Charity Art UK has completed a major digitisation project, recording nearly 7,000 murals and street artworks across the UK. The Murals Digitisation and Engagement Programme, funded by the National Lottery Heritage Fund, created an online database of over 21,000 public artworks, capturing everything from medieval church paintings to contemporary 2025 murals, with the help of a network of 90 volunteers.
The Art Gallery of Peterborough is set to host "Elizabeth Thompson Advises," a multimedia exhibition by Cavan-based artist JoEllen Brydon running from April to June 2026. The show centers on the work of Brydon’s late mother, Jean Armstrong Brydon, who wrote a progressive advice column for The Globe and Mail under the pseudonym Elizabeth Thompson between 1966 and 1978. The exhibition integrates original letters and columns with JoEllen’s bold paintings, audio recordings, and short films to bring these mid-century narratives to life.
Arte, spazio pubblico e rigenerazione urbana: arriva il nuovo numero della newsletter Render (iscrivetevi!)
Artribune has announced the release of the 55th edition of its bi-weekly newsletter, Render, which focuses on public art, urban regeneration, and contemporary architecture. This latest issue features a deep dive by researcher Fabio Ciaravella into the role of public monuments in shaping societal views on peace versus war, alongside an interview with Mohamed Khalifa Al Mubarak regarding the Zayed National Museum in Abu Dhabi. Additionally, the newsletter highlights Italian urban renewal projects, the trend of repurposing abandoned cinemas, and upcoming events like Milan Design Week.
The Wagner Foundation has selected artists Tomashi Jackson, Lucy Kim, and Yu-Wen Wu as the recipients of its 2026 Wagner Arts Fellowships. Each artist, based in the Boston area, will receive an unrestricted $75,000 grant, professional development support, and will participate in a group exhibition at the Wagner Gallery in Cambridge from August to December 2026.
Il colto simposio su moda&design di Prada quest’anno si svolgerà nella chiesa di Santa Maria delle Grazie a Milano
The fifth edition of Prada Frames, an annual multidisciplinary symposium curated by the design studio Formafantasma, is set to take place from April 19 to 21, 2026, at the historic Santa Maria delle Grazie in Milan. Hosted within the Renaissance sacristy attributed to Donato Bramante, the event coincides with the Salone del Mobile and features a series of lectures and discussions. This year's theme, "In Sight," explores the evolving power of images, the blurring lines between human and machine-generated content, and the material environmental impact of digital image production.
"Seide trägt Geschichten von 3000 Jahren"
Renowned artist Ai Weiwei has collaborated with the historic Italian textile house Rubelli to create a series of silk objects for Milan Design Week. The installation features intricate silk patterns incorporating the artist's signature political motifs, including handcuffs, surveillance cameras, and the Twitter bird. Despite his vocal criticism of the modern design industry as a profit-driven machine lacking ethics and philosophy, Ai was persuaded by Rubelli’s commitment to craftsmanship and their shared respect for the historical weight of the material.
Le dialogue fécond entre IA, savoir et création dans un festival gratuit à la BnF
The Bibliothèque nationale de France (BnF) is hosting the inaugural edition of "Noûs," a free festival exploring the intersection of artificial intelligence, archival knowledge, and artistic creation. Located in the hall of the François-Mitterrand site, the event features eight artistic projects that utilize the library's vast catalog to reveal hidden histories rather than generate falsehoods. Highlights include Audrey Large’s 3D-printed sculptures exploring suppressed female knowledge, Justine Emard’s immersive digital cave of AI-generated sirens, and the collective Obvious’s speculative botanical frescoes based on historical scientific plates.
Sur Arte, la fascinante odyssée d’un Klimt disparu retracée dans un documentaire
A long-lost portrait by Gustav Klimt, depicting a young Black man, has been rediscovered and is the subject of a new documentary on Arte. The film, "Gustav Klimt and the Enigma of the Ghanaian Prince," details the painting's authentication and the investigation into the identity of its sitter, who was identified in 2024 as Prince William Nii Nortey Dowuona, a member of the Ga people who was in Vienna in the late 19th century.
The Medina Triennial has announced the artist lineup for its inaugural edition, set to open on June 6 in the Western New York village of Medina. Curated by co-artistic directors Kari Conte and Karin Laansoo, the exhibition features 39 international and local artists, including Venice Biennale winner Lina Lapelytė, Taysir Batniji, and Tania Candiani. The event is centered around the Erie Canal and explores the theme "All That Sustains Us," focusing on ecology, sustainability, and community exchange.
