting influence on fashion and visual culture.

Garden Party: Nature on Paper

The McNay Art Museum in San Antonio presents "Garden Party: Nature on Paper," an exhibition running from May 7 to August 9, 2026, that explores humanity's relationship with the natural world. Featuring prints, drawings, photographs, paintings, and sculpture from the museum's permanent collection, the show includes works by René Magritte, Rufino Tamayo, Kara Walker, Luis Jiménez, and Honoré Daumier. Organized by Elizabeth Kathleen Mitchell, the exhibition is divided into two narratives: one celebrating nature's abundance through gardens and flowers, and another examining human extraction through hunting and exploitation imagery.

Arthur Jafa and Richard Prince’s ‘Helter Skelter’ Is Pure American Grit

American artists Arthur Jafa and Richard Prince will present a joint exhibition titled "Helter Skelter" at Fondazione Prada's Venetian venue, timed to coincide with the Venice Biennale. Curated by Nancy Spector, the show features over 50 works across photography, video, sculpture, installation, and painting, along with a collaboratively produced zine. It marks the first time the two artists have been exhibited together, exploring themes of authorship, race, and image-making within American popular culture.

Museum Exhibitions Opening This Summer in Central Texas

Museums across Central Texas are opening a slate of summer exhibitions, including the Blanton Museum of Art's "Art in Every Corner: The Works Progress Administration (1935-1943)," featuring prints and paintings by Thomas Hart Benton, Grant Wood, and Dorothea Lange. The San Antonio Museum of Art will present "Microhistories of the Andes" with Andean artifacts, while the McNay Art Museum hosts "Garden Party: Nature on Paper" with works by René Magritte and Winslow Homer. Women & Their Work in Austin will showcase "MARK," a group drawing exhibition by 25 Texas women artists.

Inside the new David Geffen Galleries at LA County Museum of Art

The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries, a $724 million building designed by Pritzker Prize-winning Swiss architect Peter Zumthor. The structure features a floating floor, floor-to-ceiling windows, and minimalist concrete interiors that create a calm, light-filled space. The inaugural exhibition presents 26 interconnected galleries with no set path, displaying artworks from ancient Egyptian hieroglyphs to contemporary installations like Do Ho Suh's "Jagyeong Hall, Gyeongbok Palace" (2026), aiming to eliminate hierarchies of time, place, or genre.

In Paris, step inside Swedish artist Mamma Andersson's broken reality

Swedish artist Mamma Andersson is preparing for a new exhibition, 'Œuvres sur papier', at David Zwirner Paris, showcasing her works on paper including aquatint, etching, lithograph, and woodcut. The article visits her studio in Stockholm, where she discusses her creative process, recurring motifs like chairs, masks, and deer, and her collaborations with writer Karl Ove Knausgaard. The show also features vitrines with reference materials and books alongside original artworks.

‘Never in a million years.’ The Rocky statue’s long, unlikely road to acceptance inside the Art Museum

The Philadelphia Museum of Art has brought the iconic bronze statue of Sylvester Stallone as Rocky Balboa inside its building for the first time, as the centerpiece of the exhibition 'Rising Up: Rocky and the Making of Monuments.' The statue, created as a movie prop for 'Rocky III' by artist A. Thomas Schomberg, had stood outside the museum for decades, its artistic merit debated while it became a major tourist attraction.

McNay Art Museum presents "Garden Party: Nature on Paper" opening day

The McNay Art Museum has opened a new exhibition titled 'Garden Party: Nature on Paper.' The show features prints, drawings, photographs, paintings, and sculpture from the museum's permanent collection, presenting two intertwined narratives: one celebrating nature's abundance and the other examining human extraction and impact.

Aux Catacombes, une visite réinventée

After five months of closure, the Catacombs of Paris have reopened with a major modernization project. The site now features a new immersive audio guide narrated by the voice of its historical founder, Louis Étienne Héricart de Thury, along with improved lighting that highlights previously invisible details and a revamped climate-control system to better preserve the bones. The €5.5 million renovation, led by Paris Musées and funded by the City of Paris, also included structural repairs to the bone stacks using dry-stone techniques instead of cement.

This Professor Won the ‘Bauhaus Bathroom’ Design Competition for the Gropius House

The New York Times Art section announced the winner of a competition to design a public restroom at the historic Gropius House in Lincoln, Massachusetts. The winning design, dubbed the 'Bauhaus Bathroom,' was created by a professor whose identity has not been disclosed in the provided text. The competition aimed to add a functional, contemporary restroom that respects the iconic Bauhaus architecture of the house, which was designed by Walter Gropius in 1938.

A Curator Died Suddenly. Could the Venice Biennale Be Saved?

Koyo Kouoh, the curator of the Venice Biennale’s centerpiece exhibition, died suddenly of cancer at age 57, just months into her tenure. She left behind a detailed plan for the exhibition, which her assistants are now working to realize in her absence.

