Artist Outraged After His Conservationist Mural in Dallas Is Painted Over to Allow for FIFA Promo

A giant mural by conservationist artist Robert Wyland, titled *Ocean Life* (1999), was painted over in Dallas to make way for a FIFA promotional mural. The piece was number 82 of Wyland's 100 "whaling wall" murals worldwide, covering two sides of the Texas Utilities Building. Crews began painting over the larger 164-by-82-foot section last week, while a smaller panel remains visible. Wyland and the Wyland Foundation have denied giving permission, calling the city's claim a lie. The building's owner, Slate Asset Management, allowed the North Texas FIFA World Cup Organizing Committee to cover the mural. FIFA plans to unveil a new work by a local artist ahead of the 2026 World Cup, for which Dallas will host nine matches.

Exhibition | Byoung Cho, 'WHEN SPACE BECOMES PAINTING' at BB&M, Seoul, South Korea

BB&M gallery in Seoul presents "When Space Becomes Painting," a solo exhibition of leading Korean architect Byoung Cho, organized in partnership with Jiyoon Lee of SUUM Project. The show traces Cho's 30-year engagement with space across painting, installation, maquettes, and drawing, exploring how his architectural thinking translates onto canvas. Central to the exhibition is Cho's concept of "mahk," inspired by Korean traditional ceramic maksabal, embracing spontaneity and imperfection as a guiding philosophy. The exhibition shifts from viewing artworks to experiencing them, with paintings that function as performative inquiries into existence rather than static images.

TOXIC’s ‘ALWAYS EVER SINCE 83’ brings four decades of uncompromising practice to Woodbury House

Torrick Ablack, known as TOXIC, will present a major solo exhibition titled 'ALWAYS EVER SINCE 83' at Woodbury House in London from 14th May to 26th June 2026. The show features new paintings alongside rarely seen early works dating back to 1983, marking what the gallery calls a long-overdue recognition of TOXIC's career. TOXIC emerged from the downtown New York scene of the early 1980s alongside figures like Jean-Michel Basquiat, Keith Haring, and Rammellzee, and participated in the landmark Post-Graffiti exhibition at Sidney Janis Gallery in 1983. The exhibition positions 1983 as a psychological and artistic turning point, tracing over four decades of his uncompromising practice.

Show White: Academy of Visual Arts, University of the Arts Sharjah exhibition

The Academy of Visual Arts at the University of the Arts Sharjah is presenting a faculty exhibition titled 'Show White,' curated by Tor Seidel and assisted by Maryam AlQassimi. The show, first hosted at Rawaq Gallery (April 8–23) and currently at XVA Gallery in Al Fahidi (April 25–May 21), explores the multifaceted concept of 'white' through diverse mediums and techniques. Participating faculty artists include Georgina Abood, Dr. Mohammed Yousif Alhammadi, Muatasim Alkubaisy, Alina Erimia, Muhammad Asad Iqbal, Thaier Helal, Dr. Iman Ibrahim, and Andreea Lonhardt-Muresan, each presenting works that engage with white as a symbol of minimalism, purity, emptiness, or cultural memory.

Landor partners with Museum of Contemporary Art Australia on landmark AI exhibition

Landor Australia partnered with the Museum of Contemporary Art Australia (MCA Australia) to create "Data Dreams: Art and AI," a landmark exhibition featuring ten international artists exploring art and artificial intelligence. Landor developed "Data Dreamscape," a generative identity system and interactive experience where visitors typed in dream memories, which AI transformed into unique artworks. The identity was applied across marketing, merchandise, and in-gallery applications, with approximately 3,000 visitors engaging with the tool during the exhibition's run.

Urban Art Biennale: Rust, dust and decay revamps Germany's Völklingen ironworks

Dozens of urban artists from 17 countries have gathered at Germany's Völklinger Hütte (Völklingen Ironworks), a UNESCO World Heritage site, for the Urban Art Biennale 2026 opening this Saturday. The exhibition features 50 artists including Tomas Lacque, Boris Tellegen (Delta), Vortex-X, Ampparito, Remi Rough, and Anders Reventlov, who have created site-specific installations that engage with the industrial landmark's sprawling spaces, rust, dust, and sense of decay. Works range from a van covered in ash-like paint to a massive wooden sculpture and a rooftop text piece visible from 45 meters high.

Pajaro Valley student art exhibit showcases artistic skills of all grade levels

The Pajaro Valley Unified School District held an opening ceremony for its Annual Art Exhibition at the Watsonville Civic Plaza, showcasing hundreds of works by students from transitional kindergarten through high school seniors. The exhibition, which will remain on display for up to a year, features a variety of media including watercolors, charcoal drawings, photographs, collages, and mixed media, with subjects ranging from local landmarks to portraits of Frida Kahlo and the Teenage Mutant Ninja Turtles. Art teachers like Itzel Vega of Landmark Elementary School collaborated to curate projects that represent each school, highlighting student creativity and problem-solving, such as first grader Aleyda Carrillo's collage of a crowned brontosaurus.

