Artist Leonardo Madriz presents his solo exhibition 'Do Not Be Afraid' at Parent Company, featuring five totemic sculptures constructed from rope, resin, and found objects. These works, which Madriz calls 'sentinels,' use materials like rebar, barbed wire, a fake Rolex, and a fragment of a US flag made in Vietnam to create anthropomorphic forms that appear weary and burdened.
A profile of 93-year-old artist Joan Semmel reveals her continued artistic vigor and rising market demand. The article details her recent studio visit, her philosophy of persistence, and her significant body of work focused on the female form.
Space One Eleven Art Center in Birmingham is launching two concurrent solo exhibitions: "Navegando la Masculinidad de la Frontera / Navigating the Border’s Masculinity" by El Paso-based artist José Villalobos and "see saw sawn" by local sculptor Jason Tanner Young. Villalobos’s work utilizes sculpture and performance to deconstruct machismo and queer identity within Norteño culture, while Young, an Associate Professor at the University of Montevallo, presents a body of work rooted in his extensive background in wood and expanded sculpture practices.
Hong Kong’s art market showed signs of a significant rebound during the March art week with two rare "white glove" auctions, where every lot was sold. Christie’s led the momentum with a 100 percent sell-through rate totaling HK$655.8 million, followed by Sotheby’s, which achieved HK$548.4 million and set a record for the most valuable work by a female artist sold at auction in Asia with Joan Mitchell’s La Grande Vallée VII.
Sotheby’s recently concluded its spring marquee auctions in Hong Kong, generating a combined total of HK$711.8 million ($91.2 million). The sales were anchored by the success of Joan Mitchell’s 'La Grande Vallée VII,' which sold for $17.6 million, and achieved a nearly 100 percent sell-through rate by value. The performance was bolstered by the auction house's new 'Maison' headquarters, a dual-level retail and exhibition space that attracted over 44,500 visitors in the lead-up to the sales.
Mark Rothko’s 1949 painting 'No. 10' sold for $8.5 million at Sotheby’s Modern and Contemporary Evening Auction in Hong Kong, establishing a new auction record for the artist’s 'Multiforms' series. The sale was part of a high-profile event that also saw Joan Mitchell’s 'La Grande Vallée VI' become the most expensive work by a female artist ever sold at auction in Asia.
The Solomon R. Guggenheim Museum has launched a major retrospective of Carol Bove, filling the iconic Frank Lloyd Wright rotunda with approximately 100 works spanning her career. The exhibition showcases Bove’s evolution from her early assemblages of driftwood, peacock feathers, and vintage books to her more recent large-scale, brightly colored steel sculptures. A defining feature of the show is Bove’s inclusion of "para-artworks"—pieces by other artists such as Lionel Ziprin, Agnes Martin, and Arnaldo Pomodoro—integrated into her own installations to highlight the influences and histories that inform her practice.
Southwest Florida’s outdoor art season culminates this weekend with the Sarasota Fine Art Show and the 38th Annual Naples Downtown Art Fair. These regional staples will feature over 200 exhibitors across Sarasota Art Museum’s grounds and Naples’ Cambier Park, offering a mix of commercial vendor stalls and high-caliber fine art.
The Spring Arts Guide 2026 highlights several major exhibitions opening in the Washington D.C. area, ranging from local photography to expansive collection surveys. Alan Sislen’s 'AMBIGUITY' at Multiple Exposures Gallery explores architectural abstraction, while the National Museum of Women in the Arts hosts 'Making Their Mark,' a traveling exhibition of the Shah Garg Collection featuring luminaries like Howardena Pindell and Joan Semmel. Additionally, the National Museum of African Art presents 'Here: Pride and Belonging in African Art,' a landmark show centering queer voices within the African diaspora.
Artnet Auctions has launched its "20th Century Art" sale, featuring works by blue-chip masters including Joan Miró, Yves Klein, and Andy Warhol. The auction, curated by specialists Sylvie François Sturtevant and Jason Rulnick, highlights the distinction between "rarity"—objects that are unusual due to limited production or historical loss—and "scarcity"—where high market demand outstrips the available supply of editioned works.
Artist Carol Bove has unveiled a hidden Joan Miró mural as part of her new retrospective at the Guggenheim Museum in New York. The 19-foot-long ceramic work, titled 'Alicia' (1965–67), was commissioned by Harry F. Guggenheim but has been concealed behind a false wall for over two decades because curators felt it clashed with other exhibitions. Bove integrated the masterpiece into her show by cutting a diamond-shaped aperture into the partition, allowing visitors a rare glimpse of the site-specific piece.
Researcher Julia May Boddewyn has published a new book, 'The Valentine Gallery: The Forgotten Story of Valentine Dudensing, Matisse, Picasso, and the US Market for Modern Art (1926-1947)', which unearths the history of a pivotal but overlooked New York gallery. Founded a century ago, the F. Valentine Dudensing Gallery was responsible for introducing European Modernism to America, hosting the first US solo shows for icons like Joan Miró and Piet Mondrian, and organizing the American debut of Picasso’s 'Guernica'.
L, an artist known for spiritually charged sculptures and paintings, has died at age 41 or 42. Their passing was announced by galleries that represented them, though a cause of death was not confirmed. Born Jason Metcalf in Salt Lake City, L created works using objects suspended in mineral oil, which they called "spells," and exhibited at major institutions including Documenta and the Getty Center, as well as galleries such as Marlborough Gallery, 56 Henry, and the Ranch. L was also a spiritual practitioner and neurodivergent, and their career included early performances like "Original Skin" and a notable 2015 show at the LA alternative space JOAN.
The Hirshhorn Museum and Sculpture Garden has launched a major partnership with the Art Bridges Foundation called '50 for 50'. This initiative will send long-term loans of significant American artworks from the Hirshhorn's collection to smaller museums in all 50 U.S. states and Puerto Rico, with loans lasting three to five years.