The 2026 Sony World Photography Awards have announced their top honors across professional, open, student, and youth categories. Notable winners include Citlali Fabián for her series on Indigenous activists in Mexico, Seungho Kim for a project exploring the intersection of parenting and pet ownership in South Korea, and Dafna Talmor for her abstracted, collaged landscapes. The winning works span a diverse range of subjects, from the documentation of a fire at the Royal Academy of Fine Arts in Stockholm to intimate portraits of faith at the Vatican.
Artist Delaine Le Bas is the featured guest on the fourth episode of the ArtReview Podcast, where she discusses her practice and influences with senior digital editor Chiara Wilkinson. Le Bas selects three works as lenses for the conversation: her own large-scale mural "Un-Fair-Ground" created at Glastonbury Festival, her installation "Witch House" at the Whitworth, and the 1969 film "The Color of Pomegranates."
The exhibition "Instructions for Unrest: Art Against Complacency" has opened at Art Produce Gallery in San Diego, featuring a group of artists who utilize their work as a tool for political and social disruption. Curated by Alessandra Moctezuma in collaboration with the nonprofit Space 4 Art, the show presents a diverse range of media aimed at addressing issues such as immigrant rights, LGBTQ+ protections, and environmental policy.
The Albuquerque Museum is hosting a retrospective of Chicana artist Delilah Montoya, titled "Delilah Montoya: Activating Chicana Resistance." The exhibition's centerpiece is "Detention Nation," an immersive installation created in collaboration with the Sin Huellas Artist Collective that simulates the conditions of ICE detention centers. The work features cyanotype images of detainees on prison cots, chain-link fencing, and displays of meager government-issued personal items alongside the official National Detainee Handbook.
The New Mexico Museum of Art has launched "O’Powa O’Meng: The Art and Legacy of Jody Folwell," the first solo exhibition dedicated to an Indigenous woman in the institution's history. This career retrospective, organized in collaboration with the Minneapolis Institute of Art and the Fralin Museum of Art, features over 30 works by the Santa Clara Pueblo potter. The display includes a newly debuted piece, "Buffalo Hunt," and highlights Folwell’s innovative use of relief techniques and narrative surfaces that address contemporary political and social issues.
An activist from the group New Generation staged a protest at Berlin’s Bode Museum by super-gluing herself to a display cabinet containing coins. Dressed as Germany’s Economic Affairs Minister, Katherina Reiche, the protester aimed to criticize the minister's perceived lack of independence from corporate interests. Police successfully removed the activist, and the Prussian Cultural Heritage Foundation confirmed that no museum exhibits were damaged during the incident.
The Getty Center in Los Angeles will shutter for one year beginning March 15, 2027, to undergo its most significant renovation since opening in 1997. The $600 million to $800 million project focuses on infrastructure and visitor experience, including a total replacement of the campus's aging tram system, a redesign of the welcome hall, and the renovation of 27,000 square feet of gallery space. While the hilltop campus is closed, the Getty Villa will remain open, and a new permanent space will debut on Sepulveda Boulevard.
Dutch historian Rutger Bregman, in his 2025 BBC Reith Lectures and book 'Moral Ambition,' argues that Europe risks becoming a stagnant, museum-like relic and calls for a moral revolution to counter societal decline driven by unserious leadership. He positions museums, with their high public trust and status as democratic civic spaces, as crucial leaders in this revolution, urging them to move beyond passive neutrality and actively establish ethical standards, combat misinformation, and engage with urgent societal issues like authoritarianism and climate crisis.
Patricia Marroquin Norby, the Metropolitan Museum of Art's inaugural full-time associate curator of Native American art, quietly left her position in December. Her departure followed independent investigations, including a 2024 report from the Tribal Alliance Against Frauds, which challenged her claims of Native American ancestry. Both Norby and the museum cited health concerns as the reason for her exit.
The New Museum Los Gatos (NUMU) has launched ArtNow 2026, its largest juried high school exhibition to date, featuring 97 student artists from 36 schools across Santa Clara County. Selected from over 600 submissions, the featured works respond to the theme "Before / Between / Beyond," exploring concepts of identity, heritage, and the future. The exhibition process is designed to mirror professional standards, requiring students to submit artist statements and undergo a rigorous selection process by a panel of arts professionals.
South African artist Gabrielle Goliath will present her work 'Elegy' at the Chiesa di Sant’Antonin in Venice, after her government-appointed exhibition for the South African pavilion at the 61st Venice Biennale was abruptly canceled. The pavilion will remain empty for the event's duration, while Goliath's project, sponsored by the Bertha Foundation and London's Ibraaz, will be shown nearby from May to July.