Top Five: April 30, 2026

Glasstire's "Top Five: April 30, 2026" highlights five art events across Texas, including solo exhibitions by Alfredo García at Monterroso Gallery in Houston, Angela Weddle at Un Grito Gallery in San Antonio, and Ludwig Schwarz at Conduit Gallery in Dallas, as well as a group show "Homeward Bound" at DORF in Austin. The article provides details on dates, opening receptions, and artist statements for each event.

The Craziest Venice Biennale Ever: One Week Before Opening, the Jury Resigns (The Public Will Decide the Lions!)

La Biennale di Venezia più pazza di sempre: a una settimana dall’apertura si dimette la giuria (I Leoni li deciderà il pubblico!)

The entire international jury of the 61st Venice Biennale has resigned en masse just one week before the opening. The jury, chaired by Solange Oliveira Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, had publicly announced they would not consider countries whose leaders are accused of crimes against humanity by the International Criminal Court—effectively excluding Russia and Israel from the Golden Lion competition. This decision came amid ongoing tensions between Italian Culture Minister Alessandro Giuli and Biennale President Pietrangelo Buttafuoco over Russia's participation, as well as controversy surrounding Israel's presence. After a meeting with Buttafuoco, the jury resigned, leaving the Biennale without a key body to award its top prizes.

Una delle opere più importante esposte alla Galleria Nazionale di Roma sta ammuffendo

An article by Laura Carlotta Cortoni on Artribune reports that Pino Pascali's iconic 1967 work "32 mq di mare circa" ("32 square meters of sea approximately"), on display at the Galleria Nazionale d'Arte Moderna e Contemporanea (GNAMC) in Rome, is covered in mold, dust, and insects due to a total lack of maintenance. The author describes the installation as resembling a neglected warehouse and notes that visitors unfamiliar with the piece mistake the decay for an intentional environmental statement, creating a critical paradox given Pascali's own series of works titled "Muffe" (Molds).

Art Leven First Nations And Australian Fine Art Auction Opens This Week - Scoop

Art Leven, a Sydney-based gallery focused on First Nations art, is opening its First Nations and Australian Fine Art Auction and Exhibition, headlined by the private collection of the late Dame Marie Bashir AD CVO and Sir Nicholas Shehadie AC OBE. The exhibition runs from 15–19 May 2026 at Art Leven's new Woolloomooloo gallery, with the live auction on 19 May at Artspace. The sale includes approximately 115 artworks, with 79 from the Bashir-Shehadie collection, featuring works by Balang John Mawurndjul AM, Arthur Boyd, Emily Kame Kngwarreye, Albert Namatjira, and others. The collection reflects decades of travel to remote art centres and close relationships with artists, supported by archival material like handwritten notes and early catalogues.

Turkish artist Nilbar Gures brings defiance to 61st Venice Biennale

Turkish artist Nilbar Güneş will represent Türkiye at the 61st Venice Biennale (May 9–November 22, 2026) with her exhibition "A Kiss on the Eyes" in the Arsenale's Türkiye Pavilion. Güneş, born in Istanbul in 1977 and educated at Marmara University, the Academy of Fine Arts Vienna, and the University of Applied Arts, works across photography, film, painting, performance, and mixed media. Her practice draws on personal biography to address societal issues, and she has shown internationally at venues including Osmos in New York and Vortic Art in London.

Views from Behind. A Figure Without a Portrait

Vu[e]s de dos. Une figure sans portrait

The exhibition "Vu[e]s de dos. Une figure sans portrait" at Les Franciscaines in Deauville, running from February 28 to May 31, 2026, explores the artistic motif of figures seen from behind. Curated by director Annie Madet-Vache, the show was inspired by a small painting from the museum's own collection, André Hambourg's *L'Enterrement de Poincaré*. Unable to secure loans of iconic works such as those by Friedrich, Delacroix, Ingres, or Vermeer, Madet-Vache instead displays large black-and-white reproductions of these masterpieces alongside contemporary works they inspired, turning the absence of the originals into a conceptual strength.

What Did the Golden Lion Die Of? On Judgment and Disavowal at the Venice Biennale

The international jury of the 61st Venice Biennale announced it would exclude from prize consideration countries whose leaders are charged with crimes against humanity by the International Criminal Court, specifically targeting Russia and Israel. This prompted the Italian culture minister to send inspectors to the Biennale's offices, leading the jury to resign. The Biennale then replaced the Golden Lion with "Visitors' Lions" prizes voted by ticket-holders, immediately making Russia and Israel eligible again. The article traces this crisis to the Biennale's historical structure under Mussolini's 1930 Royal Decree, which established the national pavilion system as a diplomatic concession system designed to serve state power, and notes the recent acceptance of a €50 million donation from Qatar for a new permanent pavilion in the Giardini.