Anaheim's new $4 billion, 100-acre entertainment district will double as an open-air art gallery with 70+ free public artworks

Anaheim's $4 billion OCVIBE entertainment district, a 100-acre development around the Honda Center, has partnered with art and design studio FUTUREFORMS to create a public art program featuring over 70 original artworks. The program includes permanent and rotating installations such as sculptural landmarks, murals, and interactive pieces, with early works already taking shape in the food hall and concert hall. Notable artworks include 'Stretto' by Nataly Gattegno and Jason Kelly Johnson, 'Rhythm, Flavor, Motion' by Brian Peterson, 'Gratitude' by Carla Roque, and 'Sunrise – Sunset' by Marina Zumi. The first phase will be accessible to the public in early 2027.

Spain, sculpted in sand at Tottori museum’s landmark 20th exhibition

The Tottori Sand Museum in Japan has opened its 20th anniversary exhibition, themed around Spain. The show features monumental sand sculptures recreating iconic Spanish landmarks, including several of Antoni Gaudí's structures, most notably the Sagrada Familia basilica. The exhibition began last month and will run through January 3, continuing the museum's tradition of annual themed displays that began outdoors in 2006 and moved to a dedicated indoor building in 2012.

‘Currents’ multimedia installations portray Schuylkill River in new art exhibit at Fairmount Water Works

Martha McDonald will perform original songs on a glass armonica at the Fairmount Water Works in Philadelphia as part of 'Currents,' a new multimedia art exhibit. The show features installations by 10 local artists that animate the historic water system's underground corridors, coinciding with the 250th anniversary of the Declaration of Independence. Works include a 3D animation timeline of the Schuylkill River by Nadia Hironaka and Matthew Suib, photographic pieces by Julianna Foster, and an installation by Taji Ra’oof Nahl addressing water and honey bees. The exhibit runs through Aug. 8.

The Smithsonian National Museum of African Art Opens First & Largest Exhibition of LGBTQ+ African Art

The Smithsonian National Museum of African Art has opened "Here: Pride and Belonging in African Art," the largest exhibition of LGBTQ+ African art to date, featuring nearly 60 artworks by 30 queer artists from across Africa and its diasporas. Curated by Kevin D. Dumouchelle and Serubiri Moses, the exhibition was originally scheduled to coincide with WorldPride DC 2025 but was delayed to early winter 2026, shortly after President Donald Trump issued an executive order targeting the Smithsonian for material deemed "divisive ideology," including discussions of gender identity. Museum officials attributed the postponement to budget and fundraising challenges rather than political pressure.

The church, the village, the park. FAI's 'Places of the Heart' returns to save ruins

La chiesa, il borgo, il parco. Tornano i Luoghi del Cuore del FAI per salvare i beni in rovina

The Fondo per l’Ambiente Italiano (FAI) has launched the 13th edition of its "Luoghi del Cuore" (Places of the Heart) initiative, a biennial census that invites Italians to vote for cultural heritage sites most in need of restoration. Since 2003, the campaign has collected over 13.5 million votes, with the 2024 edition alone receiving more than 2.3 million votes for over 41,000 sites across 6,508 municipalities. The initiative has funded 180 recovery projects, 40% of which involve churches, followed by environmental, architectural, and archaeological assets. Notable successes include the Church of San Pietro dei Samari in Gallipoli, the Oratorio del Sasso in Orasso, and the Complesso di Sant’Angelo Magno in Ascoli Piceno.

California Art Club’s “American Road Trip” Opens at the Old Mill

The California Art Club opens its third exhibition, “A Rite of Passage: The American Road Trip,” at the Old Mill in San Marino on May 14. The show features paintings by CAC artists depicting cross-country highway scenes, including desert roads, small-town main streets, and roadside landmarks, as part of the club’s series celebrating California’s 175th anniversary and the United States’ 250th. The exhibition runs through October 4.

How Capital Walls’ mural program has shaped Albany's streets and artists for 10 years

Capital Walls, a mural program in Albany, New York, has transformed the city's streets over the past decade by commissioning large-scale public artworks from local and national artists. The initiative has produced dozens of murals that have become landmarks, revitalizing neighborhoods and fostering community engagement with visual art.

State museum exhibits piece of DeWitt County

An original painted ceiling tile from the historic DeWitt County Courthouse, built in 1896, has been loaned to the Bullock Texas State History Museum in Austin. The DeWitt County Commissioners Court approved a 10-month loan agreement in late April, with the tile on display from May 1 through January 31, 2027. The tile, valued at $3,000, was discovered hidden in the courthouse attic before its 2007 restoration and is now featured in the museum's Texas Art Gallery as part of an exhibit celebrating Texas courthouse architecture.