Perché l’Italia non si qualifica più né ai Mondiali né alle Biennali?
Artist Oscar Giaconia draws a provocative parallel between the decline of Italian football and the diminishing presence of Italian contemporary artists in major international forums like the Venice Biennale and Manifesta. He argues that both sectors suffer from a systemic failure to nurture young talent, characterized by a lack of strategic scouting, a preference for foreign trends, and a bureaucratic deafness that stifles growth.
Wittenberg University’s Art Department recently debuted "Prologue to Somewhere," a senior thesis exhibition held in the Ann Miller and Thompson Galleries. The showcase features diverse works from nine graduating seniors, ranging from traditional oil painting and stoneware ceramics to digital media, photography, and interactive video game design. Notable projects include Francesca Heidinger’s Pink Floyd-inspired abstract paintings, Kris Such’s queer horror comic concept art, and Molly Kirkpatrick’s mental health-focused digital experience.
The Sisters, Servants of the Immaculate Heart of Mary (IHM) Motherhouse Gallery in Monroe, Michigan, recently hosted an exhibition featuring artworks created by incarcerated individuals from correctional facilities across the state. Organized by the University of Michigan’s Prison Creative Arts Project (PCAP), the show displayed pieces made from unconventional materials like soap and graham crackers, ranging from spiritual reflections to bright, hopeful compositions. The exhibit was curated from donated works by artists who are unable to keep their pieces or sell them directly due to Department of Corrections regulations.
Prince Saheed Adelakun has returned to Mydrim Gallery in Lagos for a solo exhibition titled "KókóẸwà" (Essence of Beauty), featuring 45 new works. The exhibition is divided into two distinct series: "Dúdúyẹmí," which celebrates the natural richness of dark skin and traditional adornments, and "Ojú Tó ń Sọ̀rọ̀," a collection of portraits focusing on the expressive power of the human gaze. Utilizing a unique and labor-intensive rope medium, Adelakun explores themes of femininity, resilience, and cultural identity.
ROCÍO SÁENZ: ORDEN SALVAJE
Mexican artist Rocío Sáenz presents "Orden salvaje" (Wild Order) at the Museo de las Artes de la Universidad de Guadalajara (MUSA), an exhibition featuring over 60 works created over three years. Spanning painting, ceramics, photography, and drawing, the collection explores the tension between beauty and horror, specifically addressing the harrowing reality of forced disappearances in Mexico. The exhibition is designed as an open studio, showcasing the artist's creative process alongside finished pieces that utilize black humor and satire to navigate themes of death and reconstruction.
Australian photographer Elle Leontiev has been named the Open Photographer of the Year at the 2026 Sony World Photography Awards. Her winning image, titled 'Barefoot Volcanologist,' features Phillip Yamah standing on a lava bomb at Mount Yasur in Vanuatu. Leontiev captured the surreal portrait under challenging technical conditions, relying entirely on autofocus beeps after her camera screens shorted out due to volcanic activity.
Michael Armitage und das fiebrige Gedächtnis der Bilder
The British-Kenyan painter Michael Armitage is the subject of a major solo exhibition at the Palazzo Grassi in Venice, part of the Pinault Collection. The showcase features new works, including the titular painting "52,000 Years," which references prehistoric cave art while weaving together themes of political unrest, the refugee crisis, and lush landscapes. Armitage’s technique is noted for its use of Lubugo bark cloth, a traditional Ugandan material that adds a tactile, irregular dimension to his complex figurative compositions.
Pat Oleszko has opened a major solo exhibition, "Fool Disclosure," at SculptureCenter in New York. The show features her signature sculptures and costumes, which are designed to be activated through performance, and includes new works created specifically for the presentation.
The Spring 2026 issue of ArtReview Asia has been published, featuring a cover profile of artist Li Yi-Fan. The issue includes an in-depth look at Li's work, which explores the relationship between humans and machines through video installations and performance lectures, ahead of his representation of Taiwan at the Venice Biennale. Other articles examine the contemporary art scene in Bangkok, urban redevelopment in Colombo, a colonial-era plant hunting exhibition in London, and Taiwan's museum boom.
Renowned contemporary artist Rirkrit Tiravanija has launched his largest solo exhibition in Singapore at STPI – Creative Workshop & Gallery. Titled "Say Yes To Everything," the retrospective spans over a decade of the artist's practice, featuring prints, editioned works, and interactive installations that emphasize communal experiences. The show includes signature elements of Tiravanija’s relational aesthetics, such as communal meals, origami sessions, and works that utilize UV light to reveal extinct animals, highlighting themes of migration, ecology, and social interaction.